Tender Is the Night [Import]

tender is the night [import]

Track Listings

1. Tender Is The Night

2. Anema E Core

3. The Enchanted Sea

4. Heres To You

5. Love Theme From The Godfather

6. Blue Moon

7. I Left My Heart In San Francisco

8. Raindrops Keep Fallin On My Head

9. 10 Per Lei

10. Concerto D Autunno

Editorial Reviews
Product Description
Italian release for the hit pop duo, best known for their instrumental guitar classic 'Sleepwalk', features 10 tracks. Harmony/BMG. 2001.

Tender Is the Night,Santo & Johnny,Rock/Pop

Tender Is the Night [Import]

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
Moon River
Days of Wine and Roses
Baby Elephant Walk
Theme from Hatari
Charade - Henry Mancini, Henry Mancini
Thorn Birds Theme - National Philharmonic Orchestra
Blue Satin
Two for the Road
Mr Lucky
Theme from the Molly Maguires - National Philharmonic Orchestra
Moment to Moment
As Time Goes By - Henry Mancini, Henry Mancini
Shot in the Dark
Misty
Theme from Love Story
Pennywhistle Jig - National Philharmonic Orchestra
Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
Moonlight Sonata
Tender Is the Night - Henry Mancini, Henry Mancini
Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
Raindrops Keep Falling on My Head
Crazy World
Mona Lisa

Tracks:

Peter Gunn
Unchained Melody - Henry Mancini, Henry Mancini
Summer Knows
Experiment in Terror
Windmills of Your Mind
Till There Was You
Speedy Gonzales - Henry Mancini,
Sweetheart Tree
Love Theme from Romeo and Juliet
Dream a Little Dream of Me
Lonesome
Pie in the Face Polka - National Philharmonic Orchestra
Love Is a Many Splendored Thing
By the Time I Get to Phoenix
Dear Heart
Charade [Opening Titles]
Shadow of Your Smile
One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
Breakfast at Tiffany's
That Old Black Magic
Evergreen
Midnight Cowboy

Album Description

1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.

Album Details

Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.

Customer Reviews:

not enough Galway.......2003-10-02

There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.

Too Good to Last.......2000-03-03

I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.

Average customer rating:

A unique collection of film music
delightful

Film Music of Richard Rodney Bennett

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Movie Soundtracks | Soundtracks | Styles | Music

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Similar Items:

Lady Caroline Lamb
Film Music of Ralph Vaughan Williams, Vol. 2
Sea Change
The Film Music of Sir Arthur Bliss
Munch Conducts Berlioz

ASIN: B000053HK1
Release Date: 2001-01-23

Tracks:

Murder On The Orient Express
Far From The Madding Crowd
Lady Caroline Lamb: I. Molto Vivo - Lento - Alla Marcia - Lento - BBC Philharmonic/Rumon Gamba/Philip Dukes
Lady Caroline Lamb: II. Maestoso - Andante Con Moto - Poco Agitato - Alla Breve - BBC Philharmonic/Rumon Gamba/Philip Dukes
Tender Is The Night: Nicole's Theme
Enchanted April
Four Weddings And A Funeral: Love Scene

Customer Reviews:

A unique collection of film music.......2001-06-17

This recording is generally very well performed and produced. The playing of the BBC Philharmonic under Rumon Gamba is very high caliber indeed. I am not a big fan of movie music, but I was glad I bought this CD.

I bought this album for the highlight selection, the Elegy for Viola and Orchestra from Lady Caroline Lamb. This piece is pure heaven. The only piece I know that is even somewhat similar is Vaughan-Williams' Flos Campi. The soloist, orchestra and conductor are magnificent in Bennett's work - this is reason enough to own this CD.

delightful.......2001-02-13

I remember Bennett for his wonderful film scores for Nicholas and Alexandra(the fold-out LP album had a regal splendour to it) and Lady Caroline Lamb. Marcus Dodds conducted the Lamb score with the New Philharmonia Orchestra on LP (Angel S-36946) - now out of print. Gamba`s conducting is marvellous on this Chandos re-recording. But Dodds is unsurpassed for his romantic and passionate handling, with Peter Mark giving an intense interpretation of the Caroline theme. Overall, the LP has

