Tell God I'm Here [Import]

tell god i'm here [import]

Track Listings
1. I Would If I Could
2. Better Time
3. Sweet Sanity
4. Who Wants To Live By Love Alone
5. A Walk In The Park
6. How Many Rivers
7. If Love Could Kill
8. Miss This Kiss
9. How High The Moon
10. Mr Sorrowful
11. Gloria
12. Heart And Hands
13. Tell Me About Your Problems
14. Girls Of My Dreamshow Many Rivers (12 Inch
15. Three Wishes
16. If It Rains

Editorial Reviews
Product Description
Reissue of 1987 from UK indie rock act. Japanese version includes 7 bonus tracks 'Gloria', 'Heart And Hands', 'Tell Me About Your Problems', 'Girl Of My Dreams', 'How Many Rivers'(12 inch Version), 'Three Wishes', 'If It Rains'. 2000 release. Standard jew

Tell God I'm Here,Hurrah,Bmg,Pop,Rock/Pop

Tell God I'm Here [Import]
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Spirituals in Concert
Average customer rating: 4.5 out of 5 stars
  • "Lord, How Come Me Here"
  • WOW!
  • uhm......yeah right!!
  • scadalise my name
  • Broadway takes on the spiritual ...
 Spirituals in Concert

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Amazing Grace: Jessye Norman
  2. Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
  3. The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
  4. Kathleen Battle & Christopher Parkening ~ Pleasures of Their Company
  5. So Many Stars

ASIN: B000001GDC
Release Date: 1991-03-08

Tracks:

  1. In That Great Getting Up Morning
  2. Sinner, Please Don't Let This Harvest Pass
  3. Over My Head/ Lil' David
  4. Oh, What A Beautiful City
  5. Lord, How Come Me Here
  6. I Believe I'll Go Back Home-Lordy, Won't You Help Me
  7. Ride On, King Jesus
  8. Swing Low, Sweet Chariot-Ride Up In The Chariot
  9. You Can Tell The World
  10. Scandalize My Name
  11. Great Day
  12. Oh, Glory
  13. Calvary-They Crucified My Lord
  14. Talk About A Child
  15. Gospel Train
  16. My God Is So High
  17. There Is A Balm In Gilead
  18. He's Got The Whole World In His Hand

Customer Reviews:

5 out of 5 stars "Lord, How Come Me Here".......2007-06-18

I must add, to the praises above, that Kathleen Battle's "Lord, How Come Me Here" is the best "quick" explanation of the long-lasting effects of slavery that I can think of. The line, "They sold my children away," says it all.

And the VERY funny "Scandelize My Name" is also worth the price of the total album!

Alinde O'Malley

5 out of 5 stars WOW!.......2007-03-22

You know, after owning both the CD and VHS of this performance, and having been coached by Sylvia Olden Lee herself, it is no wonder why spiritual mean so much to me. And these two ladies bare their souls and bring these masterpieces to life! WOW!!!

5 out of 5 stars uhm......yeah right!!.......2006-06-21

Clearly you are mistaken. I don't know who that guy is-the person below recommended-but there is NO COMPARISON to JESSYE NORMAN AND KATHLEEN BATTLE!!!! Jessye Norman herself has *30* HONARY DOCTRATES from places like Harvard, Juliard, Yale, Cambridge....I mean HELLO!!!! That guy had no where near the ease, the musicality or even the breath support as these two veterans show!! It is a beautiful CD though it came out in 1991 and I HIGHLY recommend it.

1 out of 5 stars scadalise my name.......2004-10-29

this isn't that good specially after hearing William Warfeild sing it. You can find him at www.wlym.com

2 out of 5 stars Broadway takes on the spiritual ..........2004-01-29

... takes it on and puts it on the canvas by the end of the first round.

I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.

There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.

The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.

