Flippin' the Bird With Treblemakers [Import]

flippin' the bird with treblemakers [import]

Track Listings
1. It Came from Uranus
2. High Voltage
3. Man With Mandibles
4. Titanic
5. It's in the Bag, Dad
6. Fast Faoud
7. Dark Eyes
8. Margaya
9. Annihulation
10. Yang Bu
11. Grudge
12. A-Rab
13. Impact Zone
14. Fist-Fight
15. Treble Stomp
16. Hearse

Flippin' the Bird With Treblemakers,Treblemakers,Gee Dee Records,Alternative Pop/Rock,Pop,Rock,Rock/Pop


Flippin' the Bird With Treblemakers [Import]
Si ji (Four Seasons)
Average customer rating: 5 out of 5 stars
  • Successful crossing over from East to West
  • One of the best solo guitar albums I have ever heard
  • Virtuoso playing and an unusual repetoire
Si ji (Four Seasons)

Manufacturer: Gsp Records
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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Similar Items:
  1. Romance de Amor
  2. Paul Galbraith: French Impressions
  3. Mel Bay presents Ana Vidovic: Guitar Virtuoso
  4. A Jug of Wine and Thou
  5. John Williams - The Seville Concert / John Williams, Paco Pena, Andres Segovia

ASIN: B000AXWHEY
Release Date: 2005-09-13

Tracks:

  1. Wang Huiran: Yi Dance
  2. He Luting: Shepherd Boy with Flute
  3. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Intonation
  4. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Long Out-stretched Pier with its Shadows
  5. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Wind on The Hill
  6. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Waiting for Guests
  7. Dietmar Ungerrank: Intonation & 4 Sound-and-Image Compositions - Land Circus
  8. Traditional - Heavenly Bird
  9. Tradional - Lantern Song
  10. Traditional - Mayila
  11. Evan Hirschelman: Meditation No.2
  12. Evan Hirshelman: Meditation No.1
  13. Stephen Goss: The Blue Kite
  14. Stephen Goss: Yellow Earth
  15. Stephen Goss: Farewell My Concubine
  16. Carlo Domeniconi: I Ching - 1 T'ai
  17. Carlo Domeniconi: I Ching - 3 Lin
  18. Carlo Domeniconi: I Ching - 4 T'ung len
  19. Carlo Domeniconi: I Ching - 5 Huan
  20. Carlo Domeniconi: I Ching - 6 K'uei
  21. Carlo Domeniconi: I Ching - 7 Chieh
  22. Stephen Funk Pearson: South China Sea Peace
  23. Thierry Rougier: Four Seasons - Spring
  24. Thierry Rougier: Four Seasons - Summer
  25. Thierry Rougier: Four Seasons - Autumn
  26. Thierry Rougier: Four Seasons - Winter

Customer Reviews:

5 out of 5 stars Successful crossing over from East to West.......2007-07-06

Nowadays many classical musicians move to 'cross-overs' between Western classics to exotic works, and Chinese musicians and composers pioneer in cross-overs from Chinese music to Western.
Alas, not all attempts are successful. Either there has not been enough nurturing in the Chinese repertoire, or the western playing style has not yet been fully developed.
Ms. Yang is a young classical guitarist. Gathering from what she said in her own introduction to this disc, she is a musician with a great ambition. It is true that the classical guitar may not have a substantial repertoire as other western instruments like the violin and piano. Hence drawing materials from other culture in a guitarist's repertoire is both a necessity and an endeavour.
A guitarist from Beijing, Ms. Yang is familiar with classical Chinese instruments like the gu qing, the zheng and the pipa. These ancient Chinese instruments are like the guitar- all are played by plucking strings set on wooden surfaces. So as Ms Yang herself noted - the guitar originated from the Middle East, a 'cross-over' area of Eastern and Western culture.
In many of the modern works recorded in this disc, Ms Yang played the guitar to the effect of those ancient Chinese instruments, and this is quite stunning. Her familiarity with the Eastern musical style is fully demonstrated, adding the requisite flavour of authenticity to her interpretation. There are a number of great compositions of the gu qing, the zheng as well as the pipa, and I truly look forward to Ms Yang's transcriptions of those to the guitar in due course.
A highly recommended recording for guitar players, guitar lovers and Chinese music fans alike.

