On the Outside [Import]

on the outside [import]

Track Listings

1. In The Crossfire

2. Counterfeit Life

3. In My Blood

4. Faith Hope Love

5. I Don'T Know

6. Way Back Home

7. Keep Us Together

8. Get Out While You Can

9. This Time

10. White Light

11. Jeremiah

12. Electronic Press Kit (Video)

13. In My Blood (Video)

14. Tie Up My Hands (Video)

15. Silence Is Easy (Video)

16. In The Crossfire (Video)

Editorial Reviews
Product Description
CD/DVD (PAL/Region 0) pressing. The DVD features, Making of 'On The Outside' (Short Film), Counterfeit Life - Live LA performance, In My Blood (Live At Somerset House), Silence Is Easy (Live At Somerset House), In The Crossfire (Video) along with a photo gallery. a Starsailor return with their third album, 'On The Outside'. Both their previous two albums have now sold in excess of 1.5 million copies worldwide and on the last campaign they hit number one in the French singles chart with 'Four To The Floor'. Starsailor never stopped working, they continuously toured, only pausing to write and record their new album, and in the process have created an impassioned statement, a record of real honesty and urgency. Much of the record was recorded live which has aided the directness and captured the passion. Galvanised like never before, the band have produced their best work to date. Featuring the fantastic comeback single 'In The Crossfire', the band's new album 'On The Outside' was produced by Rob Schnapf (Beck, The Vines, Elliott Smith) and looks set to take the band to the new heights they deserve. EMI. 2005.

On the Outside,Starsailor,EMI Int'l,Alternative Pop/Rock,England,Pop,Rock,Rock/Pop

On the Outside [Import]

Average customer rating:

superb album!
Haunting and Brilliant
Time on Earth-Thoughtful look at mortality, those we love and the changes they make in our lives
Welcome Back Crowdies

Time on Earth
Crowded House
Manufacturer: Ato Records / Red
ProductGroup: Music
Binding: Audio CD

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ASIN: B000Q9OD7G
Release Date: 2007-07-10

Tracks:

Nobody Wants To
Don't Stop Now
She Called Up
Say That Again
Pour Le Monde
Even A Child
Heaven That I'm Making
A Sigh
Silent House
English Trees
Walked Her Way Down
Transit Lounge
You Are The One To Make Me Cry
People Are Like Suns

Amazon.com

Fourteen years, a live CD/DVD, some solo albums, and one tragic suicide after Crowded House's last release comes this highly anticipated reunion. Singer/songwriter Neil Finn and bassist Nick Seymour reunited after the 2005 death of drummer Paul Hester, brought in a new member and two producers (Ethan Johns and Steve Lillywhite) to replace longtime cohort Mitchell Froom, and the impressive result is a logical and overdue addition to the band's previous four albums. Finn's knack for a melodic ballad remains firmly in place as Time on Earth coasts on his dreamy voice and introspective, hook-laden pop choruses. However, this is a more reflective collection that requires a few spins to fully reveal its charms. Finn co-writes "Even a Child" with Smiths guitarist Johnny Marr, and that and the frisky "She Called Up" are the most buoyant tracks on this predominantly pensive disc. Finn has generally shaded towards a darker edge and this hour-long set might have benefited from more of the lighter touch he applies to "Transit Lounge," a song enhanced by Beth Rowley's lovely and startling wordless vocals along with jazzy electric piano and even airport sound effects. Strings, sitar, and intricate production add subtle elements that bolster the timeless musical qualities Finn has always reveled in. The ominous, even brooding "Silent House," a co-write with all three Dixie Chicks, is another highlight that sounds like nothing either has done before as it floats along on fuzz guitar and hurdy-gurdy, both courtesy of Johns. Trimming some weaker cuts would have made this a more focused listen, but Time on Earth is a worthy successor to Crowded House's existing catalog--a high compliment indeed. --Hal Horowitz

Customer Reviews:

superb album!.......2007-07-12

I am in complete agreement with Vinzo: this is a masterpiece. Finn is only getting better, each song is perfectly constructed and a joy to listen to. i've listened through it 3 times in 24 hours and can't wait to hear it again. been a long time since any recording felt like "somethin so right" to me, so to speak. i like a lot of new records, and love some, but getting through them in their entirety more than once the first day - i can't remember the last time that happened.

the band sound great and the production is cleaner, less thick, than the very fine finn brothers album. sure sounds like a crowded house album to me!

where I disagree with other reviewers is in how accessable this is. i found it immediately so - I was on it from the 1st measure and found every song very straight ahead and perfectly neil finn/crowded house-ish. a few choice surprise sonic nuggets here and there, but hard to get used to? no way.

I agree Vinzo, it really is THAT good. a perfect ten!!!

Haunting and Brilliant.......2007-07-10

Time on Earth is a masterpiece. Not as immediately accessible as the earlier Crowded House ablums, this one has so many very special moments. There is so much "home" to the new Crowded House. I continue to be amazed at what a great songwriter Neil Finn is. He allows his beautiful voice to show the pain he has suffered with the loss of Paul Hester. Listen to the gorgeous "Pour Le Monde" and "People are Like Suns", they are stunning and haunting lyrically, musically and vocally. Also, the background vocals throughout this album are remarkable and beautifully realized.

This is one of those albums which will be recognized as a classic many years from now. It is the Abbey Road for Crowded House (the Beatle reference is intentional). Great songs, gorgeous vocals, beautiful production, great band. Time on Earth is the album of the year and may be Neil Finn's masterpiece. Yes, it is that good.

Time on Earth-Thoughtful look at mortality, those we love and the changes they make in our lives.......2007-07-10

First up, I'd suggest listening to the samples provided here to see if this terrific Crowded House album is going to be for you. It doesn't sound like anything Neil's done with the band before (although it does recall "Temple of Low Men" and "Together Alone" in terms of its mood). Fans will love this album which builds subtly, over many listens. It is worming its way into my list top albums for this year. Neil is reflective on the changes in his life. Some of the tunes on here are some of the most catchy of his career. He also co-writes a tune with former Smith Johnny Marr (the chiming "Even a Child")and one with The Dixie Chicks. Neil continues to be one of the finest songwriters of his generation and he won't let down fans with this release either.

One thing that Neil Finn never does is make the same album twice. Crowded House fans will find that "Time on Earth" grows on you and isn't as instantly memorable as "Woodface" but is equally as powerful and memorable. In fact, this album reminds me more of the follow up to the band's popular "Woodface" album, "Together Alone"; the melodies are touched with melancholy. You can't help but feel that the death of Paul Hester (the band's original drummer, occasional songwriter and friend of Neil's since the end of Split Enz), middle age and changes in Neil's personal life informed this terrific album. As always, Neil demonstrates a knack for writing memorable melodies and thoughtful, deeply felt lyrics that rank among the best out there. Neil's more experimental solo albums have also impacted this album as well (they departed from the "formula" of Crowded House)and since this was, initially, going to be a solo album it's not a surprise that this album's low key charm and musically adventurous touches are in line with what was on Neil's most recent pair of solo recordings.

Nevertheless, this IS a Crowded House album and brims with all the wit, songwriting skill and hooks that Neil and his band are known for. In fact one of the most interesting aspects of this album is the collison between the "style" that Neil established on his solo albums, the pair he made with his brother Tim and the Crowded House sound. It reinvigorates the album making it a unique and enjoyable follow up to "Together Alone" (the band's last full studio album. I'm not counting "Afterglow" since it was made up of b-sides and tracks that weren't used for the original version of "Woodface").

