Live Without

live without

Editorial Reviews
About the Artist
Keep started out as a band between two brothers, Joe and Tom, and evolved from a death metal band into alternative/pop format. The band was completed by the addition of the Broadway vocalist Mike P.

Live Without,Keep,The Orchard,Pop,Rock,Rock/Pop

Live Without

Average customer rating:

Awesome - as expected
not as good as the older stuff
better than "the ultimate escape".
mindblowing, a must for anyone with a pulse
Transcending the Harder Elements of Rock

The Definitive Act
Tsunami Bomb
Manufacturer: Kung Fu Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Ultimate Escape
The Invasion from Within
No Apologies
Hell Yeah
LP III

ASIN: B00026IBSK
Release Date: 2004-09-21

Tracks:

Dawn on a Funeral Day
Being Alright
5150
Safety Song
I Bought You
4 Robots and an Evil Scientist
A Lonely Chord
Epic
Negative One to Ten
My Machete
Tetanus Shot
Jigsaw

Customer Reviews:

Awesome - as expected.......2006-07-18

While this new album is not as good as the other two, expect to hear more of M's awesome vocals, Mike's raw guitar, Gabe's fantastic drumming, and Jay's debut album with the band. The album does not seem to have as much drive and ambition as its predecessors, its still fun to rock out to.

not as good as the older stuff.......2005-10-18

I usually don;t listen to a lot of punk rock. But a friend turned me on to Tsunami Bomb and we saw 'em live at this little dive bar near me. I became a fan, and i think that the lead singer Agent M is totally sweet.

Anyhow, i was excited as hell when I found this album. But as I listened to it, I didn't get into it as much. Something about the earlier ones was really catchy, sing along stuff..this album doesn;t have as much of that. It's still good, and I do really like the song 'Being Alright' (which is real positive), but the rest just felt less polished or structured to me. I still recommend it for punk fans, tho.

better than "the ultimate escape"........2005-10-10

when I first heard "20 going on.." from "the ultimate escape", I knew I had to get to know this band. From that CD, there were some awesome songs in the vein of "20 going on..", but also a couple fillers. With the definitive act, TB has done away with the fillers and put out an album where you can listen to every song with skipping tracks. this band is very unique because their lead singer is a girl and she has a better vocal range than most of the guys in her genre. this is great stuff, and if you liked "the ultimate escape", you'll LOVE definitive act. they just keep getting better!

mindblowing, a must for anyone with a pulse.......2005-08-21

I stumbled upon Tsunami bomb's first record "the ultimate escape" at a local music store last year, and after hearing 20 going on... (which left me floored), I bought the record. It was simply amazing. To make a better record than "the ultimate escape" seemed impossible to me, but a year later TB arrived with "Definitive act", which could almost be, dare I say, better? If you like music, you must hear Agent M's killer vocals combined with TB's signature dark melody. it's freakin' spine-chilling man! I can't imagine my life without tsunami bomb in it. I can't wait until they come to my town! Please, PLEASE find someway to get both of their records. they'll change your f**king life!!! Highly, HIGHLY advised for purchase.

Transcending the Harder Elements of Rock.......2005-05-23

I know there are people out there that hate punk, dismissing it as childish and immature or simply dont put the effort into hearing some of the better bands instead of just generalizing the whole genre from the bands the media markets like to force down peoples eardrums. But as someone who loves every variety of music out there, to the uninitiated Tsunami Bomb is an excellent punk rock band with one of the best female vocalists I've heard this side of R&B, Gwen Stefani has nothing on her. When she does her solo accapella's and then right after comes a nice whiff of guitar and beatwork it will get you two looks everytime you're stopped at an intersection, first WTF then the second time around "hey thats pretty good, who is that?"

I was in the record store today and was getting pretty frustrated that they didnt have anything I was looking for but when I picked up this album 'The Definitive Act' used I thought I would give it a go since I loved their first cd 'The Enemy Within..' that I picked up way back. On my way to work, not even having the volume at very high, I was simply blown away by the first two songs, very addicting punk melodies. I came to find out nothing on this cd is horrible, there might be some subpar songs but they are certainly listenable and far from annoying. In my opinion 'A Lonely Chord' is the pick of the litter, coming off with a modern style beat of old school big city jazz infused with melodic guitar riffs and of course Agent M's ever so highlighting voice orchestrating it altogether. They have more of a poppish feel to their music on this then previous albums, not radio friendly just something thats more appealing to the ear then a good majority of the punk bands out there.

Normally I dont recommend music to others since everyone has such a pathetic undertaste for dismissing certain bands/groups/singers for not being their type of music. But I would think their style transcends, at the very least, all of the harder elements of rock. If you like Metal, Hard Rock, Punk Rock, or anything with a nice attitude to it I would definately recommend Tsunami Bomb to you.

