In Nuce [Import]
Editorial Reviews
Product Description
Remastered 1995 release on Milestone Records, a collectionof eight early recordings from 1969-1973. Features theirvery first studio recording under the Smile moniker,'Earth', and the original version of 'Mad The Swine'.
In Nuce,Queen,Rock/Pop
In Nuce [Import]
Average customer rating:
- Great Tribute to a Great Lady
- June Carter Cash :Remarkable, Admired, Rare, & Legendary
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Anchored in Love: A Tribute To June Carter Cash
Various
Manufacturer: Dualtone
ProductGroup: Music
Binding: Audio CD
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ASIN: B000P2A6B6
Release Date: 2007-06-05 |
Tracks:
- If I Were a Carpenter ~ SHERYL CROW & WILLIE NELSON
- Jackson ~ CARLENE CARTER & RONNIE DUNN
- Wildwood Flower ~ LORETTA LYNN
- Far Side Banks of Jordan ~ PATTY LOVELESS & KRIS KRISTOFFERSON
- Keep on the Sunny Side ~ BRAD PAISLEY
- Wings of Angels ~ ROSANNE CASH
- Ring of Fire ~ ELVIS COSTELLO
- Road to Kaintuck ~ BILLY BOB THORTON & THE PEASALL SISTERS
- Big Yellow Peaches ~ GREY DE LISLE
- Kneeling Drunkard's Plea ~ BILLY JOE SHAVER
- Will the Circle Be Unbroken ~ RALPH STANLEY
- Song to John ~ EMMYLOU HARRIS
Amazon.com
Because family values and devotion were so fundamental to June Carter Cash, it was inevitable that this tribute album--produced by her son, John Carter Cash--would encompass the legacy of the Carter Family and her marriage to (and musical partnership with) Johnny Cash. The pairings that revive the June-and-Johnny duets are a mixed bag, as Willie Nelson never really meshes with Sheryl Crow on "If I Were a Carpenter," but daughter Carlene Carter and Ronnie (of Brooks and) Dunn absolutely nail "Jackson" with their rambunctious interplay. Among the other highlights, stepdaughter Rosanne Cash gives a luminous spirituality to "Wings of an Angel," while Emmylou Harris will bring a lump to every throat with the closing "Song to John," a testament to eternal love and the afterlife. As June's signature instrument, the autoharp figures prominently in many of the arrangements, including Elvis Costello's rendition of "Ring of Fire." As for June's legendary lineage, Ralph Stanley's "Will the Circle Be Unbroken," Loretta Lynn's "Wildwood Flower," and Brad Paisley's "Keep on the Sunny Side" all attest to the Carter Family's seminal influence not only on daughter June, but on country music as a whole. --Don McLeese
Album Description
This all-star tribute album was conceived and produced by John Carter Cash, the only child of Johnny and June, and features songs written by or associated with the beloved singer, and performed by an eclectic collection of family and friends such as Elvis Costello, Billy Bob Thornton, Sheryl Crow, Willie Nelson, Emmylou Harris, Loretta Lynn, and more. This release will coincide with the publication of John's book, "Anchored In Love: An Intimate Portrait Of June Carter Cash". The only biography of June available, it chronicles her life from childhood to the early days of touring with the Carter Family band, her marriages before Johnny Cash, her early fame, her romance with Johnny, and the ups and downs that followed. It paints a dramatic, never-before-told portrait of struggle and success, and how the power of true love eventually overcomes all obstacles.
Customer Reviews:
Great Tribute to a Great Lady.......2007-07-08
I love the songs John chose to include in this album. His choice of performers is excellent, too.
June Carter Cash :Remarkable, Admired, Rare, & Legendary .......2007-06-10
4.5 stars
"To describe the late June Carter Cash as remarkable, admired, rare, and legendary would accurately express the responses she evoked both from the public and from those who knew her well. Yet to simply heap superlatives and ignore the multiple dimensions to a life which inspired such words would do a disservice to such an endearing woman's memory. When one considers that June Carter Cash was a member of the preeminent family in American roots music, on her own merits a talented singer-songwriter who penned one of country music's most enduring hits ("Ring of Fire") and, perhaps what she will be longest remembered for, served as the muse and deliverer for one of the most charismatic performers in the history of both country and rock music, such words suddenly seem less encompassing than they once did." Arik Danielson
Since June Carter and Johnny Cash died there have been several memorials to them. The movie 'Walk the Line' portrayed their life together. There have been several albums of Johnny Cash, but to this date none to celebrate the life and legend of June Carter Cash. June Carter is a member of the legendary Carter family. Her parents Ezra and Maybelle were credited for inventing country music. June Carter was country music even before marrying Johnny Cash.
John Carter Cash, June and Johnny's son,was as an executive producer on 'Walk the Line'. He has penned the book, 'Anchored in Love: An Intimate Portrait of June Carter Cash' and serves as producer for the collection of 12 musical songs on this CD. John's involvement gives this CD a family touch, which separates the record from typical tribute albums.
In his autobiography Cash, "Johnny Cash, speaking of his wife's musical talents and achievements, lamented, "Sadly, I think her contribution to country music will probably go under recognized simply because she's my wife; it certainly has been up to now. That's regrettable--my only regret, in fact, about marrying her". The songs featured on 'Anchored in Love' run the gamut of June Carter Cash's career. The album features six songs she either wrote or co-wrote,or made famous.
