Rice Music [Import]

rice music [import]

Editorial Reviews
Product Description
1982 Solo Release from the Guiding Force Behind the Band Ippu-do and Latter Day Member of (The Group) Japan. Guests Include Bill Nelson, Percy Jones, and Assorted Japan Members.

Rice Music,Masami Tsuchiya,Rock/Pop

Rice Music [Import]

Average customer rating:

Original 1976 recording reissued

Einstein on the Beach

Manufacturer: Sony / Bmg Import
ProductGroup: Music
Binding: Audio CD

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Glass: Akhnaten
Philip Glass : The Voyage: An Opera in Three Acts
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Glassworks
Solo Piano

ASIN: B000086EPD
Release Date: 1993-01-21

Tracks:

Knee Play 1
Act One: Scene 1: Train
Act One: Scene 2: Trial
Knee Play 2
Act Two: Scene 1: Dance 1
Act Two: Scene 2: Night Train
Knee Play 3
Act Three: Scene 1: Trial/Prison
Act Three: Scene 2: Dance 2
Knee Play 4
Act Four: Scene 1: Building
Act Four: Scene 2: Bed
Act Four: Scene 3: Spaceship
Knee Play 5

Customer Reviews:

Original 1976 recording reissued.......2006-08-07

This is a budget-priced reissue of the original CBS Records Masterworks release, which contains the original booklet with libretto and copious liner notes. The only differences are the cover artwork and price. Definitely a complete and utter steal! If you're at all curious about Einstein on the Beach, this is a must purchase.

4-CD set packaged in jewel case with slip cover.

Average customer rating:

Beware; Excerpts
THE HIGHLIGHTS DISC OF THE ORIGINAL LONDON PRODUCTION
Not the Original Broadway Cast, but not bad
Misleading CD cover
MISSING SO MANY GOOD SONGS

Evita (Original London Cast)
Tim Rice
Manufacturer: Mca Import
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Evita: An Opera Based On The Life Story Of Eva Peron 1919-1952 (1976 Studio Cast)
Evita (1978 Original Broadway Cast)
Evita (2006 London Cast)
Cats (1981 Original London Cast)
Encore

ASIN: B00000B9FS
Release Date: 1998-08-19

Tracks:

Requiem for Evita - David Essex, Elaine Paige
Oh! What a Circus/Requiem - David Essex, Elaine Paige
On This Night of a Thousand Stars - Mark Ryan
Buenos Aires - Elaine Paige
Goodnight and Thank You - David Essex, Elaine Paige
I'd Be Surprisingly Good for You - Joss Ackland w/ Peter Bayliss, Elaine Paige
Another Suitcase in Another Hall
New Argentina - Joss Ackland w/ Peter Bayliss, David Essex, Elaine Paige
Don't Cry for Me Argentina - Elaine Paige
High, Flying Adored - David Essex, Elaine Paige
Rainbow High - Elaine Paige
And the Money Kept Rolling (In and Out) - David Essex
Waltz for Eva and Che - David Essex, Elaine Paige
She Is a Diamond - Joss Ackland w/ Peter Bayliss
Lament - David Essex, Elaine Paige

Album Details

Original London Cast of Andrew Lloyd Webber's Evita.

Customer Reviews:

Beware; Excerpts.......2006-12-05

I bought this thinking it was the entire show. It's missing some of my favorite songs, such as "Rainbow Tour." Elaine Paige is great, but I don't care much for David Essex as Che.

THE HIGHLIGHTS DISC OF THE ORIGINAL LONDON PRODUCTION.......2005-09-17

Over the years Andrew Lloyd Webber has made many musicals, some more successful and appealing to the public than the others. Most people will, however, agree that "Evita" remains one of his most satisfying works to this date. Numerous reasons confirm this statement. Just like in its predecessor "Jesus Christ Superstar", "Evita" is almost entirely sung-through; the lyrics are witty and appropriate; the subject matter is again a personality larger-than-life who rises from obscurity and dies at the peak of its fame, thus becoming a legend; the score is captivating and appealing to the listener, at home or in the theatre.