For those interested there is an import with a DVD of live performances. Also, the first single has two songs not included here plus some live tracks as well. Unfortunately the deluxe edition with the DVD hasn't been released in the United States as of this date.

Worth picking up.

Time on Earth
Don't Stop Now
Together Alone
Woodface
Try Whistling This
One Nil

Welcome Back Crowdies.......2007-07-10

This new Crowded House effort is simply wonderful. But, if you're after instant gratification, then this album is not for you. It is impossible to comment on this CD before at least half a dozen listens. It is darker and heavier than previous Crowded House sets and Paul Hester's presence is everywhere. While it may not have the same level of energy as you'd expect from typical Crowded House fare, it nevertheless has moments of pure Neil Finn genius. She Called Up is the closest thing to the boppy Crowded House of yesterday, reminiscent of Something So Strong. In part, Time On Earth does resemble one of Neil Finn's solo projects, but this is only logical because this CD began as Finn's next solo work until the suggestion of reforming Crowded House was raised. There are aspects of every part of Finn's career on this CD, with hints of Split Enz, reminders of the Crowded House we used to love (and now love again) and both his own work and that with brother Tim, as well. On first listen, you'll probably only like two or three tracks, but after half a dozen listens you won't be able to put it down. There's something to enjoy about nearly every track on this CD. The uptempo pop of the Crowded House of the 80s and 90s still exists on Time on Earth, the gorgeous ballads are haunting, the brooding rock of Silent House (co-written with The Dixie Chicks) fantastic, and the melodies, just beautiful. To all those doubters out there, you didn't really think one of the greatest songwriters of our generation would let us down, did you?

Average customer rating:

Vibrant & Real
too mellow/bring on soundgarden
2 absolute stinkers in a row for Cornell
Unbelievable.
Chris Cornell does it again

Carry On
Chris Cornell
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PDZJ08
Release Date: 2007-06-05

Tracks:

No Such Thing
Poison Eye
Arms Around Your Love
Safe And Sound
She'll Never Be Your Man
Ghosts
Killing Birds
Billie Jean
Scar On The Sky
Your Soul Today
Finally Forever
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Disappearing Act
You Know My Name

Amazon.com

Change has been a constant in Chris Cornell's life since Soundgarden split in 1997. Sober and over 40 now, he lives in France with his wife and daughter. His first solo album (1999's Euphoria Morning) was lauded in the press, but disregarded by the public. And his supergroup Audioslave eventually fizzled after a trio of albums. But on Cornell's long-awaited sophomore solo effort, it's obvious something hasn't been altered: the voice, a distinguished instrument still pure and resonant--and authoritative enough to take on Michael Jackson's "Billie Jean" and turn it from throbbing dancefloor anthem to portentous ballad. The unforeseen cover is sequenced midway through 14 tracks that have Cornell softening the edges of his music without losing the power of the messenger. No less than a half-dozen songs have hit potential, including "Arms Around Your Love," with its soaring chorus, the R&B-flecked "She'll Never Be Your Man," and "No Such Thing," where restrained verses give way to crunchy-riffed choruses. He uses the bluesy "Safe and Sound" to call for peace, asking "Why can't we pull it together?" Ten years after the breakup of his pioneering band, Chris Cornell has done just that, and it's evident that the change has done him good. --Scott Holter

Album Description

Carry On is the 13th album by two-time Grammy winner, singer-songwriter and voice of a generation, Chris Cornell. Steered by Grammy Award-winning British super- producer Steve Lillywhite (U2, Rolling Stones, Morrissey, Dave Matthews Band), Carry On is a mature and content departure from the acrimonious artist who brought us Soundgarden, Audioslave and Temple of the Dog.

The new album's fourteen tracks offer the bluesy and soulful "Safe and Sound," psychedelic "Scar On The Sky," country-flavored "Finally Forever"... paeans to persistence in "Disappearing Act" and a slow-grind cover of Michael Jackson's "Billy Jean" that gives the familiar song a completely new feeling. More personal selections include "Ghost," "Arms Around Your Love" and "She'll Never Be Your Man" and alt-rock experimentations ("Killing Birds" the anthemic "Silence the Voices"). Fans of Soundgarden and Audioslave will appreciate the harder edge of "No Such Thing" and "Poison Eye" and the redemptive "Your Soul Today."

Carry On also includes the Top 10 European smash hit "You Know My Name," the main title song for the current James Bond theatrical release, Casino Royale, appearing for the first time on a full-length release. Cornell wrote and recorded the track with long-time James Bond composer David Arnold for the film.

With this collection of songs, it is evident that Cornell was inspired by songwriters from Elvis Costello to Tom Waits. Cornell says that his own lyrical approach leans on stream-of-consciousness, "getting out of my own way" to allow themes to naturally arise, whether topical or biographical. "The most exciting thing is to let yourself expose your true, vulnerable feelings, which is what resonates with people most," he explains. As far as his vocal style, he points to such R&B singers as Otis Redding and Aretha Franklin for showing masterfully how emotion can best be conveyed, even in subtle phrasing, also praising Bob Marley's expressive range and Tom Waits' use of his voice as an instrument.

Customer Reviews:

Vibrant & Real.......2007-07-12

Chris Cornell is at his very best here. The palette of emotion is rich and tinted with nuances, the sound powerful yet stripped of deliberate heaviness and mannerisms. This album is a testimony of artistic integrity and value.

too mellow/bring on soundgarden.......2007-07-12

Chris is a great singer that seems lost on most songs. I give A+ to "No such thing " & "you know my name", a (B) to "Poison eyes" & "Your soul today". However, the other TEN songs are way too melow & lack drive & direction. I know this if this was a Soundgarden record it would have rocked way more. WTF, Black hole sun was the big melow song on Superunknown!! How can he justify 10 freakin ballads! [...]! Call the old buds from soundgarden.

2 absolute stinkers in a row for Cornell.......2007-07-11

A horrific Audioslave final CD, now this debacle. Is Chris Cornell done creatively? One might think so, after this complete disgrace of a CD. When I heard Cornell was leaving Audioslave and releasing another solo CD, I was pumped. I absolutely loved "Euphoria Morning". In fact, I liked EM more than any Soundgarden album. Needless to say, I was absolutely disgusted upon hearing this abominable 2007 effort. I can't understand what Cornell could have possibly been thinking when he wrapped up the recording and mixing process. It's THAT bad.

Unbelievable........2007-07-07

Just about every song Soundgarden did still holds up today. I appreciate Chris making a kind of "relaxed" album after Audioslave. And I've been looking forward to the new solo album. Well, none, I repeat none of "Carry On" makes any musical sense to me. Have you ever sung a song to yourself and tried to make up the words as you go and you crack yourself up because it didn't make any sense at all? This seems to be the trend for the whole album. I take no pleasure with this critique of his latest work. I have had all of his stuff in constant rotation for well almost 20 years. How is it that even the best of musicians seem to fall flat? We all have own ups and downs, with room for improvement. This is obviously the best he could do at the time, and in my opinion there was little to be done to save this one.

Chris Cornell does it again.......2007-07-06

Carry on is a very good CD. It provides various musical styles including blusey, rock ballads as well as a great cover of Billie Jean. I would recommend this CD.

