Real A Lie [CD-single] [Enhanced] [Import]
Track Listings
|
1. Real a Lie
|
|
2. Afraid
|
|
3. Taste You [Acoustic]
|
|
4. Real a Lie [Enhanced Video]
|
Real A Lie,Auf Der Maur,EMI Int'l,5"CD Singles,Alternative Pop/Rock,Pop,Rock
Real A Lie [CD-single] [Enhanced] [Import]
Average customer rating:
|
Real Life
Joan As Police Woman
Manufacturer: Cheap Lullaby Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Indie Rock
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
Electronic Pop
| Indie & Lo-Fi
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Electronica
| Dance & DJ
| Indie Music
| Stores
| Music
Similar Items:
- The Reminder
- Easy Tiger
- Back to Black
- New Moon
- Sky Blue Sky
ASIN: B000NVIGJ8
Release Date: 2007-06-12 |
Tracks:
- Real Life
- Eternal Flame
- Feed the Light
- The Ride
- I Defy
- Flushed Chest
- Christobel
- Save Me
- Anyone
- We Don't Own It (For Elliot Smith)
Tracks:
- Show Me the Life
- Broken Eyes
- Sweet Thing
- Happiness Is a Violator (For Condoleezza Rice)
- Endless Supply Of Poison
- We Don't Own It
Customer Reviews:
REAL LIFE.......2007-06-26
Real Life is the kind of album that makes you think and wonder about it days after the last time you heard it, and makes you kick yourself when you want to hear it right now all the way through and you can't find the cd in your car, or when you realize you haven't uploaded it onto your ipod yet (what?! impossible!). . . There isn't an artist that sounds close, or even close enough to stand in for joan's honest and effortless voice soaring through a mood, liberated from any pedestrian linear storytelling, intimate and timeless. Real Life is the kind of album that you have to listen to at least twice, and after that, it's like a great movie that keeps giving you something new every time you watch it. I thought I'd make comparisons: she's like Laura Nyro-cross-PJHarvey-cross-Chrissy Hines-cross-Nick Drake (the Pink Moon album) -- but it feels lame to me, probably because none of it is really true. It's an either-you-get-it-or-you-don't album -- if you're reading this, get it :).
Average customer rating:
- reallife review
- Real Life...
- I just like Catch me I'm falling and Send me an Angel...
- Greatest album ever
- Good stuff, but a glaring omission
|
Best of Real Life: Send Me An Angel
Real Life
Manufacturer: Curb Records
ProductGroup: Music
Binding: Audio CD
New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Rock
| Styles
| Music
Dance Pop
| Compilations
| Dance & DJ
| Styles
| Music
4-for-3 Alternative Rock
| 4-for-3 Music
| Stores
| Music
4-for-3 Dance & DJ
| 4-for-3 Music
| Stores
| Music
4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 Rock
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
Similar Items:
- When in Rome
- The Different Story (World of Lust and Crime)
- The Best of OMD
- Lifetime
- Imperfection
ASIN: B000008JU2
Release Date: 2001-05-15 |
Tracks:
- Send Me An Angel '89 (Edit)
- Face To Face
- Catch Me I'm Falling
- Always
- Babies
- Send Me An Angel '89 (Dance Mix)
- The Hammer Of Love
- Let's Fall In Love
- One Blind Love
- No Shame
Customer Reviews:
reallife review.......2007-01-22
This cd wasn't to bad. There are only a couple of songs on it that I really like.
Real Life..........2006-12-21
"Send me an angel." What can I say? That's my song...Five stars for the song...Four stars for the disc.
I just like Catch me I'm falling and Send me an Angel..........2006-08-14
That was worth 5 bucks...I didn't have an iPod at the time!!
Greatest album ever.......2006-08-11
I've kept my sony walkman around for years so I could listen to the album (on cassette). I am glad to see it on CD. As of writing this the album artwork pictured on the site is different from what is shipped.
Good stuff, but a glaring omission.......2004-12-28
Basically a compilation of "Heartland", "Flame" and the "Babies" maxi single, this is a nice little collection to find its way to CD.
