This Is This

this is this

Track Listings

1. No Mercy

2. Don't Hold Me Back

3. Teach Me What You Know

4. Till the End of Time

5. This Won't Change

6. Into Your Dreams

7. Till It Is Over

8. Don't Give Up on Love

9. Cross Lines

10. This Is This

This Is This,The Buff Medways,Vinyl Japan,Garage Rock Revival,Pop,Punk Revival,Rock

This Is This

Average customer rating:

Great Retro debut from really talented singer
Whatever 'school' you put him in, Ryan Shaw's definitely head of the class
True Soul - Not New Soul
deja vu
You'll Be Rocked With This One

This Is Ryan Shaw
Ryan Shaw
Manufacturer: One Haven / RED / Columbia
ProductGroup: Music
Binding: Audio CD

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Back to Black
We'll Never Turn Back
Breakfast in Bed
Introducing Joss Stone
The Phenomenal Ruthie Foster

ASIN: B000NJXBYA
Release Date: 2007-04-17

Tracks:

Do the 45
We Got Love
Nobody
I Am Your Man
Working on a Building of Love
I Found a Love
I Do the Jerk
Lookin' for a Love
I'll Always Love You
I'll Be Satisfied
Mish Mash Soul
Over & Done

Amazon.com

Just when you thought the 21st century retro-R&B revolution was grinding to a sunken-hearted halt, Ryan Shaw comes along and revives the revivalist moment: This Is Ryan Shaw, the 26-year-old's phenomenal debut, dazzles not just because he can sing a song like Bobby Womack's "Lookin' for a Love" without letting the rear-view mirror leach him of his own soul, but because his originals--first single "Nobody," "We Got Love," and set closer "Over and Done"--convincingly replicate the classic sound of such forebears as Otis Redding, Sam Cooke, and Wilson Pickett. Here's a man who can plead, please, and play out love-struck dramas with his voice as though the '60s never ended; if his sound borrows heavily, it pays back what it owes with genuine contributions to the genre. Shaw's is real R&B without the raunch--a return to uplift too self-respecting and sincere to land on the retread pile. --Tammy La Gorce

Customer Reviews:

Great Retro debut from really talented singer.......2007-07-12

Ryan Shaw has a great voice, a really great voice, similar to Terence Trent D'Arby without all his dramatic attitude and he sounds like he's actually having fun. He clearly loves the genre of old school R&B, Motown, and Soul and could hold his own among all but Otis, Stevie, Marvin, and James Brown. The majority of the songs however are too retro for my taste. They have that late fifties, early sixties simplicity that's full of energy but offer nothing you haven't heard before on a Time Life commercial for oldies compilations and the arrangements offer nothing new like Joss Stone's latest does.

That said, the songs "Nobody" and "We Got Love" are unbelievably good and worth the price of the disc alone. I've been playing them constantly. In another era they'd garner him instant stardom. They may even do that now.

Whatever 'school' you put him in, Ryan Shaw's definitely head of the class.......2007-07-10

What a voice. The first time I heard "Nobody" I thought I was on an oldies station. Ryan Shaw can belt the lyrics out with more soul than I've heard in a long time. He does make me think of Sam Cooke or Otis Redding, but honestly--he's himself and that's way beyond fine with me.

Shaw clearly demonstrates the old adage of RESPECT as well. There's no explicit language or situations that would prevent an Old School grandparent from introducing the kids to this music.

True Soul - Not New Soul.......2007-07-06

From the blog [...]:
Want some new music that's not filled with "B*&%$ and H@$"? You've got to check this young man out! Ryan Shaw is a 26 year old from Decatur, GA that will take you back to the days of sweet soul music with Otis Redding, Wilson Pickett, and Sam Cooke. Great voice and slammin' retro tunes. I'm hoping he gets the air play he deserves on the so-called 'urban' stations.

The cd is a stable, midranger - a few new tunes by the artist, familiar standby's from Bobby Womack and Otis Redding. Right now I'm listening to Nobody, It's Over, and We Got Love. Sweet. Check him out, he's touring this summer with Joss Stone.
Now when you've finished checking this out, go tell yo' momma AND your daughter!

deja vu.......2007-06-28

You will think you've traveled back to 60's Motown with this disc, but it's well worth it! Don't play it while driving, as all you will want to do is DANCE!!!

You'll Be Rocked With This One.......2007-06-27

This young man is awesome! I first heard him sing live on Whoopi's radio program. I couldn't get online fast enough to order this CD. And I have been playing it everyday since then! Ryan Shaw reminds me of legends like Jackie Wilson, Otis Redding and Muddy Waters. Just imagine a mixture of the three sprinkled with some Anthony Hamilton!!! This 26 old can sing anything!! Thank you Whoopi! Ryan Shaw has this person as a fan for life. Keep up the excellent work, your heart in gift, and feet on the ground.

Average customer rating:

Harry Potter moves on.. and so does the music
The Magic is Gone
Atmospheric...But That's About All
Musically Spellbinding
Wonderful as always

Harry Potter & the Goblet of Fire

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Harry Potter & the Prisoner of Azkaban
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Harry Potter and the Goblet of Fire (Two-Disc Special Edition) (Harry Potter 4)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

ASIN: B000BGH22W
Release Date: 2005-11-15

Tracks:

Story Continues
Frank Dies
Quidditch World Cup
Dark Mark
Foreign Visitors Arrive
Goblet of Fire
Rita Skeeter
Sirius Fire
Harry Sees Dragons
Golden Egg
Neville's Waltz
Harry in Winter
Potter Waltz
Underwater Secrets
Black Lake
Hogwarts' March
Maze
Voldemort
Death of Cedric
Another Year Ends
Hogwarts Hymn
Do the Hippogriff
This Is The Night
Magic Works

Amazon.com

Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth Vincentelli

Album Description

Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.

Customer Reviews:

Harry Potter moves on.. and so does the music.......2007-05-23

As a collector of movie soundtracks, it was unthinkable not to get this fourth album of the Harry Potter series. After reading the mixed reviews, I was apprehensive as to whether it would sit on my shelf collecting dust or get a good workout in the CD player.

I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.

As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?

I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.

So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!

