Introducing

introducing

Track Listings

1. Step Move Jump Slide [#]

2. Mexico Tex [#]

3. Sigma Nu [#]

4. Rondie [#]

5. All My Love [#]

6. Keep on Going

7. Sad Eyes [#]

8. 69

9. Whip To My Lou [#]

10. Louie, Louie [#]

11. One Dead Chicken

12. All My Love

13. Shades [#]

Introducing the Arondies,Arondies,Get Hip Records,Pop,Rock

Introducing

Average customer rating:

First, but not the last!
I like this girl, and this album is good from 1st track to the last
Great for a Summer Drive
Stone Love!
DON"T BELIEVE THE HYPE

Introducing Joss Stone
Joss Stone
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Back to Black
Not Too Late
Corinne Bailey Rae
Mind, Body & Soul
The Soul Sessions

ASIN: B000MTPAGI
Release Date: 2007-03-20

Tracks:

Change (Vinnie Jones Intro)
Girl They Won't Believe It
Headturner
Tell Me `Bout It
Tell Me What We're Gonna Do Now feat. Common
Put Your Hands On Me
Music feat. Lauryn Hill
Arms Of My Baby
Bad Habit
Proper Nice
Bruised But Not Broken
Baby Baby Baby
What Were We Thinking
Music Outro

Amazon.com

In the run-up to this, her third album, Joss Stone told a phalanx of glossy magazines that the difference between this disc and the two that preceded it was a newfound clarity of vision. Whereas the other records--their gold status notwithstanding--represented the fumblings of a huge-voiced kid being bossed around by experienced music-biz types, this one, she promised, would reveal the real her. Thus, the titular "introduction." To which anybody who spins the 14 groovy and fully unbuttoned tracks herein will wish to reply not "nice to meet you"--far too lame a sentiment for so fully realized a disc--but "Where have you been all my life?" As good as Joss Stone's previous efforts are, Introducing Joss Stone represents a giant step forward: there's a freshness to these songs that suits her age (19 as of the album's release) and a funkiness that suits modern pop sensibilities. There's also a cross-hatching of visions with artists like Lauryn Hill and Common that will rightly advance her reputation as an artist who can sling disco, R&B, and rock almost as convincingly as soul. Splicing girl-group harmonies with blaxploitation-style funk with Joplin-esque and, at times, Shelby Lynne-reminiscent vocals, Stone works these Raphael Saadiq-produced beats with the stealth and steadiness of a '70s-era legend who's still going strong. "Girl They Won't Believe It," she wails against the tight hoo-hoo harmonizing of talented backup singers on the opening track; get a load of how much she's accomplished in the space of three albums, and you won't believe it, either. --Tammy La Gorce

Amazon.com

Joss Stone Photos

More from Joss Stone

Mind, Body, & Soul
The Soul Sessions
Mind, Body, & Soul Sessions [DVD]

Customer Reviews:

First, but not the last!.......2007-07-12

This is my first Joss stone album, but I0m sure it won't be the last.
Excellent music, warm voice, the right rithm to dance all the night.
Thanks Joss

I like this girl, and this album is good from 1st track to the last.......2007-07-09

The thing about amazon reviews is that in the end you'll never really know a CD, book or anything else until you listen to or read it for yourself. Though most of the reviews for this CD are positive, as is mine, I understand everyone doesn't have the same taste. With that said, I cannot believe some of the cruel and blatantly racists negative reviews. One guy seems more upset about her having a picture with a black guy on her album than any of the music. Others say she's "trying to be black". The white/black thing is obsurd. No matter how many stereotypes get blown away people still hold onto them. Jimi Hendrix, Eminem anyone. Someone else talked about her face not being as cute as Norah Jones??? Review the music will ya. This girl can sing, period. Maybe some of her lyrics aren't the deepest but she's only 20. Comparing her to Amy Winehouse makes no sense. Amy is Amy, Joss is Joss. I own both and think they're both good collections of songs, just different, because they are DIFFERENT PEOPLE! This CD is smooth, enjoyable, has great production and I look forward to more from her.

Great for a Summer Drive.......2007-06-27

Roll your windows down and crank this one up, because Ms. Stone hit the spot on this one. The summer hits were lighting up my town these past few weeks cuz I can't get enough of Joss's new album!!!