Average customer rating:

The songs stand on their own
Sounds Very Good
Nice remix but nothing outstanding
MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD

My Fair Lady

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

My Fair Lady (1964 Film Soundtrack)
The King and I (1956 Film Soundtrack)
West Side Story
Camelot (1960 Original Broadway Cast)
South Pacific (1958 Film Soundtrack)

ASIN: B00005J9XS
Release Date: 2001-05-22

Tracks:

Overture
Why Can't the English? - Alan Jay Lerner,
Wouldn't It Be Loverly?
I'm an Ordinary Man
With a Little Bit of Luck
Just You Wait
Rain in Spain
I Could Have Danced All Night
Ascot Gavotte
On the Street Where You Live - Orchestra African Fiesta
You Did It - Rex Harrison, , Wilfried Hyde-White,
Get Me to the Church on Time
Hymn to Him - Isobel Elsom, Marni Nixon
Without You
I've Grown Accustomed to Her Face - Stanley Holloway
Embassy Waltz [*] - Marni Nixon
You Did It - Rex Harrison, Marni Nixon
Just You Wait (Reprise) - Rex Harrison
On the Street Where You Live (Reprise)
Show Me
Flower Market
Get Me to the Church on Time
Hymn to Him
Without You
I've Grown Accustomed to Her Face
End Titles
Exit Music

Customer Reviews:

The songs stand on their own.......2006-05-27

Many people can associate this sound track with the movie, "My Fair Lady" that was that is a film version of Bernard Shaw's play "Pygmalion". This is a classic musical with many well known songs by Lerner and Loewe.

However unlike many musicals the songs have a life of their own. Even though they matched the story perfectly, they are they type of songs that one could instantly blurt out in the thrill of the moment. I my self found that "On the Street Where you live" matched perfectly when I was in love in my youth.

Sounds Very Good.......2006-05-16

This album and CD format sound very good. I was quite pleased. THE RAIN IN SPAIN and ON THE STREET WHERE YOU LIVE are favorites of mine. I am glad this soundtrack got a top notch presentation. Well worth the wait.

Nice remix but nothing outstanding.......2004-03-06

After reading one review that gave this recording five stars I purchased it. Although it probably is a better recording than past CDs - don't expect the sound of a modern recording. A couple of the songs are very much clearer, but over-all I did not find this recording to be a revelation.

MY FAIR LADY SOUNDTRACK FINALLY GIVEN ITS DUE ON SACD.......2001-08-02

Warner Bros' 1964 film version of My Fair Lady, Lerner and Loewe's brilliant musical adaptation of Bernard Shaw's Pygmalion, is a genuine motion picture classic, fully worthy of all the awards and praise it has garnered since it's release nearly forty years ago.

My Fair Lady boasted a discrete 6 track stereophonic sound mix, which was state of the art for it's time and still probably sounds better than the majority of today's pictures.

This new SACD format CD offers the best sonic presentation of this soundtrack ever made available to the music buying public. With this release Sony has corrected a horrible injustice done to My Fair Lady in its previous CD. Gone is the sloppy editing of bits and pieces of meaningless dialogue excerpts and intrusive Foley effects, which served only to show the total lack of respect the producers had for these performances. While this SACD is not completely free of such tampering, this time the small amount of dialogue is beautifully edited and serves properly as lead in to the songs. Unlike the original LP release the extended versions of all the songs are presented here, along with The Embassy Waltz and the Entr'acte music.

I won't get into the debate over Audrey Hepburn's casting except to say that at this point in time Julie Andrews, although obviously a better singer than Hepburn and probably wonderful on the stage, could not have even come close to the level of brilliance displayed by Audrey Hepburn in this role on the screen.

Unfortunately precious little of Hepburn's superb performance is to be heard on this SACD, which leaves us with a debate over how Marni Nixon, Hepburn's vocal double, compares to Julie Andrews. Other than the fact that her Cockney accent is not so great, Nixon acquits herself quite admirably in the role, although I believe that Hepburn should have been allowed to do more of the singing with Nixon stepping in vocally when the going got rough, such as she did for Deborah Kerr in The King and I. But even so, Marni Nixon is arguably every bit as good a singer as Julie Andrews and performs the songs beautifully.

Add to that the fact that this soundtrack offers Rex Harrison's most polished performance of Professor Henry Higgins and since his songs were recorded live at the time of filming, there is a spontinenity in them lacking in the Broadway and particularly in the London Cast Recordings.

Stanley Holloway performs his songs with much more zest in this recording as well. But the greatest improvements over the original are the outstanding orchestral arrangements and conducting by Andre Previn assisted by Robert Tucker's excellent choral work. The brassy, puny orchestras and shrill choruses on all other recordings pale by comparison.

Still, the Original 1956 Broadway Cast Recording should be a part of any serious music lover's collection, if only to savor Julie Andrews' sterling vocal performance as the original Eliza Doolittle. The 1964 soundtrack reviewed here should be equally enjoyed on its own merits, as mentioned above, and for allowing one to hear in brilliant stereo sound a more complete and better orchestrated version of Lerner and Loewe's musical masterpiece.