The Magic is Gone.......2007-05-10

John Williams is not simply a hard act to follow...he's THE hard act to follow. Nonetheless this score falls far short. There was once magic in the land of Hogwarts.. themes were stated boldly and elevated the story, flurries of woodwinds nurtured scenes of flight. Doyle's score does dare to quote William's melodies at 3 points in this score. They are harmonized poorly and treated even worse. The rest of the score just goes downhill from here. He does introduce his own new "themes." These are presented as boring quarter note string lines that you can't seem to remember 10 seconds after you hear them. The rest of the scoreat it's best is a prime example of dated cliches. The dialogue scenes are overly sappy and the action scenes become hokey in an almost silent film music stlye. Watch the graveyard scene again and laugh, check out the dance scene where characters get lifted in the air as simple scales comically mirror their moves. The most common reaction to the music after viewing the film is "I don't really remember it as being good or bad." If you go back and watch it again I think you story will change. The magic is gone.

Atmospheric...But That's About All.......2007-03-31

One of the joys for me of the John Williams "Harry Potter" scores are the lush, melodic leitmotifs. On "The Chamber of Secrets" album alone there are wonderful themes for Fawkes, Dobby and Gilderoy Lockhart, not to mention Colin, Hedwig and The Flying Car. They're charming, evocative pieces that stand alone apart from the moodier, more percussive tracks composed to accompany the actual movie. Unfortunately, there's nothing that even comes close to these in Doyle's "Goblet of Fire" score. There's certainly drama ("The Maze") and pathos ("Death of Cedric"), but nothing thematic that you'd want to hear over and over again. And what themes there are ("Neville's Waltz" for instance) I find woefully banal. (And don't get me started on the acid rock songs that close the album.) So this is a true movie score in the sense that it's pretty much all background music; it certainly creates atmosphere and serves as a reminder of the film's superlative visuals. But what works well in the theater doesn't translate very well for the home audio listener.

Musically Spellbinding.......2007-01-09

This album is a must for an Harry Potter fan, both young and old, from the mild to the extreme. I also recommend the entire collection of soundtracks to the movies. Each one is full of calm, soothing melodies we have come to enjoy from Harry Potter.

Wonderful as always.......2007-01-04

It is easy to become totally absorbed in this rendition. Believable voices.

Average customer rating:

The most overrated album of the 21st century so far
fun
You need to hear this. The songs make it a true classic.
A Classic Album
Fun, fast and punchy - 4.5 stars

Is This It
The Strokes
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005QIPH
Release Date: 2001-10-09

Tracks:

Is This It
The Modern Age
Soma
Barely Legal
Someday
Alone, Together
Last Nite
Hard To Explain
When It Started
Trying Your Luck
Take It Or Leave It

Amazon.com's Best of 2001

With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Is This It. On the strength of just five songs released on two singles, the Strokes were being hailed as everything from the saviors of rock & roll to the Savior himself. Surely, few bands could live up to the impossibly high standards set for this young five-piece, but the band needn't have worried: Is This It is one of the most exciting and energetic debut albums to spring from New York's long-dormant club scene. In fact, the Strokes are a New York City band through and through; like the Velvet Underground, these are a bunch of uptown artsy types elegantly slumming downtown to the tried and tested themes of sex, drugs, and rock & roll. Their singer-songwriter, the fantastically named Julian Casablancas, delivers his lyrics with a weary nonchalance that belies his age on songs like the title track, "Soma," "Hard to Explain," and the altogether wonderful "Barely Legal." And the band recalls the likes of Television and the Stooges on "Last Nite" and "The Modern Age." Let's hope this sexy, stylish, and undeniably cool band is the future of rock & roll. --Robert Burrow

Customer Reviews:

The most overrated album of the 21st century so far.......2007-06-24

This is mediocre rock'n'roll. Nothing particularly great about it in any way. It will remain one of the mysteries of live how this group and this album got so hyped up. (I've never seen them live, maybe their live shows have got something that NYC critics picked up on. But on the basis of this recording?? Feh!)

fun.......2007-06-11

intitially i wasn't quite sure about these guys but as as an old rocker and surf bum, i really lke they're music. yup, these guys probably ripped off someone, somewhere but you know what? who doesn't to some degree and for what it's worth they are totally fun and their tunes just click. i read one reviewer who said they ripped off high strung and i even went so far to get the high strung cd and yes it is very similar but nowhere near as good.

You need to hear this. The songs make it a true classic. .......2007-06-07

When this album came out in the Fall of 2001, it hit my friends and I like a sledgehammer. We found ourselves endlessly trying to come up with analogies to describe the sound, and we could never quite do it. All of my friends, who had tastes ranging from punk to indie rock to radio pop, loved this record. The songs were simply that memorable and that good. Unfortunately, the Strokes were largely dismissed as an image band or a hipster band. Even worse, their follow-up albums honestly weren't as good. Still, this thing still puts a smile on my face every time. I rank it as high as any classic album ever made.

A Classic Album.......2007-05-30

I bought this album a little over a year ago, and I've probably listened to it over 200 times since then -- seriously. I realize that I'm way late to the party, but I wasn't paying much attention to the music scene back in 2001 and I lived in California.

I certainly wasn't aware of all the hype surrounding the Strokes -- their look, alleged influences, "importance to rock music," etc. All I knew was their hit, "Last Night," and remember thinking: "that's a catchy tune, but it seems to me that the singer is trying to sing like Lou Reed on "Rock 'n Roll" and the guitarist stole the riff from Tom Petty's "American Girl." The video from the same song reminded me of the High School bands that I remember seeing back in the early-to-mid '80s.

I kind of liked it, but just sort of forgot about the Strokes. It seems that along the way a lot of others have forgotten about the Strokes, too, which I mostly blame on the Strokes, themselves. But I'll get to that later.

But first, since becoming an "Is this It" devotee and diving back into the music scene, I've concluded that the Strokes were terribly misunderstood back in 2001. I think part of it has to do with how important a "rock scene" is to critics -- how is shapes their views of The Velvet Underground, Sonic Youth, Television, etc. I think critics back in 2001 wanted very badly for the Strokes to be a second coming of SOME NY band that came out any of the oft-noted NY rock scenes of the past. Some just fabricated the connections and praised them for it; others realized this wasn't the case and slagged them as poseurs.