Stone Love!.......2007-06-26

Soul music comes in different shapes and sizes, appealing to either a small population of listeners or a large cross section of R&B fans. But when a new soulful talent comes out of left field and they aren't black, people pay attention. Look at Jon B, Lisa Stansfield, Teena Marie, and other non-blacks who have made great strides for R&B and soulful Pop music. Fast forward to today, and you'll see people like Amy Winehouse, Christina Aguilera, and the strikingly soulful Joss Stone continuing that trend. Joss Stone started off covering old soul classics with The Soul Sessions and eventually released her first original album in 2004 called Mind, Body & Soul. But with dissipating buzz, Joss Stone and company felt it was necessary to re-up and try again with Introducing Joss Stone. She reportedly had more control over the sound and direction of her latest effort. And frankly, it's just as good as when mentors and more experienced personnel helped out on her previous work. The album starts off very strong with the organic, old school sound of "Girl They Won't Believe It," the infectious "Headturner," and the funky "Tell Me About It." Common pops up on "Tell Me What We're Gonna Do Now" and the 'feel good' nature of "Arms Of My Baby" puts that song over as well. But the monster ballad (and a no brainer for a future single) has to be the liberating "Bruised But Not Broken," a song that has the potential to inspire many people through any tough times they may be experiencing. There are a few questionable moments on this album, namely the odd offering from Lauryn Hill on "Music" and the occasional over-singing on some of the songs. But Introducing Joss Stone is actually a good album from Miss Stone. The flow from song to song is rather seamless, giving the indication that Joss Stone either learned from previous mentors what to do...or what not to do when making an album. Now she has to seriously get her grind on because there are a lot of women in Soul Music who have those same aspirations...no matter if they are White, African-American, or Latina.

DON"T BELIEVE THE HYPE.......2007-06-26

I heard her first album and it was okay. Nothing to really shout about. I took a chance to buy her 2nd new album claming it was good. I played it once and never will play again. Her voice is drowned out by the mixed up garbage they call music playing in the background. I think she has a voice but she needs new songwriters and producers. I can see why she's really not that popular with the american audience. Amy Winehouse album is more enjoyeable to listen to than this R&B crap. At least she writes her own songs. Do yourself a favor and buy Amy Winehouse instead of this annoying album. This and barbie doll, plastic, mask heavy make-up wearing beyonce are the worst clowns I have ever heard.

Introducing DeWayne Woods and When Singers Meet

Average customer rating:

Power of Words
Overall A Good CD
Great CD
A returning customer always satisifed
Let Go, Let God, Let God have His Way, When I Stop Worring

Introducing DeWayne Woods and When Singers Meet
Dewayne Woods
Manufacturer: Verity
ProductGroup: Music
Binding: Audio CD

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V2... The J Moss Project
Journey: Live in New York
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ASIN: B000G7PNKE
Release Date: 2006-10-24

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Made A Way
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You Shall Reap
Strong Tower
DeWayne's Testimony
God Still Hears
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I Wanna Be Where You Are
I Lift My Hands
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Customer Reviews:

Power of Words.......2007-07-06

The encouragement, hope and reminders that this artist give to the listeners in his songs are outstanding or simply great. The song "Let Go Let God" moves me everytime I hear it. This song has taught me to believe and continue to have faith. I wish I had this in my collection long before now.

Overall A Good CD.......2007-07-03

When I first heard Let Go and Let God on the radio it spoke to me. God knew just what I needed at that moment. I fell in love with it. Last week I got a chance to see Dewayne Woods perform at my church. It was powerful to be in his presence and to hear his testimony. Of course live will always sound better for any artist. But if we can get past the surface and allow the words of the songs to penetrate our hearts we will never be the same. I think Dewayne did a fabulous job for a first cd. I love the song God is as well. I brought the CD and I am encouraging others to do the same. I know the next will only get better.

Great CD.......2007-05-30

I listen to this CD daily. It is so uplifting and apporpriate for whatever your current situation is.

A returning customer always satisifed.......2007-03-09

I am a returning customer because I'm always amazed on the professionalism and the personal attention I get when I make a purchse with Amazon.

Let Go, Let God, Let God have His Way, When I Stop Worring.......2007-02-28

After buying this song on Itunes I have no doubt that the rest of the CD, is going to be a Praise & Worship Classic 2 come..

I've been playing this over and over and again. Just Let Go People and Let God Have His Way!

Also another one of my favorite

God Is, I love this song, I've been trying 2 figure out who sings this song, Minister Byron Cage Sing's This with our King's Men Choir, and the song is off the Hook, (GOD IS, GOD IS, GOD IS)

Average customer rating:

An un/rediscovered gem!
A must buy for anyone that likes Cuban music
Farewell to Ruben Gonzalez
Sadly no longer with us...
The Past Re-Introducing Itself to the Ever-Emerging Present

Introducing...Rubén González
Rubén González
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005J55
Release Date: 1997-09-16

Tracks:

La Enganadora
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Amazon.com essential recording

Cuban pianist Rubén González has lived through this century's greatest musical windstorms, from the emergence of son to salsa to Latin Jazz and more. Born in 1919, González also retired from playing professionally years before this, his debut CD, was even recorded. He reemerged in 1996 when World Circuit stopped in Cuba to record for several days. He ended up making a thrilling debut. This impromptu CD was cut in a day, and its limber vibe shines for all its uptempo looseness. González plays a rainbow of Cuban rhythms and prods his percussionists and lone trumpeter to great depths of conversation and great heights of flash. --Andrew Bartlett

Customer Reviews:

An un/rediscovered gem!.......2007-01-10

Having just seen the movie "Buena Vista Social Club", I needed to hear more wonderful music from the principal musicians and singers. Special thanks should go to Ry Cooder and his son for rediscovering this historic music before they all passed.( Of whom most already have.)
All the musicians and singers are very special in their own singular, as well as collective right, but my personal favorite is Ruben Gonzalez on piano. What a Gem! I urge anyone who loves Afro-Cuban Jazz to add this to your collection, you WILL NOT be disappointed!