Tracks:

Let It Rain
Stop
How Do I Live Without You
I Hate You Then I Love You
Higher Ground
'O Surdato 'Nnammurato
Se Bastasse Una Canzone
Betcha Never
Viva Forever
Va, Pensiero
Napule e'
Une Place Pour Moi
Non Ti Scordar Di Me
Tonight
Dreams
Adeste Fideles
Peace Wanted Just To Be Free

Amazon.com

Is music for a good cause a good cause for music? Not really, if you expect artistry. But this smorgasbord of popular international musical stars brings together extreme musical genres for an excellent purpose, and is enjoyable enough for almost anyone. Pavarotti's relaxed and buoyant leadership and still gorgeous tenor add beauty to the rock/pop selections. Trisha Yearwood, Celine Dion, and Stevie Wonder impressively hold their own against Opera Spice; but the other artists pale against the master's presence. The Spice Girls will never be confused with Anonymous 4; Zucchero's growling is scary; Florent Pagny exemplifies French rock; and Pino Daniele's breathy tenor is mellow and soothing. Best for those wanting to experience Pavarotti's vocal beauty in a more popular idiom. --Barbara Eisner Bayer

Customer Reviews:

A Superb Collection of Music.......2002-11-14

As a musician, I first ran into this disk as a PBS broadcast. What caught my ear was that every song in the concert has "the groove." Other than a children's choral cut, not a single song in the entire collection has a flaw. You'd think the Spice Girls would be a silly addition to the concert, but they do a tremendous job. Each artist appears twice, usually with Pavaotti in one of their songs, sometimes twice. Vanessa Williams is Hot! and does an incredible dance number. The engineering is excellent, with solid side-to-side separation for a really "big" sound. All in all, this is one of the favorite CDs in my music library.

This is a delightful combination of music talents to enjoy!.......1999-04-01

We first saw Pavarotti and Friends on Public Television as a fundraising event. We found the CD and especially love to listen to this CD in our car which has a great sound system. Each vocalist is so special and you will be singing along with them after a couple of plays!

This will tenderize your heart........1999-03-07

Brilliant talent for needy children, that touches the soul, and sets it on fire. Your tears will soak your socks. James

Phenomenal !! A must have for any music library........1998-12-29

A most wonderful gathering of some of the world's greatest vocalists. Such a unique blend of international Modern & Classical. If one were to put to test the ability of a vocalist to adapt to a variety of melodies, this is it. Grab your lover and take a trip in their arms with this CD!!

Outstanding Music, bringing Pavarotti to new heights........1998-12-06

Easily the best in the Pavarotti & Friends series. Always an artist on the cutting edge, with this album, Pavarotti's work will have great appeal to his fans and to scores of new enthusiasts. His duets with the Spice Girls, Vanessa Williams, Zucchero, and Stevie Wonder make it obvious that his voice has adaptability and a passion that takes it into many musical genres with ease. This shouldn't be a surprise to anyone. Sting once commented that great music occurs in the "synaptic gaps" where many different styles come together - this is an album that epitomizes the concept. Neopolitan music is a folk music in Italy, with overtones of American folk/country/jazz/rock, and Pavarotti is the Neopolitan master. This is a perfect fit of artists and selected titles. Earlier combinations of artists in this series were often much too somber, much less fun. Give this one to your teens or your great grandmother ... they'll find they have more musical tastes in common than they'd have ever imagined.

Average customer rating:

Heavenly Live!...
Live without a net
welcome re-issue
Great album but bad disk

Live Without a Net
Angel
Manufacturer: PolyGram
ProductGroup: Music
Binding: Audio CD

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Angel/Helluva Band
White Hot
Sinful
Angel
Some Enchanted Evening

ASIN: B000HKD7XA
Release Date: 2006-10-30

Tracks:

Tower
Can You Feel It
Don't Leave Me Lonely
Telephone Exchange
I Ain't Gonna Eat out My Heart Anymore
Over and Over
Anyway You Want It
On the Rocks
Wild & Hot

Tracks:

All the Young Dudes
Rock & Rollers
White Lightning
Hold Me, Squeeze Me
Got Love If You Want It
Feelin' Right
20th Century Foxes

Album Description

Digitally remastered reissue of this 1978 live album by Hard Glam rockers Angel, featuring the none other than Punky Meadows on guitar! Originally released on Casablanca Records, this set features all of Angel's stand-out tracks live including 'Don't Leave Me Lonely', 'Anyway You Want It', 'Got Love If You Want It' and more. Packaged in a slipcase with new liner notes. BGO. 2006

Album Details

2006 Issued Digitally Remastered Edition of the Band's Original 1978 Casablanca Records Two LP Live Set on Two Compact Discs that Feature all of Angel's Stand-out Tracks Performed Live. Also Includes Freshly Penned Extensive Liner Notes.

Customer Reviews:

Heavenly Live!..........2007-05-07

If you are a devoted fan of the ANGEL group, this is great recording to listen: In 1980, the band presented this to the approval of their audiences; showing their musical capability and stage presence Full of pyrotechnics and magic illusions; but the most important thing...the emotion, the music, was there!...They showed their dextresity with themes like Tower, Can you feel it, Telephone exchange, Don't leave me lonely, Feeling right, White Lightning, Hold me squeeze me or Rock & Rollers; with extended solos from Gregg Guiffria, Punky Meadows, Barry Brandt and a little one by Felix Robinson on Bass ("Over & Over"), making it a great show...

