Big Time Pt.2 [CD-single] [Import]

big time pt.2 [cd-single] [import]

Track Listings

1. Big Time

2. Big Time

3. World Bank

Big Time Pt.2,Soundtrack of Our Lives,Wea/Warner,Rock

Big Time Pt.2 [CD-single] [Import]

Average customer rating:

Really good!
This album rocks!
Great Music to the Soul!
sweet, sincere band with soft hearts for the KING of Kings!
Let It Rise

Every Time I Breathe
Big Daddy Weave
Manufacturer: Fervent / Spirit-Led
ProductGroup: Music
Binding: Audio CD

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What I Was Made For
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Fields of Grace

ASIN: B000H30B9U
Release Date: 2006-09-26

Tracks:

Let It Rise
Every Time I Breathe
Only Jesus
All For You
Hold Me Jesus
The Only One
All The Same
When I See You
Wait
Who You Are To Me
Trust And Obey

Album Description

Produced by band member Jerry Redman, this album includes the hits "Let It Rise", "Every Time I Breathe", a special rendition of the Rich Mullins Classic "Hold Me Jesus", and is jam-packed with additional video content, Media Shout! lyric files, and an instructional guitar video.

Customer Reviews:

Really good! .......2007-07-02

I heard big daddy for the first time in 2001! I was blessed by them and so were the entire crew that was with us. Their lyrics are honest and they are really good musicians to boot! On this albumn, the Rich Mullins song "Hold Me Jesus" is my favorite!

This album rocks!.......2007-01-13

I have been a big fan of Big Daddy Weave for a long time, so when I saw their new album, "Every Time I Breathe" at Wal-Mart, I had to buy it. I listened to it and decided that it was one of the best cds I had found in a long time. I have listened to the song "Every Time I Breathe" over and over again and it still moves me every time i listen to it. The other 10 songs are nothing short of excellent as well. A great cd that is a little more mellow than their previous releases but still upbeat with uplifting lyrics. This cd is a definite keeper!

Great Music to the Soul!.......2007-01-12

I can listen to this CD over and over and never get tired of it. It has an uplifting message and a catchy beat. The heart of the music keeps you coming back for more and going higher every time. You'll end up singing along and dancing in your seat.

sweet, sincere band with soft hearts for the KING of Kings!.......2007-01-02

This album is incredible & very well balanced. It comes off a little more mellow than previous efforts, and just as Christ-exalting! Like Chris Tomlin, the vocals are softer and gentler than many bands, but do not lose the punchy edge that keeps big daddy weave the upbeat, Spirit-filled quintet they are. As on stage, so it is with this album, the joy of the LORD flows from the music these guys put together! PRAISE GOD! as they sing on 'every time i breathe', "...everytime i get another glimpse of Your heart, i realize, it's True; that You are so marvelous God! and i am so in love with You!..." 'all for you' rejoices in the miracle of New Life in Christ! 'when i see You' is a beautiful, melodic testament to the transforming power of Christ Jesus in the life of a believer! Praise the LORD He never lets go of His own!!! The bubbling reconstruction of the familiar hymn, 'trust and obey' is really pleasing, and breathes new life into this wonderful, God-honoring song! Of course the remakes of the Maranatha! Singers' 'let it rise', and Rich Mullins' classic, heart-felt 'hold me Jesus', are very rich, also. This is an record full of wonderful treasures. You will not regret buying this as a seasoned fan of big daddy weave, OR as a gentle introduction to this talented and sincere band's records... and DO NOT pass up the awesome experience of seeing them in concert! a WONDERFUL and ROCKIN' time, indeed!

Let It Rise.......2006-09-27

The first time I heard "Let It Rise", which incidentaly was when they performed it live at a concert I was at, I was moved. This is another great album for BDW. Could not wait to grab a copy upon its release. Love the horns on one of the tracks, and the violin too, they add just the right flavor. "Let the songs of the Lord, rise among us!" Thanks BDW!

Average customer rating:

It's great!
Honestly, this CD sucks
What an awesome CD!!!
rocket ship beach review
we all love it

Rocket Ship Beach
Dan Zanes + Friends
Manufacturer: Festival Five Rec.
ProductGroup: Music
Binding: Audio CD

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House Party
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Dan Zanes & Friends - All Around the Kitchen! Crazy Videos & Concert Songs!

