"Phantom of the Opera"
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Time to Say Goodbye |
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Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
AMAZING! She is so much better live!.......2006-12-02
This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.
ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.
AMAZING! She is so much better live!.......2006-12-02
This CD rocks! This is Sarah Brightman on her Harem World Tour, and this performance was recorded at her stop in Las Vegas. The first two tracks, "Kama Surta" and "Harem Overture" debut from her newest album, entitled HAREM. The two tracks are connected, but in the actual Harem Tour, the full piece "Harem" is sung. If you go to www.youtube.com and type in "Harem Tour" in the Search Bar, you can see live videos. I would prefer that the album has placed "Harem" instead of these other two tracks. The third track, "It's A Beautiful Day", is from Madame Butterfly, written by Puccini. This version is Brightman's twist, which some more pop and some English. It's pretty cool. The fourth track on the album, "Dust in the Wind" is from EDEN, an amazing album. Track 5 is, "Who Wants to Live Forever", and it seems as though Brightman never creates a tour without putting this piece in it. It's a beautiful tribute to Queen's rendition. Track Six is "Anytime, Anywhere", also from EDEN. I'm not really into the Foreign Language - English songs, but this works very well, especially because she ends the song with the classical foreign language. The seventh track is Brightman's rendition of Dvorak's "Song to the Moon", or "La Luna". The track is beautiful! The eighth track is Puccini's "Nessun Dorma", and Sarah masters this beautifully! There is no other soprano I know that can sing this piece one octave up and can hold the ending note for ever!!! Track 9 is "The War is Over", which is followed by "Free", both from HAREM. Track 11 is "A Whiter Shade of Pale", from LA LUNA. It's beautiful to listen to. Sarah's version is very gentle, but has a lot of energy in the chorus. The twelfth track on this album is "Twisted Every Way", followed by an instrumental version of "The Phantom of the Opera" Theme. The next track is "Wishing You Were Somehow Here Again", which is extended at the end, in which you hear some men cry out "WE LOVE YOU SARAH!", and she responds cutely with an, "I love you, too." The audience laughs! Track 14 is "Time to Say Goodbye", the duet that made Andrea Bocelli famous, and skyrocketed as the number one single sold in German history! The last live track on the album is "A Question of Honour", from "Fly", which is awesome! The last track on the album is a bonus track, which I don't really prefer. However, the whole album is simply amazing. I much prefer Sarah when she is live. She has a more magical quality! If you love Sarah Brightman, then you will love this album.
ALSO RECOMMENDED : Since there is so much Sarah Brightman to choose from, I also recommend EDEN, TIME TO SAY GOODBYE, LA LUNA, CLASSICS, and DIVA.
Inspiring, Beautiful and The Sweetest Voice!.......2005-08-21
What an album, absolutly beautiful!
We, the fans of this great artist finelly have in our hands a live album, and it's amazing:
-The voice is totaly live, she sang about 24 complete songs in the show, but the album only contains 15.
-Snow In The Sahara is a lovely song.
If you have the chase of get this alubum, don't doubt and get it; It wond disapoint you!
astounding performance.......2005-06-07
an impeccable concert experience that successfully elevates the album to majestic heights. I had long been a fan of Dead Can Dance and the unparalleled work of Lisa Gerrard. When Sarah Brightman ventured into these Middle Eastern sounds on the Harem disc, I thought it was too derivative of the Dead Can Dance sounds (there is even a sample used on one of SB's songs that had previously been used within DCD).
However, experiencing this epic and intensely mystical concert compelled me to realize the individual and unique glory of Sarah Brightman. Also, this concert is so phenomenally entertaining at many levels that I couldn't help but fall absolutely in love with the special magic of Sarah Brightman. Obviously, the expansive Middle Eastern milieu can accommodate more than one angelic vocalist!
I now consider Lisa Gerrard and Sarah Brightman to be geniuses who both warrant goddess status in the pantheon of lyrical greats. To see either one of them perform live is surely one of the most powerful and memorable sensory experiences one could ever have!