Following the suit of the Superstar, ALW and Tim Rice first published Evita as an album, which appeared in 1976. It was an instant success and soon afterwards the preparations began to put it on the stage. The veteran of the musical theatre direction, Hal Prince, accepted the offer to adapt the original album and Elaine Paige, then an unknown actress and musical theatre performer was cast in the role of Evita. The show premiered in London in 1978, winning acclaiming reviews and numerous awards. And yet, since the concept album was selling so well, the authors felt it unnecessary to release another full version of Evita, with the London cast. That is why we only have this highlights 53-minute recording of the original London production. The story of Evita is widely known, but for those who are new to this let's repeat the essentials: We follow the life story of Eva Duarte Peron, wife of post-World war two president of Argentina, Juan Peron. However, the musical is very loosely based on the actual life of the real Evita. The story follows Evita from the day of her death in July 1952, and then we have flashbacks until that moment, covering her coming to Buenos Aires, alleged love affairs, meeting Peron, being the first lady and dying of cancer at 33.

Being the first theatre version of the somewhat revised concept album material, this disc is not the best recording available. There are several drawbacks. First, it lacks a great part of the show, since all we have here are snippets, i.e., the main musical numbers, meaning it is a bit difficult to follow the story if you are a first-time listener, even though the booklet provides a basic story outline. One of the other obvious weaknesses is the minimalist orchestrations used on this recording. After the lush and epic sound of the concept album featuring the London philharmonics and a rock band, here we have the usual pit orchestra, consisting of only the basic instruments. Thus the beauty of the score remains somewhat lost and is only traceable in hints. The authors seem to be aware of it, since for the upcoming Broadway recording of the show, the orchestrations were improved and sounded clearer.

In addition, the cast performance here is also mixed. Although the role of Eva Peron raised Elaine Paige to stardom, I find her performance not the best, simply because her voice sounds too young. With time her vocal abilities matured, but here she just doesn't reach a much needed uncompromising determination of the character, the way Patti LuPone did on Broadway or Julie Covington on the original album. That is not to say that Elaine performance here is altogether bad, but it could have been much better. David Essex, on the other hand, is a very good Che. He has the strong vocal power Colm Wilkonson and Antonio Banderas both demonstrated in their interpretation, which leaves one wondering why was Mandy Patinkin cast in the role when the show was transferred to Broadway, since he had a very light and unpleasant voice. Joss Ackland, an esteemed British actor is a well chosen Peron, with a suitable dark note in his performance.

The CD comes with a couple of the production photos, but no lyrics are included.

For those of you who are getting acquainted with the story of Eva Peron for the first time I must point out: Bear in mind that this musical is only loosely based on the life of the real Evita. As much as Tim Rice's lyrics are craftily made, they lack a lot of historical accuracy. As a historian I became very interested in Eva Peron's life story so I did some research after seeing the movie. It turned out that the authors based their entire work on a single book called EVITA: THE WOMAN WITH A WHIP by Mary Main. It was based on rumors, lies and myths, written with the single purpose of slandering Eva Peron as much as possible. It contains no footnotes and no bibliography. The authors used it mainly because it was one of the few books available on the subject in the English language during the 70-is. So one should be very careful in making any conclusions based on the musical or the movie alone.

So this disk is more of a welcomed addition for the collectors of the Evita cast recordings, rather than a first-choice album for the new listeners. The latter should get one of the three available 2-CD albums: the 1976 concept recording with Julie Covington, the 1979 Broadway cast with the best Evita of them all, the Tony-winning Patti LuPone, or the very good 1996 movie soundtrack with Madonna in the lead. They all have the complete score and are much more satisfying than this highlights album.

Not the Original Broadway Cast, but not bad.......2005-08-17

This soundtrack does not, in my opinion, rate as high as the Original Broadway Cast album with Mandy Patinkin and Patti Lupone, but it is not too bad. It is incomplete, which was a disappointment. Elaine Page doesn't hold a candle to Patti Lupone as Evita, and the Che leaves much to be desired. The highlight of this album is "Another Suitcase in Another Hall" which is simply superb. It was worth buying the cd just for that song. Some of the lyrics are different, which was interesting to hear, because they changed them around a bit when Evita was brought to the US. If you are an Evita lover I would suggest this album, but if you are just being introduced to Evita I would suggest going with the Patti Lupone and Mandy Patinkin cd.

