Too Late

too late

Track Listings

1. Coming out of the Water

2. Sunday Christian

3. Too Late

4. Trust in God

5. Stay Awake

6. Crucifixion/He's Alive

7. Be Still

8. Mysterious Ways

9. Here I Am

10. Pray W/O Ceasing

Editorial Reviews
About the Artist
Under Authority was initiated in 1995 by founders Tim McCoy, Dean Bibb and Charlie Webb. The group was a rebirth of such for these guys as they had played together in the band Icthus from 91 - 92. The group has flourished in the face of several member changes and has now become a very successful ministry oriented group. They have ministered through out the United States performing there own mix of powerful rock driven music. They have performed from Texas to Maryland, in coffeehouses, churches, church camps, festivals, weddings receptions, birthday parties, singles parties, and many other unique locations.

Each song delivers the message of Jesus Christ and is done with true musical taste and ability. Powerful lead vocals from Dave Hudnall, (who also plays bass); signature guitar licks and driving riffs from Dean Bibb; tasteful, distinct keyboard playing from Tim McCoy; and unique and bold drumming from Joe Elswick; combine to give this group a tight sound that distinguishes them from any group you may have heard. Each member brings many different musical backgrounds together to complete the sound you hear.

Under Authority is happy to minister anywhere there is a need. They are very easy to work with and do everything possible to accommodate the venue or activity they are participating with. It is very evident that Jesus is the Lord of their lives and that He takes center stage above all else. For more information about Under Authority, check out their website @ contact them at 1-888-253-2034 or email rmccoy@access.k12.wv.us

Product Description
A Christian Rock Album with definite Christian lyrics and powerful rock and roll music. This album tells the blatant truth about why you must be saved and why you must serve the Lord. Jesus is king and this album lets you know it. Too Late is a must for any one looking for strong powerful vocals, guitar rifts, keyboards galore, and unique drumming. Too Late is a must for the Christian who needs a witnessing tool for friends and family. This is your album for great solid rock.

Too Late,Under Authority

Too Late

Average customer rating:

Not as strong as the her first two releases
Not her best
Insipid and inoffensive, uninspired and uninspiring
Simply Wonderful
I have a serious Norah Jones

Not Too Late
Norah Jones
Manufacturer: Blue Note
ProductGroup: Music
Binding: Audio CD

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ASIN: B000KCHZK6
Release Date: 2007-01-30

Tracks:

Wish I Could
Sinkin' Soon
The Sun Doesn't Like You
Until The End
Not My Friend
Thinking About You
Broken
My Dear Country
Wake Me Up
Be My Somebody
Little Room
Rosie's Lullaby
Not Too Late

Amazon.com

Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeese

From Blue Note

Album Details

1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello

2. "Sinkin' Soon" (Lee Alexander-Norah Jones): Norah Jones: vocals, piano; Daru Oda: vocals; M. Ward: vocals; Jesse Harris: guitjo; Kevin Breit: mandolin; J. Walter Hawkes: trombone; Lee Alexander: bass; Andy Borger: drums, slit drum, pots and pans

3. "The Sun Doesn't Like You" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Paul Bryan: Chamberlain keyboards

4. "Until The End" (Norah Jones-Lee Alexander): Norah Jones: vocals, Wurlitzer, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals

6. "Thinking About You" (Norah Jones-Ilhan Ersahin): Norah Jones: vocals, Wurlitzer; Chuck Mackinnon: trumpet; Rob Suddith: tenor sax; Lee Alexander: bass; Tony Mason: drums; Devin Greenwood: Hammond B-3 organ

7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses

8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ

9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums

10. "Be My Somebody" (Norah Jones): Norah Jones: vocals, Wurlitzer; Richard Julian: vocals; Tony Scherr: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle

12. "Rosie's Lullaby" (Norah Jones-Daru Oda): Norah Jones: vocals, Wurlitzer; Daru Oda: vocals; Adam Levy: electric guitar, vocal; Robbie McIntosh: electric guitar; Lee Alexander: bass; Andy Borger: drums

13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums

Produced by Lee Alexander

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Come Away with Me
Feels Like Home
New York City

Customer Reviews:

Not as strong as the her first two releases.......2007-07-11

In my opinion, this CD is simply not as strong as her first two CDs. Most of the songs are fine, but forgettable. A couple are just a bit weird-sounding for my taste. Out of her 3 CDs, I preferred "Come Away With Me", although I understand that Ms. Jones feels that her current CD is a truer reflection of her musical style.

Right after I bought this CD, I was privileged enough to see her in concert. She is clearly talented, and has an accomplished band. The concert was wonderful and was over before I knew it. Her performance got rave reviews in the local newspaper the next day.

I look forward to her next release, mostly to see how her artistic style evolves.