Great, of course.......2005-03-18
Sarah's voice and style are terrific, as usual. However, I have to say that her version of Anggun's "Snow on the Sahara" is fairly bland, especially compared to the original Anggun version. Sarah has the chops but lacks soul on this great song. Everything els here is very nice.
Average customer rating:
- Lerner & Loewe Songbook
- Wouldn't it be lovely?
- A Successful Sequel
- Delightful Listening
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Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- Classics of the Silver Screen
- Beautiful Hollywood
ASIN: B000003D0E
Release Date: 1994-01-25 |
Tracks:
- I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
- Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
- The Night They Invented Champagne - Waltz At Maxim's - Et Al.
- They Call The Wind Mariah - I Still See Elisa - Et Al.
- Sword Dance - Down On MacConnachy Square - Et Al.
Customer Reviews:
Lerner & Loewe Songbook.......2006-02-24
If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.
Wouldn't it be lovely?.......2005-09-26
This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.
The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.
There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.
This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.
This is a fun disc to have.
A Successful Sequel.......2005-08-03
This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.
Delightful Listening.......1998-12-05
Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Average customer rating:
- Great CD
- Simply the Best
- Inconsistent, but mostly excellent
- "Celebration" is not strong enough a word
- A maginificent evening, a magnificent album
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Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Side By Side By Sondheim (1976 Original London Cast)
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- Sondheim - A Celebration at Carnegie Hall
- Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall
ASIN: B000003FDW
Release Date: 1993-02-23 |
Tracks:
- Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
- Evening Introduction--Bill Irwin
- Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
- Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
- Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
- Being Alive--Patti LuPone
- Good Thing Going--The Tonics
- Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
- Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
- Anyone Can Whistle--Billy Stritch
- Water Under the Bridge--Liza Minnellli, Billy Stritch
- Back in Business--Liza Minnellli, Billy Stritch, Ensemble
Tracks:
- Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
- Sooner or Later--Karen Ziemba
- Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
- Green Finch and Linnet Bird--Harolyn Blackwell
- The Ballad of Booth--Patrick Cassidy, Victor Garber
- Broadway Baby--Daisy Eagan
- I Never Do Anything Twice--BETTY
- With So Little to Be Sure Of--Jerry Hadley, Carolann Page
- Not a Day Goes By--Bernadette Peters
- Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
- Send in the Clowns--Glenn Close
- Old Friends--Liza Minnelli
- Sunday--Bernadette Peters, Broadway Chorus
Customer Reviews:
Great CD.......2006-08-06
This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.
Simply the Best.......2005-06-29
First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.
In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.
In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.
If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.
Inconsistent, but mostly excellent.......2004-03-21
I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.
"Celebration" is not strong enough a word.......2003-04-30
This review is by Crosley.
I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.
There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.
I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.
A maginificent evening, a magnificent album.......2001-12-16
There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.
This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.
My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
Average customer rating:
- "cinema's main stay themes prevail ~ City of Prague"
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Reel Chill: The Cinematic Chillout Album
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Albinoni
| Albinoni, Tomaso
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Similar Items:
- Reel Love: The Cinematic Romance Album
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ASIN: B0002IQGT4
Release Date: 2004-08-10 |
Tracks:
- Sarabande [From Barry Lyndon]
- Main Theme [From Midnight Cowboy]
- Promenade Sentimentale [From Dive] - Mark Ayres
- May It Be [From the Lord of the Rings: The Fellowship of the]
- Women of Ireland [From Barry Lyndon]
- Adagio for Strings & Organ [From Gallipoli [
- Romeo/Love Theme [From Romeo & Juliet)
- Balcony Scene [From Romeo + Juliet]
- Main Theme [From Chariots of Fire] - Mark Ayres
- Main Theme [From Bilitis] - Mark Ayres
- Main Theme [From Merry Christmas Mr. Lawrence] - Mark Ayres
- Main Theme [From Cinema Paradiso]
- Main Theme [From Once Upon A Time in the West]
- Deborah's Theme [From Once Upon A Time in America]
- Suite: The Mission/Gabriel's Oboe/On Earth as It Is in Heaven ... - City of Prague Philharmonic Orchestra, Crouch End Festival Chorus
Tracks:
- Suite: Mountains and Sunsets/The Wedding/You Only Live Twice [From You
- Heart Asks Pleasure First [From The Piano]
- Agnus Dei [From Platoon] - Crouch End Festival Chorus
- Vide Cor Meum [From Hannibal]
- Adagietto from Symphony No. 5 [From DeAth in Venice]
- Any Other Name/Dead Already [from American Beauty] - Rick Clark,
- Into the West [From the Lord of the Rings: Return of the King]
- Where Dreams Are Made [From Artificial Intelligence]
- Main Theme [From Somewhere in Time]
- We Have All the Time in the World [From on Her Majesty's Secret ...]