The CD begins with two of June and Johnny's duets. Willie Nelson and Sheryl Crow start with an country take of "If I Were a Carpenter" followed by Carlene Carter and Ronnie Dunn singing "Jackson". Carlene sounds remarkably like her mother, June. The CD features "Far Side Banks of Jordan", a Kris Kristofferson/Patty Loveless duet that is one of my favorites. The "Road to Kaintuck", subg by the Peaseall Sisters and Billy Bob Thornton. Loretta Lynn gives a beautiful semblence to 'Wildwood Flowers'. EmmyLou Harris sings 'Song To John',with a loving and gentle voice. Grey Delisle brings a fresh voice to 'Big Yellow Peaches. Roseanne Cash's rendition of 'Wings Of Angels' is etheral at times. A poignant moment on the CD. June Carter Cash wrote 'Ring of Fire' and Elvis Costello sings a toned down version to "focus more on June's rendition" as stated by her son John Carter Cash.
"This CD is a must have for anyone that loves the songs June Carter Cash sung over her long career. The cast of performers is as compendious as the list of musicians that have played at the Grand Ole Opry. And the performances are all flawless and enthralling." John Gilbertson
I remember June Carter Cash as a vivacious woman always by Johnny Cash's side. She obviously had a life of her own, but she is intertwined within that of her beloved husband. This tribute to his mother, by John Carter Cash, reminds us that June Carter Cash was a woman to be loved and admired for her intelligence and artisitic ability.
Highly Recommended. prisrob 06-09-07
American IV: The Man Comes Around
Carryin' On With Johnny Cash & June Carter
Anchored In Love: An Intimate Portrait of June Carter Cash
Keep On the Sunny Side: Her Life in Music
Average customer rating:
- hmmmm
- Good Introduction but poor quality
- Tchaikovsky's Greatest Pieces of Music
- great music poorely performed.
- Great!
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25 Tchaikovsky Favorites
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ASIN: B0000058HZ
Release Date: 1996-08-20 |
Tracks:
- Overture
- Dance Of The Sugar Plum Fairy
- Dance Of The Flutes
- Scene
- Waltz
- Dance of the Swans
- Scene 2
- Hungarian Dance
- III. Scherzo
- I. Adagio; Allegro Non Troppo
- II. Allegro Con Grazia
- III. Allegro Molto Vivace
- II. Andante Cantabile
- Capriccio Italien In A Major, Op. 45
- Marche Slave In B Flat, Op. 31
- June - Michael Ponti
- II. Andantino Simplice - Felicja Blumental
- Coronation March
- Eugen Onegin: Waltz
- Romeo & Juliet: Fantasy-Overture
- Serenade For Strings: II. Waltz
- Sleeping Beauty: Tempo Di Valse
- String Quartet In D Major, Op. 11: Andante Cantabile
- Violin Concerto In D Major, Op. 35: III. Allegro Vivacissimo - Aaron Rosand
- 1812 Overture, Op. 49: Excerpt
Customer Reviews:
hmmmm.......2005-09-14
definitely not the best rendition of the popular suite.on the other hand,try finding another one.
stuff is edited,bludgeoned,rather.
tempos verge on comical.
rather disapointing,I really needed a nice version of the sugar plum faerie dance.
will probably stick to Wendy Carlos's,cheesy,runningly cheesy,blue cheese smelly,even,as it might be,still holds the original pace and campy pomp.
...not nuch of a cheese shop is it?
-it's fairly clean.
certainly not contaminated by Cleese!
Good Introduction but poor quality.......2005-09-12
This is a good introduction to Tchaikovsky for the beginner that gives a broad sampling of his work. Considering the price, it's a good value if someone is just wanting to begin exploring classical music or Tchaikovsky in particular.
However, the sound quality on this albumn is quite poor and there are much higher quality Tchaikovsky recordings available.
Tchaikovsky's Greatest Pieces of Music.......2000-09-04
Here are some of Peter Ilych Tchaikovsky's greatest works. His Nutcraker, Swan Lake and Sleeping Beauty ballets are the most famous in the repoirtaire. The Symphony No. 5 and 6 are very excellent symphonic orchestrations. However, despite all the good stuff in here from the Russian master, the performers and conductors cannot surpass the beauty and artistry that such Tchaikovsky music masters as Dorati, Markevitch and Ormandy are. So if you want quality Tchaikovsky, get those conductor renditions. However, for a Tchaikovsky beginner, these pieces will get you hooked. This is a good cd to begin with for a Tchaikovsky listener. I am a Tchaikovsky listener ever since a friend recommended his glorious works to me. I am a Mozart fan but Tchaikovsky is undoubtedly the greatest Romantic composer of all time. He combines Russian melodies (Russian dances, mazurkas, waltzes) and gives them a definite Western romantic feel. He was friends with such noted Romantic composers as Camille Saint Saens, known to create such marvelous music of the era- Carnival of the Animals (now popular through Dysney) and Danse Macabre, to name only a small portion. Tchaikovsky also adored Mozart and although he is not exactly a Classical composer, he greatly admires the beauty of Mozart's works. Three cheers for Tchaikovsky !
great music poorely performed........1999-09-18
T. is my favourite composer but the interpretation on this CD is rather like a good effort in high shool
Great!.......1999-04-18
I think that Peter Tchaikovsky is one of the greatest composers ever. His Nutcracker suite and Capriccio Italien are wonderful pieces of music, as well as the rest of his pieces! This CD is definetly worth owning if you like classical music.
