Hold My Hand [CD-single]

hold my hand [cd-single]

Track Listings

1. Hold My Hand [Radio Edit]

2. Running From an Angel [LP Version]

3. I Go Blind [Non-LP Bonus Track]

Hold My Hand,Hootie & The Blowfish,Atlantic,Adult Alternative Pop/Rock,American Trad Rock,Jam Bands

Hold My Hand [CD-single]

Arthur Fiedler & The Boston Pops Play the Beatles

Average customer rating:

Could have been better
awesome music
AMAZING!
Arthur Fiedler and the Boston Pops do the Beatles
Some Moments - but doesn't live up to expectations

Arthur Fiedler & The Boston Pops Play the Beatles

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Fiedler Greatest Hits
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ASIN: B00004KH76
Release Date: 2000-03-07

Tracks:

Eleanor Rigby
And I Love Her
Ob-La-Di, Ob-la-da
Hey Jude
With A Little Help From My Friends
Yellow Submarine
I Want To Hold Your Hand
Penny Lane
A Hard Day's Night
The Fool On The Hill
Yesterday
Michelle
I Want To Hold Your Hand
And I Love Her
A Hard Day's Night
I Want To Hold Your Hand

Customer Reviews:

Could have been better.......2006-08-22

Not the best treatment of Beatles music from the classical point of view. London Symphony was much better.

awesome music.......2006-03-10

Hearing the Beatles music arranged in classical format shows what great musicians and composers Lennon and McCartney were.

AMAZING!.......2005-01-08

I cannot help but smile when I listen to the beautiful arrangements on this album. It blends the Beatles' genius for melody with the great percussive sound and incredible energy of Arthur Fiedler and the Boston Pops. I've heard other orchestral versions of Beatles songs, but none has compared to this one (if anyone has found a better CD, please post a note here). Any Beatles or Pops fan should definitely own this CD. I can't stop listening!

Arthur Fiedler and the Boston Pops do the Beatles.......2005-01-01

As conductor of the Boston Pops for almost half a century, Arthur Fiedler brought popular classical music and pop music with a classical twist to the people. Leonard Bernstein was providing an intellectual and more glamorous musical education for Americans, but Fielder was coming into our living rooms on a weekly basis with his Boston Pops concerts. Fielder and the Boston Pops produced a lot of records, mostly with RCA in the 1950s through the 1970s, most of which offered everything from classical overtures and ballet pieces to movies themes and the hits of the Beatles.

It was inevitable that with over a hundred albums the Boston Pops would do the Fab Four. They were the first orchestra to perform the songs of the Beatles in 1964 when Fiedler returned from a trip to Liverpool ("I Want to Hold Your Hand" was the first one they ever did). These are not just these songs played by a classical orchestra but rather arrangements done for this purpose. You will notice that one of the standard ways of arranging these songs is to use the chorus as the introduction for the song (e.g., "Eleanor Rigby," "Hey Jude"). If you can guess from the drumming at the beginning of "Ob-La-Di, Ob-La-Da" or "Yellow Submarine" what those songs are then you are way ahead of me, but that is the sense of fun that Fiedler brought to these songs by giving them the John Phillip Sousa treatment.

Sometimes it is such the simple elegance of doing the guitar parts with strings, as with "And I Love Her," or even the staccato strings of "Penny Lane," that makes the songs enjoyable. Then there are the mood chances invoked by turning "A Little Help From My Friends" into a work of minor chords. My assumption is that if you pick up this album you will know the songs, but not these arrangements, so you should just forget about looking at the play list and just listen to the music.

There are a quartet of bonus tracks on the album, featuring live versions of "I Want to Hold Your Hand," "And I Love Her," and "A Hard Day's Night." These are not different versions of these songs, which is too bad because I thought it would be interesting to see if the Pops arrangers could come up with different classical ways of doing the same songs. The final track is actually Fiedler talking about how the Pops came to play the Beatles music, as a "novelty." I have not listened to this sort of music for a while, but it makes for nice background music and there are more albums out there. Remember "Saturday Night Fiedler"?