To name some examples: I think that the comparisons to Television and The Stooges border on ludicrous. Comparisons to The Velvet Underground are valid, but mostly insofar as they relate to the similarity between Julian Casablancas' vocals and Lou Reed's on "Rock 'n Roll" and "Head Held High" (off the Loaded album). Frankly, in addition to the above-mentioned Tom Petty riff, some of the stuff from Joy Division and the Cure sound closer to the Strokes' sound than these other bands. Heck, I think I heard the Repitilia opening riff on Belle & Sebastian's "Judy Dick Slap."

But that's neither here nor there, because what I've learned from listening to a bunch of current bands that I like -- The White Stripes, The Raconteurs, The Shins, Spoon, Of Montreal, etc. -- is that that they ALL lift riffs, melodies, etc. from others. Heck, even Radiohead, on their epic OK, Computer, sounds an awful like Pink Floyd, the Smiths, and even Rush, in parts. So, yes, the Strokes might have clipped together sound fragments they liked, but they did it artfully (unlike, say, Oasis, who I like, but don't love partly for this reason), in my opinion, like many other excellent bands do.

The important thing here is the songs -- and the songs on this album are all great -- not "epic", but extremely catchy and unique. Unless I'm completely out of touch -- and that's a distinct possibility -- if I were in college today, "Is this It" would be one of the first and last records I would go to if I had a little party going on in my dorm room.

If someone wants to argue that the songs are "slight," OK, I'll buy it. If someone wants to say that there are roughly two songs here -- one more "Rock 'n Roll" and the other more "New Wavey" -- played five different ways each, I'll buy that, too. Finally, if someone wants to say that the band, itself, doesn't show true "virtuosity" as musicians or that the record, itself, didn't push new musical boundaries, like, say, "Sgt. Pepper," "Dark Side of the Moon," "OK Computer," etc., fair enough.

Except in the case of Julian Casablancas, who delivers the finest vocals on this record as almost any you'll ever hear since Kurt Cobain on Nevermind or Tom Yorke on OK, Computer. Some describe Casablancas' vocals as "listless" or "bored," but this only tells a small part of the story. Yes, at times he does sound bored, but then oftentimes, he'll go from bored, to growling, to outright shouting. Just check out "The Modern Age," "Last Night," "Take it or Leave it," well almost every song. One could argue that Casablancas' vocals are aided by a megaphone-like distortion; I don't disagree, but that doesn't change how effective they are for me. IIf all you did was focus carefully on Casablancas' vocals, I think there's a chance you'd become as hooked on this record as I have.

In fact, I urge you to do just that.

And on the note of production, I think the band and Gordon Raphael made a brilliant decision to make the album "sound" as retro as it does. The Strokes asked Raphael to produce a record which sounded like it was a band from the future returning to the past -- and he did. This album sounds, in style and substance, like it could have served as the soundtrack to "Fast Times at Ridgemont High."

Unfortunately, the Strokes haven't been productive, recording-wise, since "Is this It," coming out with only two records -- the good-but-not-great "Room on Fire" and "First Impressions of Earth" -- in the nearly-six years since then, and unlikely to produce another until at least 2008. And that's a shame.

Just imagine if we were sitting here, say, in 1989, and R.E.M. had only "Murmur," "Fables of the Reconstruction" and "Green" to show for themselves; or in 1970 and the Beatles had only made a "Please Please Me/With the Beatles" combo, "Beatles for Sale" and "Let It Be." [No, I am not saying that the Strokes are in the same class as either band, especially the Beatles]. They'd each have done some great stuff and some good stuff, but would have also missed out on producing almost two-handfuls of classic albums between them.

The Strokes SHOULD have come out with an album between "Is This It" and "Room on Fire;" they SHOULD have come out with TWO albums between "Room on Fire" and "First Impressions of Earth." Heck, I'd argue that they maybe they SHOULD have come out with an album since "First Impressions of Earth." Then, maybe, we'd have another classic Strokes' album or two to enjoy, in addition to the one we have with "Is this It."

Fun, fast and punchy - 4.5 stars.......2007-05-13

I remember getting this back in 2001 when everyone and their dog were stumbling all over themselves proclaiming The Strokes saviors and future of rock and the best thing since sliced bread. Unfair as it may be, all that hideous overexposure and ubiquity only served to set me against The Strokes because personally I just couldn't see what the fuss was about. Now that the hype around the band has dimmed and the music press are busy pushing other fresh new things into the spotlight, I could finally enjoy "Is This It" for what it is, a highly enjoyable collection of energetic, catchy guitar songs that borrow heavily from the rock'n'roll past - Television, Stooges - but still manage to sound modern and fresh. The album does start to suffer from sameness by the end especially when it comes to Julian Casablancas' monotone slacker delivery, but it's not much of a problem since "Is This It" wraps itself neatly in just over 35 minutes. Original? No, just like 99.9999% bands (some of them great) out there. Fun to tap your foot to? Heck yeah.

Average customer rating:

sound quality not good
a suggestion
A Classic----Everybody Knows
an absolute rock and roll classic.
excellent early record

Everybody Knows This Is Nowhere
Neil Young & Crazy Horse
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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After The Gold Rush
Harvest
Neil Young
Zuma
Tonight's the Night

ASIN: B000002KD7
Release Date: 1990-10-25

Tracks:

Cinnamon Girl
Everybody Knows This Is Nowhere
Round And Round (It Won't Be Long)
Down By The River
The Losing (When You're On)
Running Dry (Requiem For The Rockets)
Cowgirl In The Sand

Amazon.com

Opening with the methodical, hard-rocking "Cinnamon Girl"--still one of the singer-songwriter's most-hollered requests in concert--Young's second solo album introduces the cockeyed harmonies and sloppy, chiming guitars of Crazy Horse. His wide swings from soft-spoken country-folk ("Round & Round [It Won't Be Long]") to menacing metal (the punch line to "Down by the River" is "I shot my baby") indicate the multiple personalities in Young's future. His second album of 1969 broadcasts a sincere passion for the peace-and-love '60s (dig the long guitar solos) but also predicts the dark introspection of "Tonight's the Night." --Steve Knopper

Customer Reviews:

sound quality not good.......2007-06-12

The sound quality did not sound as good as my old album.

a suggestion.......2007-05-30

You know what i think would be great?
If they gave this album one of those "Deluxe Edition" jobs like they've
done with so many others such as the first Weezer album and Blind Faith and on and on. Out-takes,demo's,alternate takes/mix's....it would all be catnip to the millions who love this album.
Actually, now that i think of it....if a "Deluxe Edition" job isn't possible, they could make a nice pairing of this along with the Neil and Crazy Horse at The Fillmore 1970 CD. That would be pretty deluxe!

