Aviary
Editorial Reviews
Product Description
A closely guarded secret is about to take wing for a second time. Of all the great Pomp Progressive bands, perhaps none can rival Aviary. The vocal majesty of Queen combines with the musical prowess of Yes, one listen to the Aviary album proves that they do not make them like this anymore and that music is unspeakably worse for that. After 20 years, a very special record is finally making its first Cd appearance. Includes complete 'Aviary Story' with band interviews and rare photos. 9 tracks. Standard jewel case. 2001 release.
Aviary,Aviary,Song Haus Music,Album Rock,Hard Rock,Pop,Prog-Rock/Art Rock,Rock,Rock/Pop
Aviary
Average customer rating:
- Children's Favorites a solid purchase
- The perfect package
- A Wonderful Introduction to the Classics
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Children's Favorites
Manufacturer: Vox (Classical)
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Similar Items:
- Classical Music for Children: A Toddler's Introduction to Classical Music
- Classics for Kids
- Pavarotti's Opera Made Easy-My Favourite Opera For Children
- Bernstein Favorites: Children's Classics
- World's Very Best Opera for Kids... in English!
ASIN: B00004Y6T3
Release Date: 2000-09-05 |
Tracks:
- March Of The Tin Soldiers - Leon Jessel
- Variations On 'Twinkle Twinkle Little Star' - Walter Klien
- The Nutcracker: Dance Of The Reed Flutes - Pyotr Il'yich Tchaikovsky
- The Nutcracker: Dance Of The Sugar Plum Fairy - Pyotr Il'yich Tchaikovsky
- The Sorceror's Apprentice - Paul Dukas
- Peter And The Wolf (Extract) - Brandon de Wilde
- Invention No. 8 In F Major - Christiane Jaccottet
- Invention No. 11 in G Minor - Christiane Jaccottet
- Invention No. 13 in A Minor - Christiane Jaccottet
- Prelude And Fugue No. 21 In B Flat Major (Book 1) - Christiane Jaccottet
- Sonata For 2 Pianos In D Major, K. 448, 1st Mvt. - Rudolf Firkusny
- III. Allegretto - Walter Klien
- Kinderszenen: Of Strange Lands And People - Walter Klien
- Kinderszenen: Curious Story - Walter Klien
- Kinderszenen: Entreating Child - Walter Klien
- Kinderszenen: Perfect Happiness - Walter Klien
- Introduction And Royal March - Marylene Dosse
- The Elephant - Marylene Dosse
- Kangaroos - Marylene Dosse
- The Aquarium - Marylene Dosse
- Cuckoo In The Woods - Marylene Dosse
- Birds - Marylene Dosse
- Fossils - Marylene Dosse
- The Swan - Marylene Dosse
- Finale - Marylene Dosse
Customer Reviews:
Children's Favorites a solid purchase.......2006-03-09
This CD mostly delivered what was expected of it. The only critique I have is that some of the tempos could have been cleaner, and that it should be cross-referenced by the other composers besides J. S. Bach.
The perfect package.......2005-10-23
This is the most wonderful collection to have on 1 CD. Children from birth on up can benefit from this musical collage.
Songs from the "Nutcracker" are familiar and comfortable for many children. What child wouldn't love "March of the Tin Soldiers?"
Selections from Saint-Saens' "Carnival of the Animals" is a must in my creative movement library. Every child should be exposed to this music. Well,I believe every age should be.
A Wonderful Introduction to the Classics.......2003-03-11
With total playing time clocking in at 78:04 minutes of music, you'll be paying about 6-cents/minute, which is a better bargain than long distance phone calls, and often more rewarding!
This disc is far superior than most other "Classics for Kids"-type recordings I've sampled for a number of reasons:
1) This album was expertly engineered. The production quality on this disc is first-rate from start to finish with crisp, clear sound.