Average customer rating:
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Essential Tchaikovsky
Manufacturer: Decca
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ASIN: B000060O5I
Release Date: 2002-03-12 |
Tracks:
- Piano Concerto No.1 In B Flat Minor, Op.23: I Allegro Non Troppo E Molto Maestoso (Excerpt) - Vladimir Ashkenazy
- Romeo And Juliet: Love Theme - Wiener Philharmoniker
- Symphony No.6 In B Minor, Op.74 'Pathetique': I Adagio - Allegro Non Troppo (Excerpt) - Philharmonia Orchestra
- Swan Lake: Scene (Act III) - Herbert Von Karajan
- Swan Lake: Waltz (Act I) - Herbert Von Karajan
- Swan Lake: Dance Of The Little Swans - Herbert Von Karajan
- Il Adagio Cantabile E Con Moto Souvenir De Florence, Op.70: II Adagio Cantabile E Con Moto - Academy Of St. Martin In The Fields
- Melodie Souvenir D'un Lieu Cher, Op.42: Melodie - Philip Moll
- June: Barcarolle The Seasons, Op.37b: June: Barcarolle - Vladimir Ashkenazy
- Eugene Onegin: Waltz - Valery Gergiev
- Piano Concerto No.1 In B Flat Minor, Op.23: II Andantino Semplice - Vladimir Ashkenazy
- Sleeping Beauty: Pas D'action (Adagio) - Wiener Philharmoniker
- Sleeping Beauty: Waltz - Wiener Philharmoniker
- Marche Slave, Op.31 - Zubin Mehta
Tracks:
- Violin Concerto In D Major, Op.35: I Allegro Moderato (Excerpt) - Kyung Wha Chung
- Symphony No.5 In E Minor, Op.64: II Andante Cantabile, Con Alcuna Licenza - London Symphony Orchestra
- The Nutcracker: Overture - Charles Dutoit
- The Nutcracker: Dance Of The Sugar-Plum Fairy - Charles Dutoit
- Serenade For Strings In C Major, Op.48: II Waltz - St. Petersburg Philharmonic Orchestra
- String Quartet No.1 In D Major, Op.11: II Andante Cantabile - Gabrieli String Quartet
- Eugene Onegin: Polonaise - Valery Gergiev
- Capriccio Italien, Op.45 (Excerpt) - Valery Gergiev
- Symphony No.4 In F Minor, Op.36: III Scherzo: Pizzicato Ostinato, Allegro - London Symphony Orchestra
- Elegie For Strings - Royal Philharmonic Orchestra
- None But The Lonely Heart, Op.6 No.6 - Dmitri Hvorostovsky
- The Divine Liturgy Of St. John Chrysostom, Op.41: Otche Nash (The Lord's Prayer) - St. Petersburg Chamber Choir
- Valse Sentimentale, Op.51 No.6 - Arthur Grumiaux
- The Nutcracker: Dance Of The Reed Pipes (Mirlitons) - Wiener Philharmoniker
- The Nutcracker: Waltz Of The Flowers - Wiener Philharmoniker
- 1812 Overture, Op.49 (Conclusion) - Zubin Mehta
Customer Reviews:
Best of the best.......2004-03-14
There's something for every Tchaikovsky lover on this disc. From Swan Lake to Onegin, many of Tchaikovsky's most-known melodies are on this disc. I'd have preferred more than an excerpt of the first movement of Piano Concerto No. 1, but this disc is a great introduction to Tchaikovsky's works.
Average customer rating:
- Not my cup of tea
- Brilliant
- Medieval and modern bash heads beautifully ...
- The best alternative to Jochum
- Simply the best Carmina
|
Orff: Carmina Burana
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001G5X
Release Date: 1990-10-25 |
Tracks:
- Fortuna Imperatrix Mundi: O Fortuna
- Fortuna Imperatrix Mundi: Fortune plango vulnera
- I Primo Vere: Veris leta facies
- I Primo Vere: Omnia Sol temperat
- I Primo Vere: Ecce gratum
- Uf dem Anger: Tanz
- Uf dem Anger: Floret silva
- Uf dem Anger: Chramer, gip die varwe mir
- Uf dem Anger: Reie Swaz hie gat umbe Chume, chum, geselle min! Swaz hie gat umbe
- Uf dem Anger: Were diu werlt alle min
- II In Taberna: Estuans interius
- II In Taberna: Olim lacus colueram
- II In Taberna: Ego sum abbas
- II In Taberna: In taberna quando sumus
- III Cour d'amours: Amor volat undique
- III Cour d'amours: Dies, nox et omnia
- III Cour d'amours: Stetit puella
- III Cour d'amours: Circa mea pectora
- III Cour d'amours: Si puer cum puellula
- III Cour d'amours: Veni, veni, venias
- III Cour d'amours: In trutina
- III Cour d'amours: Tempus est iocundum
- III Cour d'amours: Dulcissime
- Blanziflor et Helena: Ave formosissima
- Fortuna Imperatrix Mundi: O Fortuna
Customer Reviews:
Not my cup of tea.......2007-02-18
Maybe I am not ready to appreciate this, but for the moment, this cd is just awful to my ears. Sorry for the die hard fans.
Brilliant.......2007-01-12
Joseph's Levine's production of Carmina Burana is brilliant. Although most everyone will recognize O Fortuna from "Excalibur" or other Hollywood fare, there is a tremendous depth and power in all of this masterpiece.
Medieval and modern bash heads beautifully ..........2006-01-09
Carl Orff may not have attained "household name" status, but the dazzling "Carmina Burana" has become a staple in the modern classical music repertory. The work has appeared in so many concert halls, recordings, movies, television spots, rock concerts, and presentations that it may rank as one of the twentieth century's most famous classical pieces. And this CD presents a great recording of Orff's most famous work.
But "Carmina Burana" doesn't always sound like twentieth century music. "O Fortuna", the blaring ominous opener, sounds like a blend of classical, medieval, and modern. And the themes of fortune, Spring, Love (and lust), and drinking sound anything but modern. The latin text doubtless lends a large part of the medieval flavor, but German also appears throughout the song cycle.