A Classic----Everybody Knows.......2007-05-14

While sniffing around in the wine cellar, I looked into my considerable archive of music and this one, inexplicably, shuffled it's way off the shelf into my bony hands. Some people say that it's Universal Force and Enlightenment that did it. I suspect Guido from the empty bottles. In any event- it is an excellent choice.
What can one say about this album? Neil Young expanded beyond Buffalo Springfield with this one and, I think, came into his own as a considerable artist in his own right. With Crazy Horse, he examined and extended his creativity with pastoral landscapes, jagged-edged cliffs, outerworldly musings, and just plain country meets city sensibility. Not that it always makes sense, but that people is the magic of music. Interpretation is up to you, not the artist.
Even now, I am awed by the consistency Neil displays so early in his solo career. We are never relaxed, for one moment, that the sequence of songs will resemble sameness in any shape or form. It begins with "Cinnamon Girl" which, in some way, reveals the dilemma that many young people have a problem with. That is the in-between phase of being a child and adult. He wants to spend his life with her, but then again, "Ma, send me money". The need to be free but not quite there yet. This theme reveals itself in many of his tunes. It is a slow rocker but with such a memorable riff. Next up "Everybody Knows", a jumpy, sprightly groove that, again, reveals where he's at - between a dream and reality- essentially nowhere.
"Round and Round" is a slow acoustic sadness that, I feel at least, is about loss. A loss of yourself? Or perhaps someone close. "Down By the River", aside from allowing Neil to stretch his jagged lead guitar, proposes another dilemma for the astute listener. The protagonist is lead to possibilities with this woman - but is her non-compliance a reason to shoot her? Down by the River? An enigmatic song at best and I dare not ask Neil the meaning.
We then get to "The Losing End" which reveals an easy-going country groove with some electric guitars helping it along. The theme? Good ol' country heartache. A mainstay in that genre - now and always. The mood then changes, into some outerworldly, ethereal regret and deception. This song reveals a darkness of the mind, and this is brought forth so effectively with the inclusion of violins. An eerie offering, but so very different.
"Cowgirl in the Sand", I think, is one of Neil's most potent songs. It can be taken on many levels. It is hard drivin' (but, it takes on a whole new perspective if you heard him do the acoustic version). Neil pleads with her to stay in her company. But, her place of command is the desert. Desolation. And, this song tries, desperately, to make her see her worth. Neil knows she is a beauty. She feels she is "purple words on a gray background". I feel that this song is an aching plea. It also allows Neil to experiment with lead guitar breaks, gritty and rough and insistent on it's purpose. In all, a brilliant conclusion to a brilliant album.
This album (plus the next two- After the Gold Rush and Harvest) complete the superb triumvirate of Neil's early career. As we know now, he was to go on to more creative terrain. Some of it successful, some of it not so. In any event, plain and simple, he is an amazing artist and, I think, one of the greats in popular music.
This one is definitely a classic and well worth the investment.
Now - if only Guido would replenish my bottles!

Your personal roadmap to reflection and music of worth--Metamorpho

an absolute rock and roll classic........2007-03-30

"tonight's the night" is my favorite neil young album. what's number two, though? "on the beach," "after the gold rush," or "everybody knows this is nowhere." hard to choose from those three great albums. might be "everybody knows..." though. such great songs. such stunning performances. "down by the river" and "cowgirl in the sand" have some of the most originally stunning guitar jams in the history of rock and roll. and the first of those two songs is simply about as haunting a piece of work as you will find in all of the rock and roll canon. "cinnamon girl," with its power chords and great melody is another classic. the whole album is just outrageously fantastic. don't miss it.

excellent early record.......2007-03-18

This is really one of Neil Young's most interesting albums. I love the two lengthy jams the most- lots of emotion in the guitar playing and the mood. "cinnamon girl" is probably overplayed, and the crunchy guitar riff never did a whole lot for me, but the title song and the rest of the album stand mighty proud as distinct tunes that will immediately take you back to the late 60's. Enjoy it. I wonder if Neil Young knew at the time that this album would still be remembered and praised nearly 40, yes that's right *40* years later.

Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training

Average customer rating:

Old Singers benefit too
great cd
Good training for your voice
Practical
If out of stock please purchase above NEW on Marketplace

Voice Lessons To Go Volume 2: Do Re Mi Ear and Pitch Training
Ariella Vaccarino
Manufacturer: SheSingsOut
ProductGroup: Music
Binding: Audio CD

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Voice Lessons To Go Volume 1: Vocalize and Breath
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ASIN: B000297VQK
Release Date: 2004-01-15

Tracks:

Introduction
Starting Simple #1 higher or lower
#2 same or different
#3 more
#4 two notes
#5 melody
Introduction to solfedge
Solfedge Exercises #1 Do Re Mi Re Do
#2 Do Re Mi Fa So
#3 So Fa Mi Re Do
#4 Up 5down 5
#5 Major scale up
#6 Major scale down
#7 Major scale up and down
#8 Major scale
#9 Back to Do up scale
#10 Back to do down scale
#11 Ex.9&10 together
#12 Chromatic up
#13 Chromatic down
#14 Chromatic up and down
#15 Back to do Chromatic up
#16 Back to Do Chromatic down
#17 Ex. 15&16 together
#18 Do So down
#19 Do So up and down
#20 Do Re plus
Chord Exercises #1 Major
#2 Augmented
#3 Minor
#4 Diminished
#5 All four together
Hearing Your Note #1 bottom note
#2 Top note
#3 Middle note
#4 Switching off
#5 One note on La
#6 Two notes on La
#7 Melody sing back
#8 Two notes together

Album Description

Voice Lessons To Go! Volume 2 Do Re Mi Ear and Pitch Training

Voice Lessons To Go! is a great way to get going on your singing voice. Whether just beginning or as an addition to the work you have done. Now there is no excuse not to practice and improve because this CD makes it so convenient and easy.