ASIN: B000051ZNR
Release Date: 2002-07-30

Tracks:

Polly Wolly Doodle (with Sheryl Crow)
King Kong Kitchie (with the Wonderland String Band)
Bushel and a Peck (with Donald Saaf and the Rocket Ship Singers)
Go Down Emmanuel Road (with the Sandy Girls)
Goodbye Old Paint
Father Goose (with Rankin' Don and the Rocket Ship
Keep on the Sunny Side (with the Wonderland String Band)
Erie Canal (with Suzanne Vega)
Buckeye Jim
Brown Girl in the Ring (with the Wonderland String Band and G.E. Smith)
Hello (with Barbara Brousal)
All My Friends Live in the Woods (with Simon Kirke)
Weather Report (Sophie and Emma)
Mole in the Ground
On the Sunny Side of the Street (with Rankin' Don and Donald Saaf)
Sidewalks of New York (with a cast of thousands)
Over the Rainbow (with Donald Saaf)

Amazon.com

Dan Zanes, lead singer of the 1980s roots-rock band the Del Fuegos, didn't need to enlist the high-profile help of pals Sheryl Crow and Suzanne Vega to produce a crowd-pleasing kids' record, but he got it anyway. On Rocket Ship Beach, where traditional tunes such as "Polly Wolly Doodle" (with Crow) and "Erie Canal" (with Vega) mingle in loosey-goosey, just-for-the-fun-of-it fashion with originals such as the plucky "All My Friends Live in the Woods" (written by Bad Company buddy Simon Kirke), Zanes exhibits the same plugged-in exuberance that gave his former band its unpredictable zing. Besides the no-amateurs instrumentation, which includes Zanes on guitar, lap steel, banjo-mandolin, and studiophone, and G.E. Smith on banjo-mandolin and guitar as part of a kickin' string band that performs the classic "King Kong Kitchie," plus a cluster of others, what stands out most about this 17-track funfest is its draw-you-in friendliness. Pitching in with the pros (who also include dancehall rapper Rankin' Don--he delivers the gruff stuff on "Father Goose" and "Sunny Side of the Street") are family friends such as the gang of West Indian babysitters turned vocal group the Sandy Girls, who give it up to impressive, get-you-boogying effect on "Emmanuel Road," and a kindergarten class that contributes, adorably, to "Sidewalks of New York." All told, this is way hipper than most kids' records and it also razzle-dazzles with its packaging--Rocket Ship Beach arrives in a chunky, colorful board-book illustrated with sweet, fantasy-fueled beachside scenes by banjo player and Zanes's brother-in-law, Donald Saaf. --Tammy La Gorce

Album Description

music is in the air. it's alive and it's here for everyone. if you can play an old song, you can write a new song. make it a family parade, all around the kitchen cock-a-doodle-doodle-doo. or how about a family band? on the front steps, in the back yard, in the park, on the sidewalk, in the basement. if you can brush your teeth, you can play tamborine. if you can tell a joke, you can sing.

festival five records is the sound of a neighborhood band on the front stoop playing tunes after dinner for a family dance. festival five records is the sound of a group of 9 and 10 year olds singing a sixty year old broadway song in the basement of a 150 year old row house. it's the sound of a 40-year-old dad on a blue porch singing a 400 year old story song about a frog that marries a mouse. when you feel that music in the air, try to catch as much as possible.

Customer Reviews:

It's great!.......2007-01-27

I'm a first-time Mom who was looking for a CD both my daughter and I could enjoy. We rec'd this CD at Christmas along with "Buzz Buzz" by Laurie Berkner. This one is my personal favorite. I think I enjoy it as much, if not more than my daughter (who is 1). The songs are addicting and I, like a previous reviewer, find myself singing/humming them even when my daughter is not around. Polly Wolly Doodle and King Kong Kitchie are fabulous! I highly recommend giving this CD a spin. I'm sure my daughter will love it even more when she gets a little older.