The extended keyboard solo of Gregg Giuffria, (just before the track "On the Rocks"), showed his dextresity, letting us know, the major league kind of a great kekboardist he was... Since the first two recordings: Angel (1975) and Helluva Band (1976), we put him at the side of keyboardist like Keith Emerson (E.L.P.), Rick Wakeman (Yes), Tony Banks (Genesis), Eddie Jobson (U.K.) or Kerry Minnear (Gentle Giant) masters of Progressive Rock.

Punky Meadows, in the Rock & Rollers song did a great bunch of classic fast licks that for moments resembles the influence of Jeff Beck (the "Blow by Blow" recording). I must Say that the sound guitar and playing style of Punky is very distictive and original...

By the other side this recording brings two live different tracks from the official discography (at least in these moment): "Twenty Century Foxes" (From the motion picture FOXES and now at the "Anthology" CD), and "All the Young Dudes" (a well known Mott the Hopple's song). This CD is a great prove of their technical habilities and an outstanding landmark of their compositional talents!...Good Luck!

Live without a net.......2007-03-30

A Band that should have been much bigger than they were.

welcome re-issue .......2007-02-28

I had this album from the start on vinyl and must admit that the soundquality of this remastered 2006 CD is far better. Everything falls in place, even the bombs on the first track "Tower" are noticeable, as I did not before. Musically spoken the material is heavier, the rythmsection is more powerfull and especially the synthesizers and leadguitar flourish. That is not to say of the bulk of the songs, "Tower" apart. "Rock an Rollers", a good song (from the first album) is underbroken for a guitarsolo, I'd rather seen that on one of the weakier songs which would have taken profit by that. Although recorded in 1978, before the release of the 1979 studio-album "Sinful" (formely "Bad Reputation") it contains nevertheless "Wild & Hot" from that album. Furthermore there is the Bowie written but Mott the Hoople performed "All the Young Dudes" which doesn't add anything in the way Angel performes it. Finally the album ends with a song that must be seen as something of a bonus because it was not part of the show and therefore not recorded live (although audience can be heard), the filmsoundtrack "20th Century Foxes", which could have been taken from the first album but isn't and should have been added to anyone of the others as only one of the scare qualitysongs. Angel could deliver but failed to do so by writing the wrong songs, aiming not towards rockfans, the way KISS did (which is hardrock neither), although having a spectacular liveshow, but attracting only young girls with glampop and lyrics dominated by the "L-word" and therefore hardly selling albums in terms of finance. Shortly thereafter the band fragmented. This album is a good souvenir from lost times.

Great album but bad disk.......2006-11-20

I loved this album, I bought all the studio albums when the we released on cd. but I waited too long for this one. I did not want to buy it for what some people were selling it for(it had been out of print). So I waited and hoped it would be released again. And it finally wuz. So I bought it. Warning. BGO a small English label put this out. What a shame. Some of the quality is poor. lots of crackling in the background of some songs. But it is better than spending 50 for it from some people.

Average customer rating:

Time Capsule
Unexpected
An album to treasure
A classic recording of American songs
The sessions of sweet silent thought stirred

Songs by Stephen Foster, Vol. 1-2

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

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Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals
Stephen Foster Song Book
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Swanee: The Music of Stephen Foster
DOO-DAH: Stephen Foster and the Rise of American Popular Culture

ASIN: B000005IYE
Release Date: 1992-05-28

Tracks:

Songs By Stephen Foster: Jeanie With The Light Brown Hair
Songs By Stephen Foster: There's A Good Time Coming
Songs By Stephen Foster: Was My Brother In The Battle?
Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
Songs By Stephen Foster: If You've Only Got A Moustache
Songs By Stephen Foster: Gentle Annie
Songs By Stephen Foster: Wilt Thou Be Gone, Love?
Songs By Stephen Foster: That's What's The Matter
Songs By Stephen Foster: Ah! May The Red Rose Live Alway
Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
Songs By Stephen Foster: Beautiful Dreamer
Songs By Stephen Foster: Mr. & Mrs. Brown
Songs By Stephen Foster: Slumber My Darling
Songs By Stephen Foster: Some Folks
Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
Songs By Stephen Foster: Linger In Blissful Repose
Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
Songs By Stephen Foster: Come Where My Love Lies Dreaming
Songs By Stephen Foster: The Soiree Polka
Songs By Stephen Foster: Better Times Are Coming
Songs By Stephen Foster: Katy Bell
Songs By Stephen Foster: The Hour For Thee And Me
Songs By Stephen Foster: Summer Longings

Customer Reviews:

Time Capsule.......2006-11-30

The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.

But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.

Very highly recommended.

Unexpected.......2005-11-26

Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.

An album to treasure.......2004-09-23

The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.

A classic recording of American songs.......2004-08-22

What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.

If only Ms. DeGaetani had graced my parlor...

The sessions of sweet silent thought stirred.......2003-11-22

I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.