Of course, the huge miss here is not including the original version of "Send Me an Angel". The new version simply does not compare to the original.
I really enjoyed "Flame" and am grateful to find such great tunes included as "Face to Face" and "No Shame". Their take of "Babies" is surprisingly good too.
If you're looking for "Heartland", it has been reissued on CD. It's well worth seeking out that disk for the original version of "Send Me an Angel".
Average customer rating:
- A Vocally Dazzling Esparza Rides High on an Exuberant Pre-"Rent" Larson Score
- Great tunes - great lyrics - great harmonies
- Love the Music
- Larson Lives
- Fantastic Music, but i wouldnt want to see it live
|
Tick, Tick... Boom! (2001 Original Off-Broadway Cast)
Jonathan Larson , Amy Spanger , and Raul Esparza
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Contemporary Musicals
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Musicals
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- The Last 5 Years (2002 Off-Broadway Cast)
- tick, tick ... BOOM!
- The Wild Party (Lippa) (2000 Off-Broadway Cast)
- Songs for a New World (1996 Original New York Cast)
- Rent
ASIN: B00005NQK5
Release Date: 2001-09-11 |
Tracks:
- 30/90
- Green Green Dress
- Johnny Can't Decide
- Sunday
- No More
- Therapy
- Real Life
- Sugar
- See Her Smile
- Come To Your Senses
- Why
- Louder Than Words
- Boho Days
- 30/90 Playout
Amazon.com
Rent is usually treated as Jonathan Larson's one and only show, but the truth is that he had a career--albeit a hitless one--before that blockbuster. There was a musical titled JP Morgan Saves the Nation with lyrics by Jeffrey M. Jones and music by Larson. And there was Tick, Tick... Boom!, an autobiographical piece that Larson workshopped for a while before setting it aside and finishing Rent.
In 2001, Tick, Tick is getting a full off-Broadway production, and it's a rather endearing one. Lyrics have never been Larson's strong point, but he was a hell of a melodic composer--and the score here is even poppier than that of Rent (think Top 40 rather than Sondheim). It's hard to pick favorite songs: "Green Green Dress" is built on a rollicking piano boogie, for instance, and "Real Life" and "See Her Smile" are the kind of elegiac ballad that Larson would later perfect with "Seasons of Love." Luckily, this show has a lot more to offer than mere youthful musings. --Elisabeth Vincentelli
Customer Reviews:
A Vocally Dazzling Esparza Rides High on an Exuberant Pre-"Rent" Larson Score.......2007-06-16
Perhaps it's a coincidence that the immensely talented Raúl Esparza plays a character dreading his 30th birthday in this 2001 recording of the hit off-Broadway show by the late Jonathan Larson, while five years later, he would play the elliptical Bobby dreading his 35th birthday in the enthralling 2006 Broadway revival of Stephen Sondheim and George Furth's Company. In both performances, Esparza shows a true affinity for capturing the angst of men undergoing transitional points in their lives which render them emotionally paralyzed. At first glance, Sondheim and Larson would not seem like kindred spirits, but both share a gift for sophisticated lyrics in an unmistakable musical style defined by their oeuvres. Larson even pays tribute to Sondheim in the story's climax and with the sardonic, work-is-hell "Sunday", a take-off of the song with the same name in Sunday in the Park with George.
However, it is the familiar Larson sound of Rent that is heard most in this score - driving, rock-out rhythms with unavoidable pop hooks and yearning, piano-driven ballads. Even the opener, "30/90", is a virtual sound-alike of the bigger show's title tune. If the songs are not quite as polished or even memorable as those in Rent, they feel more personal because the autobiographical story is far more intimate in scale. Set in 1990 in the same SoHo neighborhood as Rent, it's a simple three-character piece about Jon, an aspiring composer who considers giving up his dreams on the verge of his 30th birthday. With charismatic fire, Esparza is equally adept using his beautifully expressive voice in a rock milieu as in a Sondheim character study. He brings energetic brio to finger-snapping rockers like the Twinkie-induced "Sugar" and especially shines on the ballads, "See Her Smile" and the revelatory "Why".