- Electronic Battlefield [From Patriot Games]
- Now We Are Free [From Gladiator]
- Intermezzo from Cavalleria Rusticana [From Raging Bull]
- Cavatina [From the DeErhunter]
- Main Theme [From Out of Africa]
Customer Reviews:
"cinema's main stay themes prevail ~ City of Prague".......2004-08-15
What a crowning achievement to bring "Reel Chill:Cinematic Chillout Album", released by Silva America and featuring The City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus ~ conductors are Mark Ayres, Paul Bateman, Rick Clark, James Fitzpatrick, Nic Raine and David Temple director of the chorus ~ one can only expect the highest quality of performances and quench the thirst of all "film-score-buffs".
Sit back and unleash the first disc with composers ~ Albinoni, Craig Armstrong, John Barry, Vladimir Cosma, Enya & Nicky Ryan, Handel, Francis Lai, Ennio Morricone, Sean O'Riorda, Nino Rota, Ryvichi Sakamoto and Vangelis ~ taking each film score cue "BILITIS", "CHARIOTS OF FIRE", "CINEMA PARADISO", "DIVA", "GALLIPOLI", "THE LORD OF THE RINGS:THE FELLOWSHIP OF THE RING", "BARRY LYNDON", "MERRY CHRISTMAS MR. LAWRENCE", "MIDNIGHT COWBOY", "THE MISSION", "ONCE UPON A TIME IN AMERICA", "ONCE UPON A TIME IN THE WEST", "ROMEO & JULIET" and "ROMEO + JULIET", with arrangements that soar and then simmer into pure meditation of grandeur ~ classic film music prevails, as orchestration comes to the surface with pure originality ~ one masterpiece after another is long last presented as it should have been, is cause for celebration ~ each cue is a distinctive gift for striking modernism, touching on the transition of the period in this planets history.
Second disc is waiting in the wings are composers ~ Samuel Barber, John Barry, Patrick Cassidy, James Horner, Mahler, Mascagni, Stanley Myers, Thomas Newman, Michael Nyman, Howard Shore, John Williams and Hans Zimmer/Lisa Gerrard ~ take a musical ride with "AMERICAN BEAUTY", "A.I. ARTIFICAL INTELLIGENCE", "DEATH IN VENICE", "DEER HUNTER", "GLADIATOR", "HANNIBAL", "THE LORD OF THE RINGS:RETURN OF THE KING", "ON HER MAJESTY'S SECRET SERVICE", "OUT OF AFRICA", "PATRIOT GAMES", "THE PIANO", "PLATOON", "RAGING BULL", "SOMEWHERE IN TIME" and "YOU ONLY LIVE TWICE" ~ our composers with passion and skill for exploring human emotions, coupled with a unique gift for striking exotic orchestral colors, make this with all it's splendor unforgettable ~ themes that ring with familiarity as each film comes to mind through music.
Silva America gives the collector a treasure of thirty film cues that any "film-score-buff" would die for ~ in the past James Fitzpatrick (producer), Reynold da Silva (executive producer), mastered by Rick Clark and David Stoner (release co-ordinator) have given us compilation with such expertise and this one is no exception ~ keep up the outstanding limited editions and deluxe package releases, with your signature tidbits for all film music fans that's in all of us...gotta love it!