Misleading CD cover.......2005-05-07

I wanted the complete Evita soundtrack, and this rendition was terribly disappointing. The cd ends abruptly mid story. Voices are spectacular of course, but the cover suggests this is the original London peformance and a buyer, like me, expects the entire musical score. I wouldn't buy this again.

MISSING SO MANY GOOD SONGS.......2004-07-11

THANK GOODNESS FOR THE BROADWAY PRODUCTION OF EVITA! THIS MUSCIAL IS VERY GOOD, YET IT HAS SOME WEAK SPOTS, BUT THAT DOSN'T MEAN LONDON SHOULD TAKE THEM OUT IN THE FIRST STAGE PRODUCTION OF EVITA. THERE ARE A LOT OF MISTAKES AND THINGS THEY SHOULD OF ADDED. HERE'S A LIST.

*THEY SHOULD OF ADDED 'RAINBOR TOUR' I LOVE THAT SONG
*BUENOS AIRES SHOULD OF BEEN LONGER
*A NEW ARGETINA SHOULD OF BEEN LONGER
*THEY SHOULD OF ADDED 'DICE ARE ROLLING" ANYTHING THAT HAS THE 'A NEW ARGETINA' MUSIC I JUST LOVE.
*THE COVER LOOKS TOO OLD. IF THEY WERE GONNA PUT IT ON A CD, THEY SHOULD OF MADE A NEW LOOK OR COVER.
*IT SHOULD OF HAD 23 SONGS INSTEAD OF 15

Tracks:

Merano - Anders Glenmark,
Russian and Molokov/Where I Want to Be - Tommy Korberg,
Opening Ceremony - Chorus
Quartet (A Model of Decorum and Tranquility) - Karin Glenmark, Tommy Korberg, ,
American and Florence/Nobody's Side - Anders Glenmark, Karin Glenmark, Chorus
Chess - Chess
Mountain Duet - Karin Glenmark, Tommy Korberg
Florence Quits - Anders Glenmark, Karin Glenmark
Someone Else's Story - Karin Glenmark
Embassy Lament - Tommy Korberg
Bangkok/One Night in Bangkok - Anders Glenmark, Chorus

Tracks:

Anthem - Tommy Korberg
Soviet Machine
Heaven Help My Heart - Lena Ericsson
Argument - Karin Glenmark, Tommy Korberg
I Know Him So Well - Lena Ericsson, Karin Glenmark
Deal (No Deal) - Anders Glenmark, Karin Glenmark, Tommy Korberg,
Pity the Child - Anders Glenmark
Endgame - Lena Ericsson, Anders Glenmark, Karin Glenmark, Tommy Korberg, , Chorus
Epilogue: You and I/The Story of Chess - Benny Andersson, Tim Rice,

Album Details

The Musical by Benny and Bjorn (Abba) in Collaboration with Tim Rice was Performed by the Gothenburg Orchestra and Chorus Conducted by Anders Eljas plus Principals Karin Glenmark, Tommy Korberg, Anders Glemark, Lena Ericsson and Johan Schinker and Recorded Live at Eriksberghallen in Gothenburg, Sweden in August 1994.

Customer Reviews:

Not great.......2007-03-29

I can't give it less than 3 stars because I love the musical. However, this recording is less than spectacular. It sounds like it was recorded by some guy in the audience with a mono tape recorder. I was disappointed in the leads, also. They're trying to hard to sound like rock stars, which makes them sound rather cheesy. There are good moments, but if you're new to "Chess," go with the original concept album. You can't beat Elaine Paige and Murray Head.