Some Moments - but doesn't live up to expectations.......2004-09-30

During the 20th century, Arthur Fiedler was one of the most celebrated conductors of orchestral music. He is most famous for being the longtime conductor of the Boston Pops Orchestra. As someone who is a novice to classical music, I have found Arthur Fiedler's music very easy to get into. Namely, Fiedler made classical music easy - for the everyday fan to enjoy. One way Fiedler accomplished this is through doing popular tunes in the classical style. Fiedler's style often added a new gusto to classical music concerts by including not only popular music, but also Broadway tunes, jazz, folk, and advertising jingles - all done in the classical style (in the late 70s, he even did Saturday Night Fever tunes - 'Saturday Night Fiedler'). One might get very excited to hear that there is a collection in which Fiedler does Beatles tunes. I've always thought the Beatles' music would lend itself perfectly in the classical music arena - especially their later works. On this particular collection "Arthur Fiedler and the Boston Pops Orchestra play The Beatles", it does have it moments where things work very well. However, overall this collection did fall short on my high expectations that I had.

There are several things that disappoint me about this collection. For starters, there is only a total of two songs from the Beatles best three albums: "Sgt Pepper's Lonely Hearts Club Band" has one song ("With a Little Help From My Friends"), The "White Album" has one song ("Ob-La-Di Ob-La-Da"), while there is no songs from "Abbey Road". As mentioned above, I thought the Beatles' later material lent itself well to being played with an orchestra. These albums are really the cornerstone of this period, yet there is two songs between these three albums. I understand that Fiedler's "Play the Beatles" was put together in 1969, but I still expected much more of a presence from these albums. I think many of the tunes on these albums could have lent itself very easily to classical music. For example, songs such as "Sgt Pepper's Lonely Hearts Club Band", "Lucy in the Sky With Diamonds", "When I'm Sixty-Four", "Day in the Life", "Come Together", "Golden Slumbers", "Carry That Weight", "Birthday", and "Helter Skelter" would have sounded wonderful being played under the classics. I don't know if the Fiedler and the Boston Pops ever did these songs, but if they did - they should have been included. If they were done, it would be nice to hear them on an updated version of this collection. Some of these tunes are available on other classics collection, but Fiedler's Orchestra was the best at playing this music, so I would have liked to have heard it here.

The other thing that disappoints me are some of the selections themselves. Most of the tunes do keep to the sound you would expect from the Beatles, but some do not sound as good as I would expect. "With a Little Help From My Friends" just doesn't sound much like the original tune. The song that I consider the signature song by the Beatles - "Hey Jude" is an extreme disappointment - it just doesn't capture the magic of the original song. Songs like "Michelle" and "And I Love Her" do keep to the Beatles sound, but they somehow miss the mark. Perhaps these two songs aren't the best songs to be done with a Classical Orchestra.

However, this collection is not all bad. There are some positive points that do shine. There are several songs which surprise me on how well they sounded being played in the classical sense. "Eleanor Rigby" is one of those. You can feel a lot of power and emotion with that song. Another song that surprises me how well it sounds being played as a classical piece is "Penny Lane". Fiedler is also able to demonstrate a lot of power by playing by playing "Penny Lane' as a classical piece. In "Yellow Submarine", Fiedler puts a military and marching band spin on the song. It gives the song a whole new dimension. As for my favorite piece on the collection - it has to be "Fool on the Hill". Somehow I almost like "Fool on the Hill" played as a classical piece better than how the Beatles do it. Other songs that sound good are a couple of the Beatles' earlier tunes - "I Want to Hold Your Hand" and "A Hard Day's Night"

It is worth noting that there are some live versions of these songs included with Fiedler's studio recordings. In particular there are live versions of "And I Love Her" and "A Hard Day's Night". There are also multiple versions of the same song included. You will hear three different recordings of "I Want To Hold Your Hand" (one from 1964 and two from 1969 - you will hear a change in tempo). There are also two versions of "A Hard Day's Night" (the live 1965 version and a 1969 studio recording). Counting the live and studio versions - there are also two versions of "And I Love Her".

It is also worth noting that on the final song (the third version of "I Want To Hold Your Hand"), there is a spoken introduction by Arthur Fiedler which is about 1 minute long in which Fiedler explains why he started playing Beatles music. The liner notes contain a one panel writeup by Peter Dellheim that discuss a little more background about the success Fiedler has had playing the Beatles.