Do Re Mi Ear and Pitch Training is the second CD to Ariella Vaccarino's series of Voice Lessons To Go (Please read about Volume One- Ocalize and Breath). Do Re Mi trains the ear through vocal exercises. First, start simple with tone recognition. Next, the heart of the CD, Solfedge, (Do Re Mi...)- In that you will concentrate on forms of the major and chromatic scales graduating into chord recognition. Finally, Do Re Mi ends with, Hearing Your Note, showing you how to sing specific notes out of a group.

This CD will be amazing in aiding you in your musicianship skills while continuing to strengthen your voice!

Do Re Mi is perfect for all levels of singers. Whether you are just a beginner who is interested in developing as a musician, or an advanced singer wanting to refine your musicianship skills.

You will be guided through the exercises with vocal examples and piano accompaniment by Ariella Vaccarino an excellent experienced voice teacher and professional singer from Los Angeles. Ariella's explanations are clear and easy to follow.

Developing your singing voice no longer has to be just for people trying to make a career with their voice, or those with disposable income who can afford private lessons. The weekly price for voice lessons averages $45-150 an hour depending on your city.

Who is this CD for?

Singers, Actors, Dancers- This is an inexpensive way for the struggling artist to get and keep their voices in shape.

Teenagers - Whether you are watching American Idol with pangs of desire to be on there, sing loudly along with your favorite pop stars, are trying out for the school musical, or dreaming of singing at the MET some day.

People who struggling singing- There are those out there who feel, (it could be true or not) that they can't sing and are embarassed when they have to be heard by others. This is an excellent private way to improve your singing with out having to deal with embarassment or shyness. This CD will increase your abilities and confidence.

Adults- Always singing in your car, shower, or doing Karaoke? -but just are not willing or able to shower yourself with private lessons yet.

Customer Reviews:

Old Singers benefit too.......2007-02-09

I have both Volume 1 and 2. I have been singing all of my life but after the birth of my last child almost 10 lbs I learned some really bad habits and what I was doing before wasn't working anymore. Both have helped me to gradually improve my voice. 1 Helped me to focus on breathing. Two is helping me to associate the solfege with the piano and concentration/focus. I haven't made it through the whole CD yet. Our choir is also using this CD for exercises. It's just a great all around CD!
THanks for a great product.

great cd .......2007-01-21

i have both vol.1&2
only one thing i'm not feel good is i can hear the noise(like car pass the street).

Good training for your voice.......2007-01-06

If you can't have a personal voice coach this CD is a good way to go to help you exercize your vocals and stay in top form.

Practical.......2006-09-09

I warm up with this cd in the hotel before a show. I waited a couple months to buy CD2 after I had CD 1. I had started taking vocal coaching and using cd 1 reinforced how important breathing is. I am glad I waited before buying this cd. By the time you get to the higher level exercises of CD 2, you'll need some concept of breathing properly.
This cd starts very simple with the first few tracks asking the listener to identify if two notes are higher, lower or the same. Then it proceeds to identifying if a voice part sung after a vocal part is the same or different. These ear exercises are direct and to the point and really do help. Don't worry, you start singing soon enough.
Solfedge is explained in a concise manner so if you don't know it you will, and if you do your money hasn't been spent on more than a few minutes of review.
The singing starts with Do Mi Sol Mi Dos. I'm a baritone and the singer I would guess is a soprano. Problem? Actually, the beneift was I had to focus and identify the same note a few octaves down. This extra "lesson" on my own is an unintended plus.
Major, minor, augmented and diminished chords are practiced. Your ear will improve and you will hear the chords sung more in songs after getting this down.
I've been using it on my drive to work in the mornings. I have had the cd a few weeks and am just reaching tracks 18 and 19 with confidence. Sometimes Ariella Vaccarino sings quite fast as the exercise proceeds. Simply hit the back button and start at the slower part at the beginning of the track.
It really is great to have this in the car or home as I am getting more out of my weekly voice lessons. Add to that, I don't have to play the piano myself. I can stand in front of the mirror and focus on posture.
This brings me back to cd 1. Though my breathing needs work, a weekly lesson and the time I spent with cd 1 before trying this out helps me recognize when I have tension in my throat or am not controlling my breath.
Why is this alone not enough? There is no way the cd can tell you you are leaning too far back and squeezing your lungs, give you a sense of how to raise your soft pallate or make sure to cover every point such as men usually jump straight from chest voice to falsetto at first while women have more of a gradual mid voice.
When I give this cd 5 stars it means for 15 dollars you are getting a product with no fluff that is the perfect compliment to some type of training. Even if the training is just a few lessons to get you started. You'll get out of it what you put into it.

If out of stock please purchase above NEW on Marketplace.......2006-08-15

Hey everyone, thank you so much for your great response to my CDs. Amazon is having a lot of trouble keeping them in stock. They are not ordering enough in time etc... Just so you know the other option is buying them off of Amazon Marketplace. At the top of this is the option to buy them new or used. I sell them directly new on it, (and they are actually cheaper so you can buy both volumes). Hope this tip helps. I've loved reading your responses and reviews. I think it is great that so many of you out there are singing!

Average customer rating:

Jack is a sexy guy with great talent.
This IS It!
Ingram
Jack Ingram makes a hit with "This Is It"
Ingram's in the Right Direction Towards "It"

This Is It
Jack Ingram
Manufacturer: Big Machine Records
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music

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ASIN: B000NA26Q8
Release Date: 2007-03-27

Tracks:

Measure Of A Man
Hold On
Lips Of An Angel
Wherever You Are
Love You
Easy As 1, 2, 3 (Part II)
Ava Adele
Make A Wish (Coming Home Again)
Great Divide
Don't Want To Hurt
Maybe She'll Get Lonely
All I Can Do

Amazon.com

Like Keith Urban, Texan Jack Ingram flaunts a studied blond scruffiness that initially telegraphs he might rely more on sex appeal than music. But also like the Australian guitarzan, Ingram knows how to deliver the goods. His average-guy voice positions him more on the rocking side of country, and proves a perfect vehicle for the kickoff song, Radney Foster and Gordie Sampson's rootsy "Measure of a Man," which dovetails a rebel Steve Earle stance with a declaration of the changing power of love. The formulaic pop of "Wherever You Are," Ingram's #1 single--reprised like the bubblegummy "Love You" from an earlier album--is standard-issue Nashville, as is "featuring" Sheryl Crow on "Hold On," but then burying her vocals in the mix. But Ingram makes up for such transgressions with his deliciously lubricated cover of Hinder's "Lips of an Angel" and with his own finely-drawn songs of family (the folkish "Ava Adele") and the Lone Star landscape that produced him ("Great Divide"). The question is whether Ingram wants to be a star or an artist. His label, Big Machine, is trying to let him be both. But that can only last so long. --Alanna Nash

Album Description

The late Waylon Jennings once called Jack Ingram "an incredible talent." Now fans everywhere have learned what Jennings knew, as Ingram has transformed from a regional superstar around his native Texas into a full-fledged national phenomenon.

