Traditional Gypsy Flamenco

traditional gypsy flamenco

Track Listings
Disc: 1
1. Carcelera/Reflejo Andaluz - Sabicas
2. Castellana/Nostalgia Castellana - Sabicas
3. Danza Arabe/Damasco - Sabicas
4. Fantasia Inca - Sabicas
5. Fantasía Militar/El Sito de Zaragoza - Sabicas
6. Farruca/Con Salero y Garbo - Sabicas
7. Guajira/Caña de Azucar - Sabicas
8. Ritmos del Paraguay - Sabicas
9. Sevillanas - Sabicas
10. Verdiales/Puerto de Malaga - Sabicas
See all 20 tracks on this disc
Disc: 2
1. Zorongo Gitano - Argentinita, Federico García Lorca,
2. Anda Jaléo - Argentinita, Federico García Lorca,
3. Sevillanas del Siglo - Argentinita, Federico García Lorca,
4. Cuatro Muleros - Argentinita, Federico García Lorca,
5. Nana de Sevilla - Argentinita, Federico García Lorca,
6. Romance Pascual de los Pelegrinitos - Argentinita, Federico García Lorca,
7. En el Café de Chinitas - Argentinita, Federico García Lorca,
8. Morillas de Jaén - Argentinita, Federico García Lorca,
9. Romance de los Mozos de Monleón - Argentinita, Federico García Lorca,
10. Tres Hojas - Argentinita, Federico García Lorca
See all 24 tracks on this disc

Traditional Gypsy Flamenco,Various Artists,Rock/Pop


Traditional Gypsy Flamenco
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
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Binding: Audio CD

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  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Duende: From Traditional Masters To Gypsy Rock
Average customer rating: 5 out of 5 stars
  • Consider buying the second disc, "Magic," separately
Duende: From Traditional Masters To Gypsy Rock
Various Artists
Manufacturer: Ellipsis Arts
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Folk | Styles | Music
GeneralGeneral | International | Styles | Music
GypsyGypsy | Eastern Europe | Europe | International | Styles | Music
FlamencoFlamenco | Latin Music | Styles | Music
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Similar Items:
  1. Flamenco

ASIN: B0000059T6
Release Date: 1994-08-08

Tracks:

  1. Que Bonito - Luis De Cordoba
  2. Vete A La Calle - Jose Menese
  3. Tangos De La Plaza - Enrique Mornente
  4. Romance Del Amargo - Camaron De La Isla
  5. Ele Sereno De Mi Calle - El Indio Gitano
  6. A Mi Guitarra - El Polaco
  7. El Rio De Mi Sevilla - Lole Y Manuel
  8. Pena El Bollo - Diego Carrasco
  9. Vengo De Mi Extremadura - Ramon El Portugues
  10. Cuanto Tormento - Susi
  11. Tangos - Diego El Cabrillero
  12. Su Pelo Coma La Endrina - Duquende
  13. Hasta Le Fe De Bautismo - La Nina De Los Peines
  14. Erales - Terremoto

Tracks:

  1. Armonias Del Romane - Tomatito
  2. Gitanos Andaluces - Paco De Lucia
  3. Jucal - Gerardo Nunez
  4. A Mi Hijo Jonatan - El Viejin
  5. Tercio De Vara - Manolo Sanlucar
  6. Cantarela - Eduardo Rodriguez
  7. De Mi Fuente - Enrique de Melchor
  8. Aberojaies - Losadas
  9. Tarantas - Sabicas
  10. Alegrias Del Cascorro - Agustin Carbonell Bola
  11. Resuene - Pepe Habichuela
  12. Aguita Clara - Rafael Riqueni
  13. Granadina - Ramon Montoya
  14. Rumbo - Manuel Iman

Tracks:

  1. Jaleo Pa Las Flamencas - Jaleo
  2. Culito Respingon - Karakatamba
  3. Vengo De Borrachera - Ketama
  4. Caramelo - Ketama/Toumani Diabate/Danny Thompson
  5. Bulerias Del Norte - Tino Di Geraldo
  6. Chana - Amalgama
  7. Choricli Jul - Chano Dominguez
  8. Quien No Corre, Vuela - Ray Herediea
  9. Camino De Pan Bendito - Elementalas
  10. La Canal - Radio Tarifa
  11. Bola - Strunz & Farah
  12. Joven Para La Rumba - Willi Gimenez
  13. La pata negra - Pata Negra