And you know what? It all kills the spirituals stone dead. The spiritual is one of those musical forms where less is more and very little is best of all. That's how they started, after all. That's how and why they worked for their original audiences, and that's why they were powerful enough to make the transition from folk song to art song. If you want to hear Battle sing spirituals that are irresistible, listen to the set on her Salzburg recital CD, also with Levine (ASIN B00000E31B). There, the music speaks for itself and speaks with a strength and a beauty that the tracks on this disk never approach.
Handel: The Masterworks (Box Set)
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    		Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
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    Similar Items:
    1. Haydn: The Masterworks [Box Set]
    2. Vivaldi: The Masterworks (Box Set)
    3. Mendelssohn: The Masterworks [Box Set]
    4. Schubert: The Masterworks [Box Set]
    5. Dvorák: The Masterworks [Box Set]

    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Shakespeare's Songbook, Vols. 1 & 2
    Average customer rating: Not rated
      		Shakespeare's Songbook, Vols. 1 & 2

      Manufacturer: Azica
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Opera & Vocal | Styles | Music
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      Similar Items:
      1. Shakespeare's Songbook
      2. Songs and Dances from Shakespeare
      3. Shakespeare Songs
      4. Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
      5. William Shakespeare's Hamlet (Two-Disc Special Edition)

      ASIN: B0002IQL08
      Release Date: 2004-07-06

      Tracks:

      1. Ah Robin (Round)
      2. And Let Me The Cannikin Clink
      3. And Will He Not Come Again
      4. Be Merry, Be Merry
      5. Black Spirits
      6. Blow, Blow Thou Winter Wind
      7. Bonny Sweet Robin
      8. But Shall I Go Mourn
      9. Can'st Thou Not Hit It
      10. Come Away
      11. Come Away, Hecate
      12. Come Live With Me
      13. Come O'er The Burn
      14. Come Thou Monarch (Version 2)(Round)
      15. Come Unto These Yellow Sands
      16. A Cup Of Wine
      17. Farewell, Dear Heart
      18. Fathers That Wear Rags
      19. Fear No More
      20. Fie On Sinful Fantasy
      21. Fill The Cup (Round)
      22. Flout 'Em And Cout 'Em (Round)
      23. Fools Had Ne'er Less Grace
      24. For I'll Cut My Green Coat
      25. The Friar And The Nun
      26. Full Fathom Five
      27. The George Alow (Version 1)
      28. Get You Hence
      29. The God Of Love
      30. Hark, Hark The Lark
      31. Have I Caught My Heavenly Jewel
      32. Heart's Ease
      33. Hold Thy Peace (Version 2)(Round)
      34. Honor, Riches
      35. I Am Gone Sir
      36. I Loathe The I Did Love
      37. It Was A Lover And His Lass
      38. Jepha
      39. Jog On
      40. Jolly Shepherd (Round)
      41. King Stephen Was A Worthy Peer
      42. Lawn As White
      43. Love, Love, Nothing But Love (Version 2)
      44. The Master, The Swabber (Version 2)
      45. No More Dams
      46. An Old Hare Hoar (Version 1)
      47. O Mistress Mine (Version 1)
      48. Orpheus With His Lute
      49. O Sweet Oliver
      50. Pardon Goddess Of The Night
      51. Roses Their Sharp Spines
      52. Sigh No More, Ladies
      53. Some Men For Sudden Joy (Version 1)
      54. Take, O Take Those Lips
      55. Tell Me, Where Is Fancy Bred
      56. That Sir Which Serves
      57. There Dwelt A Man In Babylon (Version 1)
      58. There Was Three Fools
      59. Three Merry Men (Round)
      60. Tomorrow Is St. Valentine's Day
      61. Under The Greenwood Tree
      62. Up And Down (Round)
      63. Urns And Odours Bring Away
      64. Walsingham
      65. Was This Fair Face
      66. Wedding Is Great Juno's Crown
      67. What Shall He Have (Round)
      68. When Arthur First In Court
      69. When Daffodils Begin To Peer
      70. When Daisies Pied
      71. When Griping Grief
      72. When Icicles Hang By The Wall
      73. When That I Was And A Little Tyne Boy
      74. Where The Bee Sucks
      75. While You Here Do Snoring Lie
      76. Who Is Silvia
      77. Why Let The Strucken Deer
      78. Willow, Willow (Version 1)
      79. Will You Buy Any Tape
      80. The Woosel Cock
      81. You Spotted Snakes

