Clocks [CD-single] [Import]

clocks [cd-single] [import]

Track Listings

1. Clocks [Edit]

2. Crests of Waves

3. Animals

4. Yellow [Live]

5. In My Place [Live]

Editorial Reviews
Product Description
Taken from the 2002 album, 'A Rush of Blood to the Head'. This Australian exclusive five track EP is b/w four non-LP tracks, 'Crests Of Waves', 'Animals', 'In My Place' (Live in Manchester), & 'Yellow' (live KCRW Santa Monica, CA Radio Session). Capitol. 2003.

Clocks,Coldplay,EMI Int'l,Alternative Pop/Rock,Britpop,Dream Pop,Indie Rock,Pop,Post-Grunge,Rock,Rock/Pop

Clocks [CD-single] [Import]

Average customer rating:

Selection is not good
Baby Einstein: Traveling Melodies
Saved My Sanity
A Very Pleasant CD for Little Ones in the Car

Baby Einstein: Traveling Melodies

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Baby Einstein: Lullaby Classics
Baby Einstein: Playtime Music Box
Baby Einstein: Music Box Orchestra
Baby Mozart
Baby Neptune

ASIN: B0009AJK3O
Release Date: 2005-05-10

Tracks:

Orchestra Tune-Up
Bartered Bride Overture
Symphony 5, 1st Movement
The Four Seasons, Autumn, RV293, 1st Movement
Divertimento In F, K.138, 1st Movement
March Militaire
Symphony 5, 4th Movement
Annen Polka
Capriccio Espagnol, Alborada
Trish-Trash Polka
Concerto In C, RV537, 3rd Movement
Capriccio Espagnol, Fandango
The Four Seasons, Spring, RV269, 1st Movement
Serenade For Strings, Waltz
The Bartered Bride, Polka
Symphony 100, 'Military' 2nd Movement
Piano Sonata 15, Op.28, 4th Movement
Waltz In G Flat Op.70, No.1
Symphony 101, 'Clock' 2nd Movement
6 Children Pieces, Op.72, 2nd Movement
Lullaby

Customer Reviews:

Selection is not good.......2006-07-27

This tape is short and the melodies are not engaging for kids. It was waste of money.

Baby Einstein: Traveling Melodies .......2006-02-23

Hello everyone,
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom

Saved My Sanity.......2005-11-03

My husband and I are musicians so I inwardly groaned when we were given this CD as a gift--I'd rather play the originals rather than some synthesized kiddie version. However, on a recent road trip we got desperate when our colicky son would not stop screaming. We popped this in the CD player and it calmed him down immediately. I swear, it's like aural crack for babies. We now play it at bedtime to help calm him down and it still works. You may not love this CD, but your baby will.

A Very Pleasant CD for Little Ones in the Car.......2005-11-01

I picked this up for driving around music and was very pleasantly surprised. Quite enjoyable (and my son seems to like it too!) and perfect for exactly what it says--traveling around. Easy listening and could possibly make your child smarter, great!

Average customer rating:

Baby loves this mucic!
Music to her ears!
ok
Ugh! Glorified Music-Box Music
A Classy Classical CD

Baby Beethoven
Various Artists
Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Baby Mozart
Baby Einstein: Lullaby Classics
Baby Bach
Baby Neptune
Baby Galileo

ASIN: B000065V7N
Release Date: 2002-05-07

Product Description

The Baby Beethoven music CD is an Oppenheim Toy Portfolio Gold Award winner. Featuring 19-tracks, the 35-minute collection designed as a playful introduction to the drama and range of Beethoven's music. All of the pieces featured on the Baby Beethoven music CD were composed in the late 18th and early 19th centuries and trace the range of history's most famous musician. Masterfully re-orchestrated by the Baby Einstein Music Box Orchestra for little ears, Baby Beethoven music CD is an excellent audio accompaniment to any child's playtime. Tracks from this delightful CD are featured on Baby Einstein's Baby Beethoven DVD.Musical Selections:1. Tune up and theme from Symphony No. 9, 2nd movement2. Symphony No. 1, 1st movement, Op. 213. Minuet in G4. Sonata in F5. Sonata No. 14 (Moonlight), 2nd movement, Op. 27, No. 26. The Ruins of Athens, Turkish March, Op. 1137. Rondo in C, Op. 51, No. 18. Fur Elise, WoO 599. Rondo a Capriccio in G, Op. 12910. Symphony No. 5, 1st movement, Op. 6711. Military March No. 1 in F, WoO 1812. Sonatina in G13. Sonata 8 (Pathetique), 3rd movement, Op. 1314. Symphony No. 9, 4th movement, Op. 12515. Sonata No. 2, 1st movement, Op. 2, No. 216. Allegro for a Flute Clock17. Symphony No. 6, 3rd movement, Op. 6818. Sonata No. 8 (Pathetique), 2nd movement Op. 1319. Symphony No. 9, 4th movement coda, Op. 125Age: Birth +Awards:* Billboard Magazine Top Midline Classical Albums (#2) - 2004* Oppenheim Toy Portfolio Gold Award (2002)

Customer Reviews:

Baby loves this mucic!.......2007-02-17

Puts our 6-week old daughter to sleep. What more could you ask for!