Total Time: 2-CD-Set ~ Silva America 1161 ~ (8/10/2004)
Average customer rating:
- Great compilation
- A disappointment
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DRG 25th Anniversary Show Stopping Performances
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
All Works by Porter
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ASIN: B00005Q6IN
Release Date: 2001-10-23 |
Tracks:
- A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
- Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
- Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
- Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
- Nunsense: I Just Want To Be A Star - Christine Anderson
- Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
- Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
- Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
- Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
- The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
- Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
- Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
- A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
- The Madwoman Of Central Park: Better - Phyllis Newman
- Greenwillow: Never Will I Marry - Anthony Perkins
- Song Of Singapore: I Can't Remember - Loretta Swit & Company
- Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
- I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
- The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
- Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
- Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble
Tracks:
- 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
- Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
- Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
- High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
- Tenderloin: Artificial Flowers - Patrick Wilson
- State Fair: Driving At Night/Our State Fair - Company
- Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
- Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
- The Green Bird: O Foolish Heart - Company
- Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
- The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
- Snoopy!!!: Poor Sweet Baby - Pamela Myers
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- March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
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- 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
- Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
- Godspell: All Good Gifts - Sal Sabella & Company
- The Act: Walking Papers - Liza Minnelli & Company
Customer Reviews:
Great compilation.......2002-05-10
I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.
A disappointment.......2001-12-15
There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Average customer rating:
- A great idea, but incomplete
- Excellent. The best of this style.
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Bond and Beyond
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
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- Classics of the Silver Screen
- Fantastic Journey
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ASIN: B000003CX1
Release Date: 2002-10-22 |
Tracks:
- Theme From Goldfinger
- James Bond Theme
- From Russia With Love
- Main Theme From Dick Tracy
- Crime Spree From Dick Tracy
- Main Theme From The Untouchables
- Al Capone From The Untouchables
- It's A Long Road From Rambo (First Blood Part Two)
- Medley Of TV Adventure Themes: Dragnet/Peter Gunn/Perry Mason/The F.B.I./Hillstreet Blues/Mission Impossible/The Man From U.N.C.L.E./L.A. Law/Miami Vice/Hawaii Five-O
- To Live And Let Die
- For Your Eyes Only
- Axel F From Beverly Hills Cop
- Theme From Leathal Weapon
- Woe, The Darkman, Woe! From Darkman
- Nobody Does It Better
- Theme From Shaft
- All Time High From Octopussy
Customer Reviews:
A great idea, but incomplete.......2000-10-26
Erich Kunzel plays the Bond themes? What a great idea! In addition, there are a few more selections in the same vein, like the cops-n-robbers TV medley, music from The Untouchables, Lethal Weapon, Beverly Hills Cop, etc.
Sometimes, you want to listen to the 007 music in instrumental only, and Kunzel and the Cincinatti Pops do a good job with the arrangements. But where are the rest of the songs? Missing are three of my all-time favorites, You Only Live Twice, Diamonds Are Forever, and Moonraker. I think the album would be better with 'more Bond, less other.' We certainly don't need TWO selections from Dick Tracy. And the theme from Darkman is stylistically quite similar to Dick Tracy; nothing is gained by playing both. Don't get me wrong; I like Danny Elfman (check out his "Beetlejuice" theme on Kunzel's 'Great Fantasy Adventure Album'). I just wanted to hear all my fave Bond pieces on the one CD.
Still, it's a keeper.
Excellent. The best of this style........1999-02-15
All I can say is listen to the Trumpet solo on goldfinger. The best
Average customer rating:
- A furious barrage of free jazz and intense performances
- The Lost Quintet Live - The Power & Dynamic is just AWESOME!