Tracks:

Laurie's Song
This is Prophetic
What a Movie
Oh Yemanja (Mother's Prayer)
Willow Song
Lonely House
Give Me Some Music
Ain't it a Pretty Night

Amazon.com

This refreshing jewel of 20th-century opera arias allows Upshaw to put her personal stamp on music written for a variety of voice types. While some are more successful than others, they're all performed with intelligence and musciality--an Upshaw trademark. Her consistently even tone along with her commitment to sensitive interpretation and precise diction is impressive. The most beautiful of these arias (Copland's "The World So Wide," Floyd's "Ain't It a Pretty Night") capture the brilliance of American homegrown musical lyricism, as the cornucopia of musical sounds flows like a waterfall from magical orchestral mountains. Upshaw's jubilance inspires joy for the listener as well. --Barbara Eisner Bayer

Customer Reviews:

Another adventurous collection from the wonderful Ms. Upshaw.......2006-08-24

On reflection, it's amazing that Dawn Upshaw has made a major career for herself without recording a note of Verdi, Wagner, Puccini, or Strauss. She's far from being a bread-and-butter soprano, as this marvelous colleciton of mostly obscure arias from mostly obscure American operas displays. The title aria form copland's The Tender Land sets the overall tone of rapt, romatnic charm. Her voice is too light to sing Barber's Celopatra onstage, but it works well in the studio, and the more popsy numbers, such as Delilah's big song from Bernstein's Trouble in Tahiti, call on Upshaw's excellent crossover skills. Another revelation is how good Joh Adams's Nixon in China music sounds when performed expressively by a major artist.

Renee Fleming released a similar collection on Decca ("I Want Magic"), but the two CDs couldn't be more different. Upshaw is touching, informal, spontaneous, and charming. Fleming tires for the big effects, boosting the music (not too successfully) into the ralms of grand opera.

In all, I'm deeply grateful for every unusual program Upshaw delivers. Now that there are more than a dozen of them, we can see how beautifully she has managed a career devoted to music that few other major stars come close to trying.

World So Wide.......2001-08-26

This is not one of my favorite Dawn Upshaw albums, mainly because of the choice of music. The selections, generally, are quite dark and often lack lyrical continuity, which certainly has nothing to do with Upshaw. However, as a lost art form, they are still quite worth recording, but don't expect an easy-listening experience or to be humming the tunes around the house as is the case with Upshaw's broadway albums. That being said, Upshaw does a fantastic job with this selection of music, though she is a bit bright at times. The album is worth buying simply for the recording of the "Willow Song" from the Ballad of Baby Doe. Upshaw's interpretation is wonderful and the voice is obviously well-suited to the piece. In fact, I'm tempted to prefer her version over Beverly Sills' original. Bernstein's "What a Movie" shows Upshaw at her funniest-a great piece. And, as usual, one is amazed by her fantastic technique, which makes up for the brightness in the voice.

Dawn, why?.......2001-05-12

I used to be a huge Dawn Upshaw fan back when she put out her first few recordings. But, now she is one of my very least favorite singers. Why? The excessive nasality, the ridiculous swooping, and the overdone ...mannerisms. On top of that, she has lost the roundness in her upper register (as evidenced by places in Ain't it a Pretty Night). This music doesn't need someone to treat it like a cabaret showtune to be effective, it just needs to be beautifully sung. Once upon a time, I thought Ms. Upshaw was just the person to do this kind of performance...

I realize that there are diehard Upshaw fans out there that will completely disagree with me. This is just a warning to those that dislike this sort of approach to singing.

A Wonderful Selection of Arias from American Operas.......2001-04-27

The music on this CD is very beautiful and represents a wide variety of American opera. Dawn Upshaw does tend to scoop every now and then, but overall she does a good job. I would recommend this CD to anyone who enjoys opera.