Average customer rating:

Hang on Little Tomato
Quirky but Nice
The World is Flat... and Pink
Now here's a reason to watch PBS
Better than ever

Hang on Little Tomato
Pink Martini
Manufacturer: Heinz Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002S94WK
Release Date: 2004-10-19

Tracks:

Let's Never Stop Falling In Love
Anna (El Negro Zumbon)
Hang On Little Tomato
The Gardens Of Sampson & Beasley
Veronique
Dansez-vous
Lilly
Autrefois
U Plavu Zoru
Clementine
Una Notte A Napoli
Kikuchiyo To Mohshimasu
Aspettami
Song Of The Black Swan

Amazon.com

Pink Martini should be known as the little orchestra that walks a fine line in its music. The Portland, Oregon, outfit is deeply influenced by Latin music, jazz, cabaret, cinema scores, and a smattering of other styles. But rather than simply aping legendary artists in their prime--and fooling only a few dim bulbs in the process--band shakes things up by writing its own material, or at least creating tasteful new arrangements that fit within the band's unique post-lounge framework. The band keeps the playful musical vibe on Hang On Little Tomato, but jettisons what kitsch factor it had, choosing to focus wholly on original material or stuff that isn't recognizable to the average music fan. It's been a seven-year wait for fans since the band's fun debut, Sympathique, and while the blush is now off the rose, the band's creative ambitions and talent are never better displayed than here on their second effort. - Tad Hendrickson

Album Description

Somewhere between a 1930s Cuban dance orchestra, a classical chamber music ensemble, a Brazilian marching street band and Japanese film noir is the 12-piece Pink Martini.

Part language lesson, part Hollywood musical, the Portland, Oregon-based "little orchestra" was originally created in 1994 by Harvard-graduate Thomas M. Lauderdale to play at political fundraisers for progressive causes such as public broadcasting, clean water, libraries, civil rights and affordable housing. In the years following, Pink Martini has gone on to perform its multilingual repertoire on concert stages, in smoky clubs and with symphony orchestras throughout Europe, Greece, Turkey, Taiwan, Lebanon and the U.S.

Hang On Little Tomato, Pink Martini's much-anticipated second album, features a collection of original songs written by the band and its extended family as well as a few undiscovered gems reinterpreted in high style. Drawing on themes articulated on Sympathique, Hang On Little Tomato is the result of the group's diverse collaborations and inspirations. From an advertisement for Hunt's Ketchup in a 1964 issue of Life magazine to a dance sequence in the 1950 Italian film Anna, Hang On Little Tomato includes songs in French, Italian, Japanese, Croatian, Spanish and English. "Una Notte a Napoli," for example, was written with Alba Clemente - an Italian stage and television star in the 1970s - and DJ Johnny Dynell of the legendary New York-based nightclub Jackie 60. In a reworking of the Japanese song "Kikuchiyo To Mohshimasu," Pink Martini collaborated with Hiroshi Wada, the slide guitarist whose group originally recorded and released the song in 40 years ago.

Originally released in 1997, Sympathique met with rave reviews worldwide, finding a place within the hearts of many and selling well over a half million copies. Building its legacy through unstoppable word of mouth, select high profile symphony dates, prominent placement in film and television and fashionable private appearances, Pink Martini has returned with their highly-anticipated follow up. Hang On Little Tomato is every bit the new album Pink Martini fans have been longing for. Lush string arrangements, soaring vocals and cosmopolitan rhythms unfurl from the brilliant international hemisphere that is Pink Martini.

Customer Reviews:

Hang on Little Tomato.......2007-07-02

I love this group and this CD does not disappoint. A unique mix of selections enhanced, as always, by the outstanding musical talent of the group.

Quirky but Nice.......2007-06-27

So...I wasn't quite sure what to expect from Hang on Little Tomato, as I had heard an excerpt from another album on Public Radio, the one where China sings Que Sera with carnival music in the background. That piqued my interest. I did listen to the samples before I ordered it, but couldn't really tell much. I was pleasantly surprised to say the least. I am a classical music fan and have spent many years singing choral music in a number of languages so the songs sung in French and Italian to a Latin rhythm were intriguing. I also liked their "big band" styling. There was only one song on the album that I didn't like, and considering that they wrote most of the music, that's a pretty significant average for me.

The World is Flat... and Pink.......2007-04-29

Seamlessly crossing genres and generations and geographies, Pink Martini's second album is stellar, erudite, and delightful. It is perhaps a wee bit less dazzling than their first (Sympathique), but far above and beyond most of today's music. I've waited a few years to write my review on this one, but since the third album is being released in May 2007, I thought I'd better get moving.

Pink Martini is a group of 15 musicians, occasionally augmented by additional strings. There is one musician from the first album missing: Pepe Raphael, who was a vocalist as well as songwriter. His departure may explain why "Hang On Little Tomato" is a bit less "edgy" than the first album. (You can hear Pepe on the album "Latenight Betty" by Pepe and the Bottle Blondes, which is quite good but at times a bit too camp/kitschy.)

Every song on "Hang On Little Tomato" is a work of art. In the opening of the first cut, a sea of strings sweeps you into a Cuban nightclub, and China Forbes, Pink Martini's leading lady, draws you in with her sultry vocal delivery. She caresses the lyrics "I know a falling star can't fall forever, but let's never stop falling in love." As the song builds, each talented musician in the group adds to the charm; the keyboard, the trumpets, the percussion: perfection. In addition to providing luscious vocals, China Forbes shares songwriting credit for this along with Thomas M. Lauderdale, the group's pianist.

The second cut, "Anna (el negro zumbon)," continues the Latin flavor, featuring a duet with China and Timothy Nishimo (the group's replacement for Pepe, I suppose, as Timothy was not on the first album). This is one of those songs that forces you to move to the beat; quite fun. Superb percussion, including Heinz the barking dog!

The title cut, "Hang On Little Tomato," features a marvelously mellow clarinet prelude, and a boop-boop-be-doop vocal by China Forbes. Sheer delight. Next comes "The Gardens of Sampson and Beasley," another original work that uses strings and harp to mold a mellow charm, and features a bit of "My Darling Clementine" woven in. The garden referenced is Bella Madrona in Sherwood, Oregon, owned by Jim Sampson and Geoff Beasley.

Continuing the mellow mood, Pink Martini next returns to film noir land, offering a sparse, nostalgic "Veronique," with chilling vocals and trumpet performed by Robert Taylor. French is next, with "Dansez-Vous." I originally thought this was the weakest cut on the album, but after seeing them perform this number live, I have a different opinion. In concert, an extended version of this song is a showcase for the multitude of musical talent that resides in the people of Pink Martini.

With "Lilly," the Latin groove returns, and two trumpets dance with staccato piano and piquant percussion. We quickly jump back to French, with a spare, haunting, wistful, "Autrefois." I love this song! It starts out with a funky drumbeat, which quickly is joined by nostalgic piano chords and a soul-searing violin. What a delightful juxtaposition--the modern percussion and the classic violin, piano, and mandolin. And the longing lyrics tell a tale of fond memories "a good long time ago." The soul capture continues on the next cut, U Plavu Zoru. Patsy Chang's opening cello is unbelievable (see this number in concert for a true soul-shaking experience!). The lyrics of this original song are in Croatian. Why? Why not? Music is the communication form that still delights even if one can't understand the words. "U Plavu Zoru" highlights the outstanding musicianship of each individual member, and the talent of the team, as they take us on a symphonic, operatic journey featuring strings, brass, keyboard, and China's gorgeous voice.