Honestly, this CD sucks.......2007-01-18

I was excited to receive this CD because of its great reviews. Once I received it however, I found it barely listenable. My toddler daughter looked and me and said "Off!Off!" and we took it off the CD player after only 10 minutes.

People can make of Raffi all they want, but at least his music is tolerable!

Don't waste your money on this lemon of a CD.

What an awesome CD!!!.......2006-12-20

My 2 year old and 1 year old think this CD ROCKS! My son will point to the CD player and cry and whine until I turn it on. From song one they both wiggle, giggle and dance all over. The songs are very folksy, upbeat, and easy to groove too. Get this CD and watch your kids get jiggy wit' it!

rocket ship beach review.......2006-11-10

Rocket Ship Beach was my introduction to Dan Zanes. I have a new son and I was searching for some music we could both enjoy. I found this and thought I would give it a shot. The cd is wonderful. The music is addicting and I find myself driving down the road singing to myself....without my son in the car! Polly Wolly Doodle, the first track, is one of my favorites (and not because I am a Sheryl Crow fan). Another beautiful song is "Hello". This cd is upbeat, fun and yet different from some more typical childrens music. My son really enjoys the different sounds and rhythms on the cd. The cd has a few little introductions where you can hear children, a phone ringing, ect. This cd is sure to put you in a good mood. I highly recommend it! I am actually waiting for another Dan Zanes cd to arrive I liked it so much.

we all love it.......2006-08-05

The whole family can enjoy this music, unlike many of the other kid's music that is so lame.

Way Out West: The Essential Western Film Music Collection, Vol. 2

Average customer rating:

Not My Style
Rockin' Western Collection
Hard to Find Great Western Themes
Western Music
A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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The Wild West: The Essential Western Film Music Collection
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From Alamo to El Dorado, Vol. 2
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ASIN: B000060PBU
Release Date: 2002-03-26

Tracks:

The Hallejuah Trail-Overture
The Alamo-The Green Leaves Of Summer
The Alamo-Davy Crocket
The Big Country-The Welcoming/Finale
The Big Valley-Main Theme
Blazing Saddles-Blazing Saddles
Bonaza-Main Theme
Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
The Comancheros-McBain/Main Title
Duel In The Sun-Main Title/The Legend/Orizaba
A Fistfull Of Dynamite-Duck You Sucker
For A Few Dollars More-Main Theme
Friendly Persuasion-Thee I Love
Giant-Main Theme
The Good, The Bad And The Ugly-Main Theme
The Good, The Bad And The Ugly-The Ecstasy Of Gold
Gunfight At The O.K. Corral-Suite
Hang 'Em High-Main Theme
The Hanging Tree-Main Title

Tracks:

High Caparral-Main Theme
How The West Was Won-Prelude/The Land
High Noon-Do Not Forsake Me Oh My Darlin'
The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
The Lone Ranger-William Tell Overture: Finale
Nevada Smith-Main Title
Old Gringo-Main Themes
Once Upon A Time In The West-Man With The Harmonica
One Eyed Jacks-Main Title
The Proud Rebel-Main Titles
The Quick And The Dead-End Titles
Quigley Down Under-End Titles
Rio Bravo-Rio Bravo/De Guella
The Scalphunters-Main Title
Shane-Main Theme: The Call Of The Farwaway Hills
The Shootist-Main Title
The Unforgiven-The Need For Love
Viva Zapata-Gathering Forces
The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating:

Great to Hear All those great Voices from the Past
A Good One!

Greatest Hits: Broadway

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Only Broadway CD You'll Ever Need
Greatest Songs from the Musicals
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Very Best Of Broadway Musicals

ASIN: B0000029PM
Release Date: 1996-10-29

Tracks:

Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
Annie: Tomorrow - Andrea McArdle/Peter Howard
The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
Cabaret: Cabaret - Jill Haworth/Harold Hastings
Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
Show Boat: Ol' Man River - William Warfield/Franz Allers
A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings

Customer Reviews:

Great to Hear All those great Voices from the Past.......2007-07-05

I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!

A Good One!.......2006-11-10

This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!

