The Things We Make

the things we make

Track Listings

1. Beautiful Shape

2. European Me

3. Candlelight

4. For You

5. Spy Song

6. Something Wild

7. Brilliantly Cute

8. Oh! Dear

9. 88-92-96

10. Come Down

The Things We Make,Six by Seven,Interscope Records,Indie Rock,Pop,Popular Music,Rock,Space Rock

The Things We Make

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Rap & Hip-Hop | Styles | Music

General | Soundtracks | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

State Fair: It's A Grand Night For Singing - Dick Haymes
Show Boat: Why Do I Love You? - Tony Martin/Frances Langford
Show Boat: Can't Help Lovin' Dat Man - Ella Fitzgerald And Her Famous Orchestra
Show Boat: Ol' Man River - Frank Sinatra
Show Boat: I Still Suits Me - Paul Robeson/Elizabeth Welch
High, Wide And Handsome: The Folks Who Live On The Hill - Bing Crosby
State Fair: It Might As Well Be Spring - Dick Haymes
Centennial Summer: All Through The Day - Doris Day
Carousel: If I Loved You - Perry Como
Oklahoma: People Will Say We're In Love - Frank Sinatra
Show Boat: Make Believe - Tony Martin
South Pacific: I'm In Love With A Wonderful Guy - Mary Martin
South Pacific: Bali Ha'i - Juanita Hall
South Pacific: Some Enchanted Evening - Frank Sinatra
High, Wide And Handsome: Can I Forget You? - Bing Crosby
Roberta: I Won't Dance - Guy Lombardo And His Royal Canadians
Show Boat: Bill - Helen Forrest
Sunny: Who? - Tommy Dorsey And His Orchestra
Oklahoma: Oh, What A Beautiful Morning - Frank Sinatra
South Pacific: Happy Talk - Juanita Hall
Sweet Adeline: Why Was I Born? - Vic Damone
Very Warm For May: All The Things You Are - Tony Martin
Carousel: You'll Never Walk Alone - Judy Garland

Rimsky-Korsakov: Scheherazade; Tchaikovsky: Marche Slave

Average customer rating:

A gorgeous, overstuffed Scheherazade a la Stokowski
The Best Scheherazade I've Heard
It's good but maybe not what the critics said

Rimsky-Korsakov: Scheherazade; Tchaikovsky: Marche Slave

Manufacturer: Cala Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B0000LPLQ2
Release Date: 2003-10-21

Customer Reviews:

A gorgeous, overstuffed Scheherazade a la Stokowski.......2006-02-21

Disney never set Scheherazade to animation, but if they ever do, this splashy, at times volcanic reading is the one they should choose. Stokowski recorded the work four times that I know of. This, the last, originally came out in Decca's Phase 4 Stereo (they've recently reissued it in a box set of Stokowski's complete Decca recordings, the bulk of which were for Phase 4), an early venture in extreme multi-miking. Every solo instrument marches forward and plays as loud as the rest of the orchestra combined, no mean feat for a bassoon.

In a sour mood I cringe at the vulgarity of this performance compared to Reiner's classic reading with the Chicago on RCA, but most of the time I realize that Scheherazade isn't the B Minor Mass, so why not goose it up? Musically speaking, Stokowski has a wonderful sense of drama and his many tempo fluctuations, though operatic, are in the gorgeous, overstuffed spirit of the work.

The Best Scheherazade I've Heard.......2005-11-28

I grew up listening to this recording on its original Phase 4 LP. Over the years I've owned or listened to other recordings of Scheherazade while waiting for this one to be released on CD. I missed its Decca CD release and am now thankful that Cala has reissued it. It is the best recording of Scheherazade out there. Stokowski was not rigid in his tempos for this recording and the music flows freely, hanging onto and savoring a phrase or note here, driving forward with intensity there. Stokowski really pulled the passion in the piece out of the London Symphony and they play exceptionally well and with fine solo playing throughout (I love the bassoon and oboe solos that come near the beginning of the second movement). Compared to this one, other recordings seem mechanical and passionless. The Marche Slav recording was done at a live concert and has some extremes in its tempi. In spite of this it is well played and has a thrilling ending. The bonus tracks of the rehearsal process are fascinating and brought back memories of my high school days in band and orchestra. You will not be disappointed by this recording.