Amazon.com

With the dizzying array of recordings on the market claiming to be flamenco, it's hard for someone looking to discover the music to figure out what the music is, let alone which of the thousands of records available are worth the price. For both novices and those wishing to expand their knowledge of this Afro-Andalusian-Gypsy music, this three-CD set with a detailed and entertaining book is a must. From the deepest, most heart-stomping roots to the slickest pop crossovers, this set has endeavored to distill centuries of evolution into a few hours, and actually succeeds rather nicely. Whether your taste is for the simple guitar and palmas accompanying the raw, wrenching voice of Terremoto de Jerez, the Afro-Spanish explorations of Toumani Diabate, or the youthful exuberance of Pata Negra's flamenco rock, this set has it covered. Important artists are given a wider listening (the Paco de Lucia tracks offers a traditional bulerias instead of the jazz fusions he is well-known for). The whole set would be worth its price just to hear the gorgeous tones of La Niña de los Peines, whose voice was one of the wonders of the flamenco world. Her 1930s recording included in this set is priceless. --Louis Gibson

Customer Reviews:

5 out of 5 stars Consider buying the second disc, "Magic," separately.......2000-02-12

This is an excellent collection of flamenco music. There are three discs; one comprises mainly singers, another artists who are stretching the genre into new areas, and one, called "Magic," is dedicated to guitarists. This last one is the only one I listen to. Granted, I am a guitarist with an interest in playing and listening to guitar-centered flamenco. However, I would guess that many associate flamenco with dazzling guitar playing. And that is what this CD offers with most tracks having a level of recording clarity often absent in flamenco compilations. The tracks, particularly the more recently recorded ones on the front half of the CD, are all truly amazing. This is easily stands out as my favorite flamenco compilation. If what you like about flamenco is the flashy guitar playing, consider buying this CD by itself - they are all sold separately.
Gitans
Average customer rating: 5 out of 5 stars
  • Wonderful gypsy music
  • every world music fan should own this
Gitans
Thierry Robin
Manufacturer: Silex
ProductGroup: Music
Binding: Audio CD

Traditional FolkTraditional Folk | Folk | Styles | Music
FranceFrance | Continental Europe | Europe | International | Styles | Music
GeneralGeneral | Continental Europe | Europe | International | Styles | Music
GypsyGypsy | Eastern Europe | Europe | International | Styles | Music
GeneralGeneral | International | Styles | Music
GeneralGeneral | Middle East | International | Styles | Music
FlamencoFlamenco | Latin Music | Styles | Music
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Similar Items:
  1. Un Ciel de Cuivre

ASIN: B00000AUPB
Release Date: 1996-09-17

Tracks:

  1. Leito Dje Dje [Chant]
  2. La Petite Mer [Cantando de Esa Manera]
  3. Pundela
  4. Payo Michto [Zyriab de Cordoba]
  5. Martinetes y Debla
  6. Mehdi
  7. Katchur Khan
  8. Hommage a Matel/ Taborna Split
  9. Cuivre
  10. Kurja
  11. Marraine
  12. Patchiv
  13. La Famille
  14. Rumba Do Vesou
  15. Leito Dje Dje

Amazon.com

This fine French guitarist and oud player has gathered a delightful group of singers and players to explore the highways and byways of Gypsy music. The sounds of Western and Eastern Europe, of Pakistan and India, and of North Africa all join beautifully on this excellent CD. From out of the east come the memorable female vocalist Gulabi Sapera and tabla maestro Hameed Khan. The powerful flamenco voices of Paco el Lobo and Bruno and Mambo Saadana meld with well-played guitars, oud, accordion, frame drums, palmas, and the occasional clarinet for an inspired and bracing set of tunes. Liner notes in English, French, and Spanish translate lyrics that celebrate life, face death unflinchingly, and speak of the mothers' tears that link this world to the next. --Jeff Grubb

Customer Reviews:

5 out of 5 stars Wonderful gypsy music.......2001-08-08

I love this CD, every track on it is excellent. If you like the "Gypsy Kings" you most likely will like Thierry Robin too. His music is so passionate, heartfelt, great for dancing. Thierry Robin sounds influenced by music from India, Europe, Arabia and the flamenco. I can highly recommend this Cd.