The text comes from a now famous 11th-13th century collection of some 1,000 poems and songs. Historians believe that the "goliards" (wandering freethinking poets) composed these poems, which laid undiscovered until 1803. In the 1930s these secular and sometimes bawdy songs caught the attention of the very Roman Catholic Orff. "Carmina Burana" premiered in Nazi Germany in 1937 to great acclaim (though some found it "degenerate"). Initially written as accompaniment for elaborate theater stagings, the work usually gets performed in concert halls without the visuals. The music definitely warrants such a performance. It stands completely on its own; ranging from the inexorably powerful to the delicate and lovely. Orff pulled out all the stops when he composed this incredible music.
"O Fortuna" remains justifiably famous with its riveting rhythms and staccato chorus. This tune bookends the entire song collection, suggesting that the work as a whole deals with the ineffable viscissitudes of life. Next, Spring arrives and brings with it dancing (track 6 will get any feet moving), drinking, and the pursuit of sensual pleasures. Though some gain from this happiness, some wallow in misery. "Olim lacus colueram" ("Once I Lived On Lakes") tells a ghastly story from the point of view of a swan roasting on a spit. The tenor solo sings with the perfect amount of agony as the music provides appropriately horrifying accompaniment. "Floret silva nobilis" ("The Noble Woods are Burgeoning") finds a lover bemoaning the parting of her lover. The music punctuates her woe with horse hoof beats fading into the distance. Woes of Fortune and the changes brought with springtime provide the thematic structure for the songs. In the end, the refrain of "O Fortuna" provides a reminder that our pleasures and our misery remain fleeting and subject to the wiles of fortune. Thematically, the piece is timeless.
James Levine and the Chicago Symphony Chorus and Orchestra pull off quite a performance on this CD. Anyone looking for a solid straight through recording of this famous work will find it here. The CD booklet doesn't give much information on Orff or on the work, but it does contain all of the lyrics in Latin/German and English. Regardless, the music prevails and this recording will not disappoint.
The best alternative to Jochum.......2005-08-08
While Eugen Jochum's definitive recording of Carl Orff's Carmina Burana concentrated on a rustic, unrefined presentation of the miraculous choral hodgepodge, James Levine's modern, Grammy Award-winning 1984 recording gives the hypnotic work a smooth, meticulous treatment. Levine, a notoriously "glossy" conductor, is in excellent form here, taking the twenty-five mini-masterpieces that comprise the work somewhat slower than Jochum with three of the best soloists ever to be recorded.
The Chicago Symphony Orchestra and Chorus are in terrific order. The choral selections (the primitive "Fortune plango vulnera," the jovial "Ecce gratum," the appropriately flowery "Floret silva," and, of course, the calamitous "O Fortuna!") are presented with almost perfect accuracy and calculation. The pacing is only occasionally disappointing; the Tanz, which contains excellently elaborate percussive sections, is taken too quickly and most of the rich subtleties are lost.
Philip Creech's rendition of the song of the roasting swan, "Olim lacus colueram," is a hilarious and slightly disturbing instance of petrified and bizarre caterwauling. Bernd Weikl, a rather rough-hewn baritone-bass, is a somewhat unsteady but altogether satisfying choice for the baritone soloist. "Ego sum abbas" is definitely his best moment; it is presented accusingly and voraciously, easily juxtaposed to the supercilious ravings and fire-and-brimstone-preaching of a Biblical prophet. June Anderson is simply a treasure as the soprano soloist. Gundula Janowitz, the Jochum soprano, has a less dense, more ethereal voice, which was more fitting for the orgiastic "Stetit puella." However, due to one of Levine's more inspired (and slow) moments, Anderson is able to uncover some of the solo's most invigorating and atmospheric subtleties. She also survives "Dulcissime," a brief but extraordinarily tiring piece that causes most sopranos to languish.
Simply the best Carmina .......2005-05-03
When I bought this CD, I expected a beautiful, powerful, austere, haunting, loud piece all rolled into one CD. The CSO, bless their hearts, obliged me here. The brass, as usual are painstakingly precise( as is the chorus when the score calls for staccato passages such as the pianissiomo section on the first track)as seen in tracks such as track 10, the last part of Uf dem Anger. Of course I cannot diminish the other parts of the orchestra but my mind often freezes up when doing these reviews because I have so much I want to say and don't want you to think I'm a babbling idiot. Anyway, really, the only detraction to this recording is the tenor, Creech I believe it is. I find his sqawking irritating( I am speaking specifically of the Roasted Swan Song). I cannot attest to whether that's what Orff actually wanted as another critic here suggests. If that is what Orff wanted, then shame on him. Regardless of that minor flaw, the disc is a proud testament to what happens when Levine meets the CSO.
Average customer rating:
|
The Story of Tchaikovsky
Pyotr Il'yich Tchaikovsky , Edouard van Remoortel , and Arthur Hannes
Manufacturer: Vox (Classical)
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ASIN: B000001KD9
Release Date: 1995-04-16 |
Tracks:
- Finale
- Overture
- June (Barcarolle)
- Andante Cantabile
- Waltz
- Romeo and Juliet (Overture-Fantasy)
- None But The Lonely Heart, Op. 6 No. 6
- Allegro Non Troppo
- Waltz
- Andante cantabile
- Chanson Triste, Op. 40 No. 2
- 'Pathetique' Allegro Con Grazia
- Andante Sostenuto
- Capriccio Italien, Op. 45
- Finale
- Marche Slave, Op. 31
- Excerpts
- 1812 Overture, Op. 49
- 'Pathetique' Excerpts
- Scene
- Valse
- Dance Of The Swans
- Scene
- Hungarian Dance
- Panorama Andantino
- Tempo Di Valse
Average customer rating:
- The Best Ever Beethoven's Ninth Symphony (in Berlin)
- Who let this old fart conduct this masterpiece?