The next cut, "Clementine," brings back memories of the sixties. This song channels Burt Bacharach, or perhaps Herb Alpert, and trombone aficionados will be very pleased. The mid-twentieth century tribute continues with "Una Notte a Napoli." This song could have been used instead of "Tu Vuo' Fa L'Americano" in that Italian nightclub scene in "The Talented Mr. Ripley."

In a very Pink Martini move, the next song jumps to Japan, and a Japanese pop song from the sixties. For its cover of this song, Pink Martini enlisted Hiroshi Wada to recreate his slide guitar from the original. This music embodies all the mystery and distinction of Japanese culture, and through simplicity creates great beauty. To continue the "beauty through simplicity" theme, the next number, "Aspettami (Wait for Me)," features only the voice of China Forbes and the guitar of Dan Faehnle, blending to create soothing charm.

And finally, a bit of bit of Brazilian composer Heitor Villa-Lobos: Song of the Black Swan. This lush instrumental track carries us, blissfully, to the conclusion of Pink Martini's magical musical world tour. I wish politicians could bring harmony across cultures as well as these musicians.

All but three of the album cuts were written by members of the group, which is the inverse of the case on their first album. I believe you will enjoy and never tire of this CD. If you have the chance to see Pink Martini in concert, run, don't walk. I'll see them again in two months. And remember the new one arriving in May 2007!

Now here's a reason to watch PBS.......2007-04-26

This CD is glorious! Listening to it almost makes PBS worth watching. LOL! I love that this CD is multi-lingual and jazzy. This is one of my favorite CDs.

Better than ever.......2007-03-28

Phenomenal! Love the varying languages. Love the vocals. The songs keep running through my head long after I listen. I hope it's not so long before the next album!

Average customer rating:

Do not hesitate to buy if you were disappointed with ASH
Disappointing comeback
Best Alternative/Indie/Rock Album This Year
Absolutely gorgeous, top-notch
Wow- New Music that actually lives up to its reputation?

Because of the Times
Kings of Leon
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Aha Shake Heartbreak

ASIN: B000MRA3NU
Release Date: 2007-04-03

Tracks:

Knocked Up
Charmer
On Call
McFearless
Black Thumbnail
My Party
True Love Way
Ragoo
Fans
The Runner
Trunk
Camaro
Arizona

Amazon.com

Aha Shake Heartbreak may have blown open the doors of fame for Kings of Leon, but their third full-length album (named for a United Pentecostal Church ministers' conference) could well usher the Nashville foursome directly to rock and roll's zenith. There's hardly a change in plans for the three Followill brothers and their cousin, and that means producer Ethan Johns, a smorgasbord of musical influences, and a cacophonous ensemble of guitar, bass, and drums. A trio of relentless rockers--"My Party," "Camaro," and the sarcastic "Charmer"--are sure to pacify those familiar with the Kings' blueprint, yet there is ripening in the band's approach heard, in several of the record's 13 songs. Reverb guitar and vocals and a "woo woo" chorus add a sinister aspect to "Trunk," and "Knocked Up" features a laissez-faire Caleb Followill crooning "She don't care what her mama said/She's gonna have my baby." The seven-minute revelation of fatherhood that opens the album leads into the U2-influenced "McFearless," a reggae-splashed "Ragoo," and the rambling English blues of "Black Thumbnail." It's a rogue element that has always left every record fresh, and this time it has Kings of Leon teetering on the edge of rock renown. --Scott Holter

Album Description

Third album from the rockin' American quartet whose previous albums (2003's Youth And Young Manhood and Aha Shake Heartbreak from '05) have earned them a large worldwide following. Consisting of three brothers and a cousin, the Kings Of Leon mix their own brand of Southern Rock with touches of Garage, Punk and Alternative swagger. RCA.

Album Details

Their third full length album.

Customer Reviews:

Do not hesitate to buy if you were disappointed with ASH.......2007-07-11

I thought Youth and Young Manhood was excellent, thought Aha Shake Heartbreak wasn't that good and therefore wasn't gonna pick up Because of the Times. But my husband had read good reviews and purchased it. Wow! What a coup/comeback for the Followill boys! I think this is their best so far; a very strong disc. I don't think there is a dud song on the whole album. I almost blew out the speakers in my car cranking up Black Thumbnail and My Party over and over and over. Moody, diverse, rockin' - love it! Buy it, you will not be sorry you did.

Disappointing comeback.......2007-07-07

Maybe it's just me, but I haven't been able to get into this. I loved their first album, thought their second one was okay, but this one may be worse than the last one. I can't really give too thorough of a review since I didn't get past the fourth song on the first listen, and haven't listened to it since, even seriously considered trading it in.

I got this CD after reading a stellar review by Q Magazine appauding it. Needless to say, I was disappointed.

Best Alternative/Indie/Rock Album This Year.......2007-07-05

If you're reading this review, you probably know to some extent who the Kings of Leon are - a relatively young indie-rock band out of Tennessee whose appeal is said to come from equal parts youthful energy and wisdom-beyond-their-years.

Their debut was a southern-fried scramble of distorted guitars and yelping vocals that seemed to delight in its own unholiness. On Because of the Times, the guitars are still distorted, the singer's still yelping and the themes aren't necessarily wholesome - see 'Knocked Up', in which singer Caleb belts "She don't care what her mama says, no she's gonna have my baby" - but at times there's a beauty to the arrangements that's almost divine.

That's not to suggest that the band has forgotten to rock, though, because they haven't; in fact, at this point in their career the band has the musicianship to back up their ambition, and the result is some of the most fulfilling rock you can hear on the indie scene today.

If you like either of KoL's previous two albums, you'll love this one. If you're looking for an introduction to the Kings of Leon's work, this is as good a starting point as any.

Absolutely gorgeous, top-notch.......2007-07-01

It's been a while I am aware of KoL. I saw them opening The Strokes and found them interesting. Their first singles were intriguing. But with this album they have reached a summit of musical expression. Sure their sound is certainly more polished, more produced than before, sometimes dangerously sounding U2ish but this CD is simply a beauty of universal soul music. The singer has such an extraordinary soulful voice and melodies and orchestration are captivating. Easily one of the best CDs of 2007 and already lining up for best of 2000s!

Wow- New Music that actually lives up to its reputation?.......2007-06-30

This is a really good CD. I was surprised b/c I have heard them described as the Skynrd Strokes. I am not really a big fan of the Strokes and living in Ohio, you hear Skynrd everytime you turn the radio on. But, this album is unique and doesn't seem packaged. This album has a lot of soul. Buy it, learn the lyrics and sing as loud as you can while in the shower.

Average customer rating:

To Infinity and Beyond
Skip this one..
Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!
FOB RULZ!!!!!!!!!!!!!!!!1111
Now, press repeat!!