5 out of 5 stars every world music fan should own this.......1999-11-01

This album is drenched in the sound of the Oud (it sounds like a sitar/mandolin/guitar hybrid) and the rhythms of the Middle East and Africa. The tunes are melodic and accessible, the improvising is great, the instrumentation is intimate and fresh -accordian, voice,clarinet, oud, tabla - and the album is beautifully recorded. I have owned this for over a year and play it more than any other album.

I also reccommend the movie "Latcho Drom", the Realworld compilation album "Bliss" and Jesse Cook's "Vertigo". They are all different but they have a similar reverberant "feel" about them.
Traditional Gypsy Flamenco
Average customer rating: Not rated
    Traditional Gypsy Flamenco
    Various Artists
    Manufacturer: Retro Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | International | Styles | Music
    GypsyGypsy | Eastern Europe | Europe | International | Styles | Music
    InternationalInternational | Imports | Stores | Music
    ASIN: B000AM4Y82
    Release Date: 2006-09-25

    Tracks:

    1. Carcelera/Reflejo Andaluz - Sabicas
    2. Castellana/Nostalgia Castellana - Sabicas
    3. Danza Arabe/Damasco - Sabicas
    4. Fantasia Inca - Sabicas
    5. FantasMilitar/El Sito de Zaragoza - Sabicas
    6. Farruca/Con Salero y Garbo - Sabicas
    7. Guajira/Cae Azucar - Sabicas
    8. Ritmos del Paraguay - Sabicas
    9. Sevillanas - Sabicas
    10. Verdiales/Puerto de Malaga - Sabicas
    11. Romance - Juanillo DeAlba
    12. Olvida - Juanillo DeAlba
    13. Tu Sonrisa - Juanillo DeAlba
    14. Balcaditano - Juanillo DeAlba
    15. Mi Favorita - Juanillo DeAlba
    16. Mi Vieljo Olivo - Juanillo DeAlba
    17. Lima - Juanillo DeAlba
    18. Seguirillas - Juanillo DeAlba
    19. Variaciones - Juanillo DeAlba
    20. Soleares - Juanillo DeAlba

    Tracks:

    1. Zorongo Gitano - Argentinita, Federico GarcLorca,
    2. Anda Jal- Argentinita, Federico GarcLorca,
    3. Sevillanas del Siglo - Argentinita, Federico GarcLorca,
    4. Cuatro Muleros - Argentinita, Federico GarcLorca,
    5. Nana de Sevilla - Argentinita, Federico GarcLorca,
    6. Romance Pascual de los Pelegrinitos - Argentinita, Federico GarcLorca,
    7. En el Cafe Chinitas - Argentinita, Federico GarcLorca,
    8. Morillas de Ja- Argentinita, Federico GarcLorca,
    9. Romance de los Mozos de Monle Argentinita, Federico GarcLorca,
    10. Tres Hojas - Argentinita, Federico GarcLorca
    11. Sones de Asturias - Argentinita, Federico GarcLorca,
    12. Aires de Castilla - Argentinita, Federico GarcLorca,
    13. Chiquita - Arenas
    14. Enfant Que Tu Porte - Arenas
    15. Concierto Gitan - Arenas
    16. Me Calor - Arenas
    17. Todo Yo Te Aprendi - Arenas
    18. Dolor d'Amor - Arenas
    19. R - Arenas
    20. Pailla - Arenas
    21. Arte Nu - Arenas
    22. Prde - Arenas
    23. Seba - Arenas
    24. Corona des Pina - Arenas

    Album Description

    44 famous tracks including traditional pieces such as 'Carcelera', 'Reflejo Andaluz', 'Castellana', 'Danza Arabe', 'Damasco', 'Fantasia Inca', 'Balcon Gaditano', 'Nana De Sevilla', 'Aires De Castilla', Dolor D'Amor', 'La Pailla' and more. Retro Gold. 2005.