With a slightly pinched voice that reminds me a bit of the Bangles' Susanna Hoffs, Amy Spanger as girlfriend Susan duets nicely with Esparza on the touching "Johnny Can't Decide", the rocking "Green Green Dress", and the comical self-help wordplay of "Therapy". Her shining solo moment comes with the knockout ballad, "Come to Your Senses". As Jon's embattled pal Michael, Jerry Dixon provides powerful vocals, bringing particular warmth to "Real Life" and grit to the fed-up rave "No More". The trio closes the show powerfully with the anthem-like "Louder Than Words". The overall score is a bit derivative and a tad too earnest, but the youthful zest of the cast and Larson's pop craftsmanship more than compensate. Two bonus tracks are offered at the end - an instrumental replay of the opener, "30/90 Playout" and a rare recording of Larson singing "Boho Days" a capella with propulsive hand claps.
Great tunes - great lyrics - great harmonies.......2006-11-04
If you are a fan of the late great Mr. Larson you will love this music. Okay, I have seen the play a couple of times so I know what happens between the songs but this, his autobiography, really moved me. Even my kids like the Green Dress Song.
I hope you like it... The theme is "Actions Speak Louder Than Words" rings true today as the day he wrote it.
John we miss you.
Love the Music.......2006-08-22
I saw this play a few weeks ago, and really enjoyed the music, so I got the CD. The voices, and lyrics are amazing! However, as I often find with CDs of musicals, there wasn't always the right feeling in the voice, particularly in "Therapy" where couple ought to be angry at each other, and it seems more cute on the CD.
Larson Lives.......2006-05-06
I love Tick, Tick... Boom! The show is quite refreshing. The show works so well with three actors. I LOVE "30/90" and "Louder Than Words." Both speak really strongly to the audience because they both are really relatable to anyone's life. Admittedly the middle of the show drags a little, and Spangler's voice can be chipmunkish at times. However those are minor detractions when it comes to this show. It is especially moving if you know Jonathan's story. It is no Rent, but the short piece is really moving
Fantastic Music, but i wouldnt want to see it live.......2006-04-30
I was soo soo very pleased with the music from "Tick...Tick..BOOM!". Rock Operas are my favorite type of musical theatre, and i must say this is one of the best. The storyline, however, although dealing with bohemian problems like AIDS, rehersals, love, didnt meet the power of the music. It was taken from Johnathans original one-man show and made into a three-man show. This was the only way possible to make this conversion, but still it was a dull storyline only going over the time period of one day in the day in the life of Johnathan Larson. Yes, it was an important day, his thirtieth birthday and his friend annoucing that he is HIV positive, but none of this happens until the end. The show lacks obsession, and in order to make a good musical storyline there has to be an obsession. Luckily, the weak storyline is backed with fantastic music, perhaps even better than Rent. 30/90 is my all time favorite song EVER i have listened to it over and over and still am not sick of it. other favorite tracks include:
30/90
Green Green Dress
No More
Sugar
Come To Your Senses (originally from Superbia)
Louder Than Words
and i also enjoy the rest of the songs as well.
Average customer rating:
- Haven't I heard this before?
- a beautiful score
- A Beautiful Mind
- Haunting, lovely, majestic
- Dark
|
A Beautiful Mind: Original Motion Picture Score
James Horner
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Legends Of The Fall: Original Motion Picture Soundtrack
- Beautiful Mind (Score) (Sl)
- Apollo 13: Music From The Motion Picture
- Road to Perdition (Score)
- A Beautiful Mind (Widescreen Awards Edition)
ASIN: B00005TPFV
Release Date: 2001-12-11 |
Tracks:
- A Kaleidoscope Of Mathematics
- Playing A Game Of 'Go!'
- Looking For The Next Great Idea
- Creating 'Governing Dynamics'
- Cracking The Russian Codes
- Nash Descends Into Parcher's World
- First Drop Off. First Kiss
- The Car Chase
- Alicia Discovers Nash's Dark World
- Real Or Imagined?