Mate in Sweden!.......2007-02-07

Cold War Chess Championships came and went with the demise of the Soviet Union, as did the staging of Chess The Musical. This is to be regretted since musically and lyrically it is by far the best work from Abba duo Andersson and Ulvaeus, aided amply by Tim Rice. Oddly relatively unknown in Scandinavian, this concert performance, now well over ten years old, helped bridge the gap. It also managed to bring to the attention of producers that concert productions of this piece are perhaps the best way of bringing Chess to life in the post Cold War climate of the twenty-first century, and in particular relegating the old East West rivalry to the wings while focusing on the relationships-especially that of Florence and the Russian. Indeed they get all the best songs with the climatic finale You and I (reprise) making the hairs stand on the back of ones neck. The performance throughout are accomplished and enthusiastic, and the live performance and crowd responses add to the drama unfolding 'on stage'. One can only hope that Chess will remain in the consciousness of audiences and actors, producers and directors, as this CD is a perfect advertisement for a night of Chess at the theatre or concert hall

Not that good.......2006-04-05

Contains the extra songs not found in the "studio release" (with Ms. Paige etc.). However, the quality is poor and even the artists are no match to the ones in the studio recording. However, a must for Chess-aficionados.

An ok album........2003-07-02

I now own all the five major (legal) recordings of Chess; Original Concept, Broadway Cast, In Concert, "Danish" Complete Cast and Swedish cast.

All of these have their strenght and weaknesses, but as for completeness, one have to go for the Swedish or Danish recordings. As it is, I dislike the Swedish one, and the Danish is hard to get. That makes this Concert Recording the most complete of the remaining Chesses, but not necessarily the best sung.

I would not have bought this if it was not because I found it in a second hand cd store at a very low price. If you have the Danish album, you don't need it.

If you are a Chess virgin and cannot find the Danish album, chose this for near completeness or the Original Concept Album for best cast.

Avoid the Broadway Cast (extremely incomplete, though well sung) and the Swedish Cast (kind of complete, but otherwise weird and lacking the Chess spirit) if you don't happen to be a total Chess nut.

If you like "Chess: the Musical", you need this CD.......2002-06-28

I have owned, and have been a huge fan of, the original London cast recording of Chess since 1985. I love the mix of classical and rock stylings, and I'm also a major fan of practically anything that Benny and Bjorn turn out. However, I approached this album with some reservations. I know the original album of Chess backwards and forwards, so I was a little skeptical as to how a "live" version would compare to the studio version. I needn't have worried. For the most part, this is an absolutely incredible concert, with only one or two weak spots. It boasts an excellent cast, and a wonderful choir and orchestra. Of the main characters, there is only one returning member from the London concept album; Tommy Korberg reprises his role as the Russian, but my gosh........what a difference a decade makes! He was excellent the first time around, but now, Tommy injects his performance with so much fire, it will make your hair stand on end. The showstopping duet with Svetlana (Lena Ericsson)on "Endgame" is worth the price, alone.......just breathtaking. Not everything works equally as well, but as I said above, there are more "hits" than "misses". Having been a fan of the duo, "Gemini", (Anders and Karin Glenmark), I was thrilled to see them step into the spotlight again, this time as the American and Florence, respectively. I was, however, a little disappointed to discover that Anders' performance is not quite up there with Murray Head's in the original. Anders has the better voice, no doubt, but the conviction is just not the same; Murray was more convincing in the role, and I agree with another reviewer who said they didn't like Anders' histrionics. It's a bit "over the top" at times. As for Karin, she is a fabulous singer, (as is her brother.....don't get me wrong on that point....). My only problem with her is her pronunciation on a few words, but seeing how this CD was recorded in Sweden, released on a Swedish label, and probably really isn't intended for an American market, it's kind of understandable too. A couple of good things to point out in general; this CD finally adds two songs that were missing from the original recording; the gorgeous "Someone Else's Story", (beautifully performed by Karin Glenmark), and "The Soviet Machine", (part of which appears in the track "Opening Ceremony"). The reprise of "Merano" is a great addition at the end of the concert, with an ecstatic audience clapping along and cheering at it's conclusion. All in all, this is a great addition to your collection, even if you have the first recording. With variations in tempos, different interpretations of pieces, and two bonus songs, it's the same musical, and yet, not quite the same.

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