      Tracks:

      1. Awake, Awake
      2. Battle Of Agincourt
      3. Bride's Goodmorrow
      4. Broom
      5. Callino
      6. Carmen's Whitle
      7. Chi Passa
      8. Come Kiss Me, Kate (Round)
      9. Come Thou Monarch (Version 1)
      10. Cup Of Wine (Version 1)
      11. Damon
      12. Daphne
      13. Diana (2 Versions)
      14. Dulcina
      15. Eglamore
      16. Eighty-Eight
      17. Fortune My Foe
      18. George Alow (Version 2)
      19. Glass Doth Run
      20. Goddesses
      21. Go From My Window
      22. Greensleeves (2 Versions)
      23. Guy Of Warwick
      24. Hem Boys (2 Versions)
      25. Hey Ho for A Husband (2 Versions)
      26. Hobbyhorse
      27. Hold Thy Peace (Versions 1 & 3)
      28. Hunt's Up
      29. I Cannot Come Every Day (2 Versions)
      30. In Crete
      31. In Peascod Time
      32. Jack Boy (Round)
      33. King Cophetua
      34. King Lear
      35. King Solomon
      36. Light O Love
      37. Loath To Depart (2 Versions)
      38. Love, Love (Version 1)
      39. Master, Swabber (Version 1)
      40. Mounsier Mingo
      41. Mounsieur's Almaine
      42. My Mind To Me
      43. Nutmegs (Of All The Birds)
      44. Nutmegs (Wooing Of The Baker's Daughter)
      45. O Death (2 Versions)
      46. Old Hare Hoar (Version 2)
      47. O Mistress Mine (Version 2)
      48. O' The Twelfth Day Of December
      49. Oyster Pie
      50. Peg A Ramsey (2 Versions)
      51. Phillida (3 Versions)
      52. Please One
      53. Pyramus
      54. Queen Dido (2 Versions)
      55. Ratcatcher
      56. Rich Jew
      57. Robin Goodfellow
      58. Robin Hood
      59. Rogero
      60. Rowland
      61. Sellenger's Round
      62. Shore's Wife (2 Versions)
      63. Sick, Sick (3 Vesions)
      64. Some Men For Sudden Joy (Round)
      65. There Dwelt A Man (Version 2)
      66. Titus Andronicus
      67. Tom A Bedlam (2 Versions)
      68. Troilus
      69. Troy Town
      70. Wellady
      71. Whenas We Sat In Babylon
      72. Where Is The Life
      73. Whoop
      74. Why Let The Strucken (If Care Do Cause)
      75. Willow, Willow (Version 2)
      76. Will Ye Buy A Fine Dog
      77. With A Fading
      Sacred Music Complete
      Average customer rating: 5 out of 5 stars
      • great, great!!!
      • ALL THE MUSIC YOU EVER NEED!!
      		 Sacred Music Complete
      Purcell , King , and Kings Consort
      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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      Similar Items:
      1. The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
      2. Complete Secular Songs (3cd)

      ASIN: B00006RHQJ
      Release Date: 2002-12-10

      Customer Reviews:

      5 out of 5 stars great, great!!!.......2006-12-05

      This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

      5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

      This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
      Wagner: The Rhinegold
      Average customer rating: 4.5 out of 5 stars
      • A Rose By Any Other Name...
      • "Thus I salute the stronghold, safe from dread and dismay!
      • Free at last!
      • I Love This Recording
      • The Goodall Ring - 1975 - Restored and Remastered
      		 Wagner: The Rhinegold
      English National Opera
      Manufacturer: Chandos
      ProductGroup: Music
      Binding: Audio CD