Infinity on High
Fall Out Boy
Manufacturer: Island Records
ProductGroup: Music
Binding: Audio CD

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The Black Parade
From Under the Cork Tree
The Best Damn Thing [CLEAN]
Minutes to Midnight
Don't You Fake It

ASIN: B000LC4ZIK
Release Date: 2007-02-06

Tracks:

Thriller
The Take Over, The Break's Over
This Ain't A Scene, It's An Arms Race
I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)
Hum Hallelujah
Golden
Thnks Fr Th Mmrs
Don't You Know Who I Think I Am?
The (After) Life Of The Party
The Carpal Tunnel Of Love
Bang The Doldrums
Fame-Infamy
You're Crashing, But You're No Wave
I've Got All This Ringing In My Ears And None On My Fingers

Amazon.com

After the success of From Under the Cork Tree, Fall Out Boy earned the right to indulge their whims. Fortunately, their instincts tend to serve them well (not counting those infamous cell-phone photos). On their most adventurous album, Def Jam prez Jay-Z introduces "Thriller," while Kenneth "Babyface" Edmonds produces groove-heavy hit "This Ain't a Scene, It's an Arms Race" and "Thnks fr th Mmrs." A few new flourishes aside, however, like guitarist Joe Trohman's Metallica moves on "Thriller," the Chicago-bred band remains true to their punk-pop roots, even if vocalist Patrick Stump sounds like Mr. Sexyback on "This Ain't a Scene" and "I'm like a Lawyer with the Way I'm Always Trying to Get You Off (Me + You)." You can thank bass player/songwriter Pete Wentz for the unwieldy song titles. As he explains in "Fame < Infamy," "I am God's gift / Why would he bless me with such wit without a conscience." Whether spicing up their recipe with R&B swagger or playing it straight, FOB are at their best when they crank up the volume. Hence, the piano-based "Golden" is the weakest track on an otherwise solid outing. Hey, maybe they just wanted to see what a stadium looks like bathed in the glow of a thousand lighters. Taking its title from a letter Vincent Van Gogh sent to his brother Theo ("Be clearly aware of the stars and infinity on high"), Fall Out Boy's fourth seems likely to follow its predecessor into the platinum stratosphere. --Kathleen C. Fennessy

Customer Reviews:

To Infinity and Beyond.......2007-07-10

The follow-up to Fall Out Boy's breakout "From Under the Cork Tree" finds them infused with a new-found confidence and an arena rock cockiness. Fortunately for them, they manage to aim for the Stadium Nose-Bleed seats and succeed. From the opening braggadocio of their label Prez Jay-Z to the funky beats that undercoat "I'm Like A Lawyer..." (produced by none other than Babyface Edmonds) to quoting Leonard Cohen in "Hum Hallelujah," Pete Wentz shows he and his mates have no intention of playing it passive.

They also come up with hooks a-plenty. The slapping drum and bass that kicks "The Take Over The Breaks Over" is irresistible. The hit "This Ain't A Scene It's An Arms Race" will have you football cheering and stamping your feet in no time flat. There are so many memorable moments on this CD that pointing them out is beyond the point...they just craft themselves elegantly into each song. The Choir in "You're Breaking But You're No Wave" is probably my personal favorite.

Be that as it may, there are times when the band teeters close to smart-aleky. Especially the unwieldy song titles and frequent self-referencing. There is a touch of the clever-clever here that makes me wonder if the band can transcend "being poster boys for the scene" (as they sing in "Thriller") in the way My Chemical Romance did on "The Black Parade." But for the 14 catchy rocking tunes on "Infinity On High," Fall Out Boy show that they are hungry for more.

Besides, any band that can work both The Simpsons and Vincent VanGogh into their overall view is OK by me.

Skip this one.........2007-07-06

Just buy the singles that you like on the radio. This album is crap. I dont know why they put JayZ in there and most of the critical reviews on amazon pretty much summed it up. I really believe some people are frocing themselves to like this album.

Sellouts?....No. Dissapeared off the radar?....uh no. Follow up to a great debut?....Yes!.......2007-07-03

What can I say? I love this album to death! I've been a FOB fan since early 2005. Now that's not reeeeally a long time, since that's when they kinda started to get noticed. I wish I was there from the start, but personally, if you didn't live in the Greater Chicago area, I think maybe that would have been a bit hard. (Hey. I might be TOTALLY wrong).
Anyway. Great hooks, Great melodies, Great lyrics (which don't really have a "plot" or "story" to 'em, but hey who cares!). One million out of ten. And will ALWAYS be in my top 3 albums ever.

FOB RULZ!!!!!!!!!!!!!!!!1111.......2007-06-18

Omg FOB iz the best emo baNd there iz!!! this cd rocks as much as FOB duz lolzZzZ!!!!!!!!!!!!!!!!!!! especially thnks fr th mmrs that title iz just SOOOO deep and meaningful bcuz itz soooo kewl and unique. Omg I just luv FOB!!!1111

Now, press repeat!!.......2007-06-17

Fall Out Boy are an alternative punk rock group, if ever they could be classified, and their latest CD "Infinity on high" has already topped the Billboard album charts. The album comprises 14 songs with ambitious titles, averaging 3 minutes each.

Opening with an introduction from Jay Z (yes) as well as on outro, opening cut "Thriller" is an energetic number with machine gun-like guitars.

"The take over, the break's over" is a catchy upbeat song, while lead off single (and US & UK #2 hit) "This aint a scene, it's an arms race" - one of those rare FOB cuts to feature the song title in the song - shifts tempo from plodding to frenetic. It is produced by Babyface, as is "Thnks Fr Th Mmrs" (great jangly guitars).

Other standouts are the hand clap filled "Don't you know who I think I am", the more downtempo "I'm Like A Lawyer With The Way I'm Always Trying To Get You Off (Me & You)", "The (after) life of the party", "The carpal tunnel of love", the sing-a-long "Bang the doldrums" (which is remniscent in parts of The Smiths), and wickedly catchy "Fame infamy" which seems to race at the speed of light.

"You're Crashing, But You're No Wave" is a Killers/Franz Ferdinand-like rocker with lyrics telling the story of a court case. Brilliant!!

Lead singer Patrick Stump, has an earthy, soulful voice, sometimes remniscent of Terence Trent D'arby.

Like the voice says at the end of the disc, "Now, press repeat!"

Average customer rating:

Diana Krall Excells!
"From This Moment On" ~ Diana Krall
From This Moment On
What went on with Ms. Krall?
There's no one like her

From This Moment On
Diana Krall
Manufacturer: Verve
ProductGroup: Music
Binding: Audio CD

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Duets: An American Classic
Half the Perfect World
Not Too Late
Christmas Songs
James Taylor at Christmas

ASIN: B000GG4KTU
Release Date: 2006-09-19

Tracks:

It Could Happen to You
Isnt This A Lovely Day
How Insensitive
Exactly Like You
From This Moment On
I was Doing All Right
Little Girl Blue
Day In Day Out
Willow Weep For Me
Come Dance With Me
You Can Depend On Me

Amazon.com

This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth Vincentelli

Album Description

From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.

More Diana Krall

All for You: A Dedication to the Nat King Cole Trio
Live in Paris
Love Scenes

The Girl in the Other Room
Christmas Songs
Stepping Out

Customer Reviews:

Diana Krall Excells!.......2007-06-27

Diana has one of the greatest voices in the jazz biz. She plays a great piano, sings as a song bird, and is truly a marvelous performer.
(Cute too.)

Buy this one. If you like jazz, it is a Must in your portfolio/collection.

"From This Moment On" ~ Diana Krall.......2007-06-26

Listening to my CD of Diana Krall, "From This Moment On," is so relaxing.
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"

Everyone HAS to hear it to believe it!