Overall, this isn't a bad collection. I had higher expectations knowing how good a conductor Arthur Fiedler is as well as knowing how good many of the Beatles' songs would have sounded. This might appeal to the Beatles fan wanting to hear songs Classical, and possibly even vice versa - but if you want to go deeper with the Beatles being played classical, you may have to go elsewhere.

How Sweet the Sound: Spirituals & Traditional Gospel Music

Average customer rating:

Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound
Crystalline
Best Chanticleer CD Yet
How Angry the Sound?
This CD is the bomb!

How Sweet the Sound: Spirituals & Traditional Gospel Music
Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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ASIN: B00029CZPW
Release Date: 2004-09-14

Tracks:

Jesus Hits Like An Atom Bomb
Surely God Is Able
Amazing Grace
Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
Didn't It Rain
Sit Down Servant - Plenty Good Room
Keep Your Hand On The Plow (Hold On)
My Soul Is A Witness
There Is A Balm In Gilead
Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
Be Still And Know That I'm God

Amazon.com

Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler

Customer Reviews:

Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound.......2006-02-10

On this standard red book 16-bit CD we are offered that rare and special invitation: Come now, pilgrim - take yet another good step forward in gospel praise or supplication. How can we progress in our individual and collective spiritual journeys towards whatever transcendent glories ground us, revive us, and lead us on despite life's challenges, unless we sing?. Are you having set backs? This CD is good medicine, and it is both a worthy addition to the gospel music shelf and perhaps just the sort of musical medicine that turns out to be good for you, on more than one level of body, mind, and soul. Not a bitter root aftertaste, nor a nagging fishy oil payback in any of this welcome elixir. I guess that is why we call it, Good News.

The arrangements of new and old gospel standards have been set by counter-tenor Joseph Jennings - a leading Chanticleer member of long standing - intently drawing upon both the florid improvisations of the soloists and gospel groups climbing ever so dazzlingly into the fiery chariots that sacred texts say carried off the prophet; and yes, rooted as well in the impeccably crafted close harmonies and inwardly solid strength of gospel quartets and ensembles like Fisk University's Jubilee Singers and many other exemplars.

So, when you listen to this one you will be immediately surrounded by that amazing and great, gathering could of witnesses. The messages are familiar: Keep your hands on the plow. Surely God is able. There is a balm in Gilead.

Like the famous vocal work by Ralph Vaughan Williams, his Serenade to Music as written for a star-crossed group of well-known British soloists of the era; so this gospel outing brings the small male ensemble Chanticleer to the fore - both as a vocal group and as a fabulous collection of solo voices who are prodigiously gifted vocal stars in their own rights. Capping off Chanticleer as an embarrassment of riches is a guest turn by San Francisco's own Bishop Yvette Flunder. She is the real deal, too, as both an ordained minister whose leadership in black churches has blazed fireworks in celebration of melding religion with social justice, and a Jen-U-Wine good news singer who can preach and pray and moan with the best of them.

Only the superhumanly perfected intonation of their cappella group singing, as well as the superb blend and polish of the Chanticleer dozen, will remind a listener than this group is as famous for its Flemish medieval polyphony or its unerring Purcellian clarity, as any other ensemble of twelve voices now appearing before us.

So, forget all the categories and musicology boxes which would seal off gospel music from pre-Bach cathedral masters of polyphony. With this CD we can just revel in the mysteries of good music, regardless. Yeah, Josquin, I'm talking bout you - Sit down servant, there's plenty good room.

Five stars. Highly recommended.

Crystalline.......2005-04-08

I'm not a huge fan of gospel, because I find it to be led by emotion, and musically undisciplined. Rousing, yes - but a little goes a long, long way. I've also found most gospel recordings to be sonically challenged. Almost as if microphones were incapable of capturing the music with clarity. None of this holds true for "How Sweet the Sound." This is a beautifully recorded cd, and every tune is both musically precise, and emotionally resonant. It is, however, a little hard to listen to in one sitting because of the "sameness" of the arrangements. That's a small quibble - who says any cd has to be experienced all at once - and "There is a Balm in Gilead," alone is worth the price of admission.