It's good but maybe not what the critics said.......2004-06-29

Here's the "new" old "Scheherazade" from Stokowski that sent critics on both sides of the Atlantic a-twitter when it was re-released last year. Writers from Gramophone to American Record Guide went bonkers over this, exclaiming it the most exciting Stokowski "Scheherazade" ever recorded...even more exciting than his 1940 Philadelphia version that some writers love to no end. The sound on this CD is outstanding, just about out of this world. It was originally one of London's famous Phase 4 recordings, sometimes made with as many as 20 microphones and mixed like a modern high energy ensemble dance tune with a half-dozen engineers having input as well as the conductor. Stokowski loved tinkering with sound and you hear it all throughout this CD. Even though this is a garish-sounding CD, I agree with everything everyone said about all the sterling first chair players and soloists in the middle 1960s London Symphony Orchestra. They all play real well and put in a big time performance for the old man. However, I can't rate this version as highly as the RCA Victrola Royal Philharmonic Orchestra version where concertmaster Eric Gruenberg performed the violin solo better than in his London Symphony recording. Another thing that performance had going for it -- along with Gruenberg's exceptionally sweet playing -- is powerful timpani strokes in the opening "Sea and Sinbad's Ship" and during the closing pages of the performance, one of the most coloratura, kaleidoscopic wide screen symphonic canvasses ever composed. I like the Cala re-release and no praise could be too high for the sound or the solo work. But, for reasons stated above, I like the RPO version better and am far more satisfied with it than with the overripe London account. The RCA CD is also manufactured sound -- meaning not natural -- but the spotlighted timpani and better bass response lend a Russian feeling to the music that is lacking in this version.

Average customer rating:

Take a chance on this incredible score!
Failed Broadway musical revived 25 years later.

Her First Roman (1993 Studio Cast)

Manufacturer: Ducy Lee Recordings
ProductGroup: Music
Binding: Audio CD

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

Broadway & Vocalists | Imports | Stores | Music
Similar Items:

So Long, 174th Street (1976 Original Broadway Cast)
Curtains (2007 Original Broadway Cast)
I Had a Ball (1964 Original Broadway Cast)
Anastasia: The Musical (plus premier recordings of Wright and Forrest songs from At The Grand/Betting On Bertie/Grand Hotel/Kean
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00000C2LN
Release Date: 2001-05-29

Tracks:

Opening/What Are We Doing In Egypt? - Mark Miller
Song To The Sphinx - Richard Kiley
Save Me From Caesar! - Leslie Uggams
Many Young Men From Now - Leslie Uggams
When My Back Is To The Wall - Leslie Uggams
Pleasure Him - Leslie Uggams
Her First Roman - Chorus
Magic Carpet - Leslie Uggams
Rome - Mark Miller
The Dangerous Age - Ron Raines
The Things We Think We Are - Ron Raines
Her First Roman: Reprise - Ron Raines
Parable Of The Monkey - Maureen Davis
I Cannot Make Him Jealous / I Can't Help Feeling Jealous - Leslie Uggams
The Wrong Man - Leslie Uggams
Let Me Lead The Way - Brenda Silas-Moore
In Vino Veritas - Ron Raines
I Fell In With Evil Companions - Ron Raines
Just For Today - Leslie Uggams
Finale Ultimo - Ensemble
Song To The Sphinx (Demo Recording) - Ervin Drake

Album Description

25 years after this show debuted on Broadway, the two original stars - Richard Kiley (Man of La Mancha) and Leslie Uggams (Hallelujah, Baby) - join a talented cast of newcomers to record the score! The album also restores the original orchestrations - long thought lost - and recreates the thrilling sound of Broadway shows in the 1960s.

Also featured are Broadway stars Priscilla Lopez (A Chorus Line), Ron Raines (Days of Our Lives) and Brenda Silas-Moore (Freeway Dreams), among others.

Customer Reviews:

Take a chance on this incredible score!.......2004-07-22

I'm glad I did, as it definitely now resides in my top ten favorite Broadway scores. It's an extremely variable score, from wildly comic to powerfully beautiful, and that may have affected the show's run, but it works great on your CD player.
Don't be afraid to change the order of the songs either. I start off with 2,3, then 1, etc. In fact, the only song I didn't end up liking on the entire CD was "Many Young Men From Now".
When I read a review by someone, I'm always curious about other shows they've liked, or didn't like, to see how similar (or dissimilar!) our tastes are. Some scores I've enjoyed include: House of Flowers, Grass Harp, Saratoga, Camelot, Purlie, Dear World, Mata Hari, The Life, Avenue Q and Wicked.
Some I didn't like include Bajour, Subways Are For Sleeping, The Seussical, St. Louie Woman, Applause, Urinetown, Greenwillow, Big River, Sweet Charity and The Golden Apple.