Mike

From This Moment On.......2007-06-10

From This Moment On~ Diana Krall is easy listening jazz at its best. Ms Kralls vocal skills are remarkable and she sings these traditional jazz tunes with conviction and fortitude of a grandmaster of jazz. The book-let is beautifull if a bit sparse. The photographs are simply put it amazing and she looks stunning. The production value is right on the money and I like it since it so easy to listen to even for jazz beginners such as myself. Highly recommended indeed and I easily give this album 5 out of 5 stars.

What went on with Ms. Krall?.......2007-05-24

Repertoire consists of rather expected standards. All broadly covered brilliantly by so many vocalists in the past. Ms. Krall and her arrangers adds nothing at all.

Singing offers no surprise than a mainstream singer would do.

Orchestra is currently the darling big band of the time being. Good players, rare good ideas, nothing impelling.

There is an original and beautiful arrangement here: for the track 'How Insensitive'.

And that's all. Let's wait for the next Krall album.

There's no one like her.......2007-05-12

What is there to say? Diana Krall is simply the best. This album is another fine example of consistently high quality musicianship.

Average customer rating:

On and On
GREAT STUFF!
Amazing Album
Jack--always a classic
Wonderful addition to my CD collection

On And On
Jack Johnson
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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In Between Dreams
Brushfire Fairytales
Thicker Than Water
Sing-A-Longs & Lullabies for the Film Curious George (Jack Johnson)
Continuum

ASIN: B00008NG5V
Release Date: 2003-05-06

Tracks:

Times Like These
The Horizon Has Been Defeated
Traffic In The Sky
Taylor
Gone
Cupid
Wasting Time
Holes To Heaven
Dreams Be Dreams
Tomorrow Morning
Fall Line
Cookie Jar
Rodeo Clowns
Cocoon
Mediocre Bad Guys
Symbol In My Driveway

Amazon.com

Jack Johnson has found himself a groove. Indeed, the Hawaiian surfing champion turned alternative pop-folk star really hasn't changed things one iota for his sophomore release. Fans of Brushfire Fairytales should be delighted with the results. The groove is a mellow one--most of the 16 tracks here are semi-acoustic--and that easy-going spirit filters into Johnson's lyrical philosophies. "What will be will be / And so it goes" he sings on "Times Like These," the opening track. Thankfully, Johnson is never too mellow, and there's a "Don't worry, be happy" vibe to most of his music. "The Horizon Has Been Defeated" even has a pseudo-reggae feel to it. Although classified as an alternative musician, the singer-songwriter's compositions owe much to past hits. "Traffic in the Sky" is reminiscent of Jim Croce's "Operator" and Looking Glass's one-hit-wonder, "Brandy." On the splendid "Taylor," Johnson sounds an awful lot like Donovan. And "By The Way" recalls the Lovin' Spoonful. -- Bill Holdship

Album Description

Special digipak UK version of his second album features 17 tracks including the bonus track, 'The Horizon Has Been Defeated' (Acoustic Version). Moonshine Conspiracy. 2003.

Album Details

The Sophomore Album from the Hawaiian Surfing Champion Includes the Bonus Track "The Horizon Has Been Defeated (Acoustic Version)" which is Not Found on the USA Equivalent.

Customer Reviews:

On and On.......2007-06-13

Considering I first heard this DVD sitting in my dentist's chair having a tooth extracted, you wouldn't believe it's effect. It certainly helped take my mind off the immediate situation. Beautiful music, soothing mellow voice and a delight to hear at any time.

GREAT STUFF!.......2007-06-08

A great, laid-back, very mellow CD that can put you right on the beach,with a drink in your hand, watching the waves roll in.... even if you are sitting in your office in front of your computer. A must have if you love acoustic guitars! I HIGHLY recommend it!

Amazing Album.......2007-05-30

I love Jack Johnson! I have a more recent album and thought nothing could top it, but this one does. The lyrics are thoughtful, the melodies are catchy. I drove up and down the coast listening to this CD and never got sick of it.

Jack--always a classic.......2007-05-15

This record is one of his best... I would recommend it for new listeners of Jack Johnson who are just beginning to explore his musical awesomeness.

Wonderful addition to my CD collection.......2007-04-12

Jack Johnson work has an original voice and sound. Excellent addition to my collection. Mix of folk, pop and blues. Lyrics that nurture the soul. Highly recommended.

Average customer rating:

Sounds like a cheap plastic toy
would make you sleepy..
Kid's Music
Not soothing
Great for bedtime, but wish it were a real piano

Baby Einstein: Lullaby Classics

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Baby Mozart
Baby Beethoven
Baby Neptune
Baby Einstein: Playtime Music Box
Baby Einstein: Traveling Melodies

ASIN: B0001IXTU4
Release Date: 2004-03-16

Tracks:

Variations (Twinkle, Twinkle), K265/300e
Minuet In G From Anna Magdalena
Piano Sonata In C, K 545, 2nd Movement
Spring Song
Piano Sonata In D, K 576, 3rd Movement
Jesu, Joy Of Man's Desiring, BWV 147
Canon
The Moldau
Preludes Book II, Clair De Lune
Sonata No.14 (Moonlight), 2nd Movement, Op.27
Symphony No.9, New World
Fur Elise, WoO 59
The Four Seasons, Winter, RV267, 2nd Movement
Orchestral Suite No.3 In D, Air, BWV 1068
Sonata No.8 (Pathetique), 2nd Movement, Op.13
Kinderscene, Op.15
Waltz No.15, Lullaby

Product Description

The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)

Customer Reviews:

Sounds like a cheap plastic toy.......2007-06-20

I have these DVD's and I can tell you that they will not be a huge part of my baby's development. I received them as a gift from someone that thinks that all you need to do is plunk your child in front of a TV all day without giving the baby any attention. You can see why these DVD's are popular at Day Care Centers or what I like to call, "Concentration camps for baby's with lazy parents", because they know that they can sit their kid/baby in front of the TV and let them turn into a thoughtless zombie while they listen to Baby Einstein totally ruin classics by Bach and DeBussy by playing the music with very cheap midi keyboards. I can get better quality music by whistling Dixie with a mouth-full of saltine crackers.

Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.

would make you sleepy.........2007-06-15

its a good product with very fine music and my toddler realizes that it is sleep time, if I play it. he goes to bed and sleeps after a couple songs. I have trouble in some songs are some months.. dont know why.

Kid's Music.......2007-06-08

I bought this CD for my grandniece, but after listening to it, I determined that no one would ever play this for her except me. I would have kept it for myself but I have the grown-up versions of each of the classical masterpieces on this CD. So, I ended up returning it for a full refund. If you want your kids to be exposed to classicl music, it's a great buy. But if you don't think they will get to listen to it, don't waste your time.

Baby Einstein: Lullaby Classics

Not soothing.......2007-06-07

These synthesizer versions of classical songs get really old, really fast. Worse yet, the songs are sometimes not soothing at all, especially the very first song. The song seems to get particularly loud and uptempo, which is precisely what you don't expect in a lullaby. Please listen to the sample of the first song at least before you buy.

Great for bedtime, but wish it were a real piano.......2007-06-01

This CD worked great to put my daughter to sleep while I rocked her in my arms, and I enjoyed the choices of songs and the arrangements. However, I would have preferred that real instruments were used.