A must buy for anyone that likes Cuban music.......2005-11-28

A friend introduced me to this CD and I think I might wear it out. Three of the songs are his own compositions, while the rest of the songs are Cuban favorites. Ruben approaches these these pieces with a unique light and and lively style. The music is infectious and makes you want to get up and dance.

There is a nice variety. Unlike with some folk music where after you've heard a few songs it starts to sound the same--each song here is a gem of its own. This is one of those CDs where you will like every song.

Farewell to Ruben Gonzalez.......2003-12-10

On Monday, December 8, 2003, Ruben Gonzalez died at the unregretful age of 84. Farewell to an unbelievably charismatic and talented musician! His death is the sad realistic reminder that as great musicians like him grow old and die, so does a priceless era of music that will never be emulated.

Sadly no longer with us..........2003-12-10

Ruben Gonzalez no longer is with us. He passed away yesterday. At least he lived a life worth living! He was one of the best Latin pianists ever, one of those (like a friend said) that you just don't find any more. He combined technique and charm in a way that few have been able to. Fortunately for the rest of the world, Ry Cooder discovered him, along with Ibrahim Ferrer and a host of other Cuban geniuses of Latin music with his Buena Vista Social Club initiative. After that album, this "Introductory" recording presented Ruben Gonzalez's work to the world in a more focused way. You are bound to respect this gentleman once you take a listen to this album. Ruben Gonzalez: descansa en paz!

The Past Re-Introducing Itself to the Ever-Emerging Present.......2003-08-22

Ry Cooder once described Ruben Gonzalez as, "A Cuban cross between Thelonius Monk and Felix the Cat." Ruben Gonzalez is no Thelonius Monk...and I cannot really say if he is Felix the Cat...but he is definitely an extremely rare piece of jazz history...an "endangered species" of sorts in comparison to today's lacklustre jazz scene. Thanks to the re-emergence of mostly forgotten Cuban musicians in the late 90's through such vehicles as the Afro-Cuban All-Stars and the Buena Vista Social Club, the world...or at least a portion of it...has had the opportunity to experience a truly unique skill and sound that once flourished. This description of Ruben Gonzalez's music cannot do him justice. When you listen to him either pounding out or softly lifting notes off the piano keys, feelings of excitement, nostalgia, appreciation, comfort, and reflection can all rise to the surface. His skill is difficult to match; his love of music nearly impossible to emulate. Ruben Gonzalez "is" the music he creates and plays...a living example of the musical past re-introducing itself to the ever-emerging present.

Introducing Kenny Cox And The Contemporary Jazz Quintet

Average customer rating:

Introducing Kenny Cox And The Contemporary Jazz Quintet
Kenny Cox and the Contemporary Jazz Quintet
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PITXNW
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Average customer rating:

Introducing Joss Stone
A different style, but same soul
She does it again!
Stone Embraces 'Change' Yet Again (2.5 stars)

Introducing Joss Stone (CD+DVD)
Joss Stone
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Joss Stone - Mind, Body & Soul Sessions
The Soul Sessions
Mind, Body & Soul
Not Too Late
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ASIN: B000MTPAHC
Release Date: 2007-03-20

Tracks:

Change (Vinnie Jones Intro)
Girl They Won't Believe It
Headturner
Tell Me `Bout It
Tell Me What We're Gonna Do Now feat. Common
Put Your Hands On Me
Music feat. Lauryn Hill
Arms Of My Baby
Bad Habit
Proper Nice
Bruised But Not Broken
Baby Baby Baby
What Were We Thinking
Music Outro

Tracks:

Features recording footage, making of the video, the music video, and interviews with Joss discussing the making of the record.

Amazon.com

British soul singer and songwriter Joss Stone's third album, Introducing Joss Stone, is an electrifying mix of warm vintage soul, '70s-style R&B, Motown girl-group harmonies, and hip-hop grooves. The album is the one that Stone describes as "truly me. That's why I'm calling it Introducing Joss Stone," she says. "These are my words, and this is who I am as an artist." Knowing she wanted to write the album alone, Stone decamped to Barbados in April to come up with lyrics. She stayed for several months before flying to the Bahamas to hook up with her main musical collaborator and producer Raphael Saadiq (known for his work with D'Angelo, The Roots, and Macy Gray). Stone and Saadiq spent two months recording in the Bahamas, and then mixed it at the legendary Electric Lady Studios in New York City.

Other musical collaborators include rapper/singer/songwriter and producer Novel, who is the grandson of soul legend Solomon Burke and has written songs for Kelis and India.Arie, as well as Beau Dozier, son of Motown legend Lamont Dozier, whom she wrote with on her last album, 2004's gold-certified Mind, Body & Soul. The album also features guest vocal appearances by the rapper Common on "Tell Me What We're Going to Do," and reclusive singer Lauryn Hill, who lends a rap to the languid Fugees-inspired track "Music."