- Of One Heart, Of One Mind
- Saying Goodbye To Those You So Love
- Teaching Mathematics Again
- Prize of One's Life... The Prize of One's Mind
- All Love Can Be - Charlotte Church
- Closing Credits
Amazon.com
This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted Princeton mathematics professor tormented for decades by paranoid schizophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Church's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulley
Customer Reviews:
Haven't I heard this before?.......2007-06-20
As other reviewers will tell you yes this is another Horner machine made soundtrack. But it still sounds good! If you are a Horner fan by all means buy it otherwise "at your own risk"!
And another thing that gets me is no one even bothered to mention "Alicia Discovers Nash's Dark World" I happened to like this one this is the song that plays when he is in the hospital.
a beautiful score.......2007-02-09
James Horner's soundtrack for A BEAUTIFUL MIND is as psychologically intense as the film it so effectively embellishes.
Charlotte Church provides an appropriately eerie and largely non-verbal soprano to this remarkable motion picture score, yet one that would seem only quirky were it not so beautifully embedded in a musical stream that draws one inexorably and almost vicariously into the emotional turbulence of the Princeton mathematician John Nash.
There is an angelic nature to the shape and texture of this music, one that is able to turn demonic as the story line requires. Both by brilliance and by dementia, Nash seems the object of external forces, rising with supreme heroism (at least in the film's version of events) to conquer. The music is there at each score, coaxing the viewer into empathic solidarity with this deeply troubled man and his long-suffering and preternaturally beautiful wife.
This is mood music of the deeply engaging variety. Its lush tonal landscape is achieved under the baton of the composer himself. The score's vast range of volume and expression would certainly have made it a joy to watch in performance.
Alas, we don't have that.
But we have this.
An ethereal, compelling, even gripping tone poem. Buy it.
A Beautiful Mind.......2006-08-09
Absolutely gorgeous - my husband keeps it in his car and listens to it whenever he's driving.
Haunting, lovely, majestic.......2006-04-04
The sound track for "A Beautiful Mind" stayed with me long after the movie. The CD has all the themes that made the movie so emotionally powerfull. James Horner, composer and conductor, perfectly matches the excitement of genius and the terror of mental disability. Charlotte Church's clear and gentle voice compliments the music and used instrumentally creates a haunting refrain. I loved the movie and this music is wonderful.
Dark.......2006-02-20
This is one of the darkest and most emotional soundtrack, and yet it is filled with more inspiring songs.
Best soundtrack ive ever heard.
Average customer rating:
- A good value
- The Sound Track Since Bernard Hermann
- Good mix of film music
- A mixed collection of movie music
- Uplifts your soul, takes your mind into the heavens
|
Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Holdridge, Lee
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Korngold, Erich Wolfgang
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Kamen
| Kamen, Michael
| ( K )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schifrin
| Schifrin, Lalo
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Waxman
| Waxman, Franz
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mancini
| Mancini, Henry
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Korngold, Erich Wolfgang
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Bargain Box Sets
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
Similar Items:
- Paramount 90th Anniversary Collection: Scores
- In Session: Film Music Celebration
- The Essential Elmer Bernstein Film Music Collection
- Jerry Goldsmith: 40 Years of Film Music
- Music In Film (National Public Radio Milestones Of The Millennium)
ASIN: B00008WI90
Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Customer Reviews:
A good value.......2007-05-17
I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.
The Sound Track Since Bernard Hermann.......2006-07-25
This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.
Good mix of film music.......2006-07-02
Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
A mixed collection of movie music.......2006-02-23
For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.
Uplifts your soul, takes your mind into the heavens.......2006-01-06
I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Moscow Philharmonic Orchestra
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Blowout Box Sets
| Classical Music Blowout
| Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
London Philharmonic Orchestra
| ( L )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Moscow Philharmonic Orchestra
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
National Philharmonic Orchestra London
| ( N )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Instrumental
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Soul Stirring
- Always Love Karunesh!