Average customer rating:

That Hebden Sound
Dance music before the Big Band era
Original Dance Music of 1920's & 1930's
Excellent twenties compilation
Very good collection of this era

Original Dance Music of 1920's & 1930's
Various Artists
Manufacturer: Swing Time Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004RDNO
Release Date: 2000-02-15

Tracks:

Remarkable Girl - Ted Weems Orch
I Wanna Be Loved By You - Broadway Nitelites
Don't Wake Me Up Let Me Dream - Howard Lanin Orch
What Do I Care What Somebody Said - Jan Garber Orch
Miss Anabelle Lee - Mike Speciale Orch
Happy Days Are Here Again - Ben Selvin Orch
There's Too Many Eyes - Ted Weems Orch
Your The One I Care For - Bert Lown Orch
I Found A Million Dollar Baby - Frank Auburn
On A Night Like This - Howard Lanin Orch
Shine - Jesse Stafford Orch
Broadway Melody - Ben Selvin Orch
Who's Your Little Who Zis - Ben Selvin Orch
Me And The Man In The Moon - Ambassadors
You're The Cream In My Coffee - Ambassadors
Leven Thirty Saturday Night - Ambrose Orch
Who's Sorry Now - Green Brothers Novelty Orch
Girl Of My Dreams - Blue Steele Orch
When Eyes Of Blue Are Foolin' You - Howard Lanin Orch
What A Day - Ted Weems Orch
Somebody Loves Me - Henry Lange & His Baker Hotel Orch
She's Got It - Ted Weems Orch
Rainy Weather Rose - Adrian Schubert
Red Headed Baby - Gene Kardos Orch

Customer Reviews:

That Hebden Sound.......2007-04-27

I recently bought this "Swing Time" CD as part of an eBay shopping spree. (I know, "fool me once," etc.) I saw that the disc had rave reviews here, and so I was willing to take a chance. Plus there were numbers on it that greatly appealed to me. ("Miss Annabelle Lee" by Mike Speciale was the clincher.) Well, I'm afraid the disc has that "Hebden touch"--that tell-tale sound of digital hedge trimmers above the music. Being more confident and resourceful now in the thick of middle age, I immediately ripped the disc to my hard drive and equalized it in Wavepad (though I imagine Audacity would work well also), cutting all frequencies above 4600 hz. I have to say that except for the one or two that were processed beyond recall (with that lovely underwater digital sound), I managed to create a quite listenable disc. No more loud, screeching, piercing digital noise.

Mr. Hebden always finds such delightful, rare records--and vandalizes them. Good stuff here, hence two stars rather than one. Still, I can't recommend this CD unless you are willing to re-equalize out the higher frequencies and you particularly wish to hear some of the selections.

Dance music before the Big Band era.......2007-01-14

ORIGINAL DANCE MUSIC OF THE 1920's & 1930's has quite a few perennial favorites on it, like: "I Wanna Be Loved By You," "Happy Days Are Here Again," "I Found A Million Dollar Baby," "Broadway Melody," "Who's Your Little Who Zis," "You're THe Cream In My Coffee" and "Who's Sorry Now?"

Unlike the swing orchestras of a decade later that had distinguishable styles, there was a certain homogeneity to Roaring '20s hot dance bands, and that is apparent from these 24 sides. Many of the musicians who appear in these older recordings later worked for the most famous 1940s big bands. One example is Benny Goodman, barely out of his teens, who is among the ensemble playing "I Found A Million Dollar Baby." Undoubtedly, Glenn Miller and the Dorseys are here, as well.

Liner notes are insufficient. The album's back cover lists titles and recording dates only. ORIGINAL DANCE MUSIC should please any fan of pre-big band tunes willing to overlook lack of details and some source material in less-than-pristine condition.