My Fair Lady (1959 Original London Cast)

Average customer rating:

Precise, pointed and peerless !!!
the "Fair Lady" in London...
My Fair Lady again?
Broadway vs London vs Movie
It's good but,..

My Fair Lady (1959 Original London Cast)
Alan Jay Lerner
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

My Fair Lady (1956 Original Broadway Cast)
Camelot (1960 Original Broadway Cast)
South Pacific (Original 1949 Broadway Cast)
Oklahoma! (1955 Film Soundtrack)
The Sound of Music (1965 Film Soundtrack - 40th Anniversary Special Edition)

ASIN: B000007OHU
Release Date: 1998-06-02

Tracks:

Act I: Overture
Act I: Why Can't The English?
Act I: Wouldn't It Be Loverly
Act I: With A Little Bit Of Luck
Act I: I'm An Ordinary Man
Act I: Just You Wait
Act I: The Rain In Spain
Act I: I Could Have Danced All Night
Act I: Ascot Gavotte
Act I: On The Street Where You Live
Act II: You Did It
Act II: Show Me
Act II: Get Me To The Church On Time
Act II: A Hymn To Him
Act II: Without You
Act II: I've Grown Accustomed To Her Face
The Embassy Waltz

Amazon.com

My Fair Lady is without question one of the greatest shows ever created for the musical theater. It's a charming, hilarious, and touching adaptation of George Bernard Shaw's Pygmalion, pitting flower girl Eliza Doolittle against Prof. Henry Higgins, the self-absorbed and ill-tempered linguist who bets that he can turn her into a lady by improving her diction. Lerner and Loewe's score includes some of the best-loved songs in the canon: "Why Can't the English," "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," "On the Street Where You Live," "Get Me to the Church on Time," and "I've Grown Accustomed to Her Face," among others. The 1959 London-cast stereo recording is generally held in lower regard than its Broadway counterpart, recorded three years earlier in mono. But why quibble? The principals are all the same--Rex Harrison as Higgins, Julie Andrews as Eliza, Stanley Holloway as her dad, and Robert Coote as Col. Pickering (Leonard Weir replaced Michael King as Freddy Einsford-Hill)--and it's still a classic recording in its own right that you'll treasure for years. --David Horiuchi

Customer Reviews:

Precise, pointed and peerless !!!.......2007-01-03

One listen to the London original cast recording of My Fair Lady and you know why this CD still sells. Despite the decades, the recording sounds fresh, clear and crisp. There is no background noise on this CD! Moreover, the songs by Lerner and Loewe are brilliantly composed and the lyrics are clever, witty and poignant. This CD proves it.

The CD opens with the overture to the musical stage play and then goes right into the first song entitled "Why Can't The English?" More spoken than sung by Rex Harrison, "Why Can't The English" fleshes out his character's lament that too many British people don't speak English well. The melody is catchy and the lyrics are funny at times even if some of the humor is dated.

The lesser educated British have their say in the next number, "Wouldn't It Be Loverly." In this song, sung by Julie Andrews as Eliza Doolittle with male backup singers and a chorus of whistlers, demonstrates how these persons really do want to lead a much more sophisticated life with more luxuries.

Other great songs on this CD include the rousing "Get Me To The Church On Time" sung by the memorable Stanley Holloway; the beautiful love ballad "On The Street Where You Live" performed by Leonard Weir; "I Could Have Danced All Night" which is performed flawlessly by Julie Andrews who belts out those incredibly high notes; and "The Rain In Spain" delivered by Julie Andrews, Rex Harrison and Robert Coote. Excellent!

One especially amusing song is entitled "A Hymn To Him" performed mostly by Rex Harrison with some assistance from Robert Coote. The violins at the beginning of this number are beautiful in the musical arrangement.

The CD concludes with a extra bonus monophonic track of the waltz music for the scene in which Henry Higgins takes Eliza Doolittle to the Embassy ball. "The Embassy Waltz," conducted by Percy Faith, offers a beautiful musical arrangement that leaves you wanting more--so don't be surprised if you get the urge to play the CD all over again from the very beginning and enjoy it once more.

The musical arrangements are carefully planned and executed throughout; only Lerner and Loewe were capable of producing such a fine score to go with this stage play. The tempo of the score is faster overall than it was for the original Broadway production; this is especially evident in the opening notes of the overture. Nevertheless, it all works brilliantly.

The liner notes boast terrific black and white photos of the actors in the stage play along with a special color photo of Julie Andrews and Rex Harrison. Didier C. Deutsch contributes a lengthy essay about the history and production of My Fair Lady as well.

The music and lyrics to the original London cast recording of My Fair Lady are timeless. Even today, more than four decades later, the soundtrack still sells well. The musical is one with which many people can identify as it illustrates through words and music the blossoming love affair between Henry Higgins and Eliza Doolittle. Indeed, the story and the music add to the enchantment as we realize that even Higgins and Doolittle themselves are unaware of the full power of their mutual attraction until the very end of the stage play. My Fair Lady will remain a classic musical; and the score to the stage play on this album is priceless. May you enjoy this soundtrack as much as I did!

the "Fair Lady" in London..........2006-09-23

In 1956, Lerner and Loewe's MY FAIR LADY swept into Broadway and quickly captured the hearts of critics and audiences alike, the perfect transformation of George Bernard Shaw's play "Pygmalion" into the world of the musical theatre. Both Rex Harrison and Julie Andrews played the show for two years on Broadway before yielding to replacements (Edward Mulhare and Sally Ann Howes), and in 1959 traveled across the pond to headline the London company. The show opened at the Drury Lane Theatre in April 1959, and ran for 2,281 performances.