5 out of 5 stars One of the best solo guitar albums I have ever heard.......2006-10-06

One of the most original CDs I've ever heard. This CD is full of incredible music. Yang XueFei plays with sensitivity, creativity and passion.
When I played this CD for my guitar teacher, he commented that it was rare for him not to have heard at least one piece on any particular classical guitar CD, yet all these pieces were new to him. Carlo Domeniconi (who wrote the masterpiece "Koyunbaba") has composed an outstanding suite based on the I Ching. The 3 pieces by Stephen Goss, which are based on Asian films, are themselves cinematic: "The Blue Kite" is a work of minimalist beauty. There are many other talented composers lending their gifts to this CD. Most of the selections are either composed for Yang Xuefei or are arrangements by her. All are inspired by Chinese culture and music. My favorite piece is "Long Outstretched Pier with its Shadow" (by Dietmar Ungerrank); it is elegantly written and the execution is sensual and rich.
Yang XueFei's technical agility, especially the right hand, (as in "Yi Dance") goes beyond that of her contemporaries. As impressive as this is, the passion she imbues into each work is what connects her to the songs and ultimately to the audience. Technique is there to help her express what is inside of her. It is as if the guitar is her lover. This just isn't a great guitar album; it is a great album period. Its emotional complexity deepens with each listening. Buy it!
I've also purchased "Romance de Amor" which is extremely good as well (listen to her version of "Requerdos de la Alhambra" as compared to one of her heroes, John Williams on "The Guitarist"), but "Si Ji" is totally unique. Don't miss it.
As an aside, If you do end up buying and enjoying this CD, you might listen to Lily Afshar. The influence of her Persian heritage is similar in effect to "Si Ji" by Yang XueFei. Both artists have breathed life into the modern repertoire of guitar music.

5 out of 5 stars Virtuoso playing and an unusual repetoire.......2005-10-26

I am a classical guitar student, and an over-the-top consumer. So I have a lot (many dozens) of classical guitar CDs. They are for the most part quite good, but they tend to blend. I might be able to distinguish Tennant's Rodrigo or Barrueco's Scarlatti, but too many guitarists play an awful lot of the same repetoire, and they play it quite similarly.

This CD is quite different. The pieces are all Asian in flavor and by composers I had never heard of. And they are quite beautiful. Ms. Yang appears to be quite young, so this could be the start of a long and interesting career. But at least one of the pieces was written for her, so she has already apparently developed a solid reputation.
The Edgar Winter Group With Rick Derringer
Average customer rating: 3 out of 5 stars
  • FINALLY on Compact Disc!
  • Swan song for the group
The Edgar Winter Group With Rick Derringer
Edgar Winter Group
Manufacturer: Wounded Bird Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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  1. They Only Come Out at Night/Shock Treatment
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ASIN: B000OPP9UW
Release Date: 2007-06-26

Tracks:

  1. Cool Dance
  2. People Music
  3. Good Shot
  4. Nothin' Good Comes Easy - The Edgar Winter Group
  5. Infinite Peace in Rhythm
  6. Paradise/Sides
  7. Diamond Eyes
  8. Modern Love
  9. Let's Do It Together Again
  10. Can't Tell One from the Other
  11. J.A.P. (Just Another Punk)
  12. Chainsaw - The Edgar Winter Group, Edgar Winter, The Edgar Winter Group, , The Edgar Winter Group, Edgar Winter, The Edgar Winter Group
  13. Chainsaw

Album Description

First time on CD reissue of the classic 1975 album from Blues/Rock keyboardist Edgar Winter and his band featuring the astounding guitar playing of Rick Derringer. This album reached #124 on the Billboard Pop Albums chart on its year of release. 13 tracks including 'Diamond Eyes' and 'Paradise'. Wounded Bird. 2007.

Customer Reviews:

4 out of 5 stars FINALLY on Compact Disc!.......2007-07-05

I am so happy to FINALLY see this released on CD! This album was one of my recommendations to Wounded Bird records after they re-released 1979's "The Edgar Winter Album" and 1981's "Standing On Rock". I note the other review of this album here calls it the "Swan Song" for the Edgar Winter Group - perhaps in name only.