2) The pieces were expertly picked. There is wonderful sonic variety here, spanning hundreds of years of wonderful melodies. There are orchestral pieces, harpsichord pieces, solo piano, and a piano concerto, capped off with Saint-Seans whimsical Carnival of the Animals. What kid (or adult) wouldn't love that?
3) The performances are, without exeption, expert! The pieces were definately screened for quality as well as content. Many are simply a joy to behold. Walter Klein is a particular stand-out, almost giddily prancing through Schumann's pieces. Believe it or not, he sounds even more impressive when backed up by the always inspiring Minnesota Orchestra on Mozart's Piano Concerto #17.
In short, this album is a great album even before you factor in the great price. You and your children are almost guaranteed to enjoy every 6-cents worth!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Interesting Mix, but not for serious classical music listeners
- a must have flute cd
- takes you to another place and time!
|
Flute Greatest Hits
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- 60 Years 60 Flute Masterpieces (Highlights)
- The Best Of Jean-Pierre Rampal
- Flute For Relaxation
- James Galway - Dances for Flute
- The Very Best of James Galway
ASIN: B000002AVM
Release Date: 1994-12-06 |
Tracks:
- Flute Concerto In D Major, RV 428 'The Goldfinch': I. Allegro
- The Four Seasons ('Spring') RV 269: III. Allegro (Pastoral Dance)
- Flute Concerto In G Minor, BWV 1056: II. Largo
- Orchestral Suite In B Minor, BWV 1067: Badinerie
- Flute Sonata In E-Flat Major, BWV 1031: II. Siciliano
- Orfeo ed Euridice: Dance Of The Blessed Spirits
- Flute Concerto In G, KV 313: III. Rondeau. Tempo di Menuetto
- Greensleeves
- The Nutcracker, Op. 71: Chinese Dance
- The Nutcracker, Op. 71: Dance Of The Reed Flutes
- Sicilienne, Op. 78
- Entr'acte To Carmen, Act III
- Syrinx
- L'Arlesienne Suite No. 2: III. Menuet
- Thais: Mediation
- Piece In The Form Of A Habanera
- Carnival Of The Animals: The Birds (Aviary)
- Maple Leaf Rag
- Concerto For Flute: II. Allegretto - Adagio ma non troppo
- Porgy And Bess: 'Summertime'
- Density 21.5 For Solo Flute
Customer Reviews:
Interesting Mix, but not for serious classical music listeners .......2005-08-08
Bach, Vivaldi, and Mozart are all too well known, but less known musics are blended well into this CD. That's why I bought this CD. I think this is a good CD to familiarlize myself to flute pieces, but as a serious classical music listener it may come in short as more than half of pieces in this CD are something too famous and were listened so many times. This CD can be used to know what I like and then move forward from there. I am the type of listener who listen to the entire Carmen of Bizet instead of listening to only one part or two of it. If a listener is unfamiliar with clessical music, I think this is a good one to start.
a must have flute cd.......2001-07-23
this is a great flute cd. i enjoy the fact that the cd has many preformers rather than just one. Jean-Pierre Rampal, of course probably the most famouse flutist, and William Bennett, an amazing flutist who I was fortuante enough to hear in person, are both on this cd, as well as a few other great flutist. i especially enjoyed Siciliene, because i have never heard it played with flute and hard, and because i have played the piece myself.
even if you haven't heard of some of these songs it is wonderful to listen to them. i recomend this cd for flutiests of all levels.
takes you to another place and time!.......2000-08-25
This cd is by far the most beautiful that I have ever heard! It just takes you away to another place and time, far from your worries, very relaxing. I highly reccomend this to anyone who loves beautiful music!