- I will only listen to this work in private
- The longest running commercial
- A sloppy, heaartfelt performance from a great occasion
|
Ode to Freedom: Bernstein Conducts Beethoven's Ninth Symphony in Berlin
Manufacturer: Deutsche Grammophon
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ASIN: B000001GDR
Release Date: 1990-03-01 |
Tracks:
- Symphony No. 9 in D Minor Op.125: 1. Allegro ma non troppo, un poco maestoso
- Symphony No. 9 in D Minor Op.125: 2. Molto vivace
- Symphony No. 9 in D Minor Op.125: 3. Adagio molto e cantabile
- Symphony No. 9 in D Minor Op.125: 4. Presto - Allegro assai
Customer Reviews:
The Best Ever Beethoven's Ninth Symphony (in Berlin).......2007-04-29
This is no doubt the best rendition of Beethoven's Ninth Symphony.
Even though it was recorded live you can feel the crowds passion in silence as the music sores our spirits to new hights.
The depth of the acoustics and the feelings it evokes in one is outstanding.
You have not lived until you hear this live concerto at full volume.
You wont be disappointed, if your new to Classical, I reccomend this as a start to your collection.
Listen with Headphones and think of the Berlin Wall and the tragedy that surrounded it, only to be lifted by mans yearning for freedom. This is what Beethoven would of wanted to deliver this piece for.
Who let this old fart conduct this masterpiece?.......2007-02-25
I know who let him conduct it! Those greedy DG music executives, that's who, hoping to make a quick killing with the release of this sludge of a performance. The fall of the Berlin Wall was an event of great significance and to commemorate the occasion, DG gets the most famous living conductor in the world to conduct one of the greatest and most famous works of music in history, Beethoven's 9th Symphony! They even changed the word joy to the word freedom in the finale! This had the makings of something truly special but unfortunately it falls short of even the most mediocre expectations.
Herbert von Karajan died not too long before the Berlin Wall fell and if he was still alive, it would undoubtedly be Karajan conducting on this recording, not Bernstein. Karajan became an old man physically in his final years, but his musicmaking never surrendered to his age. Karajan's last decade of performances was just as vigorous and intense as in the good, old days. Bernstein on the other hand, really did become an old man, physically and musically. His tempos became messy and lethargic, everything was elongated, ponderous and many times vapid. Don't think I'm wanting in respect to Bernstein, I think he was great when he was young, never on the level of Toscanini, Furtwangler, Karajan, but great nonetheless. Even in his final years, Lenny could turn out a gem like Shostakovich's Leningrad Symphony with the Chicago Symphony Orchestra but more and more Bernstein became the hack, the slow, painful hack. Listen to the infamous Tchaikovsky 6th from the final Bernstein years, it's a joke!
Returning to this Beethoven 9th, it is just as much of a joke as that Tchaikovsky 6th. The first movement is nearly 18 minutes long, limp and slow without any of the apocalyptic climaxes that you have to deliver if you're going to take such a spacious tempo. The scherzo is better, one short repeat is skipped and the movement is palatable. The adagio is awful, 20 minutes long and without any spiritual tension at all. Furtwangler's famous wartime 9th also has a 20 minute adagio but it is phrased and sculpted so beautifully, with such inner intensity that it overwhelms you and tears are not uncommon upon hearing it's magnificence. Bernstein on the other hand puts you to sleep. It's nap time.
The finale, can Bernstein pull it off? Did he ever? This might come as a shock to some but as great a conductor as Bernstein was, he never recorded a great version of the 9th Symphony. I repeat, never! Not with the NYPO, not in Vienna and certainly not here in Berlin with this hastily put together concoction of musicians from various orchestras. Bernstein could succeed with the initial three movements, back in NY and in Vienna with the VPO, but the finale always eluded him. He schmaltzed it up every up, he made it disjointed, episodic and nearly incoherent as on this "Ode to Freedom" CD. It becomes not joy, not freedom but instead, a hapless, lethargic mess. The whole thing seems like a funeral and proceeds for nearly 29 minutes! Karl Bohm's final digital version on DG was also that slow but felt somewhat more alive what with the great orchestra and chorus. Bernstein doesn't even have that.
Please, whatever you do, don't listen to this nightmare and conclude that this is Beethoven's 9th. It's not. If you want to hear the 9th, there is Furtwangler, Karajan, Toscanini, Solti, Wand, whomever, but not this Bernstein, it's possibly the worst ever! I'm not exaggerating, it's just as egregious as Roger Norrington's infamous London Classical Players recording, except for totally different reasons. Norrington is the worst of the period-instrument, fast paced, clipped readings and this Bernstein is the worst of the traditional, big orchestra versions.
If you just love Bernstein and want to hear him in Beethoven's 9th Symphony, go buy his earlier versions, one from the late 1970's with the Vienna Philharmonic and one with the New York Philharmonic from the 1960's. Those versions are average but even average is far superior to this epic mess called "Ode to Freedom". Please free yourself from this recording, it's only good as a bad joke!
I will only listen to this work in private.......2006-08-18
For years, when I listened to the 9th, I would play the 1st and 2nd movements
and then skip to the finale. I enjoy crisp, energetic and powerful music and
the 9th has it in unsurpassed measure. And this rendition provides just that.
I haven't listened to all the great performances of the 9th, but I've listened
to quite a few, and this is my favorite. This is the version I compare all the
subsequent ones I've listened to. I've heard better 4th mvts., but this one is
very near to the best. The first two movts. are done competantly and do not
disappoint. If the skills of the orchestra and recording quality were to be the
same....the time alotted the conductor, that he has to rehearse a work with
his players, determines it's ultimate success. I believe that Bernstein had a
good amount of time to communicate his interpretation to this orchestra.
And Lord knows there was high motivation by all concerned in the project.
Bernstein's interpretation of Beethoven's 3rd movt., the adagio molto e
cantabile, is by far the finest I've ever experienced. The emotional
groundwork is laid and the peak and resolution are sublime.