      All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
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      1. Siegfried (Goodall Ring Cycle/Chandos Opera in English)
      2. Wagner: The Valkyrie
      3. The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

      ASIN: B00005B550
      Release Date: 2001-05-22

      Customer Reviews:

      5 out of 5 stars A Rose By Any Other Name..........2007-07-02

      The figure of speach may not be completely correct in this instance, but, well, I hope you get the point. In any case, for a Dutch speaking person, like I, to hear 'The Ring' in a language other than the original German feels - almost shockingly(?) - natural. Certainly, this modern English translation, to me, is as least immediate, and probably even more immediate, than the original (archaic) German text. And in music drama, immediacy is essential. Maybe it is also the wonderfully natural translation, I don't know, but it works for me, the Ring in English.
      But most of the credit has to go to the music, the singers, and the recording as such. I believe that this (originally analogue) remastered recording has one of the best recorded sounds and acoustics of any Ring, studio or 'live'. It is wonderfully clear but warm, kind of velvety (very unlike Solti), with beautifully natural balaces between voices and orchestra. Audience noises can be heard (including a delightful little ripple of laughter) but never really obtrusively so, thankfully. And I love the thunderclap-sound effect when Donner strikes his hammer against the rocks - very tastefully done, and lending extra power to the scene.
      All the time one reads in reviews everywhere of the very slow speads at which the music is conducted by Sir Reginald Goodall. Well, that may be so, but I, for one, am certainly endeared to Sir Reginald Goodalls 'caressing' of the music, as a result of which wich the Leitmotifs come out more clearly than ever. The slow - but nonetheless very concentrated, and always involved - playing has, to me, an almost mesmerizing effect. Certainly, compared to many other recordings, the music may sound stretched almost beyond breaking point. But in the end, I think it is really just that: a matter of speed, no more. The concentration never falters and the dramatic arc never saggs. There is live 'music magic' going on here, I feel, even if the English National Opera Orchestra may not be (as precise or as diciplined as) a Wiener Philharmoniker or a Bayreuther Festspielorchester. Certainly, Sir Reginald Goodall must have loved this music and these opera's: one feels a slowly beating but constant loving pulse that energizes the drama and the music.
      But we also have the singers. And what a great singers! While the best may be yet to come (with Alberto Remedios as Siegmund and Siegfried, and Rita Hunter as Brunnhilde), we here, in The Rhinegold, already have one of the most commanding of Wotans (Norman Bailey, with wonderful burnished timbre). Also, Emile Belcourt stands out as a wonderfully sleek but full-voiced Loge. Derek Hammond-Stroud's Alberich may not be as black as Gunther von Kannen's (for Barenboim), for example, but there is enough anguish, frustration and anger to lend his character a convincing reality and depth. And the giants too, are a winning pair. Especially Fafner (Clifford Grant) is as imposing and powerful as one may ever wish.
      With all the rave reviews, here and elsewhere I can't wait to hear The Valkyrie, (especially) Siegfried and Twilight of the Gods. This certainly is a winning 'Ring', to be kept alongside any other 'great' recorded 'Ring' out there, IMHO. To me, it can hold its own alongside any other favorite recordings.
      Please, sample this Ring (try for example the Chandos website for fragments of all of the music) and decide for yourself. Highly recommended.