Limited edition CD + Bonus DVD features recording footage, making of the video, the music video, and interviews with Joss discussing the making of the record.

Joss Stone Photos

More from Joss Stone

Mind, Body, & Soul
The Soul Sessions
Mind, Body, & Soul Sessions [DVD]

Customer Reviews:

Introducing Joss Stone.......2007-06-11

The 1st time I heard her I was hooked with her sound, looks, and style. She is young and has a long life ahead of her. The cd/dvd combo is great, and the dvd was excellent to watch. The band is excellent and the backround vocals are great. I would recommend it to anyone...

A different style, but same soul.......2007-06-01

If you like Joss Stone, you will like this cd. I love all her cd's. It really is a natural progression. The first one really was just a teenager loving to sing. The second one was one of a little more experience. And as she says time and again about this cd- it really does seem that music is the love of her life in this cd. She has a great producer and writers (including herself) and the overall cd is just great. It is soulful, and makes you feel moved. It's mostly happy music. Just gets deep down inside of you and makes you feel what she's singing.

You will love this cd. (unless you are a hipster)

She does it again!.......2007-05-15

I have a couple of Joss Stones CD's already, so when I heard about this new one, I had to have it. I was not disappointed! Her sultry/bluesy voice is intoxicating.

Stone Embraces 'Change' Yet Again (2.5 stars).......2007-04-11

Troubling as it is, Joss Stone is indicative of a strong problem with popular music, and her haughtily-titled new album "Introducing Joss Stone" continues the indication. Stone has verve and sizzle - there's no disputing the British vocalist has a uniquely talented throat. However, as on her previous releases, the ingredients don't quite jell.

Like 2004's "Mind, Body and Soul," the new record is weighed down by too much style and too little substance. To call Stone pretentious would be a massive understatement. As if it isn't enough that she systematically checkmarks all the soul singer clichés, everything from her image to her album titles to her cover art reflect such an air of self-importance that each CD should come with its own gust of wind. The title sounds ripe for a debut LP - not a third major release from an established artist, and the speech intro by English footballer Vinnie Jones, "Change," further attempts to convey to the listener that, yet again, Stone has thrown a curveball to her creative palette. Please.

Stone's main predicament is that she sounds like an amalgamation of many of her influences, but with far less memorable material. She clearly draws upon classic singers of blues, Motown, even Tin Pan Alley - harkening memories of better, more fully-realized songs than the ones she delivers. This means that, aside from some modern flourishes and mainstream influences, she has hardly made any significant "change" since the last time around.

Jarring lyrics spew out of Stone's mouth left and right. No matter how invested she may attempt to sound or how funky the instrumentation may be, awkward wordplay such as this verse from lead single "Tell Me `Bout It" simply cannot hide:

"Let's have a show of hands, who's addicted to their man?/If I could do the things I want to you, you'd be changing all your plans/You wanna say I'm yours, I wanna say get it/You wanna say, so say, I know what you're thinking babe."

Stone has a strong presence and a likeable, engaging set of pipes, even if her full potential seems to be seething below the surface. Still, it comes as no surprise that the entire record sounds like one very long song that's both overcooked and overzealous. The only slight variations come in the form of cool-as-cucumber ballads like "Bruised But Not Broken" and "What Were We Thinking?," leaving the mildly hooky "Headturner" as, well, the only head turner left on the disc.

As Christina Aguilera keeps on proving, a fine voice does not automatically equal a fine album. Whereas she goes way over the top in her performances, ripping fine ballads to shreds, Stone takes a different course: Holding back too often, and accumulating less than stellar compositions. Both are guilty of imitating their influences far too obviously; in a perfect world, Etta James would be receiving royalties.

At age 19, Stone is still young, and will doubtless go through many a "change" in what is sure to be a long, fruitful career in commercial terms. She may well make fine records one day too, but "Introducing Joss Stone" is merely mediocre; a half-hearted testament to her talent with only the guise of brilliance at its disposal

Average customer rating:

Awesome
It Will Stir Your Spirit!
a different kinda' music
I just got the cd
D. & T. Sloan: Ayiesha Woods ' Versatility in Praise

Introducing Ayiesha Woods
Ayiesha Woods
Manufacturer: Gotee Records
ProductGroup: Music
Binding: Audio CD

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Speak
History

ASIN: B000FILWEU
Release Date: 2006-06-06

Tracks:

Happy
The Remedy
Big Enough (featuring tobyMac)
Get To You
Crazy
What You Do To Me
Days
Beauty
The Greatest Artist
The Only One
I Dont Mind
What Matters Most

Customer Reviews:

Awesome.......2007-05-23

I heard "Remedy" once on the radio and went right to I-tunes and listened to more of her album. I love her voice, music and style. I'm sold.