"All velvet and diamonds.".......1999-10-08

"Beautiful" has pretty much gone out of fashion as a much abused and now empty word. And yet, I can't think of a word that would more accurately describe Dawn Upshaw's "The World so Wide." It is just that: sheer beauty. The incredible dynamic range of Upshaw's voice is a perfect match for this thoughtful selection of stylistically very different, and demanding contemporary pieces. Going from ironic, witty grit of Bernstein's "What a movie," to poignant restraint of "Mother's Prayer," and softly romantic exuberance of Moore's "Willow Song," this brilliant this CD doesn't disappoint for even a moment. In its last piece, Floyd's "Ain't it a Pretty Night," where Upshaw sings, literally, to the stars, she seems to effortlessly soar just as high. A great CD, it is indeed "all velvet and diamonds."

Bernard Herrmann At Fox, Vol. 1 - Tender Is The Night / The Man In The Gray Flannel Suit / A Hatful Of Rain: Original Motion Picture Soundtracks

Average customer rating:

"Herrmann's scores are extraordinarily fascinating"
Great and rare Herrmann scores
A must for classic soundtrack and Herrmann lovers

Bernard Herrmann At Fox, Vol. 1 - Tender Is The Night / The Man In The Gray Flannel Suit / A Hatful Of Rain: Original Motion Picture Soundtracks
Bernard Herrmann
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Similar Items:

Bernard Herrmann At Fox, Vol. 2 - Garden of Evil / Prince of Players / King of the Khyber Rifles: Original Motion Picture Soundtracks [3 on 1]
Bernard Herrmann at Fox Vol. 3: Anna and the King of Siam
The Snows of Kilimanjaro
The Trouble With Harry (1998 Re-recording)
The 7th Voyage Of Sinbad (1998 Re-recording)

ASIN: B00000K3W1
Release Date: 1999-09-07

Tracks:

Tender Is The Night: Main Title
Tender Is The Night: The Beach
Tender Is The Night: Breakdown
Tender Is The Night: The Mirror
Tender Is The Night: The Dawn
Tender Is The Night: The Closing Door
Tender Is The Night: The Walk
Tender Is The Night: The Lake
Tender Is The Night: Vacation
Tender Is The Night: The Embrace
Tender Is The Night: Honeymoon
Tender Is The Night: The New Year
Tender Is The Night: The Elegy
Tender Is The Night: Thunder
Tender Is The Night: Regrets
Tender Is The Night: The Porthole
Tender Is The Night: Tender Is The Night
Man In The Gray Flannel Suit: Prelude
Man In The Gray Flannel Suit: The Children's Hour
Man In The Gray Flannel Suit: The Coat
Man In The Gray Flannel Suit: Maria
Man In The Gray Flannel Suit: Maria's Room
Man In The Gray Flannel Suit: The Rain
Man In The Gray Flannel Suit: Farewell
Man In The Gray Flannel Suit: Finale
A Hatful Of Rain: Suite

Customer Reviews:

"Herrmann's scores are extraordinarily fascinating".......2000-10-21

Varese Sarabande presents a series of Bernard Herrmann's years at Fox with this first volume, featuring "Tender Is the Night", "Man In The Gray Flannel Suit" and "A Hatful Of Rain". Of the forty-nine original feature film scores, eighteen, more than one-third of the total were written for films made at 20th Century-Fox.

Now let's look at what we have on this first volume..."TENDER IS THE NIGHT", rich and expressive score with twenty tracks of "Pure Herrmann" compositions, featuring muted, unresolved pattern in the violins, first in the lowest register, repeating in an octave higher, then an octave even higher, strings build to a screeching crescendo, creating a very effective scene, which Herrmann nailed perfectly for the story-line.

Next we have "MAN IN THE GRAY FLANNEL SUIT, themes of personal integrity, the pressures of conformity, dodging the truth and playing the corporate game, all of this is captured by Herrmann's brilliant score.