Not her best.......2007-07-11

I own all three of her CDs. Come Away with Me is the best IMO. Her passion and talent shine through. Each song was worthy to be on the CD. In Feels Like Home, it seemed she relaxed a bit, had a little more fun, but lost some of the passion, a couple of the songs were not up to what I expected, but passed as entertaining. This third CD is the worst. My impression was that now that she has made a name for herself she can put any track on a CD without much scrutiny. I have listened to it a few times, but it just doesn't do anything exciting for me. A big disappointment.

Insipid and inoffensive, uninspired and uninspiring.......2007-07-08

That's about the highest praise I can muster for this effort. It isn't that it's BAD, but it just never achieves "lift off."

I wish I could wax enthusiastic, but after quite a few listens at this point, I don't think my opinion is likely to change appreciably.

Time for Ms. Jones to find her passion. It isn't evident on this CD.

Simply Wonderful.......2007-07-07

I have all her cds. This one is new, different and good. I like all the tracks, Be my somebody tonight got me a speeding ticket. I saw her in concert and she puts on a helluva show. Worth every penny.

I have a serious Norah Jones.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

Average customer rating:

Not Too Late
Norah Jones is superb
Disappointing Trend
Norah In General
No Mere Grammy Guzzler

Not Too Late
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Norah Jones and The Handsome Band - Live in 2004
Not Too Late
The Little Willies
Feels Like Home (CD+DVD)
Feels Like Home

ASIN: B000KRN07S
Release Date: 2007-01-30

Tracks:

Wish I Could
Sinkin' Soon
The Sun Doesn't Like You
Until The End
Not My Friend
Thinking About You
Broken
My Dear Country
Wake Me Up
Be My Somebody
Little
Rosie's Lullaby
Not Too Late

Amazon.com

Album Details

1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello

5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals

7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses

8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ

9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums

11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle

13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums

Produced by Lee Alexander

Deluxe DVD content includes:

1. "Thinking About You" (Music Video)

2. "Until The End" (Music Video)

3. "Sinkin' Soon" (Music Video)

4. Interview with Norah

5. "Thinking About You" (behind the scenes at the video shoot)

6. "Sinkin' Soon" (behind the scenes at the video shoot)

PLUS two live bonus tracks from Rehearsals.com filmed in Burbank, CA, in November 2006.

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Come Away with Me
Feels Like Home
The Little Willies

Customer Reviews:

Not Too Late.......2007-05-13

The product is what I expected. It arrived on time and in the condition advertised.

Norah Jones is superb.......2007-05-06

I bought this CD / DVD right before attending her show here in Boston. It is a great CD. I haven't watched he DVD yet.

Disappointing Trend.......2007-03-23

I loved Norah's first album, her second was good, but not as good, the third had me wondering and this last album is a real disappointment. I think Norah believes she has to have dark and somber themes in order to be considered a serious artist, but her strength lies in her soothing, comforting, sensuous, "wrap me in a warm blanket" voice, which is largely absent from this work.

Norah In General.......2007-03-17

This album is another solid performance from one of my favorites.
I have listened to it many many times and I like it better as listen to it more. Once again we have the voice and the piano. There are a few new moves she shows us but nothing heart stopping.
At the end of the day I don't think most of us care what she sings frankly, her voice is addicting and is like a drug to us. Oh you say you wish she would sing something different and stretch her talent and grow and yada yada but most of us would listen to her no matter what she sings because you become so addicted to the voice and sound that it doesn't really matter if she is singing an old country song like Cold Cold Heart, an early rockabilly like Love Me (from the Little Willies) a Bob Dylan number or somthing of her own composition. In the end it is just the soothing that we want and that is what she does. Her music is sometimes interesting, sometimes a little boring but always soothing. Even if she is talking about a broken heart and lost love she is making us feel like with her voice to hang on to we can make it.
So I love her and listen to whatever she puts out. I am not enough of a music expert to judge her artistically, I like what I like and if it sounds good to me I say it is good. Norah..you are as good as it gets.

No Mere Grammy Guzzler.......2007-03-13

Like her 2004 sophomore effort, "Feels Like Home," Norah Jones' latest maintains the sound that brought her national acclaim while still furthering her artistic endeavors.

"Not Too Late" proves she is not given to relying on a cash- cow formula; she not only continues to add inflections of country like last time around, but she eschews the American songbook in favor of a uniformly original array of songs -- all of which she co-wrote. This aids the record's warm, intimate atmosphere, which glimmers and glows despite the absence of the late legendary producer, Arif Mardin.