Average customer rating:
|
50 All Time Favorite Classics (Box Set)
Manufacturer: Madacy Records
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Similar Items:
- 25 Classical Favorites
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ASIN: B000000L7D
Release Date: 1994-09-09 |
Tracks:
- The Marriage Of Figaro
- Exultate Jubilate: Halleluiah
- Eine Kleine Nachtmusik
- The Blue Danube
- Emperor Waltz
- Die Fliedermaus
- The Sleeping Beauty: Waltz
- The Nutcracker Suite: March
- 1st Movement: Piano Concerto No. 1 -
- Serenade For Strings
- 1st Movement: Moonlight Sonata
- Pastoral Symphony No. 6 Finale
- Symphony No. 2
- Finale: Piano Sonata No. 20
- 1st Movement: Symphony No 5
- La Fille Aux Cheveux De Lin
- 1st Movement: Concerto for Violin
- 3rd Movement: Symphony No. 4
- 2nd Movement: Piano Concerto
- The Carnival Of Animals: The Aviary
- The Flying Dutchman
- Humoresque
- Ballet Music: Rosamunde
- 3rd Movement: Symphony No. 2
Tracks:
- 2nd Movement: Symphony No. 40
- Symphony in C
- 3rd Movement: Violin Concerto
- Arabesque
- Waltz: Tales From The Vienna Woods
- A Midsummer Night's Dream: Nocturne
- Berceuse
- Siegfried Idyll
- Piano Quintet: The Trout
- Ballet Suite: Swan Lake
- Swan Lake: Hungarian Dance And Czardas
- Oh Lamb Of God
- To Spring
- Finale: Piano Cocerto in a Miror
- Light Calvary
- Mazurka
- Thunder And Lightning Polka
- Moto Perpetuum
- Radetzky March
- Consolation E Major
- March
- Waltz No 2
- Moment Musical F Minor Op. 94
- Raindrops
- Minute Waltz AS-Major
Average customer rating:
- Exciting performance
- A no - brainer
- Great Fun
- Beautiful music, but too much narrative.
|
Classics for Children
Martin Hoherman , Leo Litwin , Nigel Coxe , Samuel Lipman , Eileen Farrell , Eubie Blake , Benjamin Britten , George Gershwin , Charles Gounod , Percy Grainger , Edvard Grieg , Richard Hayman , Frank Loesser , Camille Saint-Saens , Boston Pops Orchestra , and Arthur Fiedler
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Prokofiev - Peter and the Wolf / Narrated by Patrick Stewart · Opera de Lyon · Nagano
- Classics for Children
- Stars & Stripes
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ASIN: B000003FVT
Release Date: 1995-07-18 |
Tracks:
- Carnival Of The Animals: Introduction and Royal March of the Lion
- Carnival Of The Animals: Hens and Cocks
- Carnival Of The Animals: Wild Jackasses
- Carnival Of The Animals: Tortoises
- Carnival Of The Animals: The Elephant
- Carnival Of The Animals: Kangaroos
- Carnival Of The Animals: Aquarium
- Carnival Of The Animals: Personages with Long Ears
- Carnival Of The Animals: The Cuckoo in the Depth of the Forest
- Carnival Of The Animals: Aviary
- Carnival Of The Animals: Pianists
- Carnival Of The Animals: Fossils
- Carnival Of The Animals: The Swan
- Carnival Of The Animals: Finale
- The Young Person's Guide To The Orchestra, Op. 34: Theme: Full orchestra
- The Young Person's Guide To The Orchestra, Op. 34: Woodwinds Theme
- The Young Person's Guide To The Orchestra, Op. 34: Brass Theme
- The Young Person's Guide To The Orchestra, Op. 34: Strings Theme
- The Young Person's Guide To The Orchestra, Op. 34: Percussion Theme
- The Young Person's Guide To The Orchestra, Op. 34: Full orchestra Theme
- The Young Person's Guide To The Orchestra, Op. 34: Variation I: Flute, Piccolo (Presto)
- The Young Person's Guide To The Orchestra, Op. 34: Variation II: Oboes (Lento)
- The Young Person's Guide To The Orchestra, Op. 34: Variation III: Clarinets (Moderato)
- The Young Person's Guide To The Orchestra, Op. 34: Variation IV: Bassons (Allegro alla marcia)
- The Young Person's Guide To The Orchestra, Op. 34: Variation V: Violins (Brillante - alla polacca)
- The Young Person's Guide To The Orchestra, Op. 34: Variation VI: Violas (Meno mosso)
- The Young Person's Guide To The Orchestra, Op. 34: Variation VII: Cellos
- The Young Person's Guide To The Orchestra, Op. 34: Variation VIII: Doublebasses (Comminicando lento, ma poco accel.)