Edgar's further releases, such as 1975's "Jasmine Nightdreams" also included Dan Hartman, Chuck Ruff & Rick Derringer, not to mention performances from his brother Johnny, but it was released as an Edgar Winter album, not The Edgar Winter Group. Following this album, he released albums as a solo artist.

This album was an excellent release. I don't agree that it's not on the same par with 'They Only Come Out At Night' and 'Shock Treatment', it's a completely type of album, different styles of music and writing and non-conceptual.

There are several great tunes on this album, including "Cool Dance", "People Music" [a staple of Edgar's], "Nothing Good Comes Easy", "Paradise/Sides", "Diamond Eyes", and the de rigueur synthesizer-based instrumental "Chainsaw".

I have ordered this already from Wounded Bird and am anxious to check out their remastering job. They did an INCREDIBLE job with The Edgar Winter Album and Standing on Rock. I've purchased several copies of this album on vinyl, but it does not transfer well to CD.

If you love the music of Edgar Winter, you will love this album. It was a bit overlooked upon its release. He wound up releasing two albums in 1975, this one, and "Jasmine Nightdreams", which is an absolute STELLAR album. If you enjoy the talent and virtuosity of Edgar Winter, this album definitely has a place in your collection.

2 out of 5 stars Swan song for the group.......2007-06-27

This was the third and final album for the Edgar Winter Group. After two very strong albums ("They Only Come Out At Night" and "Shock Treatment") this album was a disappointment. It was a commercial flop and the Group broke-up soon after its release. Unlike on previous albums, Rick Derringer does more than play lead guitar, he sings and writes songs. Unfortunately, his songs here are not that good. My favorite song is the Dan Hartman - Edgar Winter collaboration, "People Music". It is in a similar style as previous EWG hits like "Free Ride" and "Rivers Risin". "Diamond Eyes" and "Let's Do It Together Again" are ok, but probably would not have made it on either of the two previous albums (which could be said for most of the songs on this album). All-in-all, this was a weak swan song and is recommended only for avid EWG fans that have to have all 3 of their albums. After this, Dan Hartman would go on to a modestly successful solo career before passing away in 1994.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
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  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Classical Child at the Opera
Average customer rating: 5 out of 5 stars
  • Excellent teaching tool
  • I have only one complaint about this CD
  • What every kid (and parent needs!)
  • What's Opera Doc?
  • Lots of Fun Music
The Classical Child at the Opera

Manufacturer: Classical Child
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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GermanGerman | Languages | Opera & Vocal | Styles | Music
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GeneralGeneral | Children's Music | Indie Music | Stores | Music
CategoriesCategories | Toys & Games | Action Figures | Activities & Amusements | Arts & Crafts | Bikes, Skates & Ride-Ons | Construction, Blocks & Models | Dolls | Electronics for Kids | Games | Hobbies | Kids' Furniture & Room Décor | Learning & Education | Music | Party Supplies | Play Vehicles | Preschool | Pretend Play & Dress-up | Puzzles | Sports & Outdoor Play | Stuffed Animals & Toys | Toy Figures & Playsets
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  1. Pavarotti's Opera Made Easy-My Favourite Opera For Children
  2. World's Very Best Opera for Kids... in English!
  3. Classical Music for Children: A Toddler's Introduction to Classical Music
  4. Beethoven's Wig: Sing Along Symphonies
  5. Mozart's Magnificent Voyage

ASIN: B00000J29D
Release Date: 2001-05-04

Tracks:

  1. Children's March [From Carmen]
  2. Doll Song [From Tales of Hoffmann]
  3. Anvil Chorus [From II Trovatore]
  4. Bird Catcher Am I [From the Magice Flute]
  5. Papagena! Papagena! Papagena! [From The Magic Flute]
  6. Pa, Pa, Pa, Pa [From the Magice Flute]
  7. Flower Duet [From Lakm
  8. Largo Al Factotum [From the Barber of Seville]
  9. Three Little Maids from School [From the Mikado]
  10. Sun Whose Rays Are All Ablaze [From the Mikado]
  11. Tit-Willow [From the Mikado]
  12. Brother, Come Dance With Me [from Hansel and Gretel)
  13. I Am the Little Sandman [from Hansel and Gretel)
  14. Children's Prayer [from Hansel and Gretel)

Album Description

OPERA IS FOR EVERYONE and so, The Classical Child At the Opera was created to give children a taste of the magic, majesty and humor of this glorious art form. Well-known songs and arias have been selected that appeal to young sensibilities, while easy-to-follow English translations bring these delightful stories and characters to life. Care has been taken by the singers to present the music in a way that is light hearted and accessible sometimes gentle, sometimes raucous, but always positive and engaging.