The slinky blues of "Thinking About You" is the ideal lead single. With its plaintive melody, organic jazz horns and restrained yet expressive vocals, it is musical chocolate cake. "Sinkin' Soon," meanwhile, is the most perplexing track. With its curious lyrics ("Like the oyster crack in the stew/The honey in the tea/Like the wheel of cheese high in the sky/We're gonna be sinkin' soon), the song sways and jerks with Jesse Harris (writer of her monster hit "Don't Know Why") on banjo and drummer Andy Borger working pots and pans. It continues the theme of fame's fickle nature that began with "Carnival Town" on her last LP.

In spite of her popularity with white collar right-wingers, Jones is not afraid to infuse her music with passionate liberal beliefs. With its lush, nervous mix of pianos and guitars, "Wish I Could" is the story of a lonely war widow and even lonelier other woman ("She says love in the time of war's not fair/He was my man but they didn't care/I don't tell her that I once loved you too"), while "Broken" finds a soldier irrevocably hardened by war ("He's got blood on his shoes and mud on his brim/Did he do it to himself or was it done to him?").

"My Dear Country," with a cabaretlike interlude, waxes on a terrifying election and a "deranged" politician without naming names:

"I cherish you my dear country/I love all the things that you've given me/And most of all that I am free/To have a song that I can sing/On election day."

The soothing "Wake Me Up" appropriately follows with its resigned, world-weary attitude, bringing in sounds of the heartland that continue in "Rosie's Lullaby" and the fun-loving "Be My Somebody," the latter marked by cheeky lyrics: "Last night was a record to be broken/It broke all over the kitchen floor."

"Little Room" attempts to shed her fuddy-duddy image with sexual undertones, while "Not My Friend" finds her safe in her own company -- not content to maintain a relationship with someone who wishes her unhappiness.

"The Sun Doesn't Like You" and "Until the End" are full of grace and character, and "Not Too Late" closes the disc with spare piano/vocal simplicity. Its optimistic message provides a perfect conclusion and its overwhelmingly pristine melody makes it an instant classic.

If "Come Away With Me" was rich, delicious comfort food, "Not Too Late" is more complex and sophisticated. Making artistic leaps and bounds, Jones proves that she is not a Grammy guzzler laughing all the way to the bank -- she is an artist's artist.

This limited-edition version contains a DVD jam-packed with goodies, most notably the eye-popping video for "Sinkin' Soon," while iTunes has an exclusive alternate version of the aforementioned track available.

Kiss Me, Kate (1948 Original Broadway Cast)

Average customer rating:

The best and maybe the last CD of this great musical.
Beautiful remastering of historic original cast recording
the peerless original cast
Who Put The Shake In Shakespeare?
TIMELESS BROADWAY SHOW

Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000007OHT
Release Date: 1998-06-02

Tracks:

Act I: Overture
Act I: Another Op'nin', Another Show
Act I: Why Can't You Behave?
Act I: Wunderbar
Act I: So In Love
Act I: We Open In Venice
Act I: Tom, Dick Or Harry
Act I: I've Come To Wive It Wealthily In Padua
Act I: I Hate Men
Act I: Were Thine That Special Face
Act II: Too Darn Hot
Act II: Where Is The Life That Late I Led?
Act II: Always True To You (In My Fashion)
Act II: Bianca
Act II: So In Love (Reprise)
Act II: Brush Up Your Shakespeare
Act II: I Am Ashamed That Women Are So Simple
Act II: Finale: Kiss Me, Kate
Kiss Me, Kate Overture

Amazon.com

Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli

Customer Reviews:

The best and maybe the last CD of this great musical........2006-02-20

Now is the perfect time to buy the CD of this.

Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.

The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.

(See also the original broadway CD of Out of This World.)

Beautiful remastering of historic original cast recording.......2004-05-24

Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.

The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.

The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.

The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.

KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.

the peerless original cast.......2004-03-04

KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".

Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.

KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.

A must-own.

Who Put The Shake In Shakespeare?.......2001-04-11

Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!

The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!

The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.

Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!

The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!

There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.

Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!

TIMELESS BROADWAY SHOW.......2001-01-11

COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.

Average customer rating:

Too great to cry
Alison Krauss' Strong Debut
Debut album set the standard for those that followed
Oh, my. Oh, oh, my......
The first !!!

Too Late to Cry
Alison Krauss
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

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Two Highways
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ASIN: B0000002HZ
Release Date: 1992-02-14

Tracks:

Too Late to Cry
Foolish Heart
Song For Life
Dusty Miller
If I Give My Heart
In Your Eyes
Don't Follow Me
Gentle River
On The Borderline
Forgotten Pictures
Sleep On

Amazon.com

On the surface, Alison Krauss's 1987 Rounder debut is a well-executed, completely satisfying bluegrass album with both traditional and contemporary elements. Once you realize that the sublime singer and expert fiddler you hear is a mere 15 years old, it becomes extraordinary. True, hearing a 15-year-old sing about "my whiskey on ice" and other such mature themes is a bit disconcerting, but what amazes is not what she's singing about but the masterful command she has over her angelic voice. And her fiddle licks are even more impressive. The record simply oozes potential and poise, even if the best was yet to come. --Marc Greilsamer

Customer Reviews:

Too great to cry .......2006-11-10

This album demonstrates how absolutely phenomenal a singer and fiddler Alison Krauss since her early teens! Sheer delight to trace her gracious development as artist, leader, and influence over the decades.