Final score - "A HATFUL OF RAIN" (1957), deals with heroin, and Herrmann utilizes the orchestras string section to its fullest, composing some fierce and furious sequences, putting true-to-life addiction smack-dab in the publics eye, which until now was unspeakable...Herrmann constructs an edifice of mounting tension unreleting ostinato for winds, building and building to an ultimate climax, a theme that haunts the entire score, our composer at his best.

Herrmann was at his peak when working at Fox, an era long gone but not forgotten, as we now have Herrmann's classic scores on CD, thanks to Varese Sarabande!

Total Time: 74:25 on 26 Tracks...Varese Sarabande-066052...(1999)

Great and rare Herrmann scores.......2000-06-29

I remember how in the mid eighties - when I started collecting soundtracks by the great Bernard Herrmann - I would never have dreamed that someday such rare items in the composer's output would someday be preserved on disc. Bu now, thanks to the enterprising record producer Nick Redman, Bernard Herrmann afficionados are treated to the first volume of 20th Century Fox's Herrmann anthology. Volume 1 and 2 focus on Herrmann's richest period, namely the late fifties and early sixties. "Tender is the Night" is the main course on this album. This is a moody, melancholic effort. Sad elegies. Sometimes quite claustrophobic. Remembrances of a place and people long gone. Your typical Bernard Herrmann score. Actually, this is the kind of musical atmosphere I was hearing in my mind while reading F.Scott Fitzgerald's novel on which this movie is based. There are shades of Vertigo's quiter moments interspersed throughout. The "main title" was not written by Herrmann. Unfortunately, Fox music executive Lionel Newman asked Gus Khan and Sammy Fain to come up with a potential hit song. The result is schmaltzy and mundane: the movie bombed. Fortunately, it can be easily skipped in favor of Herrmann's much more ambitious musical scenario. "The Man in the Grey Flannel Suit" is also very good, featuring a gorgeous soaring main theme and some atmospheric passages. Volume 1 concludes with "A Hatful of Rain". It is comparatively quite stark and brooding. Here is the flip side of "Benny" Herrmann: relentless, obsessive scoring. Although these movies are now quite old, the sound is in very crisp stereo with good channel separation. Some hissy parts. But the sound si great. 3 nice scores, well preserved. Informative booklet notes. Volume 2 ("Garden of Evil") and 3 ("Anna and the King of Siam") are also highly recommended. An important addition to Bernard Herrmann's growing discography.

A must for classic soundtrack and Herrmann lovers.......1999-09-13

Another winner from Fox-Varese. These selections were taken from the orginal soundtrack recording sessions conducted by Herrmann himself. They sound wonderful and should be supported by classic soundtrack lovers.

Average customer rating:

Habanera

Manufacturer: Hannibal
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

General | Jazz | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Hannibal Records | Amazon.com Label Stores | Stores | Music
ASIN: B000008GDY
Release Date: 1991-07-01

Tracks:

Three Folksongs
Gymnope No. 1
Elegy for 'Trane
Three Preludes for Piano
Fantasia
Allegro
Deep Purple
Theme from Tender Is the Night
Sonata in G Minor
Homage to Edith Piaf
Syrinx
Habanera
Out of the Cool

Average customer rating:

great, great!!!
ALL THE MUSIC YOU EVER NEED!!

Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
Complete Secular Songs (3cd)

ASIN: B00006RHQJ
Release Date: 2002-12-10

Customer Reviews:

great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

Westminster Choir at Spoleto Festival U.S.A.

Average customer rating:

The Choir sounds great

Westminster Choir at Spoleto Festival U.S.A.