      4 out of 5 stars "Thus I salute the stronghold, safe from dread and dismay!.......2007-06-12

      Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

      TIMING (Estimate):
      Solti's Ring: 14 hours, 30 minutes
      Bohm's Ring: 13 hours, 30 minutes
      Karajan's Ring: 14 hours, 50 minutes
      Goodall's Ring: 16 hours, 50 minutes
      Janowski's Ring: 14 hours, 0 minutes
      Levine's Ring: 15 hours, 20 minutes
      Sawallisch's Ring: 14 hours, 0 minutes

      CONDUCTING:
      Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

      Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

      Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

      Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

      Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

      Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

      Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

      ORCHESTRA:
      Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

      Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

      Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

      Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

      Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

      Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

      Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

      SINGERS:
      -Wotan
      Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

      Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

      Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

      Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

      Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

      Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

      -Brunnhilde
      Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

      Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

      Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

      Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

      Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

      -Siegmund & Sieglinde
      Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

      -Siegfried
      Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

      Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

      Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

      Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

      Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

      -Alberich
      Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

      Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

      Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

      Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

      Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

      -Mime
      Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

      Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

      Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

      Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

      Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

      Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

      -Loge
      Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

      Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

      Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

      Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

      Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

      Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

      Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

      -Everyone Else
      Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

      CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.


      Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

      Karl Bohm: Wagner: Der Ring des Nibelungen

      Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

      Goodall: Wagner: The Ring Cycle (Box Set)
      -The Valkyrie (Part 2): Wagner: The Valkyrie
      -Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
      -Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

      Marek Janowski: Wagner: Der Ring des Nibelungen

      James Levine: Der Ring Des Nibelungen

      -Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

      5 out of 5 stars Free at last!.......2004-09-18

      I've enjoyed listening to the Ring cycles by Solti, Bohm, and Furtwangler, but my pleasure has always been dampened by the necessity to follow the dramas with a German/English libretto. This performance freed me from that burden and allowed me to listen to the Ring with my ears alone for the first time. And what a delightful experience it was! I found I could understand about half the words the first time through. but that was enough for me to understand what the characters were saying and concentrate on Wagner's great music. Some of the characters (Loge and Alberich, for example) are almost perfectly comprehensible, while others (Fricka in particular) might as well be singing in German. The sound itself is superb, with perfect balances between orchestra and voices. Goodall's conducting is famously slow (about half an hour longer than usual), but he is never slack and he reveals a wealth of detail in the orchestration. The singers are a mixed lot, with Loge, Alberich, and Mime particularly effective. Bailey is hardly the grandest of Wotans, but he is solid and convincing. In any event, for us non-German listeners, this recording is a real treat. I would not recommend it as a first Ring (Bohm is a good choice, though some of his tempi are rather hectic), but as a supplement to a recoding in the original language, it is hard to beat. Give it a try! As for me, I'm ready to go on to "Die Walkure" (pardon me, "The Valkyrie").

      5 out of 5 stars I Love This Recording.......2002-04-05

      I was a little suspicious when approaching this English-language version of Das Rhinegold. I was considering assembling this as my third RING set (behind Solti and Levine) and had listened to THE VALKYRIE (Die Walkure) with a little initial disappointment. Although the live sound quality was very interesting, the tempo was much slower than I was used to and thus a little disconcerting, and the English words were harder to understand than I had hoped. Nevertheless, I persevered and listended to THE RHINEGOLD (probably my favorite of the four RING operas, although I know this puts me in a minority) and was amazed. Best of all, after listening to this album I revisited the Goodall VALKYRIE and discovered a new appreciation! Now the Goodall set ranks as one of the best I've heard. It just needed to get under my skin a bit.

      What's so good about it? Three things stand out for me: First, the slow tempi that were a litle rough at first actually allow, upon repeated listenings, a new discovery and understanding of Wagner's unfathomable genius. Every nuance is slowed down just enough to be fully accessible. Second, the modern English translation really does make this a different experience...my initial mistake was thinking that English lyrics could allow me to listen to this as background music, and that's not the case. However, if one devotes the same attention to this as a German recording, the time wil be richly rewarded. Finally, the smaller orchestra creates an almost chamber music-esque setting, which compliments the music in an undefinable way. Despite being in English, this is almost more Germanic than original-language recordings.