It Will Stir Your Spirit!.......2007-04-11

I enjoy "life-filled" music, and this album certainly fits the bill. I'm also very picky, so not every artist gains my approval. I not only enjoy the vocals and the styles of music in the album, which vary quite nicely, but the lyrics are equally as incredible. The song, Big Enough, is my absolute favorite. Every time I hear it, I'm reminded that nothing is too big for God. This one will wake you up in the morning and get your feet moving, for sure.

a different kinda' music.......2007-03-16

I wasn't too wild about the cd at first. I bought it because of two songs that I heard on christian radio.After listening to it a few times it really grew on me and now I love it.

I just got the cd.......2007-03-14

Just recieved the Cd in the mail. And I love it! It's a cross for me between India Arie, and Nelly Frutado on a few songs. Yet she has her own style in most others. I personally have found my new favourite Gospel artist

D. & T. Sloan: Ayiesha Woods ' Versatility in Praise.......2007-03-09

We purchased this CD based on another Amazon.com customer review. We like a variety in praise and worship music and listen to a broad range of artists including, Fred Hammond, Israel & New Breed, Joanne Risario through to Phillips-Craig & Dean,Cindy Morgan along with Messianic Hebrew praise and worship and found Ayiesha Woods to fit wonderfully into our collection. Some consider her to be the Indie Arie of this type of praise genre based on her ability to show versatility in her variant musical and lyrical styles of music. Her sometimes raspy edge compliments her ability to sing along side Toby Mac on the favored titled song, "Big Enough" and to also tackle a song utilizing the rythmic island sounds of her Jamaican origin flavor to the also favored, "Crazy". This CD has a little 'somethin - somethin' for every listener. Our personal favorite is "Crazy", first because of its to the point message and second because of its bold sound and statement to keep The Word of Our Heavenly Father and apply It literally as His Set Apart Spirit intended, even if they think you're CRAZY. We recommend this CD for both the adult and teenage audience.

Introducing the Hardline According to Terence Trent D'Arby

Average customer rating:

Soulfully Rocking
20 Years Old And Still Great
Perfect album.
MY FAVORITE TTD
True Poetry

Introducing the Hardline According to Terence Trent D'Arby
Terence Trent d'Arby
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000026DG
Release Date: 1990-10-25

Tracks:

If You All Get To Heaven
If You Let Me Stay
Wishing Well
I'll Never Turn My Back On You (Father's Words)
Dance Little Sister
Seven More Days
Let's Go Forward
Rain
Sign Your Name
As Yet Untitled
Who's Lovin' You

Amazon.com

This 1987 CD is one of the best debuts ever. A stunning, soulful approach to merging old influences and new realities, TTD burst on to the scene with an album that sounds even better today. At the time D'Arby was compared (sometimes by himself) to Stevie, Michael, Smokey, and Marvin. Simply put, without TTD's egomaniacal/lover stance, it's hard to fathom Maxwell, Tony Toni Tone, or any other neo-soul boys. --Amy Linden

Customer Reviews:

Soulfully Rocking.......2007-06-27

Superb collection of music from a terrific singer. I plan on collecting them all.

20 Years Old And Still Great.......2007-03-20

This album is one of those that you let play all the way through. No filler here just pure quality from a guy with great talent. 1987 was a great year for r&b music. Along with this album Prince also had his Sign O the Times album out and Michael Jackson had his Bad album out. Of course people compared Terence to both of those guys but he had a style all his own. This album is one of the greats.

Perfect album........2006-08-17

One of the last great soul albums (with Jackson's Bad) and peak of his career. Good arrangements and beautiful vocal. For me highlights are - If you let me stay, Wishing well, Sign your name and Smokey Robinson's Who's lovin you. For everyone who like 80's soul.

MY FAVORITE TTD.......2006-07-15

I HAVE ALLWAYS LIKED THESE SONGS FROM THIS CD YOU HEAR THEM A LOT IN THE STORE WHEN SHOPPING. AND SO NOW I CAN HEAR THEM AT HOME.

True Poetry.......2006-02-26

I was in Germany when this album first came out and I loved the music. I've been searching for 18 years for this CD and now I have it. Terence Trent D'Arby is truly a poet. If you read his lyrics you can see that this man is an artist.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Introducing A.R. Rahman (2 CD SET)
Average customer rating:

Addictive

Great!

An Introduction to AR Rahman

Introducing A.R. Rahman (2 CD SET)
A.R. Rahman
Manufacturer: Times Square Records
ProductGroup: Music
Binding: Audio CD

India | India & Pakistan | International | Styles | Music
General | India & Pakistan | International | Styles | Music
General | International | Styles | Music
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ASIN: B000EZ919C
Release Date: 2006-05-23

Tracks:

Bombay: Bombay Theme Music
Roja: Chinna Chinna Aasai
Bombay: Kannaalaney
Duet: Mettuppodu
Kaadhalan: Ennavale Adi Ennavaley
Jeans: Anbe Anbe
Star: Rasika
Alai Payuthey: Yaro Yarodi
Sangamam: Maargazhi
Theenali: Swasamae
En Swasa Kaatrea: Thirakkaatha
Padaiyappa: Minsara Kanna