Music to her ears!.......2006-11-04

One of the first things I bought for my infant daughter was a collection of the Baby Einstein cd's, and I'm so glad I did! My girl just loves to listen and brightens up everytime the orchestra tunes up at the start of the cd. It is simplified, so not as thrilling for mom, but no real complaints... It certainly beats the Wiggles.

ok.......2006-02-15

This CD is just ok. I like the "Baby Needs..." collection much better. The music in this CD is nice, but some of it is fast paced and does not work well to listen to during nap time. My son seems to enjoy it, though. It is nice for playtime.

Ugh! Glorified Music-Box Music.......2005-12-04

My husband and I are fans of classical music with a substantial CD collection. When we found out we were pregnant, I picked up the Baby Beethoven CD from my local library to see what it was like.

It's glorified music box music... some of the pieces are almost impossible to distinguish without checking the jewel case for the name.

If you really want to expose your child to Beethoven, don't waste your time with this CD. For soothing sleepy-time music, try "Beethoven at Bedtime."

A Classy Classical CD.......2005-04-15

Classical music makes your baby smart? Who cares what the "experts" say? As a mom, I judge any children's music CD by how often my kids ask to hear it. And Baby Beethoven CD gets two tiny thumbs up! My 5-year-old daughter has enjoyed this music since she was small (we also own the VHS tape). Now her younger sisters love it, too. The play list of 19 selections ranges from soothing symphonies, such as Symphony No. 6 in F major ("Pastoral"), to lively sonatas, like the Piano Sonata No. 8 in C minor ("Pathétique") that inspire my girls to leap and twirl across the room. And that makes this CD a smart buy.

Average customer rating:

Touching
Pays music a complement. I love the classical pieces!
the Notebook soundtrack (Audio CD)
Very Nice
A sweeping, emotional standout!

The Notebook
Various Artists
Manufacturer: New Line Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Similar Items:

The Notebook (New Line Platinum Series)
The Notebook
Finding Neverland
A Walk to Remember
The Lake House

ASIN: B00023B1E4
Release Date: 2004-06-08

Tracks:

Main Title
Overture
"I'll Be Seeing You" Performed by Billie Holiday
"Alabamy Home" Performed by Duke Ellington
Allie Returns
House Blues/The Porch Dance/The Proposal/The Carnival
Noah's Journey
"Always And Always" Performed by Benny Goodman & His Orchestra
"A String Of Pearls" Performed by Glenn Miller & His Orchestra
On The Lake
"Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
"One O'Clock Jump" Performed by Benny Goodman & His Orchestra
"I'll Be Seeing You" Performed by Jimmy Durante
Noah's Last Letter
Our Love Can Do Miracles

Amazon.com

Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulley

Album Description

Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.

Customer Reviews:

Touching.......2007-07-04

There isn't much I can say about this beautiful movie, except that it was so touching!
It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
I absolutely loved the ending.
I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.

Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!

Angelfish

Pays music a complement. I love the classical pieces!.......2007-05-27

I do not have the soundtrack to The Notebook, but I do have the movie itself. Having said that, every song is wonderful. Some music carries with it, a wealth of emotion and a sense of timelessness. I love all of the classical pieces , perhaps the best, in this particular movie. Classical has never been my speed when it comes down to music, but something about this movie's classical masterpieces struck a chord in me...made me smile and maybe even sniffle a bit. If you are a fan of the movie, I'm sure you would love its soundtrack too. Music like this is ideal for a romantic evening or just for pleasure listening. You don't know if you'll like something until you give it a chance! So give this a chance!!

the Notebook soundtrack (Audio CD).......2007-05-13

This is a beautiful collection of music from the movie, The Notebook. Most is instrumental, very relaxing, as well as lively at times. Two renditions of "I'll Be Seeing You" are included.

Very Nice.......2007-03-30

I really enjoyed listening to the soundtrack, but I'm also a big fan of background music and this cd was great for both. Listening to the cd took me back to the movie and reminded me how much I enjoyed it, but I also put the cd on during a nice meal with friends and it worked out very well, they all enjoyed the music.

A sweeping, emotional standout!.......2007-01-11

The music from The Notebook brings you right back to the film, capturing your heart and soul. It's music will roll live waves through your soul and bring you from nostalgia to your own feelings of love and desire. The selections, arrangements and orchestrations are to be admired, and Mr. Zigman is to be praised. This soundtrack truly completes the legacy of "The Notebook".