Failed Broadway musical revived 25 years later........1999-06-05

This is a true oddity. HER FIRST ROMAN with book, music and lyrics by Ervin Drake is a show with some promise. The rhyming in some of the lyrics is clever, the premise of adapting Shaw's CAESAR AND CLEOPATRA to the musical stage a beguiling one. But this is amateurish from beginning to end. Not able to make up its mind whether it is drama, comedy or low comedy, it is none of these. Uggams is woefully miscast but Kiley does a wonderful job as Caesar. There are only two songs of merit - MANY YOUNG MEN FROM NOW (which should be in every gay cabaret singer's repertoire) and the rollicking I FELL IN WITH EVIL COMPANIONS. The rest range from mediocre to downright boring. Amazing that the original cast members and the producers liked it well enough to mount a cast album 25 years after the closing. Valuable to Broadway composers/lyricists in showing how NOT to write a show. This would have been ideal material for Lerner and Loewe, but sadly not for Mr. Drake.

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

Average customer rating:

A good start to their career
speechless
Divide and multiply
powerful
times of brilliance

The Things We Make
Six by Seven
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Rock | Styles | Music
Similar Items:

The Closer You Get
The Way I Feel Today
Artists Cannibals Poets Thieves
C'mon Kids
Everything's Alright Forever

ASIN: B00000DCZN
Release Date: 1998-10-06

Tracks:

A Beautiful Shape
European Me
Candlelight
For You
Spy Song
Something Wild
Brilliantly Cute
Oh! Dear
88-92-96
Comedown

Customer Reviews:

A good start to their career.......2004-04-14

Six By Seven are one of the best indie bands in the UK, and command a strong following despite a lack of mainstream success. Their debut has longer and more epic songs than the two albums which have followed since, with very 90s, slightly underproduced production, and a wall of sound. A bit like Stone Roses meets My Bloody Valentine perhaps. 'Candlelight' has a baggy groove and a catchy tune, 'European Me' is a haunting, slightly gothic number and 'Oh! Dear' is a building, swirling symphony of noise. In between there are some less successful efforts: the slightly one-dimensional 'Something Wild' and 'Brilliantly Cute', the latter verging into punk-influenced territory without the confidence of later efforts like the explosive 'Speed Is In/Speed Is Out' off their 3rd album. '88-92-96' is a little directionless.

Its actually less heavy than some of the stuff that followed: third album 'The Way I Feel Today' is more varied and has more focus and clarity in the sound. The last 5 songs are noticably less good than the first 5, with the exception of 'Oh! Dear'. The first 5 have more memorable guitar shapes and tunes. Overall, though, this is a good album worth owning, if not as great as later efforts.

speechless.......2000-07-29

check it out before listening to "the close u get" in which only a few tracks are worth-listening. this cool debut IS what six-by-seven deserves to be liked,not the latest one. experinece the noise in "something wild",feel the mechacholy in "88-92-96",taste the sweetness in " a beautiful shape".all u should do is stick to this debut & forget the latest one.

Divide and multiply.......2000-03-31

Any band who can carry a singer with as bad a voice as Chris Olley have to be pretty impressive - that Six By Seven manage not only to do this, but even make his blocked-nose delivery surprisingly emotional have some kind of rare talent. Not that it shows all the time - the first five songs are good, and Brilliantly Cute is a cathartic masterpiece of guitar abuse, but towards the end of the album there is a distinct lack of innovation and enthusiasm. In European Me and Spy Song they demonstrate that they can take a song and build it up to great effect; in Something Wild they need only four minutes to prove they can be a poor pub-rock band. Funny that the grand gestures should be the ones that come off well, while the short stuff lets them down badly.

powerful.......1999-07-13

a real grower. a lot of controlled power and very satisfying at a high volume - a band with a future

times of brilliance.......1999-03-15

the cd offers a variety of sounds that will suck the listener into the dimension that is six by seven. "european me" creates a dream state in the listener that boarders on perfection. songs like "for you" and "88-92-96" are the strong points of the album with mesmerizing psychedelic freak-outs bringing each track to an end. the cd has strong resemblances to swervedriver and i would strongly recommend this album.