I know I'm going to fight back the tears, if I'm allowed to
listen this 3rd movt without distraction. If you ever get the opportunity
to purchase the video tape of this concert, do by all means buy it.
Oddly, the audio recording, alone, does not contain the full emotional
impact of the performance. However the audio CD is a "must have".
But, the full effect of the live performance in the video tape with
both audio and visual is truly magnificant. I'm not going
to attempt to describe it here. Why it's not reprinted for more to
experience is a sad business. People don't know what they're missing.
I allow myself to view my copy but seldom. I dare not watch it too
many times.
The longest running commercial.......2005-10-09
But one would rather watch the Milk commerical, at least it markets some real stuff and doesn't take 70+ labored minutes. The coalition of the willing was undoubtedly doing a heck of a job in fending off the competition from various common village bands, and the commander-in-chief barely held its members together. Despite all the Freiheit, it is a freudlos performance.
A sloppy, heaartfelt performance from a great occasion.......2005-09-18
This best-selling Beethoven Ninth, with new lyrics for the Schiller poem in the finale, has sold by the millions, I'm sure. The fall of the Berlin wall called for such a grand coming together of musicians form all over Europe, but in musical terms this isn't good Beeethoven. Bernstein wrenches every note to grab as much drama as possible out of it, and there is nothing left of real, unvarnished Beethoven. I owuld only buy this CD as a histroical memento at this late date.
Average customer rating:
- Tribute
- Gift for my Dad
- JUNE IS AMAZING IN EVERYTHING SHE DOES!
- June: A Country Tradition
- June: Still a Sensation!
|
Keep On the Sunny Side: Her Life in Music
June Carter Cash
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009YNSBU
Release Date: 2005-08-02 |
Tracks:
- Keep On The Sunny Side
- Oh! Susannah
- Root, Hog Or Die
- Baby, It's Cold Outside
- Country Girl
- Foggy Mountain Top
- Fair And Tender Ladies
- He's Solid Gone
- Juke Box Blues
- No Swallerin' Place
- Love Oh Crazy Love
- He Went Slippin' Around
- Well I Guess I Told You
- Strange Woman
- The Heel
- How Did You Get Away From Me
- Tall Loverman
- Without A Love To Call My Own
- Ring Of Fire
- Keep On The Sunny Side
Tracks:
- Jackson
- If I Were A Carpenter
- The Loving Gift
- A Good Man
- Ole Slewfoot
- Losin' You
- The Shadow Of A Lady
- Gatsby's Restaurant
- Once Before I Die
- The L&N Don't Stop Here Anymore
- East Virginia Blues
- Gone
- Appalachian Pride
- I Love You Sweethart
- Another Broken Hearted Girl
- Song To John
- Far Side Banks Of Jordan
- Diamonds In The Rough
- Will The Circle Be Unbroken
- Keep On The Sunny Side
Amazon.com
After marrying him in 1968, June Carter was usually perceived as an adjunct to Johnny Cash. Nothing could have been farther from the truth. June was an all-stops-out entertainer: a goofy comedienne, a big-hearted actress who studied under Lee Strasberg, and a dynamic singer unequivocally rooted in tradition as the youngest member of the pioneering Carter family, but just as steadfastly living in the here and now. Finally, there's an album to prove it (two discs, actually, covering the years 1939-2003). To begin to perceive all she was capable of, check out the eternal sorrow of "Without a Love," the pop-folkish "He's Solid Gone," the hillbilly luncacy of "No Swallerin' Place," the rambunctious "Juke Box Blues," the bizarre exotica of "The Heel," the agility and effortless flow of "Tall Loverman," the anxious fessing-up of her own "Ring of Fire," her no-nonsense "Jackson" duet with Cash, and her strength of conviction in "Appalachian Pride"--as well as her way with traditional material from the Carters and others. June had pizzaz, mountain style. --John Morthland
Customer Reviews:
Tribute.......2007-03-05
I am taking the time today to review an album on which one of music's most important ladies finally emerges from the shadows to stand in the fore-front.Disc 11. Keep On The Sunny Side (3 stars) this is a good way to gain background on June's early life with her family. Being an intro however, it is short.2. O Susannah (5 stars) I honestly dont think I've ever heard someone this young sing this way. Excellent!3. Root, Hog, Or Die (3 stars) While good vocals are featured, the song today sounds somewhat dated and hillbilly. I do like it though.4. Baby It's Cold Outside (4 stars) This song is humorous. I like it. The brothers persuade June to stay because it is cold outside and also with a little "medicine".5. Country Girl (3 stars) In this song June tells people not to expect her to be all Hollywood because she is country through and through.6. Foggy Mountain Top (5 stars) This is a Carter family classic updated. June, Maybelle, Helen, and Anita define harmony in this track. Alternating the lead in the verses and the yodel at the end are perfect.7. Fair and Tender Ladies (5 stars) Once again the harmony is perfect. Also notable is the homespun instrumental achievements.8. He's Solid Gone (5 stars) At the risk of being repetitive, the harmonies once again soar.9. Jukebox Blues (5 stars) On this track, fans find out where Reese Witherspoon found the inspiration for her wonderful rendition for this song in the film "Walk The Line."10. No Swallerin' Place (5 stars) June tackles this track with breakneck speed. It is amazong how she manages to stay in tune.11. Love Old Crazy Love (3 stars) June duets with first husband Carl Smith on this track. June's country wit really shines on this one.12. He Went Slippin' Around (3 stars) This reminds me of a hillbilly version of The Andrews Sister's.13. I Guess I Told You Off (2 stars) Once again too cutesy hillbilly for me. Hoe Down bit is funny though.14. Strange Woman (5 stars) June really shows off her vocal abilities in this one. Sisters are backing. This sounds alot like a Loretta Lynn tune.15. The Heel (4 stars) This song shows the dark side of the mountains. It is almost like a mini-movie. I prefer the version on "The Ring