- The Young Person's Guide To The Orchestra, Op. 34: Variation IX: Harp (Maestoso)
- The Young Person's Guide To The Orchestra, Op. 34: Variation X: Horns (L'istesso tempo)
- The Young Person's Guide To The Orchestra, Op. 34: Variation XI: Trumpets (Vivace)
- The Young Person's Guide To The Orchestra, Op. 34: Variation XII: Trombones, Tuba (Allegre pomposo)
- The Young Person's Guide To The Orchestra, Op. 34: Variation XIII: Percussion (Moderato)
- The Young Person's Guide To The Orchestra, Op. 34: Fugue: Full orchestra (Allegro molto)
- Peer Gynt: Suite No. 1, Op. 46: Morning
- Peer Gynt: Suite No. 1, Op. 46: Ase's Death
- Peer Gynt: Suite No. 1, Op. 46: Anitra's Dance
- Peer Gynt: Suite No. 1, Op. 46: In the Hall of the Mountain King
- Peer Gynt: Suite No. 2, Op. 55: Solveijg's Song
- Funeral March of a Marionette
- Hans Christian Anderson -- Medley
- Kid Stuff
Customer Reviews:
Exciting performance.......2007-04-16
This was one of my favorite record albums when I was young. It was a pleasure to introduce to my grandchildren. MOST important is the narrative that starts each track. Many of the other versions do NOT include this. They were my most favorite memories, and the children still resond to them today.
A no - brainer.......2002-04-16
Simply, the best. The best performances, the best sound, the best narration. The best. 'Nuff said.
Great Fun.......2001-11-22
The other reviewer is off base. If you don't want narration get a recording without it. With narration or not, Saint-Saens chose his animals and gave his musical interpretation of their appearance. Children can enjoy the verses although Hugh Downs does not have as much fun with them as some narrators. This is a great CD if you want to develop a child's interest in classical music.
Beautiful music, but too much narrative........2000-09-03
This "unwashed" recording has the exhilarating tonality of a live performance which many modern digitals lack. Saint-Saen's "Carnival of the Animals" was my 4-year-old's favourite, followed by Grieg's "In the Hall of the Mountain King" and Gounod's "Funeral March of a Marionette".
Odgen Nash's verses, written to accompany Saint-Saen's work are too clever for young children, who will miss out on the word-play and puns. Also, they tend to interpret the experience too much, which interferes with their imaginations. If a child prefers to make-belief in dragons, for example, as opposed to lions, then there is all of Hugh Down's recitations to sit through and ignore first, since the tracks do not separate the narrative from the music.
Nonetheless, this is one of the better classical recordings I've heard geared specifically for children.
Average customer rating:
- Not P.D.Q. Bach, but not bad either
- execrable
- Thanks for prompt replacement of this stolen item!
- Joyful performance
- A brilliant "humor break"
|
Prokofiev: Sneaky Pete and the Wolf/ Carnival of the Animals
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Bach, P.D.Q.
| ( B )
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Similar Items:
- Music for an Awful Lot of Winds and Percussion
- 1712 Overture & Other Musical Assaults
- P.D.Q. Bach: Music You Can't Get Out of Your Head
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- P.D.Q. Bach: The Short-Tempered Clavier
ASIN: B000003CZP
Release Date: 1993-09-28 |
Tracks:
- Sneaky Pete And The Wolf
- Introduction
- Royal March Of The Lions
- Hens And Roosters
- Wild Asses
- Tortoises
- The Elephant
- Kangaroos
- Aquarium
- People With Long Ears
- The Cuckoo In The Depths Of The Forest
- Aviary
- Pianists
- Fossils
- The Swan
- Finale
Customer Reviews:
Not P.D.Q. Bach, but not bad either.......2007-03-25
Some of the reviews and the product review hint that this is a P.D.Q. Bach
work, which it is not. It is Peter Schikele performing other original and
interesting material. Think of this like the material that Peter Shickele
typically includes in the P.D.Q. Bach albums "just for some relief"; in fact
it is really better than that material.