Best Chanticleer CD Yet.......2005-02-01

This is the Best Chanticleer CD yet. I have listened to it dozens of times. Money well spent. I have even given copies to several of my friends.

How Angry the Sound?.......2005-01-02

My daughter gave me this CD, because, while I'm not religious, I'm a long time fan of gospel music. The first pass through the record, I found myself wandering off to other tasks. So, the second time I put it on the player I forced myself to sit completely through the record. I'm not familiar with Chanticleer, so I had no idea whey she thought I'd like it, but she's is right more often than not. This would be one of the "not" times.

I guess this as an attempt to make gospel music "hip." With songs like "Jesus Hits Like An Atomic Bomb" and "What You Gon' Do When the World's On Fire?" the lyrics are like walking a American urban street being threatened by strangers. Far from being uplifting, the songs are decidedly unfriendly. The feel of the music reminded more of the howling noises I suffered as a forced member of my parent's Kansas Methodist Church than the sweet, honest sounds of real gospel music. That intangible thing I get from listening to gospel music that is heartfelt and painfully honest, even if deluded, was nowhere to be heard in "How Sweet the Sound." Instead, the music is chant-like, monotonous, and cold.

I would not recommend this record to anyone outside of the Midwest. If you miss the sterile sounds of a Midwestern protestant church in full howl, this might be your cup of weak wine. If gospel music is what you're looking for, look elsewhere.

This CD is the bomb!.......2004-11-28

From "Jesus Hits Like an Atom Bomb" to "Amazing Grace", this CD is packed with glorius gospel spirituals and terrific talent. Highly recommend to music lovers of all faiths!

Helmut Lotti Goes Classic: The Blue Album, Vol. 2

Average customer rating:

I love Lotti

Helmut Lotti Goes Classic: The Blue Album, Vol. 2

Manufacturer: Dptv Media
ProductGroup: Music
Binding: Audio CD

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From Russia With Love

ASIN: B000BJ7D0K
Release Date: 2005-11-08

Tracks:

Amapola
Dark Eyes ("Ochi Chornye")
Contes d'Hoffman/Barcarole (Arr. As Song: Hold Me Tight)
Sobre Las Olas (Over the Waves) (Arr. As Song: Du, Nur du Allein)
I Don't Know Why
Parlami d'Amore, Mari
Valencia
Tiritomba
Mamma
Ave Maria (After Bach)
Toreador Song [From Carmen]
Piano Etude No. 3 in E Major, Op. 10/3 (Arr. As Song: I Am Trying ...)
Peurs de Perles/Duet (Arr. As Song: Take My Hand)
Aida/Tiomfmars (Arr. As Song: You'll Win)
Liebestre, S. 541/3 (Arr. As Song: In All My Dreams)
Nabucco/Slaves' Chorus (Arr. As Song: In My Heart)
Havah Nagilah

Customer Reviews:

I love Lotti.......2007-02-20

This is another beautiful music pleasure from Mr. Lotti.
He is a gifted singer and he only gets better.

Average customer rating:

The best ever version
The Golden Cast of D'Oyly Carte!
The Definitive Recording

Gilbert & Sullivan: Patience
Philip Potter , Kenneth Sandford , Mary Sansom , Jennifer Toye , and D'Oyly Carte Opera Company
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Gilbert & Sullivan: The Gondoliers

ASIN: B0000041VE
Release Date: 1989-07-21

Tracks:

Overture
Act One: Twenty love-sick maidens we
Act One: Still brooding on their mad infatuation
Act One: I cannot tell what this love may be
Act One: Twenty love-sick maidens we
Act One: The soldiers of our Queen
Act One: If you want a receipt for that popular mystery
Act One: In a doleful train two & two we walk all day
Act One: Twenty love-sick maidens we
Act One: When I first put this uniform on
Act One: Am I alone & unobserved?
Act One: If you're anxious for to shine
Act One: Long years ago-fourteen, maybe
Act One: Prithee, pretty maiden-prithee
Act One: Though to marry you
Act One: Let the merry cymbals sound
Act One: Now tell us, we pray you
Act One: Heart broken at my Patience's barbarity
Act One: Stay, we implore you, before our hopes are blighted
Act One: Your maidens hearts, ah, do steel