Nothing describes the incandescent moment when Jack Ingram's "incredible talent" becomes incredible success quite as well as the title of his new studio album, This Is It.

Customer Reviews:

Jack is a sexy guy with great talent........2007-07-02

Jack Ingram's first studio album in a few years is excellent. "This is It" is a solid collection of Ingram's signature "red-dirt" country songs; herein Jack Ingram displays his virtuoso guitar skill and his never-failing vocal abilities.

1) Measure of a Man - This song is about Jack coming to terms with his father leaving the family. The music video features a Kristofferson look-a-like. My favorite moment is 2:25 minutes into the song: he sings the chorus over an acoustic guitar.

2) Hold On - This song is inspirational and features Sheryl Crowe's vocals. I'll let the song speak for itself: "Hold on to dancin' in the rain."

3) Lips of an Angel - When Jack Ingram covered the Hinder hit, he was much derided for doing so. However, I prefer his vocals over the gravelly Hinder singing. The added country instrumentation takes a hardcore rock song into better dimensions. When he was on CMT Top 20 he said his kids like Gwent Stefani, and they particularly like him to sing "Hollaback Girl" rather than his own songs - he can make any song great.

4) Wherever You Are - Jack Ingram's 2005 Country #1 is a road-song about a man on a quest to find his girl. The video (included on this disc) was on CMT's Sexiest Videos list for obvious reasons and the Top20 Countdown. Great vocals.

5) Love You - This is a fun, playful song that replaces f**k with love. Jack Ingram gives the listener a 2:45 minute great time. The video is also on the disc, and features a Paris Hilton look-a-like destroying what she thinks is Jack's truck while he and his band preform. This should have been a #1.

6) Easy as 1, 2, 3 (Part II) - This is my favorite song from the album because it's so upbeat and hopeful. It evokes a slight bluegrass feel. This will make you "feel better" as that's what the song is about.

7) Ava Adele - This ballad about Jack's daughter reflects the proud fatherhood he recently discussed on CMT Top 20 with Lance Smith (as a side-note he said Ava always covers his mouth when he tries singing it to her). The partial spoken/sung lyrics evoke Johnny Cash's style.

8) Make a Wish (Coming Home Again) - I enjoy Jack Ingram's guitar playing on this song, because as he sings about electric lights, his strumming evokes lightning imagery. Another good road song, with a catchy hook that will be in your head. The song's message is very positive.

9) Great Divide - Jack sings about West Texas and how he will always enjoy the unchanging ways of the people. Another great road song.

10) Don't Want To Hurt - I love the thumping bass-line in this song; it reminds me of Little Big Town. The message is very relatable.

11) Maybe She'll Get Lonely - Jack Ingram croons about the need for a woman and wants her to want him.

12) All I Can Do - This is a great way to end the CD. The use of trumpets evokes a post-Katrina "Big Easy" feel.

The CD booklet is actually a poster with Jack on it. He's currently on tour with Brad Paisely, Taylor Swift and Kellie Pickler and I hear they like to play practical jokes.

This IS It!.......2007-06-27

A great collection of songs. Easy to listen to and sing along with--great mix of melodies and lyrics.

Ingram .......2007-05-15

I love this album and would buy it for my husbands truck as well for him to listen too.

Jack Ingram makes a hit with "This Is It".......2007-05-07

Jack Ingram is an incredible artist. I first discovered Jack while watching CMT and have loved him since. He is the most fresh, distinct, and enjoyable artist in country music. His perfect blend of radio-hits and West Texas/honky-tonk sound is what makes this album, and Jack, great.

After many years struggling in the music scene he has finally got the commercial and critical acclaim he deserves. He recently had a No. 1 hit (on the Country Singles Chart) with "Wherever You Are," and "This Is It" debuted at No. 4 (on the Country Albums Chart). This CD is an excellent musical experience from start to finish. I believe it is the best in Country Music so far this year. Fans of Country and Rock will enjoy this CD for the well-crafted music, lyrics, vocals, and also the neat fold-out poster. Of interest is Jack's ability to transfer his incredible live sound onto CD format.

"Measure of a Man" which is his next single is a great road song. Great to listen to while driving. It is a song about the relationship between a father and a son. His lyrics are effective in crafting the story; he claims it is "Biloxi Part II," a continuation of an earlier song he wrote.

"Wherever You Are" is his No. 1 single. It is radio friendly and a good Country ballad. Definitely worth the price of the CD alone.

"Love You" is a great honky-tonk song that substitutes love, for a four letter word, in the phrase 'f--k you'. It is humorous and enjoyable. While not the best on the album it is top quality nonetheless.

"Easy as 1,2,3 (Part II)" is the best on the album. It is simply purely enjoyable to listen to. If it was a single I believe it would have charting ability.

"Make a Wish" is a great song and has a strong playback ability. It is the best example of Jack's vocal talent. I was mesmerized by the range, beauty, and power of his voice on this track.

UPDATE: After two moths of owning this album it still is appealing. I love this record. Undeniably Jakc Ingram is the best thing in country music to appear in nearly a decade. Other newcomers (Josh Turner, Carrie Underwood, Taylor Swift, etc...) are great but Jack Ingram is exceptional. I highly recommend this CD!