Alison Krauss' Strong Debut.......2004-06-26

In 1987 Alison was only 15, and some of the songs on this CD are kind of "honky-tonky". In "Song For Life" the lyric begins "I don't drink as much as I used to...." and it's a little incongruous putting the words together with the 15 year-old voice. Her vocal tone was a little twangy and nasal-sounding, almost strident as she belted out some of these tunes, and I wonder if she was influenced maybe a little by some of the Nashville Big-Hair bunch like Reba.

Still.... if she had not appeared until today and suddenly this recording appeared, it would be at least as head-turning today as it was 15 years ago. No other vocalist in the genre approaches this kind of material with this kind of instrumentation with THAT kind of voice. Alison surrounded herself by superstars like Sam Bush and Jerry Douglas, so the supporting cast was top-notch.

In her first recording she was both astonishingly new and talented, but also showed great promise of things to come. In the recordings that followed she has unfailingly measured up to that promise. Even in her first record she began showing her taste for sorrowful mournful tunes of doomed love, even on uptempto tunes like "Don't Follow Me" and the title "Too Late to Cry". She also began demonstrating her talent for beautiful slow ballads like "Gentle River".

Required stuff for those who want the complete Alison Krauss collection, but I knock it down to 4 stars because the maturity of her voice and mastery of material would show up in full on later recordings.

Debut album set the standard for those that followed.......2004-04-09

Alison was just fifteen when she made her recording debut with this album but, even at that age, she was ready for it. She is both only a talented musician and a wonderful singer with a great voice, which has echoes of Dolly, Reba and Emmylou while not being too much like any of them. Her music has changed significantly through the years so fans of her more recent albums may not like her early work. My eclectic taste in music allows me to enjoy all her music though I generally prefer the early stuff.

The songs are mostly obscure, the most widely known being Song for life, which is a classic from the pen of Rodney Crowell. Alison plays the fiddle on all tracks where one is used, but there are two instrumentals, both covers (Tony Trischka's Forgotten pictures and the traditional Dusty Miller) that demonstrate Alison's skills as a fiddler very clearly. The remaining songs are only originals, mostly from the pen of John Pennell.

This may not be the best album that Alison ever recorded - though some think it is and I can understand why - but it is certainly among the best. It's not difficult to figure out why Alison has been so successful. If you are unfamiliar with Alison's early music, you should first try Now that I've found you - A collection. If you enjoy that, particularly the track Sleep on (taken from this album), give this a listen.

Oh, my. Oh, oh, my.............2003-05-15

I remember distinctly when I first heard one of the cuts on the lp version of Too Late to Cry on a radio show called Grass Roots or something like that out of Kalamazoo, MI. I stopped whatever I was doing to listen closely to "Don't Follow Me", and then the first chance I got to get up to Lansing's Elderly Instruments (the best darn music & instrument store in Michigan)I bought it.

I think this recording is just about as perfect as anything since Abbey Road. Each song is a little gem. I really prefer Alison's voice as it sounds in these earlier recordings: stronger, more nasal. She purposely changed it to the softer, more pop-friendly version around the time of the "Every Time You Say Goodbye", I believe. But her singing is not the only treat; she had won many awards for her fiddle playing by this time, and it shines; and she is backed up by only the best musicians in bluegrass---Jerry Douglas & Sam Bush, for example.

Peppy, strong, and true to bluegrass roots.

The first !!!.......2002-11-21

What a breath of fresh air in the Country music field. Such an excellent CD. Shania and Faith should listen to this, see what a real singer is like (at 15 no less) and then quit the business.

Average customer rating:

"The Summer Smiles, The Summer Knows"
Magnificent Monica!
She's chocolate and creme!
Astonishing
Monica's Latest is the best yet

Cinema Paradiso
Monica Mancini
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Cinema Paradiso: Original Soundtrack Recording (1988 Film)
Nightcap

ASIN: B00006LSQE
Release Date: 2002-11-05

Tracks:

Cinema Paradiso (from Cinema Paradiso)
A Day In The Life of a Fool (from Black Orpheus)
A Love Before Time (from Croutching Tiger, Hidden Dragon)
Senza Fine (from Ghost Ship)
I'll Never Say Goodbye (from The Promise)
The Shadow of Your Smile (from The Sandpiper)
Alfie (from Alfie)
Soldier in the Rain (from Soldier in the Rain)
Too Late Now (from Royal Wedding)
The Summer Knows (from The Summer of '42)
Baby Mine (from Dumbo)
Somewhere Over The Rainbow (from The Wizard of Oz)

Album Description

Featuring the title track from the Warner Bros. Motion picture 'Ghost Ship.' The love theme from the film Cinema Paradiso has been given an English lyric for the first time and makes its debut on this recording. Until now the composer Ennio Morricone has never accepted an English lyric for Cinema Paradiso. Concord Records. 2002.