of Fire : June Carter's Greatest Hits."16. How Did You Get Away From Me (3 stars) This song shows a possessive side of June pertaining to Johnny. It is comical though.17. Tall Lover Man (4 stars) This is a June penned tune. It is a wonderful murder ballad.18. A Love To Call My Own (2 stars) This reminds me of Sammi Smith. I'm just not used to hearing June sing this slow and quietly. I do like it though.19. The Ring Of Fire (4 stars) This is the Carter women. It is a mix between the first recorded version (Anita Carter) and Johnny's super hit version.20. Keep On The Sunnyside (5 stars) This version is The Carter Family featuring Johnny Cash. This sounds as if it was taken directly from The Johnny Cash Show.Disc 21. Jackson (5 stars) This song needs no introduction with it's laid back country sass and swagger. Perfection!2. If I Were A Carpenter (5 stars) One of the best duets from one of country's best duos. This song always reminds me of medieval times with knights and ladies and chivalry.3. The Loving Gift (3 stars) Another Johnny/June duet. This song seems to tell their story perfectly. Just a little too slow for me.4. A Good Man (5 stars) This song proved June can stand alone vocally. Very upbeat with a late 60's 70's style. Religious refrences abound in this tune.5. Ole Slewfoot (5 stars) Personal favorite. This down home country ditty brings june together with Johnny, daughters Carlene, Rosey, and Rosanne. This tells the story of a bear who continually makes a pest of himself. June gets fed up and goes on a rampage after it with a rifle.6. Losin' You (4 stars) Another June solo. This song tells of the price of cheating.7. Shadow of a Lady (5 stars) This song has a moral in telling the story of a born again prostitute.8. Gatsby's Restaraunt (5 stars) This song finds June in a wacky situation involving a horse, the It/
Gift for my Dad.......2006-12-30
I bought this Cd and a couple of others for my Dad's Christmas gift. He loves this CD, said it's the best in his collection. Now he wants a set for the house and his truck ! I also got him the Best of Johnny and June and the Carter Sister's and Mother Mabel. He grew up listening to them sing on the radio, and he said this reminded him of when he was young. So for that I give it 5 big Stars !!!
JUNE IS AMAZING IN EVERYTHING SHE DOES!.......2006-12-27
June Carter Cash: so many thoguhts come up at the name. They should. June Carter Cash was much more than just a singer, but an experienced comedienne, and such the instrumentalist. Walk the Line just showed you a bit of June's music, and there is truly much more! Keep on the Sunny Side introduces you to June's music and is abosolutely sensational. June has done an extroadinary job, just like she always does.
We start off way back in 1939 when she was just a little youngster singing the original Carter Family theme song 'Keep on the Sunny Side.' You can tell even in these old recordings, June was on the right foot for sucess.
"Oh! Susanna" is next. This familiar tune was June's first solo. She sings it loud and proud and even you can tell by how confident she is singing it, that she is a born to be star, just like her mama.
Next is "Root, Hog or Die," one of my very favorites! It has a good beat and Is fun to sing along to, and Jun even throughs in some comedy.
In 'Baby It's Cold Outside" June pairs up with Homer and Jethro to sing a classic favorite. This however, is sung mountain style!! With hats lookin' swell, and maybe just a half a jug more, you'll be laughing and singing along, just having a great time!
"Country Girl," is my favorite song on Disc One, it shows how a country girl can just be satified with life as a country girl! This comedy is a great sing and you'll love it and play it every day at least twice!
Now we head in to Mother Maybelle and The Carter Sisters. "Foggy Mountain Top" is a great song and has a good beat, and it really shows you the Carter Sisters. It's a great sing and I love it!
"He's Solid Gone," is a reamke by the Carter Sisters of the Carter family song "The Cannonball." There is just somethign about the song that makes you feel good. Is it how the girls harmonize so great, or maybe just the carfree tune? Whatever it is, "He's Solid Gone," will cheer you up any day!
"Juke Box Blues," is a June Caretr classic. This good tune will cheer you up any day of the week with it's bouncy beat and how June's voice flows with the song.
'No Swallerin' Place" is one of june's comedies. It was written with Frank Loesser and June does a great, comedic job of singing it! It will become your favorite faster than you can believe!
June sings 'Love Oh Crazy Love" with her first husband, Carl Smith. Carl adn Juen were both country singers, so they did a great job on this comedy. However, June and Carl didn't lvie happily ever after together.
The Carter sisters are back to sing 2 favorites "He went Slippin' Around," and "Well, I guess I told you off," starring one of June's characters "Little Junie Carter." These are both great songs and are very memorable.
June plays another unforgettable character in "The Heel," about a love obseessed women who is dating a cheatin' man and is a woould be killer. "I'd be the chewin' gum that clings to that dirty lowdown heel," June says in the song.
We all know "Ring of Fire," right? This time, instead of Johnny Cash singing it, the writer (June) and her family sing it. It's a good twist on a Johnny Cash classic and probably his most signature song!
Now on to disc two:
Everyone knows Johnny and June's siganture song "Jackson," and what great way to start off the second disc. Following Jackson is, "If I were a carpenter," a song turned into a duet by Johnny and June. Finally the two are married and perform "The Loving Gift," a sentimental song written by Kris Kristofferson.
"A good Man," was written during the Vietnam war and tells about how with the good Lord, we can do anything if we pray.
"Ole Slewfoot," is sung by June and her entire family! With a fiddle in the backaround and an easy to dance to beat, it's a great song that even has a solo spot for June's son, John Carter Cash!