Tracks:

Act One: Come, walk up, and purchase with avidity
Act One: We've been thrown over, we're aware
Act One: And are you going a ticket to buy?
Act One: Hold! Stay your hand!
Act One: True love must single-hearted be
Act One: I hear the soft note of the echoing voice
Act One: But who is this, whose god-like grace
Act One: List Reginald, whilst I confess a love
Act Two: On such eyes as maidens cherish
Act Two: Sad is a woman's lot who, year by year
Act Two: Silvered is the raven hair
Act Two: Turn, oh turn in this direction
Act Two: A magnet hung in a hardware shop
Act Two: Love is a plaintive song
Act Two: So go to him & say to him
Act Two: It's clear that the mediaeval art
Act Two: If Saphir I choose to marry
Act Two: When I go out of the door
Act Two: I'm a Waterloo House young man
Act Two: After much debate internal, I on Lady Jane decide

Customer Reviews:

The best ever version.......2002-06-07

The wonderful cast transports you to the realms of Gilbert and Sullivan, to make you feel that you are experiencing a first night in 1881! John Reed, as Bunthorne, an aesthetic poet is superb, camp, subversive and a complete fraud. If anyone is not aware, the story of the opera is based upon the idiosyncracies of the Aesthetic movement in England of the 1880's and Gilbert used the public parodies of his friend Oscar Wilde as his major source. The rest of the cast, chorus and orchestra , under the long experienced 'Goddie' are superlative and make for one of the finest line-ups in D'Oyly Carte history. Revel and enjoy, for this is quite the best.

The Golden Cast of D'Oyly Carte!.......1999-04-13

My wish had always been to see John Reed and the D'Oyly Carte Company in a performance of Patience. My mother had done so, remarking that, 'You'd need patience to watch it', she was coloured in her opinion, since she wanted to see 'The Mikado', but had gotten the wrong tickets! The recording, made in 1961, is superb in every detail. You are with the cast, on stage, in the auditorium, it is such a 'live' performance. The dialogue is delivered exquisitely, whilst the singing is uniformerly of the highest standard. I recently portrayed 'Bunthorne' and throughout my performances, I felt that I was continuing the legacy of Gilbert and Sullivan. All the past history of performers were there. I feel that Patience is a magical Savoy Opera. Do not miss the opportunity to own such a definitive performance. Maybe the subject of the 'Art Nouveau' periodof Victorian England is dated, but as one critic has already stated, every generation 'throws up' its poseures, to be knocked. 'Ah, me! lack aday!' BUY IT!

The Definitive Recording.......1998-12-09

For those who prefer the traditional Savoyard renderings of the G&S canon, this is far and away the best recording of this parody of the cult of celebrity. John Reed leads the cast as a delightful Bunthorne, and the recording contains all of the opera's dialogue. "HMS Pinafore," "The Mikado," and "The Pirates of Penzance" may be better known, but "Patience" is deserving of a wider audience.

Average customer rating:

"classical music's greatest Ambassador...Arthur Fiedler!"

Arthur Fiedler Valentine

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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The Very Best Of The Boston Pops
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Unforgettable
Broadway's Greatest Hits

ASIN: B000056BUN
Release Date: 2001-01-09

Tracks:

Moonlight Serenade
Smoke Gets In Your Eyes
Love Is A Many Splendored Thing
Michelle
Embraceable You
Love Is Blue
Love Me Tender
Days Of Wine And Roses
A Man And A Woman
Laura
In The Mood
Star Dust
And I Love Her
Love Is Here To Stay
The First Time Ever I Saw Your Face
You Are The Sunshine Of My Life
Moon River
I Want To Hold Your Hand

Customer Reviews:

"classical music's greatest Ambassador...Arthur Fiedler!".......2001-07-14

When you think of classical music, Boston Pops and all-around-good listening...only one name rose above the rest ~ Arthur Fiedler! Not only did he have the best arrangements...but kept up with the times...everything from The Beatles, Gershwin, Henry Mancini, Carmichael, Stevie Wonder, Kern and Raksin...the list could go on...Fiedler brought classical into another dimension, before only the adults were the fans...with his imagination and personality...looked into the hearts of young Americans...and yes, you guessed it...won them over!