Manufacturer: Gothic Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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General | Opera & Vocal | Styles | Music

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Heaven to Earth [Hybrid SACD]
Like As A Hart-Psalms & Spiritual Songs
Eric Whitacre: The Complete A Cappella Works, 1991-2001
O Magnum Mysterium
Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale

ASIN: B000003J9H
Release Date: 1996-06-18

Tracks:

Three Quartets: O Schone Nacht, Op.92, No.1
Three Quartets: Warum, Op.92, No.4
Three Quartets: Der gang zum Liebchen, Op.31, No.3
Cantique de Jean Racine
Six Chansons: The Doe - A Swan - Since All Is Passing - Springtime - In Winter - Orchard
Sing We And Chant It
Rest, Sweet Nymph
Four Slovak Folksongs: Wedding Song From Poniky - Song Of The Hayharvesters From Hiadel - Dancing Song From Medzibrod - Dancing Song From Poniky
Ejszaka (Night)
Folk Songs From The British Isles: Loch Lomond
Folk Songs From The British Isles: Comin' Thro' The Rye
Promise Of Living
American Hymn Tunes: Garden Hymn
American Hymn Tunes: His Voice As The Sound
American Hymn Tunes: I Will Arise
Spirituals: My Lord, What A Mornin'
Spirituals: Set Down Servant
Circus Band
Battle Hymn
Danny Boy

Customer Reviews:

The Choir sounds great.......2001-08-09

This is a really wonderful CD of The Westminster Choir. It contains music typical of a Westminster Choir concert program, such as Brahms, some 20th century pieces, spirituals, and folk songs. There is a very warm tone to this CD. I would, however, like to criticize the recording and editing engineers of Gothic. The disc was recorded in a very dry space in Charleston, S.C., and there was no reverb or spaciousness added to the sound at all. Maybe they were going for a more "pure" tone, but I think they could have done more. The recording in general is a little dry.

Average customer rating:

U BEST PRO KARAOKE SERIES {CD VIDEO}
DUST IN THE WIND / LOVE ME TENDER / TAKE ME HOME COUNTRY ROADS / TODAY/ IF / YOU NEEDED ME / THE WAY WE WERE/ UNCHAINED MELODY / STAND BY YOUR MAN / , GREENFIELDS / DONT IT MAKE MY BROWN EYES BLUE / FEELINGS/ / ALL I HAVE TO DO IS DREAM/ THE EXODUS SONG ///// RESPECT / (SITTIN ON THE DOCK OF THE BAY / I CANT , MONDAY / FUN, FUN, FUN / WHEN IM 64 / MR. TAMBOURINE MAN / SHE STILL THINKS I CARE / ( NOW & THEN) THERES A FOOL HELP MYSELF (SUGAR PIEHONEYBUNCH / MONDAY , PLEASE ME / YOU ARE THE SUNSHINE OF MY LIFE / BLACK OR WHITE/ LOST WITHOUT YOUR LOVE / 99 LUFTBALLOONS / SORRY SEEMS SUCH AS I / COME SEE ABOUT ME / PLEASE , TO BE THE HARDEST WORD / FOREVER YOUR GIRL / DONT LET THE SUN GO DOWN ON ME / WHEN YOURE IN LOVE WITH A BEAUTIFUL WOMAN / HEART OF GOLD / A RAINY NIGHT , and IN GEORGIA / YOU SHOULD HEAR HOW SHE TALKS ABOUT YOU / NIKITA / WERE ALL ALONE / LAST CHRISTMAS
ProductGroup: Music
Binding: Audio CD

Karaoke | Miscellaneous | Styles | Music
ASIN: B000PSRJKG

Product Description

U BEST PRO KARAOKE SERIES ASIN: B000PSRJKG Artist: DUST IN THE WIND / LOVE ME TENDER / TAKE ME HOME COUNTRY ROADS / TODAY/ IF / YOU NEEDED ME / THE WAY WE WERE/ UNCHAINED MELODY / STAND BY YOUR MAN /, GREENFIELDS / DONT IT MAKE MY BROWN EYES BLUE / FEELINGS/ / ALL I HAVE TO DO IS DREAM/ THE EXODUS SONG ///// RESPECT / (SITTIN ON THE DOCK OF THE BAY / I CANT, HELP MYSELF (SUGAR PIEHONEYBUNCH / MONDAY, MONDAY / FUN, FUN, FUN / WHEN IM 64 / MR. TAMBOURINE MAN / SHE STILL THINKS I CARE / (NOW & THEN) THERES A FOOL, SUCH AS I / COME SEE ABOUT ME / PLEASE, PLEASE ME / YOU ARE THE SUNSHINE OF MY LIFE / BLACK OR WHITE/ LOST WITHOUT YOUR LOVE / 99 LUFTBALLOONS / SORRY SEEMS, TO BE THE HARDEST WORD / FOREVER YOUR GIRL / DONT LET THE SUN GO DOWN ON ME / WHEN YOURE IN LOVE WITH A BEAUTIFUL WOMAN / HEART OF GOLD / A RAINY NIGHT, IN GEORGIA / YOU SHOULD HEAR HOW SHE TALKS ABOUT YOU / NIKITA / WERE ALL ALONE / LAST CHRISTMAS Format: Audio CD