PLAYLIST --
(3:03) Remarkable Girl - Ted Weems Orch (v/Country Washburn)
(3:14) I Wanna Be Loved By You - Broadway Nitelites (v/Vaughn DeLeath)
(2:49) Don't Wake Me Up Let Me Dream - Howard Lanin Orch
(3:07) What Do I Care What Somebody Said - Jan Garber Orch (v/C Warren)
(2:40) Miss Anabelle Lee - Mike Speciale Orch (v/Billy Carola)
(3:22) Happy Days Are Here Again - Ben Selvin Orch
(3:10) There's Too Many Eyes - Ted Weems Orch (v/Art Jarrett)
(3:22) You're The One I Care For - Bert Lown Orch (v/Elmer Feldkamp)
(3:23) I Found A Million Dollar Baby - Frank Auburn Orch
(2:45) On A Night Like This - Howard Lanin Orch
(2:59) Shine - Jesse Stafford Orch
(2:40) Broadway Melody - Ben Selvin Orch
(3:14) Who's Your Little Who Zis - Ben Selvin Orch
(3:22) Me And The Man In The Moon - Ambassadors (v/Frank Salvano)
(2:49) You're The Cream In My Coffee - Ambassadors (v/Frank Salvano)
(2:51) 'Leven-Thirty Saturday Night - Ambrose Orch (v/Sam Brown)
(3:00) Who's Sorry Now? - Green Brothers Novelty Orch
(3:27) Girl Of My Dreams - Blue Steele Orch (v/Kenny Sargent)
(2:48) When Eyes Of Blue Are Foolin' You - Howard Lanin Orch
(3:13) What A Day - Ted Weems Orch (v/Parker Gibbs)
(3:18) Somebody Loves Me - Henry Lange Baker Hotel Orch
(2:40) She's Got It - Ted Weems Orch (v/Parker Gibbs)
(3:00) Rainy Weather Rose - Adrian Schubert & his Salon Orch (v/Irving Kaufman)
(2:51) Red Headed Baby - Gene Kardos Orch (v/Dick Robertson)
TOTAL RUNNING TIME -- 73:07

Original Dance Music of 1920's & 1930's.......2006-07-30

Bought as a gift. A couple of pieces I listened to were intertaining.

Excellent twenties compilation.......2005-02-16

You get plenty of bang for your buck with this collection. Try some of the sound samples on this site and you will find out how enjoyable this album is. I found the audio restoration to be quite good.

Very good collection of this era.......2004-07-21

I have quite a lot of music from this era, but this one is a must. So many good songs from long forgotten times, but so near, if you just push play!
Enjoy!

Music for a Darkened Theatre, Vol. 1: Film & Television Music

Average customer rating:

Great compilation - and that's just the first half.
The best of Elfman!!!
Great Collection, A LIttle Too Eclectic
What Great Music
super

Music for a Darkened Theatre, Vol. 1: Film & Television Music

Manufacturer: Fontana Mca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Serenada Schizophrana
So Lo
Sleepy Hollow: Music from the Motion Picture
Beetlejuice: Original Motion Picture Soundtrack

ASIN: B000002OEB
Release Date: 1990-10-15

Tracks:

Excerpts From: Pee Wee's Big Adventure
Excerpts From: Batman
Excerpts From: Dick Tracy
Excerpts From: Beetlejuice
Excerpts From: Nightbreed
Excerpts From: Darkman
Excerpts From: Back To School
Excerpts From: Midnight Run
Excerpts From: Wisdom
Excerpts From: Hot To Trot
Excerpts From: Big Top Pee Wee
Excerpts From: The Simpsons
Excerpts From: Alfred Hitchcock Presents: The Jar
Excerpts From: Tales From The Crypt
Excerpts From: Face Like A Frog
Excerpts From: Forbidden Zone
Excerpts From: Scrooged

Customer Reviews:

Great compilation - and that's just the first half........2005-09-14

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it

The best of Elfman!!!.......2005-09-05

I was obsessed about getting this CD right from when I heard about it. I found it at the library and was so excited about it, and it didn't let me down. In fact, it was a lot better than I expected. It's a fun and creepy (strange mix, but it really works!) collection of Danny Elfman's film and television soundtracks. The first track, Pee Wee's Big Adventure, is probably my favorite. Also, I really like Batman and Wisdom. Batman is creepy and dark, and Wisdom is just weird, in the best possible way.
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!

Great Collection, A LIttle Too Eclectic.......2003-08-19

You should be able to tell from the movies and TV shows listed here whether or not you'd be interested in this collection. It's a little too eclectic for my tastes (hence only 4 stars) but better than volume 2. I think thatthe miscellaneous collected ites here along with the previously unreleased stuff should make this worth buying. Especially if you're a fan of Elfman's movie soundtrack work.