Customer Reviews:

"The Summer Smiles, The Summer Knows".......2006-01-07

"When Monica Mancini set out to record this retrospective of songs from films, she clearly had her passions in order. Monica comes by her affinity for the medium honestly, having grown up in a house permeated with some of the best film music in history, from the pen of her incredibly prolific father, Henry. So it is no surprise that this collection has all the artistry, pathos, and musicality that it so deserves." ~ Dave Grusin, Liner Notes - 2002 ~

Dave Grusin, an expert arranger, conductor, pianist, film scorer himself has described this album so perfectly. The choice of material in this CD is impeccable with Monica Mancini's graceful interpretations and not to mention the flawlessly beautiful arrangements by Torrie Zito, John Calandrelli, Michael Lang, Patrick Williams, George Doering, Ray Ellis, Harvey Cohen and John Frizzell. There are twelve theme songs from various remarkable films in this recording and most of the tracks were backed up by an orchestra with the exception of a few.

The theme song from the movie "Summer of '42" penned by the creative husband-and-wife-team of Alan & Marilyn Bergman and composer Michel Legrand "The Summer Knows" is one of my top choices from this collection. Splendidly arranged by Michael Lang and Harvey Cohen on string section, she renders this timeless song so true to its essence and making it the most beautiful version, bar none!

Burt Bacharach and Hal David's "Alfie" (from the movie of the same title), is a moving song accompanied only by the sublime piano playing of Michael Lang. She has an exquisitely beautiful voice, the kind that still shines without the trimmings and backing up of an orchestra, (the kind that still glows even on A Cappella singing). Another affecting song and a favorite of mine is "Too Late Now," a Burton Lane and Alan Jay Lerner treasure and theme from the movie "Royal Wedding." The orchestral arrangement was done by Torrie Zito, a fine pianist/arranger/conductor who worked briefly with the legendary musical icon, Frank Sinatra. I loved the way he injected a classical touch on his arrangement, almost sounding like one of Claude Debussy's masterpieces. I would say that this is one of the best tracks. Ditto with another Torrie Zito arrangement, Johnny Mandel and Paul Webster's "The Shadow of Your Smile" from the movie "The Sandpiper." Ms. Mancini gave these classics the retire-the-trophy-treatments and made them her very own.

The lovely opener, Ennio Morricone and Gregg Field's "Cinema Paradiso," arranged by Jorge Calandrelli, is also one of the standouts. Another beauty is "I'll Never Say Goodbye" from the movie "The Promise" with piano accompaniment by Michael Lang. The finale "Over The Rainbow" from "The Wizard of Oz" is simply divine with orchestral arrangement by Ray Ellis.

This recording produced by Ms. Mancini's musician husband, Gregg Field, truly showed off not only the singer's vocal artistry, but her classy and elegant style of singing. Thank you Ms. Mancini for your wonderful gift of music. Music to enjoy forever!

Magnificent Monica!.......2004-06-28

My favorite song of all time is "The Shadow of Your Smile" from the movie "The Sandpiper". Until now, the 2 best versions of it were by Barbra Streisand and Tony Bennett. By FAR, this is THE best version of that song. Pure, without "vocal gymnastics", screaming, yelping or other artificial "stylings".. here it is sung as it was written, perfectly performed with beautiful orchestration. The rest of the album is no less miraculous. It is stunning. "A Day in the Life of a Fool", "Cinema Paradiso" and the haunting and tender "Theme from Crouching Tiger, Hidden Dragon" are just as lavish and well-crafted. Okay Monica, now could you release one album a year instead of one album every 3 years? Pleeeeassee??

She's chocolate and creme!.......2004-01-29

Seeing Monica Mancini on stage singing the theme from Crouching Tiger Hidden Dragon, hearing Gregg Field's drums, seeing the multi-media film clip behind her... is like having chocolate and creme!

Monica does not belt you to death, she does not yell at you, she does not punch notes into your being... she soothes you to her, lures you, with a voice that has been hidden for years.

Her voice is perfect in pitch, tone, and her ability to hit every single note as if she were born to sing. Clearly having inherited talent from her mom Ginny and her dad Henry.

On this cd I love the way she embraces other composers songs..."Baby Mine" just one of them. I about melted when she sang that song.

She has a great sense of humor on stage, is spontaneous, and is herself.