Tracks:

Alay Payuthey: Alai Payuthey
Sangamam: Varaaga Nathi
Parthale Paravasam: Idhu Manmatha Maadham
Sangamam: Sowkkiyamma
Star: Thom Karuvil Irunthom
Jeans: Kannodu
Bombay: Uyire Uyire
Duet: Kulichaa Kutthalam
Minsara Kanavu: Anbendra
Kandukondain Kandukondain: Kannamuchi
Gentlemen: Usilampatti Penkutti
Karuthamma: Poraalae 2
Rhythm: Nthiyae Nathiyae (Water)

Customer Reviews:

Addictive.......2007-03-25

I began listening to Bollywood music after becoming addicted to Bollywood movies. I am now addicted to the music. I don't know if it's good or bad and have no sophisticated judgments to offer, but I can't stop listening to this CD.

Great!.......2006-08-05

I've been collecting A.R. Rahman's music for films for over a year now, and this CD fills in all the gaps - stuff that is either older and no longer available or that Amazon (in its infinite wisdom) does not carry. An absolute MUST for any fan of A.R.R.!

An Introduction to AR Rahman.......2006-06-05

Introduction to AR Rahman is a compilation of work from India's unexcelled film composer. AR Rahman started composing for films in 1992. Prior to that he was just a small time composer creating music for commercials. At a music awards ceremony, he was recognized by legendary director Mani Ratnam. Mani Ratnam had offered Rahman an opportunity to create the soundtrack for his upcoming film Roja. When the music for Roja arrived it changed the way people viewed soundtracks. Prior to the arrival of Rahman, film music was thought of as merely an interval in the movie but with the arrival of Rahman's soundtracks, film music became immensely important. Roja, both the film and soundtrack have become a part of Indian culture ever since they were released. Time magazine recently recognized the music for Roja by rating it one of the top ten soundtracks ever to be released. Ever since their collaboration on Roja, AR Rahman has composed the music for every Mani Ratnam film. Their next collaboration was released in 1995, it was titled Bombay. The soundtrack for Bombay is another which to this day is heard throughout the world. The theme music from Bombay was used in Lord of War, an extremely successful film starring Nicholas Cage. Their next collaboration was the classic Dil Se. Both the soundtrack and film are hailed as classics in India. The immensely popular song from Dil Se, Chaiyya Chaiyya was recently featured in the hit film Inside Man, once again giving Rahman international recognition. In 2000, AR Rahman had his most successful release, titled Kandukondain Kandukondain, directed by Rajiv Mennon. The soundtrack to this album is the most successful in India. Rahman's next collaboration with Mani Ratnam was Alai Payuthey. This soundtrack was amazingly successful and the movie was so well recognized that Shaad Ali a Hindi movie director received the permission of Mani Ratnam to remake it in Hindi. He was also immensely pleased with the soundtrack and used the same soundtrack with a few additions from Rahman. 2001 proved to be another very successful year for AR Rahman. He released Parthale Paravasam directed by one of the greatest director's of Indian cinema, K.Balachander. This was once again a tremendous hit for Rahman. The Oscar nominated Lagaan was also released in 2001 and he created a very versatile soundtrack for this film combining classical Indian music with Western music. In 2002, Mani Ratnam and AR Rahman collaborated for the fifth time and released the unforgettable Kannatil Muthamittal. The soundtrack for this movie wasn't quite as commercially successful as his other collaborations with Mani Ratnam, yet received some wonderful reviews from the critics. Also, Bombay Dreams was released in 2002. Andrew Lloyd Webber asked Rahman to create the soundtrack for this production initially released in London, later making it's way to Broadway. This soundtrack was, once again well received internationally. 2003 was a somewhat disappointing year for Rahman in India, but that was because Rahman was working on a very important international project. He was asked by the respected director He Ping to create the music for Warriors of Heaven and Earth, which was very well appreciated in China. In 2004, Rahman was back in all his glory. He released the soundtrack for Meenaxi. This is one of his greatest works ever, once again offering a wide array of music, giving everybody a song or two to enjoy and appreciate. Ayitha Ezhuthu was also released in 2004. This was his sixth collaboration with Mani Ratnam. This soundtrack was also successful. Personally speaking it isn't one of my favorites because it is influenced heavily by Western music. Nevertheless, I appreciate this soundtrack because Rahman experimented with very unique instruments creating a very different sound throughout the album. The critically acclaimed Swades was also released in 2004.The score for this film which is played on the flute is absolutely astonishing. It is very peaceful and relaxing. One of Rahman's most productive years was 2005. In 2005, he released the soundtrack for Anbe Aaruyire, which was his return to scoring tamil films after almost an entire year. The soundtrack for Bose was also released. Jana Gana Mana, India's national anthem is featured in this album and it is said to be the most beautifully orchestrated version of this anthem. Water was another critically acclaimed release of 2005. Water is the only album for which Rahman gives himself a 10/10. 2006 seems to be another very ambitious year for AR Rahman. Rang De Basanti was released early this year. The soundtrack for this album is so far the most successful of the year. The soundtrack for Godfather has also been released. This soundtrack has been very well received throughout Kollywood. Guru, his seventh collaboration with Mani Ratnam will also be released towards the end of this year.
AR Rahman has created a very unique style to Indian film music. He has received the highest number of National Film Awards. He received four of these awards, surpassing the record set by the maestro, for his work on Roja(1992), Minsara Kanvu(1997), Lagaan(2002), and Kannathil Muthamittal(2003). He is respected as one of the musical greats by artists such as Kavitha Krishnamoorthy, Asha Bhosle, and Lata Mangeshkar.