"Losin' You", and "The Shadow of a Lady," are songs from the heart that June wrote. They are very similar but also very different with. With their unique style of music, they show June's many sides.
"Gatsby's Restaraunt" is about a restaurant that June often visited in New York City. This comedy is great and features ehr daughter Rosey singing backup.
"The L & N don't stop here anymore" sounds like something Loretta Lynn would sing, especially because in the song, June is a coal miner's daughter. it's a really good song ans is very different from most of June's work.
"Appalachian Pride," is my favorite song on disc two. It is a calming song, and is peaceful and has a good message in it about how you can be a poor appalachian family and still be rich in your heart if you loved God. It also makes a wonderful lullabye or realxing song.
"I love you Sweetheart" is a good song. It has a good beat, but also is soft and good for a lullabye or just pouring some coffee in a mug and sitting down on a warm couch.
"Far Side Banks of Jordan" is a duet with Johnny and June, and was also one of June's favorites. In the song, June says "But if it proves to be his will that I am first to cross, and somehow I've a feelin' it will be, when it comes your time to travel likewise don't feel lost, for I will be the first one that you'll see."
"Will the Circle be Unbroken," is a timeless Carter Family song that shows emotion the whole way through. In someof these songs, you can tell that June was a very sentimental person and said what she meant.
We end it with "Keep on the Sunny Side," June's first song and last song. June sings as she can in this last song, to prove she can press on till teh day she dies.
We hold June in our hearts forever. I know she loved me and I loved her very much. Sometimes, if I listen to these CD's, I can feel her spirit fill up the room, and everyone's hearts.
God Bless You June,
June
June: A Country Tradition.......2006-05-31
You wouldn't think that a 7th grader like me would like old country music by June Carter Cash right? Think again! Who doesn't love the blue-eyed, high pitched, country legend sweetheart?! Oh, you're not a fan? You will be when you start listening to this!
"Keep on the Sunny Side" is the perfect way to get to know June's music! It has everything from the 1939 "Root, Hog, or Die" to the classic remake of the carter family's "Keep on the Sunny Side." You've got from Johnny to Carl Smith, to even all 3 Carter sisters! Some highlights are "He went Slippin' Around", "Jackson", "Love, Oh Crazy Love", and "No Swallerin' Place". And beleive me, there is much, much more! The entire package even includes a 7 page book that tells about June's life. I learned a lot of my knowledge of June from this book. For instance, did you know that she was married to a Nashville Police officer named "Rip Nix"? But the best part is the music! There are high spirited songs to cheer you up, or get you dancing! Listening to these CD's are part of my daily schedule actually!
So, now are you interested? Honestly, if you buy this one of a kind pack, you will surely not regret it! So what are you waiting for? Buy this CD right now and get listening!
June
June: Still a Sensation!.......2006-05-18
When I first Listened to "Jukebox Blues" I loved it, and honestly bought the alubms just for that song, but I listened to the entire albums the whole way through. Now I love every song! It starts out back in 1939 and continues until 2002! It includes everything from her vvery last recorded songs, to her original solo "Oh! Susana" at age 10, and EVERYTHING in Between. I love this album and I'm seriously a DIE HARD June fan, so anyone who loved her music would treasure this album forever. I listen to it every morning. That's how good it is. So if you are planning to buy this fantastic collection, YOU WILL NOT REGRET IT! June, Age 12
Average customer rating:
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Best of Rodgers & Hammerstein
Manufacturer: Alshire
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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ASIN: B000000KPJ
Release Date: 1996-05-21 |
Tracks:
- Some Enchanted Evening
- Climb Every Mountain
- June is Bustin' Out All Over
- Aisle Talk
- Bali Hai
- Opening Night
- Getting To Know You
- If I Loved You
- Oklahoma
- Curtain Time
- I Enjoy Being A Girl
- People Will Say We're In Love
Average customer rating:
- Irresistible
- "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
- Excellent!
- Great Arrangments
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Lerner & Loewe Songbook for Orchestra
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- The Sound Of Music (1987 Studio Cast)
- Classics of the Silver Screen
ASIN: B000003CXQ
Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.
Great Arrangments.......2001-09-02
This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Average customer rating:
- Priest's 1st visit to Denver USA
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Live In Concert 25th June 1980
Judas Priest
Manufacturer: Store for Music UK
ProductGroup: Music
Binding: Audio CD
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ASIN: B000NJVWUK
Release Date: 2007-03-12 |
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Album Details
There was a Time When British Steel was the Hottest, Hardest, and Most Awesome Substance on the Planet. On Judas Priest "Concert Classics", Here it Is, in Its Most Appropriate Circumstances: Live, on Stage. Judas Priest Re-invented Heavy Metal. The First Band to Use the Twin-guitar Attack, They Built on the Foundation Black Sabbath Had Laid and Moved Metal to a New Level. Looking Back on the Body of the Work that the Classic Priest Line-up of Rob Halford, Glenn Tipton, K.k. Downing, Ian Hill and Dave Holland Has Left Us, Nobody is in Any Doubt that the "British Steel" Album was the Finest Studio Work the Band Produced. There Are also Those People who Will Tell You that British Steel was the Finest British Studio Album Ever Made.this Album is Taken from the Tour that Supported the Release of "British Steel" and it Takes the Majesty of that Album Into Its True Context: In Front of a Paying Audience.
Customer Reviews:
Priest's 1st visit to Denver USA.......2007-07-02
Not a bad recording considering it sounds like it was made directly from the sound board. New drummer Dave Holland sounds boring compared to the excellent drumming heard on "Unleashed in the east". The set list is pretty good and the sound level has some unexpected spikes. Rob Halford's voice is in good shape for most of the songs. Diehard fanatics should like this release that comes with a written history of the band including comments about post-Halford affairs. Rock out out if you can find this one anywhere!
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