    Album Details

    Budget Collection Dedicated to Spanish Music and Particularly the Spanish Guitar. This Double Album features World-renowned Guitarists Sabicas and Juanillo De Alba and also the Legendary Spanish Poet (And Lover of Flamenco) Federico Garcia Lorca on Piano Accompanying the Great Dancer and Singer, La Argentinita.
    Gitans
    Average customer rating: Not rated
      Gitans
      Thierry Robin
      Manufacturer: Silex
      ProductGroup: Music
      Binding: Audio CD

      Traditional FolkTraditional Folk | Folk | Styles | Music
      FranceFrance | Continental Europe | Europe | International | Styles | Music
      GeneralGeneral | Continental Europe | Europe | International | Styles | Music
      GypsyGypsy | Eastern Europe | Europe | International | Styles | Music
      GeneralGeneral | International | Styles | Music
      GeneralGeneral | Middle East | International | Styles | Music
      FlamencoFlamenco | Latin Music | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B0006U6QY8
      Release Date: 1996-09-17

      Tracks:

      1. Leito Dje Dje [Chant]
      2. Petite Mer [Cantando de Esa Manera]
      3. Pundela
      4. Payo Michto (Zyriab de Cordoba)
      5. Martinetes y Debla
      6. Mehdi
      7. Katchur Khan
      8. Hommage a Matel/ Taborna Split
      9. Cuivre
      10. Kurja
      11. Marraine
      12. Patchiv
      13. Famille
      14. Rumba Do Vesou
      15. Leito Dje Dje
      Traditional Gypsy Flamenco
      Average customer rating: Not rated
        Traditional Gypsy Flamenco
        Various Artists
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | International | Styles | Music
        GeneralGeneral | Rock | Styles | Music
        Pop RockPop Rock | Pop | Styles | Music
        ASIN: B000B9E2C2
        Release Date: 2005-08-30

        Tracks:

        1. Carcelera/Reflejo Andaluz - Sabicas
        2. Castellana/Nostalgia Castellana - Sabicas
        3. Danza Arabe/Damasco - Sabicas
        4. Fantasia Inca - Sabicas
        5. FantasMilitar/El Sito de Zaragoza - Sabicas
        6. Farruca/Con Salero y Garbo - Sabicas
        7. Guajira/Cae Azucar - Sabicas
        8. Ritmos del Paraguay - Sabicas
        9. Sevillanas - Sabicas
        10. Verdiales/Puerto de Malaga - Sabicas
        11. Romance - Juanillo DeAlba
        12. Olvida - Juanillo DeAlba
        13. Tu Sonrisa - Juanillo DeAlba
        14. Balcaditano - Juanillo DeAlba
        15. Mi Favorita - Juanillo DeAlba
        16. Mi Vieljo Olivo - Juanillo DeAlba
        17. Lima - Juanillo DeAlba
        18. Seguirillas - Juanillo DeAlba
        19. Variaciones - Juanillo DeAlba
        20. Soleares - Juanillo DeAlba

        Tracks:

        1. Zorongo Gitano - Argentinita, Federico GarcLorca,
        2. Anda Jal- Argentinita, Federico GarcLorca,
        3. Sevillanas del Siglo - Argentinita, Federico GarcLorca,
        4. Cuatro Muleros - Argentinita, Federico GarcLorca,
        5. Nana de Sevilla - Argentinita, Federico GarcLorca,
        6. Romance Pascual de los Pelegrinitos - Argentinita, Federico GarcLorca,
        7. En el Cafe Chinitas - Argentinita, Federico GarcLorca,
        8. Morillas de Ja- Argentinita, Federico GarcLorca,
        9. Romance de los Mozos de Monle Argentinita, Federico GarcLorca,
        10. Tres Hojas - Argentinita, Federico GarcLorca
        11. Sones de Asturias - Argentinita, Federico GarcLorca,
        12. Aires de Castilla - Argentinita, Federico GarcLorca,
        13. Chiquita - Arenas
        14. Enfant Que Tu Porte - Arenas
        15. Concierto Gitan - Arenas
        16. Me Calor - Arenas
        17. Todo Yo Te Aprendi - Arenas
        18. Dolor d'Amor - Arenas
        19. R - Arenas
        20. Pailla - Arenas
        21. Arte Nu - Arenas
        22. Prde - Arenas
        23. Seba - Arenas
        24. Corona des Pina - Arenas

        Music:

        1. Twelve & Twelve [Import]
        2. Twisting by the Pool
        3. Under a Wild Sky [Import]
        4. Vivo a Lo Cafre
        5. Way of the Stone [Import]
        6. Will to Death [Import]
        7. Wolfman Jack's: Graffiti R&R Instrumentals
        8. 12'80's [Import]
        9. 40 Greatest All Time Latino Hits
        10. Abattoir Blues/Lyre of Orpheus [Import]

        Music

        music