Customer Reviews:

5 out of 5 stars Excellent teaching tool.......2006-05-10

I use this CD is my classroom for a wide variety of activities including art instruction for which it is ideally suited. It is hard to recommend this CD enough! Thanks for putting it together.

5 out of 5 stars I have only one complaint about this CD.......2006-04-16

My one complaint is that after I listen to this CD, the catchy tunes get stuck in my head! And then I want to keep listening to it more and more. I love the selections on this CD, the fact that the songs are in English (I always wondered what the "Figaro, Figaro, Figaro" song was about!), and that a little background is given to each piece as well.

5 out of 5 stars What every kid (and parent needs!).......2004-02-06

All I can say is my family LOVES this CD! We have a blast singing along, dancing, etc. It's made opera a new discovery for all of us.

3 out of 5 stars What's Opera Doc?.......2003-03-29

No, this isn't Bugs Bunny's version of opera. It is, however, an excellent introduction to opera, for young and old alike. The the translations to English are quite clever, and the singers' voices are, for the most part, excellent and clear (overly florid voices can be such a turn-off). Grant Doyle, the baritone, is a particular stand-out: rather than sing "at" you, he manages to convey humor and emotion in his parts... you can almost *see* the funny bird catcher, Papageno, in the three songs from Mozart's "Magic Flute", which happent to be my 5-year old's favorite tracks. Doyle's turn as Figaro in "Largo al Factorum" from "The Barber of Seville" is pure joy. The children's chorus in "The Children's March" from "Carmen" is also delightful, and Gabriella Santinelli's(?) voice as the doll from Offenbach's "Tales of Hoffman" is simply amazing.

As much as I enjoy this album, I question the inclusion of the last three songs, which come from "Hansel and Gretel". The voices on the songs are of the overly florid nature, and I can see my daughter lose interest. I think it would have been more interesting to include more "Carmen," or arias from other such popular operas "Rigoletto" or "Aida". Or if the album needed to end on a slower note, the overcoat song from "La Boheme."

IAC, I have caught my daughter humming bits and pieces from the operas. Even I have managed to amaze people by correctly identifying the Flower Duet from "Lakme"! I strongly recommend this album.

5 out of 5 stars Lots of Fun Music.......2002-11-29

Our baby seems to enjoy this operatic CD almost as much as her parents enjoy it. Maybe she doesn't even really hear it, but she does see her parents acting silly and singing along to the catchy opera songs. I think we'll be listening to this one for many years to come. You'll probably really enjoy this CD if you have an appreciation for opera already.
Beatles Baroque
Average customer rating: Not rated
    Beatles Baroque

    Manufacturer: Atma Classique
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    ASIN: B000056UP1
    Release Date: 2001-02-13

    Tracks:

    1. Eleanor Rigby
    2. Norwegian Wood
    3. Piggies
    4. Martha My Dear
    5. Yesterday
    6. The Fool On The Hill
    7. Lady Madonna
    8. Because
    9. She's Leaving Home
    10. Dear Prudence
    11. Good Day Sunshine
    12. Blackbird
    13. Penny Lane
    14. Mother Nature's Son
    15. Lucy In The Sky With Diamonds
    Florence Foster Jenkins & Friends: Murder on the High Cs
    Average customer rating: 3.5 out of 5 stars
    • Must be heard to be believed
    • This is the definitive FFJ!
    • Sounds Like A Vacuum Cleaner Ingesting An Owl
    • comedy classic
    • The "joke", never funny, is now painfully shabby
    Florence Foster Jenkins & Friends: Murder on the High Cs
    John Charles Thomas , John Charles Thomes , Robert Merrill , Alexander Kipnis , Ezio Pinza , Florence Foster Jenkins , Jack Barnett , Earl Cahn Sammy / Brent , Felicien David , and Leo Delibes
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

    WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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    Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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    ASIN: B0000AE7AO
    Release Date: 2003-09-23

    Tracks:

    1. Queen of the Night Aria [From The Magic Flute]
    2. Serenata Mexicana
    3. Musical Snuff Box
    4. Like a Bird
    5. Bell Song [Lakme Dub]
    6. Charmant Oiseau [Perle du Brl]
    7. Adele's Laughing Song [Die Fledermaus]
    8. Biassy [Prelude XVI]
    9. Valse Caressante
    10. Little Jack Horner - Alexander Kipnis
    11. Sing a Song of Sixpence - John Charles Thomas
    12. Blue Danube - Jimmy Dorsey & His Orchestra, Josephine Tumminia
    13. Little Old State of Texas - Ezio Pinza, The Sons of the Pioneers
    14. Fireman's Bride [Up in Central Park] - Jeanette MacDonald, Robert Merrill
    15. Song's Gotta Come from the Heart - Jimmy Durante, Helen Traubel
    16. Real Piano Player - Jimmy Durante, Helen Traubel
    17. Please Don't Say No [Thrill of a Romance] - Lauritz Melchior

    Customer Reviews:

    4 out of 5 stars Must be heard to be believed.......2006-04-09

    Even the brilliant Judy Kaye in the recent play "Souvenir" about Ms. Jenkins couldn't quite match the unique sound of this singer, although she came close. For those who like this sort of thing, this is the real thing. The sound on this Naxos CD is superior to RCA's "Glory of the Human Voice??" which covers most of the same territory. The Naxos CD also restores the piano intro to the Bell Song and the heretofore rare Valse Caressante of which only a few pressings are known to exist.

    That said, the rest of the (non-Florence) cuts are mostly forgettable. More kitch than camp. Annoying music abounds but the in the realm of the truly, stupendously awful Florence Foster Jenkins remains in a class by herself. No one can really compete with Ms. Jenkins on her own camp grounds and there is no sense in trying. The one exception being the sung "Blue Danube" with Josephine Tumminia and the Jimmy Dorsey orchestra which falls in the "what could they have been thinking?" department.

    Personally a little of this sort of thing goes a long way. The Faust Travesty on the RCA set holds a bit more interest (but not all that much). I think a more interesting compliation would consist of "straight" renderings of the various arias and pieces contrasted with Madame Florence's so the listener may fully savor what she achieves in these performances.

    Florence gets five stars but the rest of it gets a minus one, so it ends up with four.

    5 out of 5 stars This is the definitive FFJ!.......2005-01-09

    A fellow reviewer has not paid close attention to the contents of "Murder On The High C's": this release actually contains every recording that FFJ made. She recorded 9 arias and released them on 5 78's (the fifth, "Valse Caressante", was split), all of them gathered here for the first time. What this album omits from the previous cd release ("The Glory??? of the Human Voice") is the arias by an almost equally incompetent baritone. "Murder..." more than compensates for this with the inclusion of some unbelievably tragic recordings by artists who could actually sing but found themselves saddled with shockingly bad material; it's an absolute feast for those who love outsider music. The 'nursery rhyme' songs provoke bewilderment, the swing version of "Blue Danube" must be heard to be believed, and the excellent liner notes accurately describe Lauritz Melchior's valiant performance of "Please Don't Say No" as "the single worst recording of anything ever made by an opera star who should have known better". "Murder On The High C's" is an insanely delirious treasure.

    3 out of 5 stars Sounds Like A Vacuum Cleaner Ingesting An Owl.......2004-10-15

    Florence Foster Jenkins was a socialite who enjoyed singing in vast disproportion to her musical talent. This CD has some of her greatest works (so to speak) although the disc pales in comparison to her masterwork "The Glory (????) of Human Voice." (In fact several of the songs on this CD are available on that recording.) Particularly ear-shattering are "Musical Snuff Box" (watch out for that last note if you have pets, they will seriously dislike it), "Bell Song" which is essentially a series of a cappella pentatonic scales by and large, and finally the unique rendition of "Valse Caressante" (which was actually released as a single!) which will leave any listener in a near delirium.