- The Joy of Karunesh
|
Joy of Life
Karunesh
Manufacturer: Real Music
ProductGroup: Music
Binding: Audio CD
General
| New Age
| Styles
| Music
Meditation
| New Age
| Styles
| Music
Similar Items:
- Call of the Mystic
- Global Village
- Nirvana Cafe
- Zen Breakfast
- Global Spirit
ASIN: B000ION6UE
Release Date: 2006-10-24 |
Tracks:
- Morning Celebration
- Longing For The Unknown
- Evening Reflections
- Flowing Bamboo
- Return Of The Rains
- Joy Of Life
- Sahara Sunset
- Shruti's Song
Album Description
Smell the exotic spices, sway with the blissful grooves and heed the call to devotion as you listen to this exalted, ecstatic music by contemporary mystic and master multi-instrumentalist Karunesh. Featuring good friend Govi on oud and sitar.
Customer Reviews:
Soul Stirring.......2007-03-28
Listening to Karunesh's "Joy of Life" is a soul-stirring experience. Each cut is an intricate blend of haunting vocals, violin, guitar and subtle ethereal percussion dancing beautifully with Karunesh's masterful devotional flute melodies. Appropriately titled, this is spiritual "jammin'" at its best. Inspiring.
Always Love Karunesh!.......2007-01-10
Once again, Karunesh has proved to be a source of joy and inspiration.
The Joy of Karunesh.......2006-12-24
A collection of placid world-fusion grooves redolent of India, perfect for winding down and opening up. Similar in style to 2004's Call of the Mystic, Joy of Life finds German-born producer and multi-instrumentalist Karunesh slowing things down just a bit, reining in some of the synthesizers and electronic beats, and giving more space to the acoustic performers. Among those featured are fellow spiritual travelers from the occident, Govi and Chinmaya Dunster, who bring their skills with the sarod and sitar to some of the album's more upbeat tracks. On hand from the Call of the Mystic sessions is violinist Avinash, as well as Bikram, the bansuri player whose plaintive and at times playful flute is the central voice in these recordings. Captured in Karunesh's Hawaiian studio, The Joy of Life is a quiet album radiating warmth, comfort, and peace, and will be appreciated by those who favor a touch of spice in their ambient/newage music.
Average customer rating:
|
Real Life
Magazine
Manufacturer: Caroline
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Hardcore & Punk
| Alternative Rock
| Styles
| Music
| Vinyl Records
| American Punk
| British Punk
| Emo
| Garage Punk
| Hardcore
| Post Hardcore
| Proto Punk
| Punk
| Punk Revival
| Punk-Pop
| Riot Grrl
| Ska Punk
| Straight Edge
New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
Post-Punk
| New Wave & Post-Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Secondhand Daylight
- The Correct Use of Soap
- Magic, Murder and the Weather
- The Frozen Borderline: 1968-1970
- Y
ASIN: B000LZ6DOQ
Release Date: 2007-04-24 |
Tracks:
- Definitive Gaze
- My Tulpa
- Shot by Both Sides
- Recoil
- Burst
- Motorcade
- Great Beautician in the Sky
- Light Pours out of Me
- Parade
- Shot by Both Sides [Original Single Version][*]
- My Mind Ain't So Open [B-Side][*]
- Touch and Go [*]
- Goldfinger [B-Side][*]
Album Description
2007 digitally remastered and expanded edition of the debut album from the Post-Punk band led by former Buzzcocks vocalist Howard Devoto. Originally released in 1978, this reissue now features four bonus tracks: 'Shot By Both Sides' (Alternate Recording), 'My Minds Ain't So Open', 'Touch And Go' and 'Goldfinger'. Virgin.
Album Details
After Leaving the Buzzcocks in 1977, Vocalist Howard Devoto Formed Magazine with Guitarist John Mcgeoch, Bassist Barry Adamson, Keyboardist Bob Dickinson, and Drummer Martin Jackson. Acknowledged by Radiohead as an Important Influence, Magazine Wilfully Ignored the Prevailing Musical Orthodoxy of the Punk Era - which is What Makes These Albums Timeless. "Real Life" was Released in June 1978. Produced by John Leckie, There was Nothing Tentative About Magazine's Debut Album. The Epic Sweep of "Motorcade" and "The Light Pours Out of Me" (Co-written with Buzzcocks' Pete Shelley) was Balanced by the Propulsive, Filmic Definitive Gaze. Magazine Had Arrived Fully Formed. Digitally Remastered for the 2007 Release, this Album Includes the First Single 'shot by Both Sides' and Its Follow-up 'touch and Go', plus their B-sides.