Average customer rating:

A new song of Ronnie Aldrich!

Best of Broadway: Tomorrow

Manufacturer: Reader's Digest
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Soundtracks | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Best of Broadway: Till There Was You
Best of Broadway: Anything Goes
Best of Broadway: There's No Business
Best of Broadway: The Music of the Night
Best of Broadway: The Impossible Dream

ASIN: B00006313N
Release Date: 2002-03-12

Tracks:

Annie: Tomorrow - Ronnie Aldridge With The London Promenade Orchestra
Girl Crazy: Embraceable You - Roger Williams, His Piano And Orchestra
Finian's Rainbow Medley: Look To The Rainbow/Old Devil Moon/How Are Things In Glocca Morra? - London Promenade Orchestra/Eric Hammerstein, Conductor
Babes In Arms: The Lady Is A Tramp - Robert Mandell And His Orchestra
South Pacific: Bali Ha'i - The Romantic Strings Orchestra
Seven Lively Arts: Ev'ry Time We Say Goodbye - The Romantic Strings Orchestra
Show Boat: Make Believe - London Promenade Orchestra; Eric Hammerstein, Conductor
My Fair Lady: Wouldn't It Be Loverly - London Promenade Orchestra; Eric Hammerstein, Conductor
The Most Happy Fella: Standing On The Corner - London Promenade Orchestra; Eric Hammerstein, Conductor
The Sound Of Music: Climb Ev'ry Mountain - London Promenade Orchestra; Eric Hammerstein, Conductor
Fiddler On The Roof: Sunrise, Sunset - The Romantic Strings Orchestra
Oh, Lady Be Good: Oh, Lady Be Good - Wally Stott And His Orchestra; Jack Blackton, Vocal

Customer Reviews:

A new song of Ronnie Aldrich!.......2007-02-01

This CD has a new song of Ronnie, under the name of Ronnie Aldridge, playing the main theme of this CD, "Tomorrow".
I buy each CD of Readers Digest that has songs of Ronnie himself, or under the name of Richard Alden or Ronnie Aldridge.
The other songs are beautiful.

My Native Land: A Collection of American Songs

Average customer rating:

Very Good Intro to American Art Songs
Excellent recording, lots of photos, partial texts.
Terrific Songs, Great Artistry

My Native Land: A Collection of American Songs

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Larmore, Jennifer | Divas | Opera & Vocal | Styles | Music

The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa
But Yesterday Is Not Today-The American Art Song 1927-1972
A Month In The Country
Stefano Donaudy: Amor mi fa cantare
All My Heart: Deborah Voigt Sings American Songs

ASIN: B000000S9V
Release Date: 1997-11-11

Tracks:

He's Gone Away
The Little Horses
Ching-a-Ring Chaw
At The River
Zion's Walls
In The Fields
Bessie Bobtail op 2, no 3
I Hear an Army, op 10
Sure on this Shining Night op.13, no 3
Rain Has Fallen, op.10
To Say Before Going To Sleep
White in the Moon
The Leather-Winged Bat
Barb'ry Allen
Sleep Now
Winter Song
Twentieth Century
A Letter
The Astronomers
T'is Winter Now
Shall I Compare Thee to a Summer's Day
Make Me An Instrument of Thy Peace
Black is The Color of My True Love's Hair
Soldier, Soldier
Heart! We Will Forget Him!
Richard Cory
Fee Simple
My Native Land
The Things Our Fathers Loved
Memories

Customer Reviews:

Very Good Intro to American Art Songs.......2006-04-02

'My Native Land', a collection of 30 pieces sung by mezzo soprano Jennifer Larmore, accompanied on piano by Antoine Palloc is an excellent tutorial in the American art song. As the introduction states, the art song is as much or more at home in America than any other form of 'classical' music. This became quite clear to me the moment I realized that Stephen Foster's songs were as much of the style of Shubert as they were of native American gospel songs.