Average customer rating:

A wonderful tradition
a voice teacher and early music fan
Truely inspirational!!!!
Don't let this recording pass you by!
A Shining Star

A Festival of Nine Lessons and Carols
King's College Choir , and Stephen Cleobury
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Opera & Vocal | Holiday Music | Special Features | Music
Similar Items:

O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
Carols from Trinity
Noel: Christmas at Kings
Carols From King's / Choir of King's College, Cambridge · Stephen Cleobury
Songs of Angels - Christmas Hymns and Carols

ASIN: B00002CF12
Release Date: 1999-11-02

Tracks:

Once In Royal David's City
Bidding Prayer
Up! Good Christen Folk, And Listen
The Truth From Above
First Lesson
Adam Lay Yhounden
Second Lesson
Sussex Carol
In The Bleak Mid-Winter
Third Lesson
In dulci jubilo
God Rest You Merry Gentlemen
Fourth Lesson
A Tender Shoot
The Lamb
Fifth Lesson
Gabriel's Message
Joys Seven
Sixth Lesson
Dormi, Jesu
Riu, riu, chiu

Tracks:

Seventh Lesson
The Fary fax Carol
While Shepards Watched
Eighth Lesson
I Saw Three Ships
Illuminare Jerusalem
Ninth Lesson
Adeste, fideles
Prayer And Blessing
Hark! The Herald Angels Sing
In dulci Jubilo

Amazon.com

This disc could be more succinctly titled Christmas for Anglophiles. Few sounds are more British than the boy soprano-dominated Choir of King's College in Cambridge. And the group is heard--in some sections recorded live--in an actual Christmastide service amid the generous reverberation of a cathedral acoustic with little more than a tasteful though austere organ accompaniment. The repertoire isn't just conservative, traditional hymns and carols. One is harmonized by Ralph Vaughan Williams, and there are a number of contributions by contemporary composers Thomas Adès, Judith Weir, and John Tavener, all of which are probing, sincere, even personal examples of their art (and some are daringly liberated, harmonically speaking). The downside for some listeners--at least on repeated hearings--is that the entire service is heard, sermons and all. Others may take this in the spirit of a Paul McCreesh liturgical reconstruction, with congregational singing included. --David Patrick Stearns

Customer Reviews:

A wonderful tradition .......2007-01-18

A great experience combining Christmas carols with the reading of Holy Scripture (the lessons). It's a beautiful Christmas worship service in the Anglican tradition. I highly recommend it.

In our age when thing change so fast, it's good to know that some great traditions continue. This recording is one of them.

a voice teacher and early music fan.......2006-12-06

Listening to this one and one-half hour recording is one way to experience the meaning of Christmas. It must be a joy for those who can attend such a service as the "Festival of nine-lessons and carols". To hear the beautiful voices of the King's College Choir and their marvelous organist, Benjamin Bayl. This is all under the direction of Stephen Cleobury, and provides a treat for music lovers everywhere. The carols are related directly to the scripture readings that tell the Christmas Story in its entirety, all read skillfully by various people involved in the program. They are not lengthy, but quite to the point. The related carols are varied as to composer and mood, running the gamut from the traditional to the more recent such as : 'The Truth from above'(Vaughan Williams)-'Illuminare,Jerusalem' (Judith Weir)- and 'The Lamb' (John Tavener). The soloists include:Edward Moore (treble)-Thomas Bullard (baritone)-Adrian Kelly (tenor)-Edward Harries (treble)-and Julian Perkins (baritone). All sang well as did the entire choir. The English sound, that is boy sopranos and male altos, appeal to me personally and show up very well in this particular group. It's all quite emotional and very moving, especially to those who celebrate Christmas as a religious holiday. I've had this disc for several years, and would not think of celebrating Christmas without listening to it several times during the season.