Average customer rating:
- didn't work for rehearsals
- Big for folks doing the Musical
- It's Awesome, It's Amazing, It's BIG!!!!
- a lost gem
- Ungodly awful
|
Big: The Musical (1996 Original Broadway Cast)
Richard Maltby Jr.
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Contemporary Musicals
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Big: The Musical
- Baby (1983 Original Broadway Cast)
- Curtains (2007 Original Broadway Cast)
- Little Women The Musical (2005 Original Broadway Cast)
- Seussical: The Musical (Original Cast Recording)
ASIN: B000005AY0
Release Date: 2001-09-25 |
Tracks:
- Overture/Can't Wait
- Talk To Her/Carnival/Zoltar Speaks
- This Isn't Me
- I Want To Go Home
- The Time Of Your Life/Fun
- Josh's Welcome/Here We Go Again
- Do You Want To Play Games?/Stars, Stars, Stars
- Cross The Line
- It's Time
- Stop, Time
- The Nightmare
- Dancing All The Time/I Want To Know
- Coffee, Black
- The Real Thing
- One Special Man
- When You're Big/Skateboard Ballet
- I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale
Customer Reviews:
didn't work for rehearsals.......2007-03-22
I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.
Big for folks doing the Musical.......2006-03-20
If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.
Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.
It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22
My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.
"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.
All in all, this is a great album. Sample the songs and give it a try. This is a must have!!
a lost gem.......2004-10-14
i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.
Ungodly awful.......2004-06-19
BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.
Average customer rating:
- Da Da Da
- An Artist Underated
- A Pleasant Surprise!
- I'm FLOORED.
- Real Good
|
Real Life
RJ Helton
Manufacturer: Gospocentric
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Teen Pop
| Pop
| Styles
| Music
Similar Items:
- Rollercoaster
- The Dreamer
- Corey Clark
- Red
- Justin Guarini
ASIN: B0001JXP34
Release Date: 2004-03-23 |
Tracks:
- Even If
- My Devotion
- Love Song
- All We Need To Know
- Freedom
- Tell Me
- Why Don't We Pray
- Delicate Child
- Forgive
- Crazy
- Missing Me
- Canto De Amor
Album Description
Demonstrating a command of urban/pop/Latin vocal stylings only hinted at on American Idol, Helton moves effortlessly through the funky beats of "Tell Me" to the smooth licks of "Love Song" and "All We Need To Know."
Filled with pop, urban/hip-hop grooves, searing, scorching ballads, and Latin strings, this impressive album will give the world a glimpse into RJ the songwriter and artist. REAL LIFE is sure to please RJ's scores of fans while at the same time winning over new ones everywhere!
Customer Reviews:
Da Da Da.......2007-05-28
There are a couple of good songs on "Real Life." "Freedom" boasts a driving beat that sets you immediately in motion, an excellent dance track. Helton's breathy vocals give him a sound like a slightly more masculine Michael Jackson. It's all about the feel, nothing deep here, "Gotta hit that beat now yeah, ba da dat dat da da da." "Why Don't We Pray" is another upbeat track that strikes a chord with anyone who has suffered through a difficult day, "For the strength that it takes to make it through the day; Why don't we fall on our knees, know that He will meet our needs." The rest of the material on the CD is standard boy-band product that has a certain dated appeal, but is already a bit out-of-style three years later. If you wax nostalgic for 2003, this set will hit the spot. Enjoy!
An Artist Underated.......2006-12-29
R J Helton has a god given talent of a great voice. Unfortunately American Idol didn't promote him as they should have. I hope that one day he gets his just recognition that he is truly deserving of. I can't for his next CD to come out. I wish they would re-release this CD to give it more exposure.