*****/***** for superior vocals, lyrics, and music. Another great release from Toby Keith's imprint label: Big Machine Records (a division of the better known Show Dog Nashville). Recommended for Country and Rock fans. Simply, the best of 2007 (as of the middle of the year). Enjoy Jack and his much needed fresh talent.

Recommended:

Jack's other great CDs: Electric, Hey You, Livin' or Dyin', Lonesome Questions, and Jack Ingram.

Toby Keith's latest CD: Big Dog Daddy.

Ingram's in the Right Direction Towards "It".......2007-04-03

Prime Cuts: Easy as One, Two, Three (Part II), Ava Adele, Whenever You Are

After years of loitering along the fringes of country music, Ingram has finally broke in with his number 1 smash "Whenever You Are." To up the ante on the barometer of hip, Ingram has ushered the advent of this CD with the unlikely cover of rock act Hinder's "Lips of an Angel." Thus far, success has been effulgent as "Lips" is lighting its way up the upper echelon of the Billboard country charts. Produced by Jeremy Stover, Doug Lancio and Ingram, this disc steers along the path paved by "Wherever You Are" which means that most of these 12 cuts have been recorded with an eye for becoming darlings of radio. However, before purists who have followed Ingram's career bark at Ingram's viable shrewdness, not everything have been sacrificed at the altar of commercialism. Truth be told, "This is It" does indeed have a more polished savvy sheen to it, but this is not to say there is a dearth of the raw emotional investiture Ingram always brings to his songs. Further, Ingram's commercial success has no way been caliginous towards his twinkle for Townes Van Zandt, Steve Earle and Robert Earl Keen's type of Americana that rock with a venturesome abandon and drenched the soul like vintage liquor.

Destined to be a hit is the Radney Foster-Gorde Sampson opener, a stately rock number with a Bon Jovi-anthemic beat. "Measure of a Man" chronicles a coming of age story starting with a boy leaving home at 15. Without being told that "Lips of an Angel" was first recorded by rock act Hinder, it might easily sound like an Ingram original. A brooding bluesy ballad calling to mind Gary Allan's "Life Ain't Always Beautiful," "Lips of an Angel" describes with vivid details the feelings of a man on the verge of cheating on his girl. If such moral graft has left a bitter aftertaste, "Hold On" which features Sheryl Crowe on backing vocals has a more censurable disposition about the tenacity of love over circumstances. While the driving-guitars and barrier-smashing drums on Todd Snider's "Easy as One, Two, Three" is sonically infectious.

However, the album's highlights are in the contemplative moments. To prove that the triumph of a song resides not in its lyrical density but the sincerity of the words, "Ava Adele" is the bona fide example. With the simplest of words, this gentle guitar-driven lullaby is Ingram's love song to his daughter. Giving it depth and grit, Ingram's gravelly vocals brings out a magical quality to this heart-wrenching ballad. "Ava Adele" could easily be Ingram's magnum opus. While the mid-tempo "Maybe She'll Get Lonely" finds Ingram in Tim-McGraw territory as he holds to the sliver of hope that his departed paramour may return to him if she gets lonely. And as an added bonus, two of Ingram's previous hits the propulsive "Wherever You Are" and the more rockish "Love You" give this collection added heft.

Indeed Ingram has taken a step in the right direction by making his music appeal to a large spectrum of people vis-à-vis country radio without completely selling out. However, as a whole, Ingram has yet to reach the lofty heights he's capable of attaining. There are still pockets on this disc that still borders on the filler side (e.g., "All I Can Do" and "Make a Wish"). So, let us hope that Ingram is not serious about this album title: for this CD is definitely hopeful, but there is still some distance from reaching "it."

Average customer rating:

This Is Somewhere
Grace Potter & the Nocturnals
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PKG7H0
Release Date: 2007-08-07

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This Is a Long Drive for Someone with Nothing to Think About

Average customer rating:

for anyone who is alive
great first LP
Really catchy work...arguably Modest Mouse's best
Best Modest Mouse album
Fantastic album

This Is a Long Drive for Someone with Nothing to Think About
Modest Mouse
Manufacturer: Up.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003L1P
Release Date: 1996-04-09

Tracks:

Dramamine
Breakthrough
Custom Concern
Might
Lounge
Beach Side Property
She Ionizes & Atomizes
Head South
Dog Paddle
Novocain Stain
Tundra/Desert
Ohio
Exit Does Not Exist
Talking Shit About A Pretty Sunset
Make Everyone Happy/Mechanical Birds
Space Travel Is Boring

Amazon.com

Frontman Isaac Brock's claim that he's being stalked by his own alter ego was not the first bit of evidence that Modest Mouse isn't your usual pop band. Witness the entirety of this 1996 indie debut from the Washington trio that inspired a major-label bidding war. This Is a Long Drive for Someone with Nothing to Think About finds Brock cruising with cohorts Eric Judy and Jeremiah Green (plus an occasional cellist) through a landscape of intoxicatingly original lo-fi tunes. Sure, Brock's early vocals make Nikki Sudden sound like one smooth crooner, but their strained quality offset the primitive elegance of his guitar work, giving a passionate vulnerability to "Breakthrough," "Custom Concern," and other treatises on life in the lost lane. --Bill Forman

Customer Reviews:

for anyone who is alive.......2007-07-07

This is, overall, my favorite Mouse album. The first three tracks work together so well, with the looping meandering guitar riffs and the lyrics that sound like the life of every disenchanted teenager or young adult that's ever lived. As always with Mouse there are some tracks that get a little noisy or sound a little incomplete, but that's part of the charm. Brock doesn't write consistently perfect songs, but he writes so many perfect songs that it's almost a relief to realize that he's not flawless. Perhaps the most gifted lyricist in alternative rock, some of the wordplay is pure poetry.

great first LP.......2007-06-16

I am a huge modest mouse fan. but i know this record is not for everyone.
please start with the new modest mouse this stuff might turn you off to them at first listen. I love this CD! it has so many great qualities that dont show up on other modest mouse records.