Average customer rating:

Just for kids?? No way!!
The best classical album for kids!
Great for Preschool Children

Classics for Kids

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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Similar Items:

Classical Music for Children: A Toddler's Introduction to Classical Music
Children's Favorites
Bernstein Favorites: Children's Classics
Pavarotti's Opera Made Easy-My Favourite Opera For Children
Prokofiev: Peter and the Wolf; Britten: Young Person's Guide to the Orchestra Op34

ASIN: B000003FE3
Release Date: 1993-06-08

Tracks:

The Nutcracker Excerpts (Tchaikovsky)
The Nutcracker Excerpts (Tchaikovsky)
The Nutcracker Excerpts (Tchaikovsky)
Parade of The Wooden Soldiers (Jessel-MacDonald)
Carnival of The Animals Excerpts (Saint-Saens)
Carnival of The Animals Excerpts (Saint-Saens)
Carnival of The Animals Excerpts (Saint-Saens)
THe Girl With The Flaxen Hair (Debussy)
Hoedown from Rodeo (Copland)
Little Waltz from The Toy Box (Debussy)
Viennese Musical Clock from Hary Janos (Kodaly)
Mother Goose Suite Excerpts (Ravel)
Mother Goose Suite Excerpts (Ravel)
March of the Siamese Children from The King and I (Rogers)
Dreams frin Scenes From Childhood ( Schumann)
March of The Toys from Babes In Toyland (Herbert)
Childhood Games Excerpts (Bizet)
Childhood Games Excerpts (Bizet)
The Toy Trumpet Al Hirt, trumpet (Scott)
The Little Train of Caipira (Villa-Lobos)
The Sorcerer's Apprentice (Dukas)
Waltz from The Sleeping Beauty (Tchaikovsky)
Lullaby (Brahms)

Customer Reviews:

Just for kids?? No way!!.......2005-04-08

This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").

If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.

The best classical album for kids!.......2002-12-12

This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!

Great for Preschool Children.......2000-10-12

I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.

Average customer rating:

Comparison - Jochum's Set vs. Colin Davis'
Haydn's London Symphonies
Excellent, but beware of Davis' groaning
GOOD, BUT!
Grand, Warm, Rich, Mature Symphony

Haydn: The London Symphonies, Vol. 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
Similar Items:

Haydn: The London Symphonies, Vol. 1
Haydn: Paris Symphonies
Haydn: Symphonies Nos. 88 - 92
Haydn: String Quartets Op. 76, Nos. 1-3
Mendelssohn: 5 Symphonies; 7 Overtures

ASIN: B0000041AR
Release Date: 1994-10-11

Tracks:

Symphony In D: Adagio - Allegro assai - Joseph Haydn
Symphony In D: Largo cantabile - Joseph Haydn
Symphony In D: Menuetto. Allegro - Joseph Haydn
Symphony In D: Finale. Presto ma non troppo - Joseph Haydn
Symphony In E Flat: Adagio -- Vivace assai - Joseph Haydn
Symphony In E Flat: Adagio - Joseph Haydn
Symphony In E Flat: Menuetto. Allegretto - Joseph Haydn
Symphony In E Flat: Finale. Vivace - Joseph Haydn
Symphony In G: Adagio - Joseph Haydn
Symphony In G: Andante - Joseph Haydn
Symphony In G: Menuetto - Joseph Haydn
Symphony In G: Finale - Joseph Haydn

Tracks:

Symphony In G: 1. Adagio - J. Haydn
Symphony In G: 2. Andante - J. Haydn
Symphony In G: 3. Menuetto - J. Haydn
Symphony In G: 4. Finale - J. Haydn
Symphony In C: 1. Adagio - Vivace - J. Haydn
Symphony In C: 2. Adagio ma non troppo - J. Haydn
Symphony In C: 3. Menuetto. Allegretto - J. Haydn
Symphony In C: 4. Finale. Presto assai - J. Haydn
Symphony In D: 1. Adagio - J. Haydn
Symphony In D: 2. Andante - J. Haydn
Symphony In D: 3. Menuetto - J. Haydn
Symphony In D: 4. Finale - J. Haydn

Amazon.com

Someone once commented on the "sulphurous devilishness" of Haydn's surprises in the London symphonies. But it should come as no surprise that one of the best recordings of these works is from Sir Colin Davis, whose accounts with the Concertgebouw Orchestra stand among the most exalted phonographic accomplishments of recent years. There is a Beechamesque quality to these readings, and when it comes to Haydn, that is praise indeed. They are exceptionally personable, characterful, likable interpretations, with wit, warmth, and life in every measure. All 12 symphonies are wonderfully played and very well recorded. At full price, these recordings would be a top choice; as midprice offerings, three symphonies to a disc (averaging more than 75 minutes of music each), they're a steal. --Ted Libbey

Customer Reviews:

Comparison - Jochum's Set vs. Colin Davis'.......2006-02-23

Jochum and London Phil deliver the highest level of Haydn playing just like Colin Davis and Concertgebow do. I own both and tried to compare between two.