A Pleasant Surprise!.......2006-08-09
On the show, AI, RJ never really showed all that much potential, in my opinion, mostly due to his stage presence. However, I always felt that he was the strongest male singer of the season. That is why I went ahead and purchased this CD. I wasn't sure if it was going to be any good, but oh, it is. Very good. He sings with such purity and emotion on every track. My favorite song on this CD is Delicate Child, because of the lyrics and his voice gives me chills. Even if, and Forgive are also great. This is a GREAT Christian album. :)
I'm FLOORED........2005-06-27
Who'd have EVER thought this kid would've made such a GREAT album? I certainly didn't, and he certainly proved me wrong. I was never a fan of him on American Idol. I rooted for him to get voted off along with Jim Verraros and A.J. whateverhislastnameis since the very beginning. His stage presence wasn't very good, and his voice rarely complimented the songs he chose, though he did have a good voice. After hearing this CD, though, my opinion has totally changed-and I find RJ to have more potential than other contestants who placed even higher than him in other seasons of AI.
I heard "Even If" on LAUNCHcast Radio (Yahoo) a while back and came over to Amazon to listen to the samples. Surprisingly enough I enjoyed the majority of them, so I went out and bought the CD (which I enventually rebought when it cracked in half.) Not knowing this was a Christian CD I went into it with an open mind-Now, having found out a few months later, I'm still amazed at how mellow it is. I usually stray away from 'preachy' music...after all if I wanted to be recruited I'd have gone to church last Sunday but this CD is definately one of the exceptions.
RJs R&B vibe took me aback at first. 'Even If' has become one of my favorite songs of his, with a catchy chorus and great vocals. The song tells of his relationship with God and I allows me to strenghten my religious relationship with the Lord as well, in the privacy of my own home without people judging me. I was also surprised with "My Devotion", "Freedom", and "Why don't we pray?", all three venturing out for a hip hop sound, even including some good old religious rappers. The vibe of the overall CD remains fun and unique-even with slower songs such as "Even If", "Delicate Child" and "Missing Me" (an almost more gospel sounding song). "Canto de Amor" ("Love Song" in Spanish AKA: Track 3) proves to be an added bonus, and gives way to RJ's latin vibe, adding to the diversity of the CD.
This is a great CD for many reasons, but I'd recommend this CD to anyone despite hesitance over religion or even RJs previous American Idol experiences. The vocals, mainly R&B sounding, are perfect for this style of music and the song choices were brilliant. This CD is truly a delight and I hope he releases a sophomore album in the near future.
6/5 for Helton, if only the ratings would let me give higher.
Real Good.......2004-12-31
I bought this album for who knows what reason. I had not heard a single for the album and I never heard RJ Helton sing on American Idle. Something about it lept out to me when I saw the album in the store. Something powerful reeled me to it and as I picked it up I figured out what it was. The kid had emotion all over his face and it was just an album cover.
The album is like the picture. Except, you can say this is just a religious album but it is actually so much more. Sure, there are some songs for the Christian crowd, but you can see how the diversity of American Idle affected him with other songs like "Freedom" and "Crazy". Both of those songs are easy to sing along with and bouncy enough to want to dance to. Even with all the songs about God and love, his most powerful moment comes in a song about domestic violence and youthful despair. "Delicate Child" is an achingly beautiful song and as RJ sings his heart out on the track, I felt every once of what he was trying to convey. I sensed a little anger, a little sorrow, but also a decent amount of hope to ballance the song effectively.
'Real Life' is beautiful. RJ Helton has awesome pipes. This is a great debut and I look forward to him coming out with another release...
Music:
- Rickie Lee Jones
- Roll Up, Rock Back
- Simply the Best [Import]
- Sing Dylan
- Sleepwalking
- Solid As Rock/Live & Raw [Import]
- Somewhere Else, Pt. 2 [CD-single] [Import]
- Spirit Trail
- Su Nuevo Estilo
- Taxidermy [Import]
Music
music