This makes it especially odd that there are no Stephen Foster songs on this album. I take this to be an effort on the part of the artist and her producers to focus on less familiar material and thereby educate us about Jake Heggie, Lee Hoiby, John Duke, Richard Hundley, Lora Aborn, John Jacob Niles, Robert Abramson and Charles Naginski and thereby concentrating on 20th century composers joining the better known Charles Ives, Samuel Barber, and Aaron Copeland.

Larmone is not my favorite mezzo and, like another reviewer, have found her doing things I did not totally enjoy, but it seems as if the material in this album fits her to a Tee. It makes me wish she would do a Stephen Foster album.

Recommended.

Excellent recording, lots of photos, partial texts........2005-06-09

I defer to the excellent review below, and to that in the December 1997 Gramophone 12/1997. Just a brief note for purchasers that, for reasons not totally justified by copyright concerns, only nine of the thirty sung texts are reproduced in the original Teldec release booklet - and none at all in the Elatus reissue. Generous total timing 74'58.

Terrific Songs, Great Artistry.......2000-09-25

In an effort to promote American culture abroad, I purchased this CD as a gift for a European friend. After two weeks of previewing it in my home, I'm keeping it for myself! Simply put, I can't remember the last time I have enjoyed a disc of songs as much as this one. No one is more surprised than me, since in the past I haven't always warmed to Larmore's singing, live or on record. Even here there are times when her vocal idiosyncrasies get in the way of what she wants to do. The lower register often takes on a strangely occluded quality, while some of her high notes slice the air with piercing shrillness. It's a highly accomplished voice that, to my ears, lacks consistent beauty. But to be fair, for much of this disc she sounds perfectly fine: a handsome, pleasingly dark sound, notable for its flexibility and legato.

What earns her five stars, however, is her artistry. She brings an arrestingly broad range of responses to this music. Like the nation that produced them, American songs are highly diverse, drawing from folk, European, religious, and pop idioms, to name just a few. Larmore is in full command of this diversity and alters her tone and delivery to bring each number home. Furthermore, she seems really to have read and thought about the texts. Every word counts. When the music can handle it, she lays it on thick and "acts" her way through the song, such as in Copland's "Ching a Ring" or Heggie's "Barb'ry Allen." But she wisely knows when to to hold back and let the melody carry the point, as in Barber's famous "Sure on this Shining Night" or Ives's "My Native Land." (Many accomplished Lieder singers never learn this lesson.) Once or twice she's a little off target (the first track, unfortunately), but this disc gave me a new respect for her art.

It helps that she's chosen such a fascinating group of songs. The Copland and Barber are well known, and recently Heggie is on everyone's lips, but much of the rest rarely makes it to disc. I particularly liked the gorgeous Aborn numbers, with their wistful sentimentality, and the quirky Duke pieces. Hundley's "Astronomers" is a haunting, unforgettable piece. Her inclusion of three Ives songs reminds us that it's time singers of her caliber returned to his oeuvre. Many of her choices stress different kinds of longing, that most American of emotions, but there's enough of a variety to prevent sameness. She also shines in several "patter songs," delivered with lightning wit. Palloc performs his role admirably.

Tracks:

Overture
Sarah, Rebecca, Rachel & Leah
Scene Change Music
From Generation to Generation
Sabbath Prayer
Soldier Song
Scene Change Music
Goin' On A Mission!
We're All Going To Israel!
One Day
I Love To Kvetch
Entr'acte
Golda!
Ani L'Dodi -- The Wedding Song
Life Was Simple Then
Convert's Lament
Once Upon A Time
Scene Change Music
So Quickly
Scene Change Music
Light of Torah
"Generation" Reprise
Life Was Simple Then --The Rock Version

Album Description

From Generation to Generation is a heartwarming and humorous musical that focuses on Rose, a mother who is creating a unique and enduring gift for her unborn granddaughter.

Music taken from this award-winning play touches the hearts and souls of all who experience it. It binds the story of the play together through the idea of an ethical will recorded by Rose as a legacy to pass from generation to generation. As the titles reveal, the nineteen lively original songs (plus four scene change selections) cover a range of emotions about Rose's life.

While the musical is about a Jewish family, the music describes Rose's experiences, family values, and legacies that could represent any family.

The music is written by Karen Sokolof Javitch with lyrics by Javitch and Joanie Jacobson. Musical arrangements for "From Generation to Generation" are by Chuck Penington of Mannheim Steamroller.

Music:

Music

music