This CD is living proof...take a group of popular standards...Richard Hayman (arranger) and the rest will fall into place...Fiedler and the Pops give each tune life, exciting and beautiful melodies prevail...never before had such popularity with concerts and appearances, combining classical with tunes of today existed...but with the waving of his wan a new standard was born.

This recording is 1956 to 1974 performances...the entire 18 track selections are outstanding...leaving a rich legacy for all to enjoy now and years to come...this album is a rarity with you the music-lover in mind.

Tracks:

All You Need Is Love
Hey Jude
Here Comes The Sun
Let It Be
Ob-La-Di, Ob-La-Da
Michelle
And I Love Her
The Long And Winding Road
Can't Buy Me Love
Strawberry Fields Forever
I Want To Hold Your Hand
Penny Lane

Tracks:

Norwegian Wood
I Feel Fine
Something
Lady Madonna
Don't Let Me Down
Lucy In The Sky With Diamonds
Yes, It Is
She Loves You
Hello, Good-Bye
While My Guitar Gently Weeps
Across The Universe
I Should Have Known Better

Customer Reviews:

horrible.......1999-05-23

The beatles are bad enough on their own, they dont need an orchestra to make them worse.

The best ever symphonic collection of the Fab Four ever!.......1999-03-21

The fact you are reading this probably means you are a fan of the Beatles. If you sometimes wish for a collection of orchestral Beatles songs but are unsure of some of the cheap numbers you have heard, well! This set is amazing, the music is rich and full of feeling, a best buy without a doubt. If it were possible I would give it six stars!

Average customer rating:

Marching With the Beatles

Manufacturer: Bandleader
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

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ASIN: B00000JIQ6
Release Date: 1998-01-01

Tracks:

All My Loving
Yesterday
I'll Keep You Satisfied
From Me To You
A Hard Day's Night
She Loves You
Can't Buy Me Love
Things We Said Today
Michelle
It's For You
I Want To Hold Your Hand
Help
Echoes Of An Era: With A Little Help From My Friends/Lucy In The Sky With Diamonds...
Music Of The Beatles: All My Loving/A Hard Day's Night/Ticket To Ride/Yesterday/Norwegian Wood...

Average customer rating:

Gah!
no pop culture in here
BIG,BAD,BABBLIN'BOB SPEAKS

Pop Go the Beatles

Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000034RK
Release Date: 1994-04-05

Tracks:

A Beatles Overture: Nowhere Man/Hey Jude/
Can't Buy Me Love
Maxwell's Silver Hammer
Something
Got To Get You Into My Life
Imagine
OB-LA-DI, OB-LA-DA
Live and Let Die
Norwegian Wood
Get Back
I Want To Hold Your Hand
The Sgt. Pepper's Suite

Customer Reviews:

Gah!.......2006-10-16

Instead of enhancing Beatles classics by incorporating a classical orchestra, all this record does is takes Beatles classics and make them sound like dull, pompous and completely unimaginative.

no pop culture in here.......2000-02-08

A good album, but not the true thing. If you like classical music, and are a Beatles fan.. you might enjoy this "classical" rendition.

BIG,BAD,BABBLIN'BOB SPEAKS.......2000-01-21

I'd like to POP the producer of this CD right in the chops. What drivel. Too much pompus self indulgence. Roll over Beetoven, but don't tell John Lennon the news.

Average customer rating:

Superb Operetta Collection

Treasures of Operetta

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00022M49G
Release Date: 2004-06-29

Tracks:

Do Re Mi Fa Sol La Si (The Scale Song)
O Queen Of My Delight
Let Me Dance And Let Me Sing
My Hero
My Heart And I
Trot Here And There
Tramp! Tramp! Tramp!
Love Unspoken
Don't Be Cross
Charming Weather
I'm Off To Chez Maxim
On My LipsEvery Kiss Is Like Wine
The Colonel Of The Crimson Hussars
At The Balalaika
A Bad Boy And A Good Girl
The Doleful Prima Donna
O Let Me Hold Your Tiny Little Hand
The Yeomen Of England
Military Life!