I think anyone who enjoys the P.D.Q. Bach series will enjoy this CD. Just
be aware that there is no P.D.Q. Bach narrative or reference anywhere on
it except in the liner notes to bring our attention to the fact that Peter
Shickele also created P.D.Q. Bach.
So why only 3 stars? Compared to my favorite P.D.Q. Bach albums,
this is just not as entertaining. Okay, but it lacks the greatness of the best.
execrable.......2006-08-12
to be avoided at all costs - nightmarish - I had to give it 1 star as there is no option for no stars
Thanks for prompt replacement of this stolen item!.......2005-10-07
The original CD belonged to a friend who was traveling with us and it was stolen when our car was broken into while on vacation. I am grateful we could replace it! Thanks!
Joyful performance.......2003-11-06
P.D.Q. Bach's completely written narrative for "Peter and the Wolf" matches the music very well, even if it's completely silly. The story is nothing more than a cheezy, sleazy Western cliche, but Schickele creates a cast of caricatures and innuendos guaranteed to raise some hearty laughter. I'd still rate it "G" (or "PG13" at worst), by the way.
Carnival des Animaux does not wear Schickele's silliness quite as well, suffering from bad puns and failed tricks. Still, compared to some narrators I've heard Schickele is mildly distracting rather than plain awful. More importantly, the orchestra plays with an exuberant joy which actually makes this one of the better recordings I've heard. It's by no means a subtle performance - but I believe that that would also miss the point in a piece that's traditionally considered "Classical music for young children". The same is true for Peter and the Wolf - this recording can't be beat for simple joy in music! (Although Prokofiev's music is complex enough to benefit from a more dynamically varied performance.)
Try to find "Schickele Mix" on your local radio station! Peter Schickele is not only very funny, he has a deep understanding of music and performance.
A brilliant "humor break".......2003-02-04
Schikele's revamping of "Peter and the Wolf" is a brilliantly entertaining reinterpretation of Prokofiev's musical imagery. There is much fun in taking leitmotifs that seemed so perfectly suited for one thing, and making them represent something completely different. Except for one brief moment toward the end where an entrance of the "cat" motif is unaccounted for, everything fits, with an ingenious sense of humor.
Do not be misled into thinking that this is suitable for the same audiences as the original, however. Whereas Prokofiev's original story was equally suited to adults and very young children through its simultaneous wit and simplicity, Schickele's version is clearly aimed at a more adult audience.
Schickele's version of "Carnival of the Animals," while delightful, is slightly less successful. Ironically, the liner notes say that the original idea for the recording came from a belief that Ogden Nash's poetry needed some updating. Nash's version has a certain timeless, artistic quality that is lacking here. While Schickele is a great humorist, this rendition resorts to really, really "bad" puns and lacks Nash's artistry. Still it is quite funny and, most of all, "cute."
I must say that in order for "Carnival of the Animals" to be realized to its fullest potential, the interruptions should be as brief as possible. With the excessive length of some of the narration, certain things in the music that usually lend significant additional wit and overall coherence are completely lost in this recording. I would recommend making an extra effort to concentrate on what happened at the end of each previous movement; however, one is unlikely to want to have to "work" so hard when listening to such a lighthearted recording.
Nevertheless, the playing is quite good, and I find myself listening to this recording of the Carnival, despite its flaws, when I need a good "humor break."