Jochum adds plenty of personal touches that decidedly grab your attention. You hear poignant romanticism or Beethoven-like roar in many places. Colin Davis, by comparison, lets the music flow naturally and makes it sound more balanced. Colin Davis sure gets a lot of help from the gorgeous Concertgebow band - silky but vivacious strings, show-stopping woodwinds, bright brass section, etc. In his set, you hear more of the orchestra than Colin Davis. I think it's the other way around in Jochum set. Concergebow's sound is more transparent and charmingly light-footed while London Phil sounds fuller and creamier without losing crispness. You get more agility and refinement from Davis set. You get more expressiveness and warmth from Jochum's.
Let me emphasize that all of the good qualities I attributed to either of the sets actually exist in both (they are inherently in Haydn's writing). It's just that some qualities are more apparent in one than the other.
As to the recording, Colin Davis set has more sparkle and vividness. It sounds more modern. Jochum's has a typical old-fashioned analogue sound in a very good way. It has plenty of natural ambience but doesn't sound muddy.
I recommend you buy both of these delightful and affordable sets. I never regretted doing so :-)

Haydn's London Symphonies.......2005-12-21

I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman

Excellent, but beware of Davis' groaning.......2005-02-23

Excellent recordings in general, as pointed out by others.

But Davis' groaning is very audible and ANNOYING in places. He does the same on most of his more recent LSO recordings.

Why do conductors groan/grunt away and spoil their recordings so often?

Jochum/DG is another great set of the London symphonies, and doesn't have conductor noises!

GOOD, BUT!.......2004-07-15

This set is good of course, but if you are looking for great performances for EACH of Haydn's 12 London symphony, you may want to buy individual discs. Here is my collection of the 12 'London' Masterpieces.
Symphony 93: Goodman/Hanover Band (Hyperion 66532)
Symphony 94: Monteux/Vienna Phil (Decca 452893-2)
Symphony 95: Britten/ECO (BBC 8008)
Symphony 96: Harnoncourt/Concg. Orchestra (Teldec/Warner 21337-2)
Symphony 97: Szell/Cleveland (Sony 67175)
Symphony 98: Jochum/LPO (DG 437 201-2)
Symphony 99: Davis/Concg. Orchestra (Phillips 442 614-2)
Symphony 100: Walter/Columbia (Sony 64485)
Symphony 101: Mackerras/St. Luke's (Telarc)
Symphony 102: Dorati/Philharmonia Hungarica (Decca 452 259-2)
Symphony 103: Kuijken/La Petite Bande (DHM 77362)
Symphony 104: Hickox/Collegium Musicum 90 (Chandos 0655)

Grand, Warm, Rich, Mature Symphony.......2003-05-07

Culmination of a marvelous life in composition are these London Symphonies.

Here, in one of the highest rated collections Sir Colin Davis leads the Royalo Concertgebouw Orchestra in over 150 minutes of some of the premier symphonic sounds of all times. There is style and substance in their treatment and the crisp, clean recording is marvelous at any price, but even better at this mid-range bargain.

I especially have fond of No. 93 and of course, No. 102 with its melodic richness and inventive harmony. His element of surpirse is always robust and mysterious, as here the third note spells departure.

Tracks:

Let Them All Talk
Everyday I Write The Book
The Greatest Thing
The Element Within Her
Love Went Mad
Shipbuilding
TKO (Boxing Day)
Charm School
The Invisible Man
Mouth Almighty
King Of Thieves
Pills And Soap
The World And His Wife

Tracks:

Everyday I Write The Book
Baby Pictures
Heathen Town
The Flirting Kind
Walking On Thin Ice
Big Sister's Clothes/Stand Down Margaret (BBC Session)
Danger Zone
Seconds Of Pleasure
The Town Where Time Stood Still
The World And His Wife
Shatterproof
Heathen Town
The Flirting Kind
Let Them All Talk
King Of Thieves
The Invisible Man
The Element Within Her
Love Went Mad
The Greatest Thing
Mouth Almighty
Charm School
Possession
Secondary Modern
The Bells
Watch Your Step
Back Stabbers/King Horse

Album Description

2003 remastered reissue of 1983's 'Punch The Clock' contains 26 bonus cuts, 'Everyday I Write The Book' (Studio Merseybeat Version), 'Baby Pictures', 'Heathen Town', 'The Flirting Kind', 'Walking On Thin Ice', 'Big Sister's Clothes/Stand Down Margaret' (BBC Session), 'Danger Zone' (BBC Session), 'Seconds Of Pleasure', 'The Town Where Time Stood Still', 'The World And His Wife' (Solo Version), 'Shatterproof', 'Heathen Town' (Demo), 'The Flirting Kind' (Demo), 'Let Them All Talk' (Demo), 'King Of Thieves' (Demo), 'The Invisible Man' (Demo), 'The Element Within Her' (Demo), 'Love Went Mad' (Demo), 'The Greatest Thing' (Demo), 'Mouth Almighty' (Demo), 'Charm School' (Demo), 'Possession' (Live), 'Secondary Modern' (Live), 'The Bells' (Live), 'Watch Your Step' (Live), & 'Back Stabbers/King Horse' (Live). Rhino/Warner.