Here is a review of the CD:
This is just an introduction to AR Rahman, by no means does it contain all of his successful work.

Track Listing
Disc One
1)Bombay Theme Music- a beautiful and relaxing piece of music recently featured in the successful movie Lord of War.
2) Chinna Chinna Asai(Roja)- a beautiful song that is still very popular although it is 14 years old.
3)Kannalane- this song doesn't have the greatest start but gets better if you listen to it a few times.
4)Mettupodu- an amazing track which uses fusion. This becomes evident at the end of the song when the saxophone is accompanied by Indian classical music.
5)Ennavale- this is another song that takes time to grow on you but like many of Rahman's songs, once they grow on you they stay with you.
6)Anbe Anbe- this song is another beautiful example of Rahman using fusion to score another massive hit
7)Rasika- this song is upbeat and is great for dancing. There is a flute interlude in the middle of this song which should not be missed.
8)Yaro Yarodi- this song is beautifully crafted. It has vocals provided by several different artists and is one of Rahman's most creative pieces of work.
9)Maargazhi- this song is from the album Sangamam. It was a classical effort by Rahman, and it certainly was a terrific one. This song has vocals from both Unnikrishnan and S. Janaki. Need I say more?
10)Swasame- a very simple and sweet song but the chorus becomes addicitive after a certain point. The singers are SPB and Sadhana Sargam.
11)Thirakkatha- a soft and soothing song. It's long running for over 7 minutes but it is worth listening to.
12)Minsara Kanna- This is one of Rahman's most brilliant classical songs. There is just a certain beauty to this song which is inexplicable through words.
Disc Two
1)Alai Payuthey- a remix of a classical song. It keeps many elements of the original song but drastically changes the instruments which are used..
2)Varaaga Nathi- sung by Shankar Mahadevan who provides amazing vocals as always.
3)Idhu Manmadha Maadham- has an amazing beat, a semi classical tune, and beautiful vocals. This is a song you should not miss.
4)Sowkkiyamma- another beautiful classical song, sung by Nithyashree, comes close to Minsara Kanna.
5)Thom Karuvil Irunthom- a very high energetic song, sung by Shankar Mahdevan.
6)Kannodu- this was Rahman's first attempt at a classical song. It is from the movie Jeans.
7)Uyire- a very melodious song from Bombay. Hariharan's voice does splendidly for this song.
8)Kulichaa Kuthalam- this song is one of the weaker songs from Rahman. It from the popular movie Duet. This compilation should have had Anjali Anjali, instead of this song. Nevertheless, give it a listen.
9)Anbendra- a very slow and beautiful tune.
10)Kannamuchi- this is a shortened version of the song. If you want the full version you can purchase it on itunes. A very nice and relaxing song.
11)Usilampatii Penkutti- this song was very successful, but it was too upbeat for me to enjoy.
12)Poraalae- The tune for this song is pretty good, but the vocals by Swarnalatha are horrific.I'd rather listen to myself sing.
13)Nithiyae Nithiyae- Now, this is one of my favorite songs. It is slow, semi classical, and the vocals are by Unnimennon. In other words this is one of the best songs ever.

This greatest hits compilation has some very memorable songs on it but if you want to really explore the work of this talented artist listen to these albums: Rang De Basanti, Kannathil Muthamittal, Kandukondain, Kandukondain, Dil Se, Godfather, Mangal Pandey, Star, and Sangamam.

Average customer rating:

A remarkable voice.
Great 40's voice
Ol' Black Magic
Ella would be proud...
Nostalgic and sensational

Introducing Robin McKelle
Robin McKelle
Manufacturer: Cheap Lullaby
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Smooth Jazz | Jazz | Styles | Music

General | Adult Contemporary | Pop | Styles | Music
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ASIN: B000EWKLIA
Release Date: 2006-05-02

Tracks:

Something's Gotta Give
Bei Mir Bist Du Schon
Night & Day
For All We Know
You Brought A New Kind Of Love
Dream
Yes, My Darling Daughter
Deep In A Dream
I've Got The World On A String
Come Rain Or Come Shine
The Lamp Is Low
On The Sunny Side Of The Street

Product Description

12-track CD on Cheap Lullaby Records, 2006. Tracks are: Something's Gotta Give/Bei Mir Bist Du Shon/Night & Day/For All We Know/You Brought A New Kind Of Love/Dream/Yes, My Darling Daughter/Deep In A Dream/I've Got The World On A String/Come Rain Or Come Shine/The Lamp Is Low/On The Sunny Side Of The Street