    In short, these rare Jenkins masterworks are amazing and hilarious. I can't recommend them highly enough to anyone even mildly curious about outsider music. Why the three star rating? It is certainly not due to Florence's participation, rather due to the packaging. The cover boasts "Florence Foster Jenkins and Friends." Little will most people suspect that the "friends" make up about half of the CD, and are totally unrelated to Jenkins except for possessing no musical talent. Some of the songs are merely boring (like the Jimmy Durante selections), and some are quite laughably funny like the dreadful "The Fireman's Bride," and "Please Don't Say No." Finally there is the real puzzler from the "what were they thinking?" file, "Little Jack Horner," an operatic retelling of the classic children's tale. The other reason I only give this disc three stars is because four of the nine Jenkins' songs are available on "The Glory (????) of Human Voice." I had expected different material on this CD.

    The bottom line is that this CD is for Florence Foster Jenkins completists. (Ponder that.) People who want more exposure to Florence should buy her delightful "The Glory (????) of Human Voice," which I can't recommend highly enough.

    5 out of 5 stars comedy classic.......2004-05-27

    In the summer of 2003, I had the luck of hearing Florence's recordings. Even though no one is quite sure whether she meant to be funny or not, listening to her cds always puts me in the best mood. Hearing her try to reach those high notes and missing terribly is the funniest thing in the world!! My family and I love Florence!!!

    1 out of 5 stars The "joke", never funny, is now painfully shabby.......2004-03-07

    It is sad that a person who apparently had too much money and time to waste could have done so in preserving for an unsuspecting posterity such awful sounds. The so-called friends who flocked by invitation to her concert to relish an event of mockery were at least as much to blame as the poor woman herself for having encouraged such eccentric egocentricity.

    The whole matter stinks of making fun of a person afflicted by illness. What a cruel species we were - and still are.
    Moondog 1 & 2
    Average customer rating: 5 out of 5 stars
    • This needs a more articulate review...
    • happy music
    Moondog 1 & 2
    Moondog
    Manufacturer: Beat Goes On
    ProductGroup: Music
    Binding: Audio CD

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    1. Moondog
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    3. The German Years 1977-1999
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    5. Rare Material

    ASIN: B00004YU0K
    Release Date: 2000-11-06

    Tracks:

    1. Theme
    2. Stamping Ground
    3. Symphonique No. 3 (Ode to Venus)
    4. Symphonique No. 6 (Good for Goodie)
    5. Minisym No. 1
    6. Lament, No. 1
    7. Witch of Endor
    8. Symphonique No. 1 (Portrait of a Monarch)
    9. Bells Are Ringing
    10. Voices of Spring
    11. What's the Most Exciting Thing
    12. All Is Loneliness
    13. My Tiny Butterfly
    14. Why Spend a Dark Night With Me
    15. Coffee Beans
    16. Down Is Up
    17. Be a Hobo
    18. Remember
    19. I Love You
    20. Nero's Expedition
    21. No, The Wheel Was Never Invented
    22. With My Wealth
    23. This Student of Life
    24. Some Trust All
    25. Wine, Women and Song
    26. Sadness
    27. Maybe
    28. Each Today Is Yesterday's Tomorrow
    29. Imagine
    30. You the Vandal
    31. Trees Against the Sky
    32. Behold
    33. Sparrow
    34. Pastoral

    Customer Reviews:

    5 out of 5 stars This needs a more articulate review..........2005-12-10

    To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

    5 out of 5 stars happy music.......2002-12-28

    Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
    Paris, 27/12/02 France
    Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
    Average customer rating: 5 out of 5 stars
    • Great CD
    • Simply the Best
    • Inconsistent, but mostly excellent
    • "Celebration" is not strong enough a word
    • A maginificent evening, a magnificent album
    Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
    Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
    Manufacturer: RCA Victor Broadway
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Side By Side By Sondheim (1976 Original London Cast)
    2. Sondheim Evening: A Musical Tribute (1973 Concert Cast)
    3. Send in the Clowns: The Ballads of Stephen Sondheim
    4. Sondheim - A Celebration at Carnegie Hall
    5. Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