      I still probably wouldn't get this as the first foray into Wagner's RING (I still think Solti or Levine are the choices for that). But for someone who already has some familiarity with the work, this will provide a lifetime's enjoyment. Cudos to Chandos for resurrecting these recordings!

      4 out of 5 stars The Goodall Ring - 1975 - Restored and Remastered.......2001-06-08

      I have been curious about this for years. When I saw the packaging, I wondered whether this was the same Ring that has been kicking around for a couple of decades from the Sadler's Wells performances of the mid-70s. News flash: It's the same. However, the box says that it's been re-mastered with something called 24-bit digital mastering. Since I never heard the old records, I have no idea if this is better. Judged on its own, the sound is terrific. This live recording really places the listener in the theater with clarity and authentic spaciousness. So often, a live recording will capture the audience up close, then the orchestra, then the singers, cataloguing every throat being cleared and every bow being tapped. Somewhere in the distance, the singers voices follow their heavy tread over the stage. Not here. There is an intimacy to the sound here that approximates sitting in about the tenth row back in a large hall. It doesn't sound like the opera's being played in your room; it sounds as though your room has been transformed into a medium sized theater. I found it uncanny.

      As to the experience of the drama in English, that too is remarkable, at least for someone like me whose home-tongue is English. The drama takes on an immediacy that I have never experienced before. This factor alone is why you should explore this Ring. I can't overemphasize the impact on me that this recording had on me because it was in English and because it was well-acted. Surely this is what Wagner meant, at least dramaturgically (obviously allowing that you can't actually see the action).

      Overall, the singing is competent, and in some places, it's excellent. None of the cast really stands out musically. Norman Bailey's wobbly Wotan could have certainly benefitted from a deeper, richer tone. Still, and perhaps more importantly, he creates a god who is clearly unsure of where the moral highground is, even when he's standing on "an open space on a mountain summit." Everyone, for that matter, is dramatically convincing, especially Emile Belcourt (Loge) and Derek Hammond-Stroud (Alberich) and Robert Lloyd (Fasolt), all of whom, by the way, have excellent diction. And speaking of diction, I almost could have done without the libretto when the men were singing. Not so with the women, whose diction was uniformly wanting.

      Goodall's pace is notoriously glacial. Still, it's interesting to hear it parsed in this way, and I never had the feeling that I was going to fall off the world. Which is to say that the tempos were deliberate, not affected. This was definitely a labor of love for RG and the English National Opera. The orchestra is a little thin sounding, and perhaps, not entirely up to the score. Occasionally a horn mis-blew and a cello creaked. This is unavoidable in live performances, I suppose. Still, there is a surprising sense of smallness to the ensemble, even though there's never a moment when the balance between singers and players is lost. As a result, the overall effect is a balance of clarity and urgency that is clearly the upside of Goodall's idiosyncratic "vision" of the score. Not a huge or "erotic" sound, but always committed, intelligent, and sometimes impassioned.

      For all of its flaws, this is an astonishing and, for me, an indispensible recording because it made me listen to this opera with new ears. While it's not the most lyrically pleasing recording (Karajan) or musically authoritative (that would be Solti, IMHO), dramatically, this Rhinegold excells any recording I know of. I will definitely buy the rest of the set.
      Songs of America from Another American
      Average customer rating: Not rated
        		Songs of America from Another American

        Manufacturer: Guild
        ProductGroup: Music
        Binding: Audio CD

        All Works by EllingtonAll Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
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        ASIN: B00008NGGU
        Release Date: 2005-01-17

        Tracks:

        1. Go Tell It on the Mountain
        2. This Little Light O'Mine
        3. Kum Ba Yah
        4. America the Beautiful
        5. Let Us Break Breat Together
        6. We Shall Overcome
        7. God Bless America
        8. Amen!
        9. Battle Hymn of the Republic
        10. God of Our Fathers
        11. Without a Song
        12. Lift Every Voice, And Sing
        13. Unforgettable
        14. He's Got the Whole World
        15. Come Sunday
        16. Smile (Theme from Modern Times)
        17. Nightingale Sang in Berkeley Square
        18. Love Is Here to Stay
        19. Where or When
        20. September Song
        21. Lord's Prayer
        Ride on, King Jesus!
        Average customer rating: 5 out of 5 stars
        • The Best Gospel Album by a Classical Singer!
        		 Ride on, King Jesus!