While both Julie Andrews and Rex Harrison had laid down their definitive performances as Eliza Doolittle and Prof. Henry Higgins for the 1956 original Broadway cast album of MY FAIR LADY, the subsequent 1959 London production allowed them to record another album, in the brand-new stereophonic format.

Despite this 1959 recording having a sweeter sound than the earlier 1956 mono album, this sadly remains the lesser of the two, because a lot of the energy and flash had disappeared from Julie Andrews' voice in the years she had performed the role. On the Broadway album, Andrews gives a rich performance that runs the gamut from cockney guttersnipe to regal high society, but comparing the two albums directly, she does not sound at her optimal best on the London set. Andrews has acknowledged that she found the role of Eliza both physically and vocally exhausting, even more so because of the lack of body-mikes, and the projection must have been gruelling at times. No wonder that so much of the bloom in Andrews' voice had vanished by the time she reprised her role in London. Despite Andrews, the album does have a few merits including breezy orchestrations under the direction of Cyril Ornadel (the Overture is given a much faster tempo than is heard on the Broadway set).

The supporting cast includes Stanley Holloway (also reprising his Broadway role) as Eliza's dustman father Alfie. The role of Freddy is played by Leonard Weir (his "On the Street Where You Live" is very charming), and Robert Coote also repeats his Broadway role as Colonel Pickering.

The 1959 London cast of MY FAIR LADY, just like the 1956 Broadway album, has never been out of the catalogue, though the confusion between the two albums still exists, despite the fact that the London album sports a gold-brown cover and the Broadway album is white. Sony Broadway Masterworks' edition features a bonus track of the "Embassy Waltz", a mono recording from 1956.

My Fair Lady again?.......2005-06-04

I have heard the Columbia Masterworks recording of this show as it was produced in Isreal. Same orchestrations, different lyrics! In Hebrew of course. I wish it were still available.

Broadway vs London vs Movie.......2003-10-02

Let's begin by comparing both the Broadway and London scores to the 1964 movie soundtrack-- actually there is no comparison! Both Broadway and London surpass the movie recording by far, only demonstrating the HUGE mistake Hollywood made by not casting Julie Andrews as Eliza Doolittle. Andrews' purely delightful soprano voice and perfect diction cannot even be compared to Marni Nixon's voice dubbing in the film. In addition, Andrews is British, which is critical to this play, unlike Nixon's purely American accent heard in the film.

As far as Broadway vs London MFL recordings, I would have to agree with the others who are in favor of the "white" Broadway album. While both are very good, the Broadway album does appear to be less "forced" than the London album due, most likely, to the fact that it was recorded before the cast had exhausted themselves singing the score after a few years on the stage. Both Rex Harrison and Julie Andrews appear to be more "natural" in the Broadway album, and Andrews does definitely lose a bit of the innocence in her voice in this recording.

All in all, I would recommend that any MFL collector invest in both the Broadway and London cast recordings to make your own opinions. Yet, for someone looking to buy only one album, I would stick with the Broadway version. In all situations, save yourself some money and skip buying the film soundtrack.

It's good but,.........2003-07-26

If I had never heard the 1956 recording I would have thought this one was great....but to me, compared to its mono counterpart, this performance sounds more like a Wednesday matinee in the middle of a long run. The performers are all still wonderful, but it's very relaxed and and lacks the vivid characterizations found in the original. Any fan of "My Fair Lady," however, will want to have them both and decide for themselves!

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Live at the Annandale Hotel

Manufacturer: Gargleblast Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000PA9OQ6
Release Date: 2007-06-26

Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals

Average customer rating:

Amid fine work, a new star!
Stephen Foster Would Be Proud
Foster at his simple best
Well-rounded and convincing

Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

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General | Folk | Styles | Music

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Similar Items:

Songs by Stephen Foster, Vol. 1-2
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Swanee: The Music of Stephen Foster
Stephen Foster's America
Stephen Foster Song Book

ASIN: B0000049NP
Release Date: 1995-07-28

Tracks:

The Glendy Burke
Nelly Was A Lady
Melinda May
The Soree Polka
The Moustache Song
O Willie, Is It You, Dear?
Mr. & Mrs. Brown
Gem From Lucia No.1
Wilt Thou Be Gone?
The Voices That Are Gone
Ole Black Joe
Maggie By My Side
Camptown Ladies
Hard Times
Gems From Lucia No.2, No.3
The Shanghai Chicken
Beautiful Dreamer
Ah! May The Red Rose Live Away
Nelly Bly
I Dream Of Jeannie
O Susannah & Some Folks

Customer Reviews:

Amid fine work, a new star!.......2004-09-28

Baird, Russell and Van Buskirk give fine performances in a splendid
program, but tenor Frederick Urrey [his Foster recording debut?] is a sensation! A glorious voice, with a perfect command of style in
operatic, ballad, ensemble and even comic scenes, his Melinda May is breathtaking, his Beautiful Dreamer is the best on records, his
duets charm and his drunken husband is a gas! He has it all!! In my 25 years of total immersion in Foster and his era, I have never
even dreamt of hearing an artist of such stature. Foster was said to have a fine voice and to sing his music better than any other.
I pray we now hear more of SF's songs as he must have sung them!