Average customer rating:

A MASTERPIECE! ONE OF THE GREATEST ALBUMS EVER MADE!
Timeless, and even better (!) than I remembered
Exile on my street
Maybe the best
Definitly in my top 5

Exile on Main St.
The Rolling Stones
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Sticky Fingers
Let It Bleed [DSD]
Beggars Banquet
Some Girls
Goats Head Soup

ASIN: B000000W5L
Release Date: 1994-07-26

Tracks:

Rocks Off
Rip This Joint
Shake Your Hips
Casino Boogie
Tumbling Dice
Sweet Virginia
Torn And Frayed
Sweet Black Angel
Loving Cup
Happy
Turd On The Run
Ventilator Blues
I Just Want To See His Face
Let It Loose
All Down The Line
Stop Breaking Down
Shine A Light
Soul Survivor

Amazon.com essential recording

From the swaggering frustration in the first song ("I only get my rocks off while I'm sleeping," Mick Jagger sings in the hyper "Rocks Off"), the Stones speed through familiar neighborhoods of country, blues, and R&B on Exile. They never even bother to stop when they've crashed into something. They don't leap into new worlds so much as master the old ones, turning Slim Harpo's blues obscurity "Hip Shake" into a harp-and-piano steamroller and setting spines a-cracking in "Ventilator Blues." Both "Tumbling Dice" and Keith Richards's "Happy" have become hits, but the 1972 album is most notable for its overall murky adrenaline. --Steve Knopper

Amazon.com

Before Keith Richards's bad habits took over for a time in the mid-'70s, his work ethic was quite high. Stories abound of the long, if somewhat off-schedule, hours he spent working on this classic album in the basement of his home in France. Hanging together as much because of great songwriting ("Rocks Off," "Soul Survivor") as its fabled grungy atmosphere, Exile caps the Stones' great 1968-'72 run with a force that belies their supposed spiritual tiredness. What some of these songs are about is anybody's guess--Keith claims "Ventilator Blues" was inspired by a grate, while the song plays like an ode to a pistol--but that's just part of this album's hazy game. --Rickey Wright

Customer Reviews:

A MASTERPIECE! ONE OF THE GREATEST ALBUMS EVER MADE!.......2007-07-10

This is such an incredible two album set. From the opening guitar lick of "Rocks Off" to the final strum in "Soul Survivor" we know we have just listened to a amazing collection of music! This is not a hits album by any stretch! It is a record that sounds great from start to finish or picking random cuts. I am a musician and I have been a DJ in past years in clubs and pubs. I always got a great response from the hip customers when I would throw in "Casino Boogie" or "All Down The Line" in at the local pub. What some folks don't understand is how many different sounding songs are on this album! Most groups today have one or two songs and the just keep regurgitating them out over and over again to fill album after album. This is the my favorite Stones album and it doesn't even contain my favorite Stones song! A timeless classic!

Timeless, and even better (!) than I remembered.......2007-07-03

You know, I haven't visited this album in a long time; it has been one of my very favorite works of art since its release in '72, but it seemed like one of those things that might have been played out for me. I've been helping my wife load her iPod with things I think are essential, and naturally this came to mind, so in the process I gave it another spin. To say that I am reinfatuated is an understatement, which gives rise to this review. "Exile" is just such a work of uncommon depth and maturity and desperation and joy and carnality and the whole nine yards that it is nearly staggering. Plus it rocks harder than you ever will. Don't listen to haters who bemoan its lack of hits; it flows like nothing else...best digested as a whole. And anyways, "Tumbling Dice" was a certifiable hit back in the day; I know, I was alive then, and it was an indelible part of the soundtrack of the summer of '72. This listen brought me back to my very first needle drop on "Rocks Off" in '72 when I was 13 years old. From the first whomp of Charlie's drums I remember it as being a life-changing experience that gave me some idea of what adult music and life was all about. And the power and glory of this record is such that I have always been mystified over the critical response alluding to the allegedly murky mix, etc. To me it simply sounds like the perfect example of what rock and roll is supposed to sound like, and when words and phrases emerge from the mix they're almost always a surprise, even after thirty-five years. This record is proof positive of the enduring greatness of the Stones, and is to my ears their finest hour, and then some.

Quick question: My CD version of this is an original CBS era iteration (bought it like in '87-88), and it still sounds pretty good to me, even with the undoubted advances in mastering since then. Is this relatively newer Virgin version a BIG BIG BIG sonic upgrade, or just a sonic uptick? Thanks!

Exile on my street.......2007-05-30

Exile on main street is one of the best. With a variety of styles it nrver drags. Great songs like Let it loose, Shine a light. Rocks Off, Soul Surivor Tumbling Dice and Ventilator Blues is a paint peeler. Sweet Virginia and Torn and Frayed are good country.Stop Breaking down and shake your Hips are good blues, good slide on stop Breaking Down Texas blues on Shake your Hips. Sweet Black Angel is great reggae.

Maybe the best .......2007-05-11

This is just great..
Keith, Mick, Mick, and Nicky are at their best.

Definitly in my top 5.......2007-03-26

Jagger and Richards really go back to their roots in argubly the best stones album and on of the best of all time. Every track is just about perfect. What I like best about this album is how it opens with an electric exciting fast 4 or 5 tracks then slowly sets into a slower and occaisionally acoustic tone. Very few albums are better then this.

Average customer rating:

Higgins second album shines brightly for most, but barely gives off a spark (for me)
On a Clear Night...dont compare it with The Sound of White...you will only be disappointed.
Impossible to fault
Beautiful Music from an Outstanding Singer/Songwriter
Another Great Record.

On a Clear Night
Missy Higgins
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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Steer
The Sound of White
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ASIN: B000P298EW
Release Date: 2007-05-07

Tracks:

Where I Stood
100 Round the Bends
Steer
Sugar Cane
Secret
Warm Whispers
Wrong Girl
Angela
Peachy
Going North
Forgive Me

Album Description

Missy higgins kept a very low public profile in 2006 but that doesn't mean she hasn't been keeping busy. In fact with her typical lack of fuss and fanfare the former triple j unearthed winner spent the second half of last year in los angeles recording here brand new album 'on a clear night'. The highly anticipated release is currently scheduled for the end of april in australia. The album was recorded with acclaimed producer mitchell froom who helmed the recent finn brothers cd and the first 3 crowded house albums plus discs for such acclaimed singer-songwriters as ron sexsmith, elvis costello and suzanne vega. The first song to be lifted from the album is 'steer' - a positive and life affirming song which missy previewed live during the us and uk touring she did in mid-2006. Missy's debut cd, 'the sound of white', remains in the australian top 40 over two years after its release. The album is now certified 9 times platinum and is one of the highest selling australian albums of all time!

Album Details

The Album was Recorded with Acclaimed Producer Mitchell Froom who Helmed the Recent Finn Brothers CD and the First Three Crowded House Albums plus Discs for Such Acclaimed Singer-songwriters as Ron Sexsmith, Elvis Costello and Suzanne Vega. The First Song to Be Lifted from the Album is 'steer' - a Positive and Life Affirming Song which Higgins Previewed Live During the Us and UK Touring She Did in Mid-2006.

Customer Reviews:

Higgins second album shines brightly for most, but barely gives off a spark (for me).......2007-06-16

As an Australian, it seems part of the culture to stand up for and admire Missy Higgins. I have yet to meet someone in real life and not from the internet that dislikes Missy's music.