Average customer rating:
- A great companion to the book
|
Orchestral Excerpts for Flute
Manufacturer: Summit(Classical)
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Orchestral Excerpts for Flute
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- Orchestral Excerpts for Clarinet
ASIN: B0000038JW
Release Date: 1996-04-09 |
Tracks:
- Opening Remarks
- 'Aus Liebe'- St. Mathew Passion
- 'Domine Deus'- Mass In b
- Sym No.3
- Sym No.4
- Leonore No.3
- Entr'acte From Carmen
- Menuet From L'Arlesienne
- Sym No.1
- Sym No.4
- Afternoon Of A Faun
- Sym No.8
- Menuet & Dance From Orpheus
- Sym Metamorphoses
- Midsummer Night's Dream
- Classical Sym
- Peter And The Wolf
- Bolero
- Daphnis Et Chloe'
- Russian Easter Ov
- Capriccio Espagnol
- William Tell Ov
- Carnival Of The Animals
- Salome
- Petrouchka
- Chant Du Rossignol
- Sym No.4
- Closing Remarks
Customer Reviews:
A great companion to the book.......2000-10-28
I own the book of the same title of excerpts, though expensive it was worth it. I was considering not buying this CD since I have recording of the pieces anyway but I am glad I did. Not only is it convienient to have all the excerpts on once CD but Jeanne has a wonderful clear sound makes this a joy to listen to. Having it isolated to better hear what she is talking about is immensely helpful. It's not a fun to listen to recording, it is meant for study, but if you are a flutist learning your major orchestral solos it is just as good as having your teacher walk you through the piece. Perhaps more helpful as a second view is always good to know.
Average customer rating:
|
Oh, This Old Thing?
Sleeping in the Aviary
Manufacturer: Science of Sound
ProductGroup: Music
Binding: Audio CD
General
| Pop
| Styles
| Music
Similar Items:
- Costello Music
- We Were Dead Before the Ship Even Sank
- Because of the Times
ASIN: B000MV8I6K
Release Date: 2007-02-06 |
Tracks:
- Face Lift Floats
- Pop Song
- Another Girl
- Gloworm
- Sign My Cast
- Maureen
- Drug Suitcase
- No Socks
- Only Son
- Lanugo
- Love Song
- Getting Thin
- untitled
Product Description
The debut album from Madison, Wisconsin's Sleeping in the Aviary. 13 tracks of spastic-punk-y-pop songs that spit, sweat, and give fantastic hip massages. CD comes in a digipak w/16-page booklet featuring artwork and handwritten lyrics by Elliott Kozel of SitA.
Customer Reviews:
brilliant!!!.......2007-03-18
A fresh sound in music. Pared down, simple songs that are adorned with vocals that sound both lackadaisical and angry.
Average customer rating:
- American Tribute to U.S. Flute Music by Laurel Zucker
- If you are a flutist you must have this in your library.
|
An American Flute Recital
Manufacturer: Cantilena Records
ProductGroup: Music
Binding: Audio CD
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| Bloch, Ernest
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| Copland, Aaron
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| Wilder, Alec
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ASIN: B000009JVX
Release Date: 1995-08-22 |
Tracks:
- Laurel Zucker -Aviary for solo flute
- Aaron Copland - Duo for flute and piano
- Copland Duo - second movement
- Copland Duo -third movement
- Alec Wilder -Sonata No. 2 for flute and piano
- Wilder - movement 2
- Wilder -movement 3
- Wilder -movement 4
- Laurel Zucker -Effect Out for solo flute
- Kent Kennan -Night Soliloquy for flute and piano
- Ernest Bloch - Suite Modale for flute and piano
- Bloch -movement 2
- Bloch -movement 3
- Bloch -movement 4
- Laurel Zucker -Shining for solo flute
- Daniel Kingman -Scenario Musicale II for flute and piano
- Kingman -movement 2
- Kingman -movement 3
- Kingman - movement 4
- Kingman -movement 5
Album Description
This CD includes exciting performances of flute and piano repertoire by American compersers, brilliantly performed by Laurel Zucker, flautist, and Marc Shapiro, pianist.