What Great Music.......2003-05-11

I fell in love with the music of Danny Elfman when Beetlejuice came out. There was something different about the music that he made. When Edward Scissorhands, and then Nightmare Before Christmas - I knew this man was a musical master. Its the verbal form of surrealism.

super.......2003-04-17

What a great CD. Danny's music is so original and inventive. this CD contains his pre 90's quirky, gothic music. it's all very well written and beautifully orchestrated. batman and darkman contain some really excellent long, dark, gothic cues that really take u away from reality. in my opinion no one, apart from howard shore, is as inventive and original as danny in the world of filmmusic. he far surpasses the repetitive works of williams or horner. buy this, and volume two, and keep supporting one of the greatest film composers of all time.ohh...and buy fellowship of the ring and two towers by howard shore....amazing work!

Average customer rating:

glen miller

Glenn Miller's All Time Greatest Hits
Glen Miller and His Orchestra
Manufacturer: Sounds of Yesteryear
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music
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Songs That Got Us Through WWII

ASIN: B000HOJTG0
Release Date: 2006-10-17

Tracks:

Moonlight Serenade
Johnson Rag
It Happened In Sun Valley
Kalamazoo
In The Mood
Juke Box Saturday Night
Little Brown Jug
Sunrise Serenade
Carribean Clipper
Pennsylvania 6-5000
Chattanooga Choo Choo
A String Of Pearls
Tuxedo Junction
SNAFU Jump
American Patrol
My Prayer
The Trolley Song
Slip Horn Jive
We Can Live On Love
King Porter Stomp
The Lady's In Love With You
The Chestnut Tree
Pagan Love Song
Oh Johnny Oh Johnny Oh
Tiger Rag

Tracks:

Bugle Call Rag
On A Little Street In Singapore
Solid As A Stonewall Jackson
When The Swallows Come Back To Capistrano
Oh So Good
Anchors Away
Yes My Darling Daughter
Song Of The Volga Boatmen
Limehouse Blues
I Dream't I Dwelt In Harlem
Flying Home
Boog It
Cherokee
Russian Patrol
The More I See You
Accentuate The Positive
Beer Barrel Polka
Dipper Mouth Blues
Poinciana
Long Ago And Far Away
You Walk By
Hallelujah
Put Your Arms Around Me Honey
Sun Valley Jump
South American Way

Customer Reviews:

glen miller.......2007-05-14

I found this product to be very good. It was exactly what I expected. The quality was good, and it arrived now I pictured it.

Average customer rating:

Great disappointment on amazon's shipping method
The Greek Music-
Great flick but bad cd
The Greek Music is Great
Amazingly Relaxing CD!

My Big Fat Greek Wedding
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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Zorba's Dance: Memories of Greece
Greek Songs Dances and Rembetiko
Zorba the Greek
Authentic Greek Folk Songs & Dances
Syrtaki Dance From Greece

ASIN: B00006AAUC
Release Date: 2002-07-16

Tracks:

Stalia, Stalia
Xekina Mia Psaroboulla
Orea Pou Ine I Nifi Mas
Moose Caca
Kefi In Katavia
Secret Garden
Yasoo
Istanbul Coffee House (Kafe Neio)
Time With You
Yiayia
Generations
Toula And Ian
Apples N' Oranges
All My Only Dremas
First Date

Amazon.com

Ask anyone who's attended one and they'll tell you: there's nothing quite as colorful--and emotionally melodramatic--as a Greek wedding. Based on Winnipeg actress-comedian Nia Vardalos's one-woman show and brought to the screen by Rita Wilson and husband Tom Hanks, the film tells (with some parallels to Moonstruck) the story of a thirtysomething Greek spinster for whom falling in love with a "Xeno" (non-Greek) is surely the easiest part of a wedding that more than lives up to its billing. The film's soundtrack perfectly captures those swirling clouds of ethnic and romantic tension. Its first half largely sets up the rich cultural atmosphere with a lively sampling of traditional Greek folk music (featuring selections by Alexandros Xenofontos, John Tsifliklis, Eman, Nick Kutsukos, Daghan Baydur, and Richard Thomas), while the score proper from Alexander Janko (with help from Chris Wilson) slyly segues from similar fare ("Moose Caca," "Yasoo," "Yiayia") to more traditional orchestral film music. That sometimes electro-pastoral, compelling music has parallels with Rachel Portman's and offers the collection a sense of emotional completion. --Jerry McCulley

Customer Reviews:

Great disappointment on amazon's shipping method.......2007-07-07

I had ordered this particular CD. However, After the second tried. i am yet to receive the CD. And i was really hoping the second CD could appear in my doorstep on the expected arrival date or 1 week later.