    ASIN: B000003FDW
    Release Date: 1993-02-23

    Tracks:

    1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
    2. Evening Introduction--Bill Irwin
    3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
    4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
    5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
    6. Being Alive--Patti LuPone
    7. Good Thing Going--The Tonics
    8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
    9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
    10. Anyone Can Whistle--Billy Stritch
    11. Water Under the Bridge--Liza Minnellli, Billy Stritch
    12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

    Tracks:

    1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
    2. Sooner or Later--Karen Ziemba
    3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
    4. Green Finch and Linnet Bird--Harolyn Blackwell
    5. The Ballad of Booth--Patrick Cassidy, Victor Garber
    6. Broadway Baby--Daisy Eagan
    7. I Never Do Anything Twice--BETTY
    8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
    9. Not a Day Goes By--Bernadette Peters
    10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
    11. Send in the Clowns--Glenn Close
    12. Old Friends--Liza Minnelli
    13. Sunday--Bernadette Peters, Broadway Chorus

    Customer Reviews:

    4 out of 5 stars Great CD.......2006-08-06

    This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

    5 out of 5 stars Simply the Best.......2005-06-29

    First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

    In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

    In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

    If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

    4 out of 5 stars Inconsistent, but mostly excellent.......2004-03-21

    I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

    5 out of 5 stars "Celebration" is not strong enough a word.......2003-04-30

    This review is by Crosley.

    I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

    There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

    I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

    5 out of 5 stars A maginificent evening, a magnificent album.......2001-12-16

    There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

    This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

    My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
    Dances with Wolves: Original Motion Picture Soundtrack [SACD]
    Average customer rating: 4 out of 5 stars
    • The movie it ain't!
    • Dances With Wolves
    • Dances With Wolves Soundtrack
    • not all SACD are surround
    • SACD, but NO surround sound
    Dances with Wolves: Original Motion Picture Soundtrack [SACD]

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00004THDI
    Release Date: 2000-02-22

    Tracks:

    1. Main Title - Looks Like a Suicide
    2. John Dunbar Theme
    3. Journey to Fort Sedgewick
    4. Ride to Fort Hays
    5. Death of Timmons
    6. Two Socks - The Wolf Theme
    7. Pawnee Attack
    8. Kicking Bird's Gift
    9. Journey to the Buffalo Killing Ground
    10. Buffalo Hunt
    11. Stands With a Fist Remembers
    12. Love Theme
    13. John Dunbar Theme
    14. Two Socks at Play
    15. Death of Cisco
    16. Rescue of Dances With Wolves
    17. Loss of the Journal/The Return to Winter Camp
    18. Farewell and End Title

    Customer Reviews:

    1 out of 5 stars The movie it ain't!.......2007-06-21

    I purchased this SACD after reading the glowing reviews and was disappointed when I listened to the recording. Despite being the soundtrack to a VERY LONG film, there was very little contrast in the 18 offerings on the disc. Unlike numerous classical SACDs that have greatly moved me, "Dances With Wolves" merely lulled me to sleep.

    5 out of 5 stars Dances With Wolves.......2006-03-03

    this wonderfull score is the bast score of all time. You must have this score in your movie music collection.

    5 out of 5 stars Dances With Wolves Soundtrack.......2005-09-23

    This is beautiful haunting music. One of the best all-time movie scores.

    5 out of 5 stars not all SACD are surround.......2005-05-05

    I just wanted to let everyone know who read that review that he doesnt know what he is talking about. Yes this is a STEREO only SACD. SACD was first made only in stereo. There was no surround or hybrid SACD. And if you listen to SACD dont buy the regular CD this will blow it away.Im not trying to be mean just stating the facts. Ive been listining to SACD since 1999 when sony released this format and when I heard Billy Joel I was hooked. Have fun and buy them all because Sony is thinking of not doing SACD anymore and that would be awful.