So, I have to give this cd a one star rating simply because the songs all sound the same apart from '100 Round The Bends' and 'Steer' which are the greatest songs on the album.
Her lyrics you can't deny are beautiful and meaningful, and her voice registers much emotion as she sings, but it's just not a very interesting listen...
The songs on 'A Clear Night' which are overly mellow and slow are not particularly catchy or memorable unlike the song 'Ten Days' in her previous effort, which has just enough beauty to push through the barriers of bland and have a place in listeners who usually wouldn't listen to this kind of music's heart.
There's no doubt Missy Higgins seems like a lovely girl who cares about her music not being commercial and sticks up for causes like vegetarianism and anti-war, so this isn't a review having a go at her, but when it comes to her music, you'll either be into it straight away or not. It's not really an album that grows as such...
I strongly recommend 'The Sound Of White' album if you're a newcomer into the world of Missy Higgins - it's just an all-around better album.

Missy Higgins - never understood the hype about her music and never will, sorry. Honestly, Amiel Daemion, I believe is a much worthier singer to be placed on a pedastal and worshipped musically with this category of soft, almost acoustic music. However she doesn't get the attention she deserves, sweeter and less gritter voice, too.
And that's my review!

On a Clear Night...dont compare it with The Sound of White...you will only be disappointed........2007-06-02

Well I really thought that this album would blow "The Sound of White" away before I heard it. The truth is, it doesn't. This is because it is not in the same field as TSOW.
Her previous album was much more piano driven. This is much more upbeat guitar driven. At first listen, it was a major disappointment, but after a few full listens I can confidently say I love this album more than her first.
The songs have their own identity and I dont mind listening to any of them.. well maybe just 1 track (Secret), but even so I love all of these tracks.
Where I Stood is a track which probably mirrors her previous album more than any other, it is a great song which features more piano than anything. 9/10
100 Round The Bends is a much more upbeat song driven by funky guitars with great lyrics. A great upbeat track. 8.5/10
Steer, another guitar driven track..the 1st single. I loved it from the first listen and I still love it. Uplifting and positive. 9/10
Sugarcane goes back into the piano with light guitar and it is a pretty song. Deep lyrics and a pleasure to listen to at anytime. 8/10
Secret is a track which I dont love, but dont hate. I can tolerate it but it isnt my favourite. Its driven by guitar and its really bluesy. 7/10
Warm Whispers is a huge favourite of mine. I love the simplicity of it and the great lyrics. An absolute gem. 10/10
The Wrong Girl has to be my 2nd least favourite track, it is just flat to me, nothing different or unique about this track. 6/10
Angela is an awesome song! It is really folksy and really takes you away with its enchanting simple country music and pretty lyrics. Love it. 10/10
Peachy is a great upbeat guitar driven song with great angry lyrics and with real emotion put into it. Another favourite of mine. 10/10
Going North sounds like something off Gilmore Girls to me! haha its a great Australian-esque country-ish song with simple guitars and backing vocals with some other guy near the end which fits in great with the track. This album is getting better and better! 9/10
Forgive Me, wow this is the simplest a song can get. The term simple, yet effective applies 150% to this track. With a simple guitar and eerie echo, this track gleams with powerful vocals and emotive lyrics. This album couldn't have closed with a better track. I WANT MORE! 9.5/10

So incase you couldnt tell, the 2nd half of the album really hit it with me and I truly believe after a few listens you will love this album and appreciate all the things going for it like the music, lyrics and vocals.
Pick this up. The only reason people are so majorly disappointed by this is because they are directly comparing it to The Sound of White and not judging it individually as its own body of work. Please try it out, you are missing out on some true gems!

Essential tracks:
Where I Stood
100 Round The Bends
Steer
Warm Whispers
Angela
Peachy
Going North
Forgive Me
4 ½ stars from me!

Impossible to fault.......2007-05-29

I really thought Aussie singer/songwriter Missy Higgins might have a struggle on her hands to better her excellent 2004 debut The Sound Of White. But with her second release, On A Clear Night, she may well have done just that. Her latest batch of songs are, in a word - gorgeous, and their appeal grows with each listen. Opener 'Where I Stood' is an immediate highlight, a song which shivers with emotion, pulling the listener in with a trademark Higgin's tail of lost love/lost identity over a beguiling, yearning melody. Other standouts are the single 'Steer', the breathlessly beautiful 'Warm Whispers' and the 'The Wrong Girl' which seems to have set up permanent residence in my brain - not that I mind one bit. I've only been in possession of On A Clear Night for a couple of weeks, but I sense already, that I'm gonna keep coming back to this album time and time again. Missy Higgins has again shown us just what a genuine talent she is - one of the most gifted and luminescent singer/songwriters to have graced the scene in some time.

Beautiful Music from an Outstanding Singer/Songwriter.......2007-05-12

Entering at #1 on the Australian charts upon its release in April 2007, "On A Clear Night" is Missy Higgins' second studio album and a thoroughly enjoyable follow up to her highly successful debut, "The Sound of White". A more tightly packaged collection of material than the latter, "On A Clear Night" contains the same perfect combination of velvet vocals, emotive lyrics, top-quality songwriting and production that her debut did. The lead single "Steer", a #1 single in Australia, is catchy and engaging. But there is much better on this album. "Where I Stood", "Sugarcane" and "Warm Whispers" are beautiful and timeless songs that demonstrate the abundance of musical talent which Missy Higgins possesses - these three songs alone qualify "On A Clear Night" as a truly quality recording. The more acoustic tracks "Secret" and "Forgive Me", and the folk-like "Going North", are additional bonuses that add to an already fine collection of original tracks. Along with the spectacularly gifted Tina Arena, Missy Higgins is an outsanding ambassador for Australian music at the global level and she deservedly has a long recording future ahead of her. 5/5.

Another Great Record. .......2007-05-09

Missy Higgins is a fantastic singer and songwriter, which is just as evident on her second record as it was on her first "The Sound of White." It will be all but impossible for her to match the hype and buzz surrounding her freshman record, but in my eyes the quality of "On a Clear Night" is right up there with it.

The album is less piano driven then "The Sound of White" a fact that Missy says is due to her constant touring behind the success of the first album. She says that it's harder to write songs on the piano when you are on the road, so she stuck to writing on the guitar, but the songs don't suffer because of it. They may sound a bit different then the tracks on her first record, but it's in a good way.

The first single from "On a Clear Night" is "Steer", which is a very upbeat, positive song which talks about taking control of your life. Other tracks like "Going North" and "100 Round the Bend" also focus on themes of empowerment and destiny all the while featuring toe tapping rhythms and masterful playing.

The record has some darker, more haunting and serious tracks like "Forgive Me" and "Where I Stood" and "Secret." These tracks are not all autobiographical, and Missy says she has taken leave of making all of her songs sound as if they are her inner feelings yearning to break free. She creates characters and makes them the star of her songs, like in "Angela" which was inspired by seeing an old black and white photo of Vivian Leigh and Clark Gable. She thought that despite Vivian's apparent submissiveness and dependence on Clark, it was in face Vivian that was in control the whole time. Missy says she knows a lot of women like that, and so the song was born.

In the end this record is in fact different from her first, but it's indicative of a person who's grown in her craft and, in my mind at least, keeps getting better. Her beautiful voice is still there, complete with her Aussie accent, and the production is top notch as well. This makes for a fantastic listen; if you buy it you won't be sorry.

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