Customer Reviews:
American Tribute to U.S. Flute Music by Laurel Zucker.......2004-12-25
If you are looking for great flute players look no further. Zucker is one of the top flutists today active as a performer, masterclass teacher and recording artist. American Flute Recital is a great recording and includes solos by Laurel Zucker that are as good as is gets.
If you are a flutist you must have this in your library........2003-04-10
A terrific Cd of American favorites and new titles as well.
Average customer rating:
- A little something different
|
Symphonic Magic, Vols. 1-4
Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Symphonic Suites of the Animated Classics
- Heigh-Ho! Mozart
ASIN: B0000011KK
Release Date: 1997-06-24 |
Tracks:
- The Circle of Life - Kingston SO/Glen Fast
- I Just Can't Wait To Be King - Kingston SO/Glen Fast
- Can You Feel the Love Tonight - Kingston SO/Glen Fast
- The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
- Hakuna Matata - Kingston SO/Glen Fast
- Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
- Carnival of the Animals: Wild Asses - American PO/Barry Faldner
- Carnival of the Animals: The Aquarium - American PO/Barry Faldner
- Carnival of the Animals: Aviary - American PO/Barry Faldner
- Carnival of the Animals: The Swan - American PO/Barry Faldner
- Carnival of the Animals: Finale - American PO/Barry Faldner
- William Tell Overture - Ljublijana SO/Anton Nanut
- Radetsky March - Sofia SO/Barry Faldner
- Give a Little Whistle - Kingston SO/Glen Fast
- When You Wish Upon A Star - Kingston SO/Glen Fast
- I've Got No Strings - Kingston SO/Glen Fast
- Turn Of The Old Music Box - Kingston SO/Glen Fast
- Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
- When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
- Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
- Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
- The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih
Tracks:
- (Just) Whistle While You Work - Kingston SO/Glen Fast
- I'm Wishing - Kingston SO/Glen Fast
- With A Smile And A Song - Kingston SO/Glen Fast
- Some Day My Prince Will Come - Kingston SO/Glen Fast
- One Song - Kingston SO/Glen Fast
- Heigh-Ho - Kingston SO/Glen Fast
- The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
- The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
- Colonel Hathi's March - City of Prague PO/Colin Frechter
- The Bare Necessities - City of Prague PO/Colin Frechter
- I Wanna Be Just Like You - City of Prague PO/Colin Frechter
- Poet and Peasant Ov - Ljublijana SO/Anton Nanut
- 'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
- The Love of Three Oranges March - American PO/Barry Faldner
- Finlandia - Ljublijana SO/Marko Munih
- 'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic
Tracks:
- Belle - Kingston SO/Glen Fast
- Beauty and the Beast - Kingston SO/Glen Fast
- Be Our Guest - City of Prague PO/Colin Frechter
- The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
- The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
- Arabian Nights - Kingston SO/Glen Fast
- Prince Ali - Kingston SO/Glen Fast
- A Whole New World - Kingston SO/Glen Fast
- One Jump Ahead - Kingston SO/Glen Fast
- Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
- Dumbo Overture - City of Prague PO/Colin Frechter
- March Militaire - Sofia SO/Barry Faldner
- 'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
- Light Cavalry Ov - Ljublijana SO/Marko Munih
Tracks:
- If I Knew You - City of Prague PO/Colin Frechter
- Just Around The River Bend - City of Prague PO/Colin Frechter
- Colours Of The Wind - City of Prague PO/Colin Frechter
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
- Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
- Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
- Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
- Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
- A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
- We Can Do It - City of Prague PO/Colin Frechter
- So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
- 'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
- In the Steppes of Central Asia - Ljublijana SO/Marko Munih
- 1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
- Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut
Customer Reviews:
A little something different.......2007-01-10
I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.
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