To be honest, This is the first time i didn't manage to receive my good from E-commerce Portal. I totally didnt expect this happen from reputable Amazon.

Nonetheless. I must admit your friendly customer service, they are always willing to assist me to reprocess or the refund the marchant.

Please kindly review your shipping method. or perhaps let me know what had happened to my shipping address or my goods. so i could still have confident to make purchase on your website again.

The Greek Music-.......2006-02-10

The cd is so phenomenal. The music is so traditional and it show so much of the greek culture. The bouzoki that they use which is a greek instrument was such a musical sound. In my school we are doing a GREEK PRESENTAION and we are going to use this music. We will dance to it and are going to be a success. So overall this is a superlative cd after all!!!!!!!!!!

-MICHAELA

Great flick but bad cd.......2004-04-29

Check out my big phat cd cuz I'm a greek musician

http://www.cdbaby.com/cd/taki76

The Greek Music is Great.......2003-05-05

I loved the strong rhythms and colorful harmonies of the traditional Greek numbers. The film score is lyrical but bland. This truly is a combination of "apples and oranges!"

Amazingly Relaxing CD!.......2003-03-08

This is a great instrumental CD! Not only great greek music that you can get up and dance to, but also the soft contemporary songs that you can just relax with. I enjoy it very much!

Average customer rating:

Truely Explosive Music
Two giants shaking hands!
I got the 8 track version but it still sounds good to me!
Two Masters At Play On A Highly Enjoyable,Challenging & Rewarding Recording
Smoking music

First Time: The Count Meets the Duke
Duke Ellington with Count Basie's Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

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ASIN: B00000IMYM
Release Date: 1999-04-27

Tracks:

Battle Royal
To You
Take The "A" Train
Until I Met You
Wild Man
Segue In C
B D B
Jumpin' At The Woodside
One More Once - (bonus track)
Take The "A" Train - (bonus track, previously unreleased, alternate take, rehearsal)
Jumpin' At The Woodside - (bonus track, previously unreleased, alternate take)
B D B - (bonus track, previously unreleased, alternate take)
Blues In Hoss' Flat (Blues In Frankie's Flat) - (bonus track)
Wild Man - (bonus track, previously unreleased, alternate take)
Battle Royal - (bonus track, previously unreleased, alternate take, rehearsal)
(Pause Track)

Amazon.com essential recording

The two greatest big bands in jazz history side by side on your headphones: What can be more glorious? If, as Billy Strayhorn said, Duke Ellington's band was his instrument, then this 1961 session finds Ellington and Count Basie "trading fours," as it were. The composer credits and solo space are divided democratically, to say the least--four songs from Duke's camp, four from Basie's. The sparring between soloists of both bands is a pure delight, especially the gentle conversations between the two leaders-pianists, who finish each other's thoughts as if all four hands were attached to one unified torso. Highlights include two engaging new Duke compositions--the blistering opener "Battle Royal" and the impulsive "Wild Man"--and the closing Basie chestnut "Jumpin' at the Woodside," on which the lead tenors Frank Foster and Paul Gonsalves engage in ferocious dueling. Amazingly, there is no toe-stepping amid the rousing interplay. --Marc Greilsamer