1.Dramamine- great opening song awesome guitar rift. 5/5
2.Breakthrough- good song nice odd vocals.BUT THATS WHAT WE LOVE 4/5
3.Custom Concern- good lyrics slide guitar this one stands out 5/5
4.Might- short simple song 3/5
5.Lounge- starts fast pace ends in a slow rock jam. 4/5
6.Beach Side Property- features some screaming vocals which you dont find often in modest mouse a great song. 5/5
7.The Ionizes and Atomizes- sounds very bipolar- 3/5
8.Head South- More screaming in chorus and nicole johnson with backup vocals. really good song. "Struck by being ashamed of your old space" 5/5
9.Dog Paddle- screaming cool little song with coughs and wheezes through it. 4/5
10.Novocain Stain- a really really good song! 5/5
11.Tundra/Desert-One of their hardest hitting songs. 5/5
12.Ohio- right now im obsessed with the great lyrics in this song. "I'm upset and i leave the door open wide our hearts are used up cracked and dried." Amazing 5/5
13.Exit does not Exist- cool title blazing drums. 4/5
14.Talking shit about a pretty Sunset- one of the best songs on the album. 5/5
15.Make Everyone Happy/Mechanical Birds- starts off kinda sweet then goes full blown guitar jam. 4/5
16.Space Travel is Boring- nice song but not to special to me. 3/5

I love this cd but its not their best work.
i definitely recommend it to anyone likes Building nothing out of Something or Lonesome crowded west.

Really catchy work...arguably Modest Mouse's best.......2007-02-13

I really enjoy the overall dry twangyness in this album. The opening tracks are instant indie/alternative classics. Very quirky, laid back material that could easily please any Modest Mouse fan. I also recommend Lonesome Crowded West for more wonderful work.

Best Modest Mouse album.......2007-01-31

Here is what I have to say: This is my favorite Modest Mouse album. This album captures to total perfection what it feels like to be sad and cold but at the same time filled with a sweet appreciation for your own existence. There is such a fantastic reality to be found here. This will always be at the top for me. There is a good section of my life in which this is the definitive soundtrack. The music can be so bare but masterfull it makes you want to scream. Like living in a sparse cold room that you still find beautiful. If you want good music then, here, take this.

Fantastic album.......2007-01-21

As much as I wanted to diss them for being too heavily indebted to the Pixies, I could not resist the magnificence of this album. It blew me away when I first heard it, and it continues to.

Modest Mouse has released a slew of great albums, so I can't say this is my favorite, but it might be....

Average customer rating:

A must-have if you love the movie.
tonight i'm gonna rock it!
If You Like The Movie
Lots of Fun
missing song

This Is Spinal Tap
Spinal Tap
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004WGVQ
Release Date: 2000-08-29

Tracks:

Hell Hole
Tonight I'm Gonna Rock You Tonight
Heavy Duty
Rock and Roll Creation
America
Cups and Cakes
Big Bottom
Sex Farm
Stonehenge
Listen To Me (The Flower People)
Christmas With The Devil (Bonus Track)
Christmas With The Devil (Scratch Mix) (Bonus Track)

Amazon.com

One of the greatest ironies surrounding This Is Spinal Tap is that it's actually better than many of the recordings it parodies. Songs like "Tonight I'm Gonna Rock You Tonight," "Hell Hole," "Heavy Duty," and even "Stonehenge" are fun, 1980s-style rockers that any closet hair-band fan will enjoy, and "Sex Farm" and "Big Bottom" are simply hilarious by any standard. There's also the hippie-drippy "Listen to Me (the Flower People)" (even funnier if you've seen Rob Reiner's film of the same title), although Michael McKean and Christopher Guest singing "Cry, Cry, Cry All the Way Home" is sadly absent. The CD does lose some of its entertainment value if you haven't seen the film, but its mix of comedy and unabashed pop metal makes it the perfect party album. --Genevieve Williams

Customer Reviews:

A must-have if you love the movie........2007-01-18

Seriously, who can resist songs like, "Sex Farm", "Big Bottom", and "Stonehenge". Great movie, great soundtrack...you have to get it.

tonight i'm gonna rock it! .......2007-01-15

the movie is fantastic. and any fantastic movie needs an equally fantastic soundtrack. this one.....ok. not musical genius. not grammy worthy. but, on a bad day, it's like chocolate.

If You Like The Movie.......2006-08-05

If Your A Fan Of The Movie, Then There Is No Reason Why You Shouldn't Like The CD; Its All The Songs They Sing Plus Some They Don't.

Lots of Fun.......2006-03-23

If you've seen the movie This is Spinal Tap, and you are a rock fan, you owe it to yourself to buy this soundtrack. It's good to hear the songs in their full versions, especially the wonderful "Stonehenge," which speaks of a place where "a man is a man, and the children dance to the pipes of Pan." I am disappointed, however, that Nigel's Mozart- and Bach-influenced "Moch" piece in D-minor, "Lick My Love Pump," was not included. However, it does feature a song, "America," that's not featured in the movie. And perhaps the compilers should have put the songs in chronological order, so we hear "Give Me Some Money" and "Listen to the Flower People" before we get to "Stonehenge." "Chistmas with the Devil" is a bonus track not included in the film. Perhaps for the better. The best thing about it is the title.

missing song.......2005-12-28

This CD is awesome but on here it is missing song 10 originally titled Gimme Some Money.

Average customer rating:

One of the best ever!
Kristen Chenowith
Has its moments
Great CD!
This woman has what it takes, and then some...

Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

As I Am
Still I Can't Be Still
You're a Good Man, Charlie Brown (1999 Broadway Revival Cast)
Leonard Bernstein's Candide (Great Performances)
Meredith Willson's The Music Man (TV Film)

ASIN: B000059T4T
Release Date: 2001-05-29

Tracks:

Let Yourself Go
If
How Long Has This Been Going On?
My Funny Valentine
Hanging Around with You (with Jason Alexander)
The Girl in 14G
I'll Tell the Man in the Street
I'm a Stranger Here Myself
Nobody Else But Me
Nobody's Heart Belongs to Me/Why Can't I?
Should I Be Sweet?
He's Just an Ordinary Guy
Going to the Dance with You
On a Turquoise Cloud
You'll Never Know
Daddy

Amazon.com

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

Customer Reviews:

One of the best ever!.......2007-04-24

Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

Kristen Chenowith.......2007-02-26

I bought this CD for the Girl in 14G. Yes, it's that good...

Has its moments.......2007-02-19

After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

Great CD!.......2007-01-19

I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

This woman has what it takes, and then some..........2007-01-12

Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.

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