Customer Reviews:

Just Plain Great.......2006-06-07

I've read so many bad reviews of this album and I just don't get it. This album is packed full of very clever songs and great lyrics with a great big noisy band behind Elvis. It's a real treat for the ears. And for the song writer/musicians out there, these songs are brilliantly written, using thick harmonies and great chord changes.

Don't pass this one by.

Walking On Eggshells.......2006-03-10

I enjoy listening to this CD more than Imperial Bedroom. "Beyond Belief" is awesome with an atmosphere that you think is beyond Elvis' songwriting abilities until he does it. "Pills And Soap" matches this song in brilliance and has better lyrics. It doesn't resort to using the ridiculous concept of a soul to express human experience, this an entity that people continue to insist exists and has importance, for not using this archaic, useless concept the lyrics are 10 times better in "Pills And Soap". Another 10 from Imperial is "Little Fool", a favorite song of mine that seems to fly below many peoples radar. "The Greatest Thing" is the equal to this one. Another highlight to Imperial Bedroom is "Whisper To A Scream". There is not really a similar song on Clock, but I find "Charm School" just as enjoyable. "Shabby Doll", "Man Out Of Time", "Long Honeymoon", and "Tears Before Bedtime" are solid songs that define Imperial, but I find "Invisible Man", "Mouth Almighty", "King Of Thieves", and even the strange "TKO Boxing Days" to equal those and have the same function. "Town Cryer" a completely unique tour de force and to a lesser extant, "Kid About It" are also highlights to the excellent Imperial Bedroom, but again Clock has "Let Them All Talk", and "The World And His Wife". Completely different, but I enjoy these songs more. The rest of Imperial I find to be filler. I do appreciate the experimental nature on Imeprial Bedroom for the whole CD including the remaining songs I avoid. Now Clock follows that direction with songs that do nothing for me, but since the weak songs on Clock do not include as many compared to Imperial I enjoy it more. Not only this, but two of the songs I find to be crap on Clock are ones many consider highlights, "Shipbuilding", and "Every Day I Write The Book". That said I have to ask, how can anyone like/love "Shipbuilding"? This 6 minute song is painful for me to listen to. There is NO tension or atmosphere for the entire song. NONE!!! It never builds up to anything. In fact it is slow and tedious with the same tempo for the WHOLE song. It has no redeeming qualities at all. This is on almost every greatest hits package and in the reviews here, both people that enjoy the CD and those that don't, champion this song. I am baffled by this more than trying to figure out the appeal of Full House. Am I the only one to truly hate this song. I mean this song is awful. If I list the worst songs ever made it not only qualifies as the most over rated, but it qualifies unconditionally as just plain awful. The worst Elvis Costello song period. This song just sucks. OK enough of that. Even though I don't enjoy him Writing The Book Everyday, he must need some relaxation time with all that work, I can at least see the appeal of this song to others. Duds round out each release, but I rate Clock as a bit better than Imperial. Over all these are two excellent releases from this incredible artist that continues to produce vital works. Now just because he is excellent at what he does you don't have to like it. A negsative opinion is fine if that is what you think. Were you serious? If so us fans don't mind at all if reviewers form different opinion on Costellos' work than we have. For the person that criticizes this CD, then apologizes endlessly for doing so, please don't. It is not necessary, and to be honest, this can be just as annoying, well actually more annoying. Just share your opinions. There is never a need to walk on eggshells. Fans shouldn't put them down on the floor and if they are a true fan of an artist they find thoughtful criticism more interesting than blind compliments. My opinion is that both CD's I wrote opinions about in this post are fasntastic additions to the catalog of Elvis Costello. I do love this mans work. As fans we are not blind though. I find every release he has ever made has worthwhile material, but even a fan his old and new finds releases like Mighty Like The Rose and Spike to be really bad. Haven't listened to Cruel World enough to decide if I agree with the consensus. Now I'm rambling. Punch The Clock is very good. I love it, but it is only a 4.