Amazon.com

Take the Kansas City-style streamlined swing of Count Basie's band and put it together with the omni-American "total jazz" of the Duke Ellington Orchestra and you've got one memorable session. Recorded in 1961 and reissued with unreleased, rehearsal, and alternate takes, the date has a friendly after-hours feel, with the Ellington crew in the right channel and the Basie band in the left. They both deliver the type of no-nonsense straight-ahead jazz that characterized the best of the big-band sound: Ellington's brisk 4/4 opener "Battle Royal" features some stratospheric blowing by tenor saxophonist Frank Wess and trumpeter Cat Anderson along with a volcanic drum "conversation" between Sam Woodyard and Sonny Payne. The sound of the locomotive drives the midtempo "Corner Pocket," the Basie-associated standard by guitarist Freddie Green, steered by saxophonist Paul Gonsalves's robust tenor sax. "Segue in C" showcases Ellington and Basie's Fats Waller-Willie "the Lion" Smith stride-piano roots, with the former's dark chord clusters and the latter's feathery in-the-pocket phrasing. The ballad "To You" is marked by cascading horn harmonies laced with Ellington trombonist Quentin "Butter" Jackson's pleading muted solo. The Basie-Ellington hits "Jumpin' at the Woodside" and "Take the 'A' Train"--with composer Billy Strayhorn tickling the ivories in place of Basie--bring out the best in Basie, Foster, Gonsalves, and trumpeter Ray Nance, and they trade fours and cap this amazing encounter. --Eugene Holley Jr.

Customer Reviews:

Truely Explosive Music.......2007-04-24

The arrangements in this cd are great, both bands are in top form. The addition of the unreleased tracks is a pure treat, sometimes I think some of the alternate takes should have been the tracks to make it on the original release, for instance Jumpin at the Woodside and the Battle Royal, even though it is not as polished as the one that made it onto the original release i feel it has more energy and excitement. The liner notes are top class and have incredible photos of the two day recording session and insightful information

Two giants shaking hands!.......2006-06-06

This is an emblematic and historical document for hard fans and jazz lovers; the successful encounter of the most pyramidal jazz artist ever born; "The Duke" joining his creative moods with another giant of the genre: Count Bassie.

A collection album.

I got the 8 track version but it still sounds good to me!.......2005-08-11

I don't have the enhanced version of this disc but it still sounds very good to me so I can only imagine what an "enhanced" version would sound like but I can truly say that I enjoyed this disc a great deal. A couple of great bands combining for just one occasion and this was the result. Highly enjoyable and definitely a keeper! If you are a swing fan and don't have this yet in your collection, what are you waiting for? : )

Two Masters At Play On A Highly Enjoyable,Challenging & Rewarding Recording.......2005-06-05

The collaboration of these 2 giants of their trade shine even on the mix of the CD that has Duke's orchestra playing on the right channel with the Count's on the left..what a great re release with bonus tracks and 36 page illustrated booklet...total pleasure from Basie, now with his idol,Duke, playing as his "guest" on this Ellington release..
We have Basie's bluesy voluptuous sound fusing well with Duke's elegant style on mostly numbers spanning popular band selections from both of these musical giants.
These two great orchestras, weaving amazingly smooth and irreconcilable at times works on standouts from both men.
Jamming together in New York in the summer of 1961
this was billed as a historic one time meeting now laid down for posterity.
Phil Schapp the reissue producer did a great job on adding outtakes, different takes.. under his guidance this becomes one great long CD and one that can turn heads in initiating people to music of greatness from these 2 men and their orchestras that is now overlooked some 50 years later.

Smoking music.......2005-04-19

Forget the history, the background, the drama, the analysis, this music smokes. It groves, it burns, it makes you want to dance, and it makes you want to listen, it provides heat, light, and electricity too.

The two bands are smoking. This is the hotest straight ahead head arrangement swing either group played in the period. This is what makes the bands which were otherwise overly arranged and precision units by the time this CD was made, smoke. The production values on these tracks must have been quite low: get the two bands in the studio, get a minimum number of tracks going, find some tunes that are blues based with standard progressions, and let the rhythm sections bounce, let the soloists rip.

Rip, rip rip rip away they do, and it takes a long time of listening to figure out who is who what is what, by that time you dont care. You just want the beat to go on, the bands to keep wailing and you don't care whether it is Count Basie and Duke Ellington, or Frosty the Snowman.

I am not much on the New Testament or Ellington in the 1960s but you need this groove!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Life and Works of Ludwig van Beethoven
What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

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