        Manufacturer: Angel Records
        ProductGroup: Music
        Binding: Audio CD

        All Works by StillAll Works by Still | Still, William Grant | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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        Traditional FolkTraditional Folk | Folk | Styles | Music
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        GospelGospel | Christian & Gospel | Styles | Music
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        HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ASIN: B000A9QLAO
        Release Date: 2005-08-16

        Tracks:

        1. Ride On, King Jesus!
        2. I Am Seeking For A City
        3. Give Me Jesus
        4. He's Got The Whole World In His Hands
        5. Honor, Honor
        6. I've Been 'Buked
        7. On Ma Journey Now
        8. Roun' About De Mountain
        9. Joshua Fit Da Battle Of Jericho
        10. In Bright Mansions Above
        11. The Lord's Prayer
        12. I Love The Name
        13. I'm Gonter Tell God All O' My Troubles
        14. Sit Down, Servant
        15. Sweet Little Jesus Boy
        16. Lit'l Boy
        17. Plenty Good Room
        18. De Gospel Train
        19. Witness
        20. Hold On!
        21. Here's One
        22. His Name So Sweet
        23. Ride On, Jesus

        Customer Reviews:

        5 out of 5 stars The Best Gospel Album by a Classical Singer!.......2005-11-07

        I am SO happy that this has finally been re-released onto CD! I have known this album for the last 10 years, as a friend of ours gave us a copy, first on cassette tape, which we wore out, and then on CD. I have played it for just about anyone who will sit still long enough to listen, and I count it among my favorite recordings of all time! I have other classical gospel recordings by some of Ms. Quivar's colleagues, and while I also enjoy them, they simply are not in the same league as this recording!

        Florence Quivar is, quite simply, perfect in this recording. She has the perfect mix of classical and traditional gospel technique, and performs every song on this album with an astonishing range of colors, ability and with so much feeling that I am moved every time I listen. I am a classical singer myself, and this album is a true inspiration to me. It is a document of what singing really can be about, a magical fusion of sound, word, emotion and soul! I can recommend this for both the classical and the gospel enthusiast, but know many people, who really are neither, who just recognize and respond to the powerful, emotional, fantastic singing in this album!
        Joy to the World
        Average customer rating: 4 out of 5 stars
        • Understanding Robert Shaw's Joy to the World
        • Exceptionally poor remastering
        • A great buy
        • Disappointing
        • a holiday classic
        		 Joy to the World

        Manufacturer: Delta
        ProductGroup: Music
        Binding: Audio CD

        All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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        Robert Shaw ChoraleRobert Shaw Chorale | ( R ) | Featured Performers, A-Z | Classical | Styles | Music
        GeneralGeneral | Sacred & Religious | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
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        CDs Under $7CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
        CDs Under $7CDs Under $7 | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music
        General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
        Opera & VocalOpera & Vocal | Holiday Music | Special Features | Music
        Under $7Under $7 | Today's Deals | Holiday Music | Special Features | Music
        ASIN: B00004SYSR
        Release Date: 2000-08-01

        Tracks:

        1. Joy To The World - It Came Upon A Midnight Clear - Angels We have Heard On High
        2. O Come, O Come, Emanuel - O Little Town Of Bethlehem - Silent Night
        3. O Come All Ye Faithful (Adeste Fideles) - Luther's Cradle Hymn (Away In The Manager) - God Rest You Merry Gentlemen
        4. We Three Kings - The First Noel - Hark! The Herald Angels Sing
        5. Shepherd's Carol - Coventry Carol - Patapan
        6. My Dancing Day - I Wonder As I Wander - Bring A Torch, Jeanette Isabella
        7. Carol Of The Bells - Lo, How A Rose E'er Blooming - Go Tell It On The Mountain
        8. I Sing Of A Maiden - Echo Hymn - Wassail Song - Deck The Halls With Boughs Of Holly

        Customer Reviews:

        5 out of 5 stars Understanding Robert Shaw's Joy to the World.......2004-12-08

        Other reviewers in this space have been critical of the sound quality of this recording. They are quite correct that, compared to today's standards -- or even those of the 1960s -- the quality of this recording is terrible. The recording, however, was made in the late 1940s and released on 78s. For THAT time, I think the quality is phenomenal. The performances have held up well over the years, as well, with that characteristic Robert Shaw "one voice" sound. The tonal shading is as precise as the diction. Listen for it; this level of precision and nuance (perhaps a little over-emphasized to make up for the recording technology) is as rare today as it was then. For basic carols performed in 4 part a capella, it just doesn't get any better than this.

        1 out of 5 stars Exceptionally poor remastering.......2002-12-01

        There is probably no chorale ensemble in the U.S. better than the Robert Shaw Chorale. I realize that this is a re-release of recordings originally made in the 1960s, but I have higher expectations. There is a good deal of hiss and high-pitched background noise, and at least one track starts with the sound of the tape slowly starting. Someone was not paying attention in the sound booth when they were doing the digitalization. If this is your first experience with the Robert Shaw Chorale, you'll never come back. Try "Songs of Angels" or "Angels on High" first -- these are more recent recordings, but they show what the Chorale could do. There is almost nothing of merit in this CD.

        5 out of 5 stars A great buy.......2002-01-05

        Certainly the sound quality is not up to today's digital standards, but this is an historically significant early recording performed impeccably by one of the greatest choral groups of the recording era. And how can you beat the low price? This cd will definitely be included in future holiday listening.

        1 out of 5 stars Disappointing.......2001-11-20

        The sound quality of this recording is really poor. I realize the source tape is the cause of this, but it seems that it was engineered very strangely, the sound has a muffled quality to it.
        Also, the songs are done in "medley" fashion, rather than as individual works.
        Get "Christmas with Robert Shaw" instead.

        5 out of 5 stars a holiday classic.......2001-11-10

        My parents have this album on vinyl, in mono! It was "the Christmas album" at our house. If I get caught up in the hustle and bustle of the season, I put this on and it reminds me to slow down and enjoy! I taped the old album onto cassette and the quality isn't very good any more so I was elated to find it on CD.
        Christmas Choirs & Choruses
        Average customer rating: Not rated
          		Christmas Choirs & Choruses

          Manufacturer: Bmg Special Product
          ProductGroup: Music
          Binding: Audio CD

          All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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          GeneralGeneral | Opera & Vocal | Styles | Music
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          CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
          NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
          OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
          GeneralGeneral | Vocal Pop | Pop | Styles | Music
          General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
          Opera & VocalOpera & Vocal | Holiday | Miscellaneous | Styles | Music
          CDs Under $7CDs Under $7 | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music
          General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
          Under $7Under $7 | Today's Deals | Holiday Music | Special Features | Music
          ASIN: B0002IQP6I
          Release Date: 2004-07-01

          Music:

          1. Tender Is the Night [Import]
          2. The Best of Atlanta Rhythm Section
          3. The Great Lost Album!
          4. The Jet Age [Import]
          5. The One With the Full Deal On It [Explicit Lyrics]
          6. Threeangelsthreedemonsthreekings
          7. Too Late
          8. Torment & Toreros [Import]
          9. T'Pau - Greatest Hits
          10. Very Best of Buddy Holly [Import]

          Music

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