Tracks:

Vilia
My Song Of Love
Girls Were Made To Love And Kiss
Lightly, Lightly
The Nun's Chorus And Laura's Song
Thin, Thin Is My Dear Gwendolin'
Philomel
Waltz Of My Dreams
You Are The World To Me
Dance While You May
A Paradise For Two
Romany Life
It's Not A Sin To Kiss
Tell Me, Pretty Maiden
Why Did You Kiss My Heart Awake
Star Of My Soul
It Is Love

Customer Reviews:

Superb Operetta Collection.......2006-09-12

Surely this must be the finest collection of songs in Enlgish from operettas and early 20th century musicals available anywhere. Marilyn Hill Smith is in fine voice and is admirably partnered by baritone Peter Morrison. This two CD collection is truly a 'treasure.' It belongs in the collection of any English speaking lover of operetta.

Average customer rating:

PURE GOLD! GLORIOUS SINGING, GLORIOUS MUSIC!

Treasures of Operetta

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00000JWJ5
Release Date: 1999-08-17

Tracks:

Der Schatzmeister: The Scale Song
Casanova: 'O Queen Of My Delight'
Die Csardasfurstin: 'Let Me Dance And Let Me Sing'
The Chocolate Soldier: 'My Hero'
Old Chelsea: 'My Heart And I'
Veronique: 'Trot Here And There'
Naughty Marietta: 'Tramp! Tramp! Tramp!'
The Merry Widow: 'Love Unspoken'
Der Obersteiger: 'Don't Be Cross'
The Arcadians: 'Charming Weather'
The Merry Widow: 'I'm Off To Chez Maxim'
Giudetta: 'On My Lips Every Kiss Is Like Wine'
Sybil: 'The Colonel Of The Crimson Hussars'
Balalaika: 'At The Balalaika'
The Quaker Girl: 'A Bad Boy And A Good Girl'
Der arme Jonathan: 'The Doleful Prima Donna'
Der Schatzmeister: 'O Let Me Hold Your Tiny Little Hand'
Merrie England: 'The Yeomen Of England'
Der Fremdenfuhrer: 'Military Life!'

Tracks:

The Merry Widow: 'Vilia'
White Horse Inn: 'My Song Of Love'
Paganini: 'Girls Were Made To Love And Kiss'
Monsieur Beaucaire: 'Lightly, Lightly'
Casanova: The Nun's Chorus And Laura's Song
Die drei Wunsche: 'Thin, Thin Is My Dear Gwendolin'
Monsieur Beaucaire: 'Philomel'
A Waltz Dream: 'Waltz Of My Dreams'
Der singende Traum: 'You Are The World To Me'
The Land Of Smiles: 'Dance While You May'
The Maid Of The Mountains: 'A Paradise For Two'
The FortuneTeller: 'Romany Life'
Bruder Straubinger: 'It's Not A Sin To Kiss'
Floradora: 'Tell Me, Pretty Maiden'
Friederike: 'Why Did You Kiss My Heart Awake'
The Geisha: 'Star Of My Soul'
Les saltimbanques: 'It Is Love'

Customer Reviews:

PURE GOLD! GLORIOUS SINGING, GLORIOUS MUSIC!.......2001-06-13

I first fell in love with this collection when I checked it out at the library as "Treasures of the Operetta". Two more CDs followed--"Treasures of the Operetta II and III." I was not prepared for the impact these exquisitely crafted recordings would have on me.

I have long had a love of operetta but found that there were not a large number of recordings to be found in that genre. So much the happier was I for discovering this diverse collection of operetta standards. True serendipity!

Marilyn Hill Smith and Peter Morrison deliver thrilling renditions of the operetta masters. We hear selections from Johann Strauss, Lehar, Kalman, Herbert, Oscar Straus, Millocker, Messager, Stolz and Tauber, to name a few. There are the often sung showpieces and lesser known songs which are blended well and add diversity. One glorious song sets the stage for the next.

With Miss Smith's crystal, velvety soprano and Mr. Morrison's rich, romantic baritone, the production leaves nothing left to be desired--except for more of the same musical charm.

The current offering is a serendipity in itself. It has the three original CDs delivered in one package as a two CD set. I have a modest collection of operetta recordings but I would be hard pressed to name one more satisfying than this generous 36 track package.

Music:

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