She has a great secure personality and stage persona and she has the family roots to give you a chill in your bones when she shares them with you in stories and song.

Hearing her sing live is like being home!

Astonishing.......2003-09-04

I sample A LOT of jazz vocalists (for some reason most contemporary jazz vocalists seem to be female) but initially dismissed Monica Mancici because she's the child of a famous father. Henry was very classy and as accomplished as musicians get, and such qualities rarely get passed down the line. What a mistake. I only heard her Mercer album because it was -- thankfully -- being played in a store I was visiting. I bought it, loved it, and was primed for this collection. A solid Five Stars. There's new stuff here (for me) and old songs done splendidly. Over The Rainbow, aside from its original iconic take by "Judy," has been covered hundreds of times. And Monica's take? Quite simply as good as any. With this release I've recognized what I love about Monica's voice: Aside from being simply perfect technically, her voice glows like a crackling fireplace! I mourned the recent passing of Rosemary Clooney, and now feel that there's a relatively new vocalist who I can follow for many years. Live or recorded, I'll be there ...

Monica's Latest is the best yet.......2003-06-04

Sorry, but I don't worry about the nuts and bolts of every particular detail of an album. I play what I enjoy and Monica's albums bring me that enjoyment. Cinema Paradiso has rarely left my CD Player. I'm only sorry she appears not to have a web page. Where someone like Michael Jackson or Dixie Chicks are all over the Internet, virtually no information is available concerning Monica Mancini. It's impossible to find a concert schedule. I hope she produces another album soon, I've worn out her others.

Average customer rating:

Extremely Good Single

Too Little Too Late
JoJo
Manufacturer: Edel
ProductGroup: Music
Binding: Audio CD
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Glamorous

ASIN: B000JKA05Q
Release Date: 2006-12-11

Tracks:

Too Little, Too Late [Radio Edit]
Get It Poppin'

Album Details

The First Single to Be Taken from Jojo's Sophomore Album "The High Road" Comes with Two Remixes, an Instrumental Version and the Enhanced Promotional Video.

Customer Reviews:

Extremely Good Single.......2007-01-09

"Too Little, Too Late" was released somewhere in the mid-summer in 2006. It broke the biggest jump record which was previously held by Mariah Carey. The songs lyrics are really good and the beat too. The vocals are Mariah Carey like. This song never gets tiring for me. The video was good but it would've been better if it was more of a story. GOOD SINGLE!

Average customer rating:

cant touch A Night in SF
Van Morrison "A Beautiful Mind"
This is a Live album - Second to none
Peerless
Van at his best!

It's Too Late to Stop Now
Van Morrison
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002GNN
Release Date: 1997-06-03

Tracks:

Ain't Nothin' You Can Do
Warm Love
Into The Mystic
These Dreams Of You
I Believe To My Soul
I've Been Working
Help Me
Wild Children
Domino
I Just Want To Make Love To You

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Bring It On Home To Me
Saint Dominic's Preview
Take Your Hands Out Of My Pocket
Listen To The Lion
Here Comes The Night
Gloria
Caravan
Cyprus Avenue

Amazon.com essential recording

Given his early roots in Irish show bands steeped in American R&B, Van Morrison's power as a live performer is as riveting in his "on" nights as it can be frustrating when he's not in the mood. But his sheer power as a singer, and his long tradition of crack bands, has translated to an awful lot of good nights--enough to spawn three compelling live albums, of which this is the first and best. Recorded during his San Franciscan residency of the early '70s, with his ambitious Caledonia Soul Orchestra, this double album documents Morrison at an early vocal peak and benefits from a set list culled from his early solo masterpieces, including Moondance and Astral Weeks. As such, It's Too Late to Stop Now clicks as both anthology and coherent concert document--a classic live album. --Sam Sutherland

Customer Reviews:

cant touch A Night in SF.......2007-07-11

Okay the only reason I am going to flunk this CD, its yes this is okay, is firstly, this CD cant touch A Night in SF double CD set, not in quality or sound. The real simple reason is its price

I have all of Vans CD's and have had them all for years, so looking for something different, and seeing this one listed for sometime at these prices all I kept thinking was man o man must be some killer show! its gotta be better or at least equal to the SF show CD, so I pulled the trigger and bought it.

Its clear cut, not even close.

So the reason I am writing this, the one and only bad Van review, is if you have the A Night in SF CD, save your money, if you want a good CD and don't have that one, again save your money and buy that one.

So now you know, spend or not, you have been warned.

IF you really rich and money is no object, well then maybe that's who these other reviewers are in here.

poor me I guess, complaining on getting on getting by on 85k a year.