With All My Favorite EC Releases, I Love This!.......2005-11-07

Man was I missing out for 22 years. EC put out so many albums in this time frame and I had a lot of things going in my life (being a sailor and away from the US, plus getting into all the other music at the time), that this release slipped through the cracks for me. My listening experience for the time till now was the selected tracks from the compilations I had bought (Girls...The Best....The Very Best), so for all this time I'm getting Pills and Soap, Shipbuilding, and Everyday I Write the Book as representation here. Now that I'm getting the real EC releases and listening to all these tunes I'm floored. Yeah it's a EC pop release and I'm saying to myself "All Right!" I'm a big Get Happy lover as well as Imperial Bedroom (the later another of those I settled on selected samplings from the compilations) so I absolutely am digging this cd now. Will it hold up for me for another 20 years? I happen to think it will. Songs I can't keep playing over and over right now because the vocals are awesome; "The Element Within Her", "Charm School", "Love Went Mad", and "The Invisible Man". I love the line in "Element" that goes like this "But back in the bedroom, With her electric heater, I SAY 'ARE YOU COLD?', SHE SAYS 'NO, BUT YOU ARE', La La La " I cracked up over that one, right up there with my favorite EC lyric "They call her Natasha when she looks like Elsie". If your looking for a deal get the Rykodisc release for about half (the bonus stuff is mostly unpolished demo's that I won't listen to regularly) but definitely get this CD it's a very worthwhile disc for EC fans.

Ralph/Working in the Middle East; getting great music through Amazon!

I disagree with the other reviews........2003-12-25

Before anyone gets upset with what I'm about to write, let me state that I'm a dedicated Costello fan and have been listening to him and buying his records (yes, when records were vinyl LPs) since day one. I think that he is one of the truly great and gifted musicians and songwriters and my favourite musical artist (next to the Beatles).

It's acknowledged by EC cognoscentes that 'Goodbye Cruel World' (the album that immediately followed 'Punch' and was released a year later) marks the nadir of his career and that 'Punch the Clock' isn't far behind. The two albums are often paired together and I think justifiably regarded as parts 1 and 2 of a set. In fact, Elvis lost a sizeable portion of his audience after the release of these two albums. He has been fighting an uphill battle ever since to recover the level of support lost after 'Goodbye Cruel World'.

Despite respectable sales of 'Punch the Clock', I've always suspected that post 'Goodbye Cruel World' a lot of Elvis fans, upon reflection, suffered from buyer's remorse over `Punch' and perhaps even some embarrassment. If this album was in their music libraries, the owners were probably hesitant to admit so and the album probably never left the shelf or the box at the back of the closet until some garage sale called out for it. I also suspect that those who bought the cd edition of this album did so more out of a sense of obligation than anything else.

I am not critizing Elvis' decision to try something different (i.e. a more "pop" oriented sound). (Although doing something different in and of itself does not guarantee that the results will be interesting, entertaining, artistically successful or even done well). Perhaps he was motivated by an understandable sense of disappointment over the sales of 'Imperial Bedroom'. I get the feeling from this album that Elvis' desire to do something different is a bit forced; done out of a sense of frustration or from some obligation or determination to do so but his heart was never truly in it, unlike `The Juliet Letters' or 'Painted from Memory'. These two albums were very different directions for Elvis, each of which he obviously believed in and enjoyed. (Look at his dour portrait on the front cover of 'Punch'. That should tell you something. It's not exactly a happy face to go along with the upbeat pop music on the disc.)

Yes, the album does deliver some clever, witty, entertaining and even thoughtful lyrics. There are some standout tracks ('Everyday I Write the Book', 'Shipbuilding', 'Pills for Soap') but unless you're an Elvis collector/ completist, I recommend picking up one of his compilation albums to hear those songs. The real problem with this album is its production. No, I'm criticizing it because it is too "pop" oriented or too polished. The production is technically well done, and I should add that Rhino's remastering sounds great. The real problem is that too many of the tracks sound alike. When listening to this cd, I find myself wondering if I hadn't already heard this tune or that. Some of the tracks are not distinguishable from one another. Many of the songs that should be memorable, which deserve to be memorable, simply aren't. In all the upbeatness, I find a weary tedium.

For the Elvis collector/ completist, I would recommend this cd for the commendable remastered sound quality of the original album and for the tracks on the bonus disc. (There are many demos including 'Shatterproof' which supplied Rockpile's Billy Bremner with a hit single. There is also a two song medley from a BBC performance that includes a cover of the Beat's `Stand Down Margaret'.) For the general music fan who is interested in Elvis, I would recommend purchasing a compliation "best of" album instead.

Have we come this far to find a soul cliche?.......2003-12-14

Flush with artistic raves and the critical success of "Imperial Bedroom," Elvis Costello did exactly what we should have expected him to do. He made an album absolutely nothing like the one we'd all been listening to for the entire previous year. I even remember a scathing review of this album at the time that opened with a comment akin to "Well, nobody's going to call this album a masterpiece."