Stephen Foster Would Be Proud.......2004-02-26

Linda Russell is a remarkable woman. I have every CD she has done and I've never been disappointed in the high quality recordings she releases. I consider her every bit of an historian as the authors of history books.
This collection of Stephen Foster tunes, one of two that Russell has partaken in, is a rousing collection of the musical sounds of the mid-19th century. Soprano Julianne Baird and tenor Frederick Urrey join in with Ms. Russell's alto vocals to make a truly remarkable ensemble (including the musicians playing the mountain dulcimer, fortepiano, fiddle, hammered dulcimer, recorder, and accordion - all on authentic antique instruments). All combined show off the genius that Stephen Foster was - the 19th century's top songwriter who wrote music for ALL time, not just his time.
But if it wasn't for the musical reenactors (on CD at least) of Russell and company many of these long lost gems might have stayed hidden, sadly unheard. Some choral music, a feel of opera, a bit of traditional folk all mixed together to make what I feel is an authentic piece of musical history.
Here's hoping that Linda Russell and friends continue in the making of traditional music - Christmas and popular.
Ms. Russell, do you ever tour? We'd love to see you here in Michigan!

Foster at his simple best.......2002-01-22

What a delicious surprise this little album is, and from the ..... date, it appears to have been around for a few seasons, but is utterly new to me. I am a Julianne Baird fan from the get-go, but was pleasantly taken aback at her appearance on an album of American songs with folk balladeer Linda Russell (who plays dulcimers, mountain fiddles and all manner of country instruments and sings with the earthy texture of Judy Collins). But as usual Baird finds a way to integrate her own exquisite sensibilities and artistry into the assignment and makes a touching case for the simple and heart-rending Foster tunes--this is, after all, "early music" in which she excels--American "Early Music." Tenor Fred Urrey is another find and he likewise blends wonderfully into the surroundings. In fact, the three diverse artists hit their stride in a haunting trio rendition of Old Black Joe. Keyboard and string instruments have a ghostly and authentic ring to them as well. indeed, after the pompous and overblown Foster CDs of better-known opera singers in the bins today, this is so welcome. A treasure!
Get it today.

Well-rounded and convincing.......2000-10-27

This is an excellent rendition of Stephen Foster's songs, capitalizing on the duality inherent in the repertoire: the beautiful parlor ballads and the rowdy folk-inspired tunes. Especially remarkable is the fact that the performers bring to the music the "early music" sensibility (Julianne Baird is renowned as a performer of Elizabethan lutesongs)--this sensibility urges the performers to be as historically accurate as possible, performing on original/reproduction instruments. Also of note is the fact that it is a collaboration between classical and folk musicians: soprano, alto, tenor, fortepiano, fiddle, mountain and hammered dulcimers, harmonica, recorder, and accordian. Linda Russell (alto, mountain dulcimer) is lyrical and moving with her "folkie" voice, perfectly complementing the other "cultivated" voices and grounding them on the occasions they come together in poignant harmony.

Tracks:

This Train Still Runs
Fly Too High
Intro: 'We Love You'
Take Me Walking In The Rain
Jesse
Paris In Your Eyes
Ride Me Like A Wave
Love Is Blind
Intro 'Vote For Me'
Boots Like Emmy Lou's
Days Like These
Society's Child
Intro 'My Pal Tiffany'
Between The Lines
Intro 'How Lucky Am I'
Take No Prisoners

Tracks:

Intro 'Has-Been At 19'
Stars
Will You Dance?
Honor Them All
Intro 'Moving Back Home'
At Seventeen
Cosmopolitan Girl
Tattoo
Watercolors
Breaking Silence
Berlin
Silly Habits
In The Winter
Intro 'Kumbaya'
These Boots Were Made For Walking

Amazon.com

In the mass of singer/songwriters that seem to surface weekly it is easy to forget that older masters of the craft still walk among us and offer vital work. Janis Ian's brilliant 2000 release God & the FBI got lost in this glut--more's the pity. Working Without A Net sums up a career to date that while producing the justly famous "Society's Child," "At Seventeen," and "Jesse," also given us such lesser known gems as "Love Is Blind," "Boots Like Emmy Lou's," and many of the others included here. Over a decade's worth of live performances reveal an emotionally wrenching singer, a fine guitarist, and a remarkably consistent writer. Hopefully Working Without A Net will make people want to go back and explore gems like Breaking Silence, and the aforementioned God & the FBI. At the very least it raises the bar for the current crop of would-be troubadours. --Michael Ross