Van Morrison "A Beautiful Mind".......2007-07-01

This CD simply shows Van at his best. When Van is at his best, as he is on "It's Too Late to Stop Now", NOBODY can top him. From the great songs he writes like "Cypress Avenue" to "Into The Mystic" and others, there is no question about it, Van IS THE MAN. He delivers the goods here time and time again. And let's not forget those great musicians backing him either, especially the string section. Do yourself a favor when listening to this CD sometime, close your eyes and "follow" (focus on) the string section only. Put Vans voice alittle in the background on this listen through. You will find that the string section will take you to a most glorious, peaceful and beautiful place. You will be happy. This CD is Van Morrison at his very best. If you're reading this, "It's too late to stop now" so buy it and go to dreamland.

This is a Live album - Second to none.......2006-10-06

Van on a bad night is better than 99% of the performers out there today. This is not a bad night. This is what a live album is meant to be. But first, most performers don't have the voice Van has to pull this off.

And BTW, I've seen many times (5 times since 2000) and his voice still rocks. Not like this record, but again it is still superb. Van is a professional. No garbage.

Peerless.......2006-04-09

Let me get it out now, I consider this the GREATEST LIVE ALBUM OF ALL TIME. Over the past 32 years I have worn out two vinyl versions and am on my third year in CD.This collection of Van's best music(it is the best of three nights in three different venues)captures one of the original geniuses of modern music at his absolute peak.Totally original yet completely accessible,Van brings blues,rock,folk,gospel,pop and soul together to the delight of a frenzied audience.Having seen him three times I know how rare this is.
The band he is with at this time could not be tighter or more accomplished. Give it a listen and the word "production " takes on a new weight.This is one of those very rare albums that grows in stature as the years pass by.

Van at his best!.......2006-03-09

From the opening number "There Ain't Nothing You Can Do", you can tell Van is on his game on this CD. It's recorded in 1973 and his voice is superb. 100 times better than his later live offerings.

Ship Arriving Too Late to Save a Drowning Witch

Average customer rating:

Ship Arriving Too Late to Save a Drowning Witch...
Zappa got into a lot of unsuspecting teenagers' minds with this album...hehehehe
Zappa's best release
Metallica Ten Years Before
"We're talking Lord God King BU-FU..."

Ship Arriving Too Late to Save a Drowning Witch
Frank Zappa
Manufacturer: Zappa Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000009T4
Release Date: 1995-05-02

Tracks:

No Not Now
Valley Girl
I Come From Nowhere
Drowning Witch
Envelopes
Teen-Age Prostitute

Customer Reviews:

Ship Arriving Too Late to Save a Drowning Witch..........2007-06-04

Frankly, I bought this album for the Song, "Valley Girl" which was a hit in the early 80's from Frank's daughter Moon! I had forgotten about his level of musicianship - that man had skills! Four stars!!

Zappa got into a lot of unsuspecting teenagers' minds with this album...hehehehe.......2006-09-24

One of the greatest things about this album is that, thanks to the song Valley Girl, a lot of people who would never even think about owning a Zappa album bought one. So all the teenagers who really dug the Valley Girl song actually got to listen to 5 other great Zappa tracks. Granted, there's probably a few of them out there who played the album once, and never played it again. But they always say to themselves "what was that really long song on side two? I never heard anything like that. I can't get it out of my head! AARRGGHH!!!!" The stuff got inside their heads, and stayed there. I do rather like this album, especially the title track (the 12 minute one) and No Not Now. Envelopes is OK (I prefer the LSO version), and I do like Valley Girl.

Zappa's best release.......2006-03-31

(of the four I have)
I can't say that I am a diehard Zappa fan, but I immensely enjoy this album. Frank Zappa is amazing at writing music.

The album:
No Not Now: Probably the worst on the album, but it is a good listen every once in a while (whenever I find the time to listen to the album all the way through). 3/5

Valley Girl: Frank Zappa's hit song. Insanely funny. I've heard that this song is where the term Valley Girl actually comes from. Wouldn't surprise me if Zappa had coined it. He was an extremely unique and influential guy. 5/5

I Come From Nowhere: The lyrics are decent (although the first stanza is excellent). The real star here is the music, which is excellent. 4.5/5

Drowning Witch: The star of the album. The lyrics are pretty good, but again, the music is what makes the song great. 5/5

Envelopes: Zappa can really write instrumentals. This is one of his best that I've heard so far. 5/5

Teen-Age Prostitute: A decent end to the album. It's kinda cute. 4/5

An excellent album put out by Zappa. 5/5

Metallica Ten Years Before.......2004-12-15

I always wished Zappa could have kept the sound and intensity he achieved in "Ship Arriving Too Late ..." for at least one more record.

The first song, "No Not Now" has ridiculously stupid lyrics and an excellent blues/doo-wop melody straight from "Cruising with Ruben and the Jets" welded to an infectious hardcore popping bass riff.