OK, so that was a pretty accurate assessment. "Punch The Clock" was a maniacally obsessive pop album, primarily due to the choice of Clive Langer and Alan Winstanley as producers. Their track momentum was unstoppable at the time, and they wrapped EC and the Attractions with soul vocals, punchy horns and a free swinging style of production that was the polar opposite of Nick Lowe's. If you can, imagine "Get Happy" with more breathing space in the songs.

The result might have been "Punch The Clock's" irresistibly catchy opening track "Let Them All Talk." L&W layered the production with what was common to the period...the lush horns, the steamy r'n'b pulse, etc. Just as important was their finger on the popbeat of the moment, which suddenly saw Elvis flirting with the American Top 40 via "Everyday I Write The Book." While the video was more topical than the song, it didn't mean Elvis was shying away from biting lyrics. "Punch The Clock" is loaded with such notable quotes like "I wish you luck with a capitol F" and "He said 'are you cold,' she said 'no but you are,' la la la."

It also didn't mean that Elvis' definition of "pop" didn't include some heartfelt jabs at the current state of England. This being the era that produced Reagen-Thatcher and the Falklands War, the songs "Pills and Soap" and "Shipbuilding" were remarkable for their inclusion among the giddy pop of "The Greatest Thing" or "Mouth Almighty." The understated, elegant lyric, along with a perfect solo from Chet Baker made "Shipbuilding" not only the best song on "Punch The Clock," but one of the outstanding songs in EC's library.

Given the success of the album (it was one of EC's first albums to reach gold status in sales), it made sense that L&W would be around for the next. If you really want to gauge how underrated "Punch The Clock" usually is, just give an re-listen to "Goodbye Cruel World," the undisciplined follow-up. The bonus disc here is strictly hit and miss, and is interesting in that you can hear just how much architectural work L&W invested. The live cuts are, as usual, great. (But missing a couple from the Ryko CD.)

Tracks:

'Gayane' Ballet Suite: Sabre Dance
Pomp and Circumstance March No. 1
The Flight Of The Bumblebee
Light Cavalry Overture
The Merry Wives Of Windsor: Overture
Jalousie
'Mlada': Procession Of The Nobles
Serenade For Strings: Waltz
William Tell Overture
'L'Arlesienne'-Suite No. 2: Farandole
The Syncopated Clock
'Prince Igor': Polovetsian Dances
'The Damnation Of Faust': Rakoczy March
The Stars And Stripes Forever

Customer Reviews:

A must have CD.......2007-01-14

For anyone who likes Arthur Fiedler and the Boston Pops, this CD is a must have.

Arthur at his best........2002-03-20

Arthur Fiedler made listening to classical music fun. Try a listen to 'Pomp and Circumstance', one of my favourite pieces of classical music. 'William Tell Overture' shines as does most of the material on this album. Well recorded for it's day. Fiedler is missed.

Fiedler's Finest.......2002-02-16

I had the opportunity of playing in an orchestra under Maestro Fiedler. He was a tough, no nonsense conductor who expected crisp, lyrical, and expressive. His musical interpretations of everything from Sabre Dance to Syncopated Clock; from Pomp and Circumstance March No. 1 to his love for the Beatles, sets him as the ruler supreme in pop music. I only hope RCA will continue to reissue his LPs so a new generation knows the man and his music. Bravo!

what a collaboration of musical excellence, oh what style!.......1999-06-08

I bought this CD a little over a year ago and it is still among my favorites. "Polvetsian Dances" is excellent no matter what your interests. The full version of "Pomp and Circumstance" as well as "The William Tell Overature" are wonderful; The "Procession of the Nobles" is victorious and galliant; the lyrical complexity of "Farandole" is haunting. This is a brilliant compilation of musical excellence.

Average customer rating:

The right song at the right time
The best of the late 60's
Psychedelic Plus
IT WAS A VERY GOOD YEAR
riot67 is clueless.

Incense & Peppermints
The Strawberry Alarm Clock
Manufacturer: Mca Special Products
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002QTD
Release Date: 1995-01-01

Tracks:

Incense & Peppermints
Rainy Day Mushroom Pillow
Birds In My Tree
Sit With The Guru
Tomorrow
Barefoot In Baltimore
Good Morning Starshine
Bird Man Of Alkatrash
Strawberries Mean Love
Starting Out The Day

Customer Reviews:

The right song at the right time.......2007-04-02

If you asked me what song epitomizes the sixties, I'd answer "Incense and Peppermints".

I remember having the original album my mom bought me. I was about 15/16 at the time. My impression of the song was that it was slick and trendy-sounding and that these guys were cashing in quick on it. Like a "Time" magazine cover article set to music. Rumor had it that the lead singer on "Incense and Peppermints" was hanging around the studio in SF. The band persuaded him to sing it and he was never heard from again. In fact, no one apparently even knew his name. Perfect publicity.