    2 out of 5 stars SACD, but NO surround sound.......2005-02-13

    Very nice music - nothing wrong with that.
    But.... this is a stereo CD. It has SACD written all over it and my new Denon DVD-3910 DVD player does recognise this as an SACD, but it only has 2 channels, instead of 5.1. I do own several other SACD's and these DO play 5.1 channel. Very strange....
    So perhaps it's smarter to order the Stereo CD, the one with the special bonus tracks (Dances with Wolves (Special Extended Edition).
    Living with the Animals
    Average customer rating: 4.5 out of 5 stars
    • Retiring my vinyl
    • HAPPY DAYS ITS HERE AT LAST
    • An Old Slice of Life, Started My love of Blues
    • Excellent cd
    • Underrecognized gem
    Living with the Animals
    Mother Earth
    Manufacturer: Wounded Bird Records
    ProductGroup: Music
    Binding: Audio CD

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    1. Make a Joyful Noise
    2. Mother Earth
    3. Bring Me Home
    4. Joy of Cooking
    5. The Best of Tracy Nelson & Mother Earth

    ASIN: B00061XA0U
    Release Date: 2004-10-12

    Tracks:

    1. Marvel Group
    2. Mother Earth
    3. I Did My Part
    4. Living With the Animals
    5. Down So Low
    6. Cry On
    7. It Won't Be Long
    8. My Love Will Never Die
    9. Goodnight Nelba Grebe, The Telephone Company Has Cut Us Off
    10. Kingdom of Heaven (Is Within You)

    Customer Reviews:

    5 out of 5 stars Retiring my vinyl.......2005-12-17

    One of the best and most overlooked albums of it's era - my old LP copy is sitting here in front of me as i write this and it has traveled the country with me since i bought it new in 1970. By the way, whatever DID happen to R.P. St.John?

    5 out of 5 stars HAPPY DAYS ITS HERE AT LAST.......2005-09-13

    Without a doubt one of the BEST albums from the era. Long lost and now putting to shame anything currently out there. I love thus album.
    Its got it all

    5 out of 5 stars An Old Slice of Life, Started My love of Blues.......2005-08-23

    As some of you know from my other reviews I am a tool columnist and writer but I am a song writer also, plus I play Blues Guitar. Early in my teens I was listening to some pirate radio in the SF Bay area and heard this album the first time it played on air. I haunted every record shop for miles around and finally ordered it from a more that hip shop in Palo Alto CA. Those vocals of Tracy and that imaginative Marvel song that should be in every new Comic book remake movie were haunting. I lost the album to a thief in the late 1980's and I only had a very old tape I made of it that had been played too many times.

    What a Joy to have the Album again, I had tears of joy listening to Tracy belt out Mother Earth. Since that Album I have seen Tracy perform live many times and I bought her newer albums like I was addicted to her voice. More than any other blues performer, Tracy made me practice my blues guitar solos and sing. Now that album that started my love of blues is back in my arms. Sure I heard a lot of the Delta blues greats but Tracy made me fall in love with her voice and persona.. If I were given a choice of meeting Eric Clapton, B.B. King or Tracy Nelson I would choose Tracey Nelson hands down. Tracy has some very good other albums but this Album changed my life forever so as far as I am concerned it is my number one album.

    If you are looking for perfection then this Album may disappoint you but if you are looking for a model record that changed the way white America looked at the Blues art form then this stands as a testament to that change. I finally have my album back that I missed and mourned for, for years. After all these years I can play Blues and sing some of the classic blues songs but not without Tracy there by my side pushing me on. Thank you for releasing this on CD, I am a teenager again and more in love with the blues than ever.

    John Cupp

    5 out of 5 stars Excellent cd.......2005-08-21

    Quick delivery and the cd is all that I had hoped .... straight from the past

    4 out of 5 stars Underrecognized gem.......2005-08-10

    While the best tracks do appear on the "Best of Tracy Nelson and MotherEarth" CD, it is great, as another reviewer said, to have the whole enchilada. Great songs, arrangements, playing, singing....a joy to have it back.

    Music:

    1. Flying in & Out of Stardom [Original recording remastered]
    2. Forever Rock 1
    3. Giant [Import]
    4. Golden Collection [Box set] [Import]
    5. Golden Collection [Original recording remastered] [Import]
    6. Good Life Ep
    7. Greatest Hits 86-97
    8. Hep to the Beat [Import]
    9. Here Comes My Baby: The Ultimate Collection [Original recording remastered]
    10. Hot on the Highway [Box set]

    Music

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