Customer Reviews:

Society's Child is also "Great" live !.......2004-06-18

This 2CD set is brand new(2003)and the live 2 track recordings are from 1990 -2003. The excellently recorded songs are from over 30 yrs of a fine collection of the supurb songs most written by Janis herself. These songs take you all the way back to her first hit "Society's Child" when she was 14 years old. Excellent Sound, Unbeatable Singing, and No Waste of Track Room, both CDs are loaded with real treasure. What more can be said ! For the person that does not know much about Janis Ian buy this set, it has most of her famous songs and it's a great place to start ! "Enjoy"

Who needs a net when you can soar like this?.......2004-04-16

Stop reading these reviews and order this CD! If Janis isn't coming to your town, this is the next best thing to seeing her live. She is authentic, warm, funny and amazingly gifted.

Her songs have a social consciousness without being preachy. Who do you think paved the way for Suzanne Vega, Alanis Morisette, and the rest of those female singer-songwriters? Janis wrote the book on great writing. She knows how to weave a lyric that lingers for days around your heart.

This is a woman whose had an amazing 40 year career and shows no sign of slowing down. With age usually comes wisdom. Janis was wise beyond her years as a teenager. I think she has many great songs left to write, but this CD gives you a great overview of her music.

You walk into her show wondering how you'll be entertained by a four foot nothing middle aged Jewish lesbian. Buy the CD and you'll understand. JANIS ROCKS!

Unlike other "live" CD's........2004-04-06

Unlike other live CD's, this double-CD set is really "live" - recorded direct to 2-track, without edits. And isn't it wonderful to really be able to sit in on a Janis Ian concert? Ian makes her feelings about downloading and home taping known with her choice of the final track, her own version of "These Boots Are Made For Walking", which was recorded on minidisc by a fan sitting next to the mix board!
If you loath the RIAA policies, you should support Janis Ian, and read the article "The Internet Debacle" on her website at www.janisian.com!!!!

Super Live Set.......2004-01-31

I've enjoyed some great 2 CD live sets such as Bonnie Raitt's "Road Tested," Laura Nyro's "The Loom's Desire" and the James Taylor "Live" set. Janis Ian's "Working Without A Net" ranks right up with the best. First of all, a prerequisite for me, the sound quality is excellent. In the excellent notes in the booklet, she details how this was recorded on two-track, not multi-tracked and edited and cleaned up in the studio. What we hear is what happened live.

From the opening drums on "This Train Still Runs" and the train whistle blowing, we can tell we're in for a great bash. "Fly Too High" was not one I was familiar with, but it's great jazzy rendition written with Giorgio Moroder makes me hit repeat. The hits "Jesse," "Stars," & "Society's Child" shimmer like familiar jewels in new settings. The humor songs "Boots Like Emmy Lou's" & "Cosmopolitan Girl" are great fun. "Honor Them All" which I first became acquainted with on the Mothers Against Drunk Drivers CD works well as recorded in Japan. Janis talks about feeling sad when listening to "Silly Habits" because she injured her hand & will never play piano again as she did that night in Holland. The CD concludes with the wacked out version of "These Boots Were Made for Walking" which is great fun.

Janis writes, "The relationship between performer & audience at a live show is fascinating, energizing, amazing. A good audience feeds you, makes you want to exceed your best. And a good performance feeds the audience, making them feel that you're speaking to them directly." Janis indeed accomplishes this on "Working Without A Net." She & Oh Boy Records have picked some blockbuster performances from her many live tapes. Bravo!

What Janis Ian fans have waited for.......2004-01-03

This is a CD that captures the experience of Janis Ian in concert. Those who know Janis' music and concerts understand the depth of her writing and performances. From the inspirational This Train Still Runs through the power and emotion of the classic Society's Child and Tattoo, this CD shows the range of talent and hard work that have made Janis Ian one of music's most worthwhile listens.

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Live: Working Without a Net
Janis Ian
Manufacturer: Cooking Vinyl
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

Singer-Songwriters | Contemporary Folk | Folk | Styles | Music

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General | Live Albums | Rock | Styles | Music
Similar Items:

Folk Is the New Black
Billie's Bones
Between the Lines
Souvenirs: Best of Janis Ian 1972-1981
Court and Spark

ASIN: B0000BVM03
Release Date: 2005-07-12

Tracks:

This Train Still Runs
Fly Too High
Intro: 'We Love You'
Take Me Walking In The Rain
Jesse
Paris In Your Eyes
Ride Me Like A Wave
Love Is Blind
Intro 'Vote For Me'
Boots Like Emmy Lou's
Days Like These
Society's Child
Intro 'My Pal Tiffany'
Between The Lines
Intro 'How Lucky Am I?'
Take No Prisoners

Tracks:

Intro 'Has-Been At 19'
Stars
Will You Dance?
Honor Them All
Intro 'Moving Back Home'
At Seventeen
Cosmopolitan Girl
Tattoo
Watercolors
Breaking Silence
Berlin
Silly Habits
In The Winter
Intro 'Kumbaya'
These Boots Were Made For Walking

Amazon.com

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