Valley Girl has one of the most crushing bass and guitar parts heard then or ever in semi-popular music. because moon zappa's vocal is so funny and off the wall it is easy to forget contemplating the weirdness of this song charting in the top 40 at the end of the 1970s with such a heavy and grinding musical chassis.

There is a very surfy California sound to this entire album, part in the rhythm, the guitar sound, bass sound, the drum sound, and the lyrics. In some ways the sound and attitude reminds me of California bands like Agent Orange and the Minutemen and the Dead Kennedys. It's a light and carefree sound but also deceptively serious. Because Frank Zappa was practically a southern California native, a desert rat Army brat from deep in the Mojave, I like to think that he had this sound in his skin and bones and on Ship Arriving Too Late ... it just oozed out of his pores.

"I Come From Nowhere" has always been one of my favorite Zappa songs. It fuses some of Frank's most aggressive speed metal rhythm and solo guitar playing, an astoundingly tight rhythm section, a completely insane vocal delivery with lyrics that are as funny and disturbing as "Who Are the Brain Police?"

The opening section of Frank's guitar solo is as violent a piece of music as can be found anywhere and his guitar tone rips your head off. Patrick O'Hearn's astounding bass playing takes the song into a whole different category.

It would take nearly a decade, until Metallica, before music this intense, abrasive and highly structured found any audience.

Side two of Ship Arriving Too Late is a 17 minute medley that defies description. Typical of Frank during this period, it contains a continental plate collision of loosely improvised and difficult, highly rehearsed music all performed live, with Steve Vai all over it on some of the weirdest and hardest live guitar parts ever recorded. Scott Thunes on bass deserves huge accolades for anchoring this bizarre concoction, as does drummer Chad Wackerman. This type of stuff shouldn't work but I love it. Frank sarcastically named a bunch of live CDs "You Can't Do This on Stage Anymore" but hearing this stuff I think he was just telling the truth.

"We're talking Lord God King BU-FU...".......2004-04-17

SATLTSADW is a short [34 min.] album introducing future-regular time-keepers Chad Wackerman and Scott Thunes; Wackerman plays drums throughout, and Thunes plays bass on four tracks. The album features both studio and live-material, and often both at once (yes, there are over-dubs). It's another album where Steve Vai is credited for "impossible guitar parts", which are performed in e.g. the instrumental composition "Envelopes", and in the heavy-metal-opera-like "Teen-Age Prostitute"; songs that give this album a lot of status, as does the guitar-solo on "Drowning Witch" - it proves that Zappa did right when deciding to keep this drummer and bassist together until the end of his rock'n'roll-band years.
Feminine voices dominate the album; Moon Zappa plays the part of the "Valley Girl" (a hilarious tune), and Lisa Popiel plays the part of the "Teen-Age Prostitute".
The album isn't a must, but is recommended to regular FZ fans, since it--with the exception of "Drowning Witch" and "Envelopes"--only features songs that cannot be heard on any other Zappa album. However, the versions of the two above mentioned tracks are here performed at their best.

Average customer rating:

DON'T BE A CHUMP . . . CHUMP
I had never heard of Van Morrison...
VM--live

It's Too Late to Stop Now
Van Morrison
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000E9M4
Release Date: 1990-10-25

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Ain't Nothin' You Can Do
Warm Love
Into the Mystic
These Dreams of You
I Believe to My Soul
I've Been Working
Help Me
Wild Children
Domino
I Just Want to Make Love to You

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Here Comes the Night
Gloria
Caravan
Cyprus Avenue

Customer Reviews:

DON'T BE A CHUMP . . . CHUMP.......2007-01-20

EXCELLENT ALBUM. I REMEMBER JAMMING TO IT IN 1980. BUT YOU GOTTA BE ON DRUGS, A DUFUS HALF-WIT, A RICH MAN, OR ALL THE ABOVE, TO PAY OVER 50 BIG ONES FOR A CD. IT'LL LIKELY BE REISSUED RELATIVELY SOON. LATERS.

I had never heard of Van Morrison..........2005-09-24

until the 8-track version of this concert turned up in my Buick in 1980. Simply put, this album is one of the best recorded live performances I've ever heard. The musicians are spot-on 100-percent of the time. Mr. Morrison chooses and performs his songs the enthusiasm and heart that is rarely matched by other artists. I can't pick a favorite song here...they seem to all blend so perfectly together. I've since acquired other Van Morrison recordings, but I keep coming back to "It's Too Late..." as the the best of the collection.

VM--live.......2004-11-11

If you liked the music from the moondance and the next several albums - and saw some of his live shows with the older more lively material (late 80's at ny avery fisher hall) - this is a great CD that includes the classic hits and a few of my favorites.. -

Average customer rating:

Songbird of the South
Kate Smith
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Release Date: 2003-01-21

Music:

Music

music