The best of the late 60's.......2006-12-29

This is a compilation, but the original Incense and Peppermints album was really revolutinary for the time. I will date myself now, but I remember hearing this song on the radio in our car and was mesmerized by it. It was the first Lp I had ever bought. I actually wore out the groves on the Lp and came across another a few years ago. To this day, almost 40 years after I first heard the Strawberry Alarm Clock, I still like Incense and Peppermints as well as their other songs. Their style ranges from acid rock to jazz. The musicians are all very talented and the band works as a team as opposed to many of the bands of the era. Their recordings are really high quality and certainly not over processed like a lot of today's music is. SAC was in an era where 60's music was in transition from the early Beatles and old time R&R sound to a more acid rock sound. Lyrics like 'tune in, turn on, turn your eyes around.. look at yourself' were typical of SAC's lyrical style as well as the thinking of the times. It was an odd time. On one side, we had Woodstock, mini-skirts, muscle cars and fun fun fun, But, on the dark side, there were civil rights problems and the Viet Nam war. This transitional period was a kind of awakening for the country and for music. Although not as popular as names like the Doors, Jefferson Airplane and Steppenwolf, the Strawberry Alarm Clock still had a huge following. My only regret is that I didn't get a chance to see them (or the Doors!) when they came to the city where I lived during the late 60's. This album is a nice compilation of SAC's hits. The songs are as fresh and original sounding as they were almost 40 years ago.

Psychedelic Plus.......2006-11-29

This compilation album of Strawberry Alarm Clock tracks is no doubt rooted in the psychedelic sixties. The band is most known for `Incense and Peppermint,' but this album shows that there was much more to the band. Strawberry Alarm Clock's talent lies in composition. The album showcases several distinct styles that they blend with psychedelic rock. The song `Starting out the Day' is a good example of this. The song starts out with blaring horns and percussion that reminds me of early Herb Albert and the upbeat tempo and production could be a Tom Jones production. Another good song is `Barefoot in Baltimore.' Again, this song is less psychedelic and more inclusive of other genres of the era (a little Burt Bacharach maybe). Because I cite other artists does not mean that SAC was impersonating, rather they were able to incorporated many different styles into their music. If you like the psychedelic, jam rock of the late sixties, you will appreciate the music, to all others it may seem cliché and dated.

IT WAS A VERY GOOD YEAR.......2006-07-19

Ok, so its not great, but it was a very good year for all the
hippy trippy lyrics and paisley shirts and the commercial alternative was so much better. Still, its a fun album and needs to be put down, man!!!

riot67 is clueless........2005-12-18

yes these songs do sound a bit dated, but guess what? they're from the 60's...wow, imagine it sounding like the 60's. it's not all hippy stuff and even if it is its still better than hip hop and todays pop crap. oh, and 80's new wave is a lot better than hip hop and modern pop as well. cheers.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
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Variations On A Theme Of Frank Bridge (No. 4)
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Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Symphony No. 104 In D Major 'London': Menuetto - Allegro
Harpsicord Concerto In D Major: Vivace
Symphony No. 100 In G Major 'Miltary': Allegretto
Mass No. 2 In E- Flat Major: Great Organ Mass
Symphony No. 82 In C Major 'The Bear': Vivace assai
Keyboard Sonata No. 48 In C Major: Allegro con brio
Symphony No. 45 In F-Sharp Minor 'Farewell': Allegro assai
Violin Concerto No. 1 In C Major: Allegro moderato
Allegro con spirito
Symphony No. 96 In D Major 'Miracle': Allegro
Symphony No. 96 In D Major 'Miracle': Andante
Baryton Divertimento No. 107 In D Major: Minuet and Trio
Music Clock
Trumpet Concerto In E-Flat Major: Adagio
Symphony No. 45 In F-Sharp Minor 'Farewell': Adagio
Symphony No. 82 In C Major 'The Bear': Vivace
Symphony No.11 In G Major 'Miltary': Excerpts
Philemon And Baucis: Tenor Aria 'Nemo'
Symphony No. 104 In D Major 'London': Allegro spiritoso
Horn Concerto No. 2 In D Major: Allegro
Symphony No. 101 In D Major 'Clock': Presto; Menuetto (Allegretto)
Symphony No. 94 In G Major 'Surprise': Andante
Symphony No. 96 In D Major 'Miracle': Vivace assai
Symphony No. 101 In D Major 'Clock': Andante
Symphony No. 104 In D Major 'London': Andante
Mass in D-flat Major: Gloria
String Quartet in C Major, Op. 76 No. 3 Emperor
The Creation: Chrous: 'The Heavens are Telling'
Austrian National Anthem
Cello Concerto In D Major, Hob. VIIb, No. 2: Moderato
Cello Concerto In D Major, Hob. VIIb, No. 2: Adagio
Cello Concerto In D Major, Hob. VIIb, No. 2: Allegro molto

Music:

Music

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