Truely inspirational!!!!.......2001-12-23

A holiday classic. It has been a tradtion in our family for years. This is the first time I've seen it available on CD. I would highly recommend it to anyone.

Don't let this recording pass you by!.......2001-07-10

Do yourself a favor and buy this CD - even if you don't think you like Christmas music. People stand in line for hours to hear the Choir of King's College's annual Festival of Nine Lessons and Carols, and when you hear this recording, you will understand why. Rarely does a choir sound quite as pure, smooth, and "together" as they do on this recording. The selection of music is wonderful. You get a few traditional favorites like "O Come All Ye Faithful", recorded live with the choir and the congregation singing along (I thought this would annoy me but it really doesn't - it only makes me feel the spirit of the ceremony even more). You also get plenty of wonderful choir-only pieces that you've probably never heard before unless you're a big cathedral music enthusiast. It all begins, of course, with a single choirboy singing the first verse of "Once in Royal David's City". It's impossible for me to pick an absolute favorite from this recording. I find "The Fayrfax Carol" by Thomas Ades to be particularly haunting and beautiful. Vaughan Williams' "The Truth from Above" is also very, very lovely. And how could you not enjoy "Up! Good Christen folk, and listen"? There is also Ord's short, but beautiful, "Adam lay ybounden". I like all of these pieces in and of themselves, but I think having them sung so expertly and sweetly by the choir makes me like them even more.

To top it all off, you get about 20 minutes worth of readings and prayers recorded live at the service, interspersed among all of the music. I suppose this could be seen as the recording's only drawback (people talking), but I think it makes the recording much more authentic as a representation of the world-famous service. The readings make the recording more than just a musical experience, but a complete Christmas experience - which is what the ceremony is supposed to be. Besides, if you really hate the talking, that's what the skip button is for.

Go ahead and buy this -- you'll be very glad you did.

A Shining Star.......2000-11-21

To the other fine and informative reviews here, I would add the following. Though the Festival service and the recording are 80% musical, the "lessons", which are brief scripture passages given moving dramatic readings by college personnel, are the backbone of the Festival and the riverbed through which the carols flow. There is a chronological order to the lessons, beginning in Genesis, and each musical selection is tied to the reading which preceded it. This synthesis makes listening to this CD a very spiritual experience that transports one well beyond what is felt listening to other recorded compilations of carols.

The music is primarily drawn from traditional British Christmas repertoire. Well-known British composers over centuries and King's College's organists and music directors over the past century wrote or arranged most of the selections. Several texts are in Olde English or Latin. Three recent compositions are here, too, but the first priority of the Festival director is clearly the tradition and the history of this service and of Christmas in England. There is nothing, however, "musty" about this CD. The tempi are modern and sprightly where indicated, and the performances are transcendent. The Choir of King's College, directed by Stephen Cleobury, consists of 35 young men chosen by highly competitive audition, and they are among the finest choral ensembles in the world. A superb pipe organ played by Benjamin Bayl is the only supplement to the voices.

The sound of the recording is a major improvement from radio broadcasts and earlier (now out-of-print) releases of this service. For this CD, the four-and-a-half hymns in which the congregation sings with the choir were recorded during services in December 1998. The balance of the recording was made in the same chapel in July 1999, without the congregation present, so the coughing and shuffling heard during live broadcasts and earlier live recordings is happily absent. The only small problem is that the reverberating acoustics of the chapel, though gorgeous, make many lyrics difficult to discern. Keep the booklet handy. Highest recommendation.

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