Amazon.com

Robin McKelle is being promoted as a '40s-style jazz singer, but though she does pluck tunes from the era on this enjoyable debut, her full-frontal approach is steeped in the brassy big band sounds of the late '50s and early '60s. A bicoastal stylist who draws equally from the lilting jazz purity of Ella Fitzgerald and the pop pizzazz of Barbra Streisand, she is a refreshing departure from all those female jazz singers currently vying for attention with coy understatement or an overreliance on technique. Introducing Robin McKelle was produced by Willie Murillo, previously an arranger for Brian Setzer and Aimee Mann, who is responsible for an unlikely arrangement of "Bei Mir Bist Du Schoen" that morphs from moody chamber piece into full-fledged Latin treatment. The album's other highlights include a lovely, understated rendition of "For All We Know," a winning duet with Robbie Wycoff on Sammy Fain's "You Brought a New Kind of Love," and a slam-bang treatment of "Come Rain or Come Shine." Throughout, McKelle luxuriates in her love of the music without overdoing the nostalgia. A third-place finisher in the 2004 Thelonious Monk Vocal Jazz Competition, she scores here by avoiding predictability without trying to. --Lloyd Sachs

Customer Reviews:

A remarkable voice........2007-07-09

INTRODUCING, Robin McKelle's debut album, is already a best seller in the USA and Europe. Critics compare her voice to Sarah Vaughan and Ella Fitzgerald.
Produced by Willie Murillo (Brian Setzer Orchestra producer, Aimee Mann, LeAnn Rimes) the album announces the arrival of a song interpreter without equal. Be prepared. It's a remarkable voice; a soul-infused alto tinged with haunting echoes of the postwar jazz greats and now its possessor has inched closer to her inevitable destiny in the spotlight.
It's rare to find a vocalist mining the Forties big band seam who really makes you sit up and take notice. New Yorker McKelle has a rich alto, packed with sass and phrasing reminiscent of Sarah Vaughan: she's the real deal.
'The Forties: I was born to be in that time, I swear...' is singer Robin McKelle's comment on the nostalgic atmosphere that permeates her debut recording, and there are indeed numerous musical reminders of the swing-band singer's heyday throughout this immediately appealing album.
McKelle's voice is most obviously inspired by Ella Fitzgerald: first and foremost, what you hear is the song, impeccably presented, faultlessly sung, occasionally tastefully embellished, but never over-interpreted or used merely as a springboard either for vocal gymnastics or the display of personal emotion.
This is not to suggest that McKelle is not affecting her strings-backed 'For All We Know', for instance, is suitably touching but simply that her clear priority is to showcase what she calls 'these wonderful love stories between men and women'.
Versatile enough to infuse the likes of 'Bei Mir Bist Du Schon' or 'I've Got the World on a String' with appropriate pep, float tastefully over the Basie-like chug of, say, 'The Lamp is Low', or go for broke on the album's opener, 'Something's Gotta Give', McKelle does a great job of setting out her stall on Introducing...; refreshingly free from the apparently obligatory contemporary 'classic' and concentrating entirely on the standard's golden age, this album is unashamedly directed at those who like their classic songs respectfully addressed, their settings punchy but unshowily informal.

Great 40's voice.......2007-05-12

She sounds great singing songs of this era but the sound mix guy messed up and let the instruments overpower the vocals.

Ol' Black Magic.......2007-05-10

There is plenty of magic, black or otherwise when Robin McKelle sings. Her voice is deep and smoky much like Keely Smith, but with just a bit more animation. If you need to decompress just let the music flow over you or crank the volume and dance around the house, but to really enjoy the flavors and nuance you have to turn out the lights, put out some candles or light a fire and let Robin sing you to another place and time. She can take you back to the days of swing and make you look over your shoulder to see if the cops are coming or transport you to Times Square when it wasn't on the square. Robin makes all of this time traveling easy with a smooth turn of phrase and a soft rendering of standards that makes them anything but old.

Anyone can sing standards, that's why they are standards, but to weave moonlight and magic it takes style and skill. No easy task for an old timer but for a spring chick? Easy if you are Robin McKelle.

If you are thinking of buying a CD then do the right thing, skip the A's, skip through to M and when you do open it before you get in the car, there's a CD player in there and if you drive slow and leave the window open somebody might hear and thank you.

Ella would be proud..........2007-01-22

Hey Robin is young and she has got it! Her voice is ageless and I can't wait to see wht else she comes out with down the line. It's not easy living up to legends and she does just fine. My favorite tracks so far...Night and Day...I've Got the World on a String. The arrangements and orchestrations are enthusiastic. Buy the CD and enjoy her silky voice. Don't listen to me or anyone else. Listen for yourself.

Nostalgic and sensational.......2007-01-16

This is one of the best among young jazz vocalists that I have heard thus far. Don't miss it

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