- Miles Moves Forward
- A Smokin' Performance
- Better than Bitches'
|
Live at the Fillmore East (March 7, 1970): It's About That Time
Miles Davis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005M0N2
Release Date: 2001-08-21 |
Tracks:
- Directions
- Spanish Key
- Masqualero
- It's About That Time/The Theme
Tracks:
- Directions
- Miles Runs The Voodoo Down
- Bitches Brew
- Spanish Key
- It's About That Time/Willie Nelson
Amazon.com
Miles Davis took the stage of New York's Fillmore East with five other players on March 7, 1970. Leaning heavily on the soon-to-be-released Bitches Brew and looking back no further than 1962's "Masqualero," they rumbled, squawled, and stomped through two sets that might have surprised even fans of Davis's new rock-influenced sound. At times edgier than even the challenging Brew, the music was nonstop, polyrhythmic, and crashing while remaining groove-oriented. With Miles blowing one aggressive solo after another, saxophonist Wayne Shorter and drummer Jack DeJohnette rise to the moment while providing reminders of the angular sound of the '60s trio. While "Bitches Brew" itself appears in a drastically shortened but still relatively hushed treatment, the first of two versions of "It's About That Time" breaks away from In a Silent Way's midtempo meditation into full-tilt tumult. These 90 minutes capture Miles headed in the direction of Jack Johnson, stopping to give the rock audience a glimpse of himself working at another peak. --Rickey Wright
Customer Reviews:
A furious barrage of free jazz and intense performances.......2006-09-07
This live March 7, 1970 release is burning hot and intense. Oddly enough, Miles was warming up for the Steve Miller Blues Band and Neil Young and the response from the audience is halfhearted and lukewarm. It seems likely that fans of the comparatively more straightforward material of those two bands were in no way shape or form prepared for this wild barrage of free jazz, jazz-rock, and unfettered experimentation. It's too bad too - this is easily the best set I have heard from this period of Miles (1969-1971) and reinforces in my mind the incalculable impact he had on music.
Alongside Miles (trumpet) is a virtual who's who of the jazz rock scene: Chick Corea (Fender Rhodes electric piano); Jack DeJohnette (drums); Dave Holland (electric bass guitar and acoustic bass); Wayne Shorter (soprano and tenor saxophone); and Airto Moreira (percussion). These guys are all top shelf musicians and turn in some of the most "out there" performances I have ever heard. Chick Corea is especially wild and simply tears the electric piano up - the furious, free-form barrage with Dave Holland during the first set is simply unbelievable. Speaking of the bassist, I happen to like Dave Holland quite a lot - a lot more in fact than Motown bassist Mike Henderson (who played on the Live Evil album, 1971). Dave is a technically superior player and he truly interacts with the other players rather than just laying down an ostinato. Jack DeJohnette is also in top form and churns out a swirling mass of impenetrably dense rhythms, while Wayne Shorter cuts loose with furious torrents of notes that recall free jazzer Eric Dolphy at his most intense. Whew. Let us just say that the performances on this live recording are hot.
Tracks 1-4 comprise a 42 minute jam that holds your attention all the way through, while the second set provides more of the same. Musically, the pieces incorporate elements of free jazz, although some influences taken from James Brown and other soul/funk musicians can be heard as well - even though they really take a back seat to the free jazz and experimental jazz rock.
If you enjoyed this live album, you might also like Bitches Brew (1970); Live Evil (1971); A Tribute to Jack Johnson (1971); and On the Corner (1972). This is all simply amazing stuff and Miles was an extremely forward thinking musician. Very highly recommended.
The Lost Quintet Live - The Power & Dynamic is just AWESOME!.......2006-09-03
The playing on these two discs is masterful and intense. The Fillmore audience full of stoned teens and college students must have been taken aback by this sonic assault. There's some polite applause here and there but they must have been wondering "WTF was that?"
Holland and DeJohnette provide a punishing, pulsing, swinging foundation to the other players to improvise upon - Shorter and Miles go wild. As usual, I am not wild about Corea's distorted electric Fender Rhodes with that Ring Modulator gadget (not a particular good effect in my opinion but it must have been "trippy" at the time), but his playing is fabulous. I will say this disc is probably only for the die-hard Electric Miles collector. Some listeners are going to hate it because there's a lot of "free jazz" (in the Ornette Coleman sense of the expression) going on in here and the cacauphony will be a bit overwhelming at times. This is not a collection I can listen to at any ol' time and it certainly isn't "background music", but I am glad I purchased it.
Just because you like Bitches Brew, Big Fun, Jack Johnson, and On the Corner doesn't mean you are going to like this. The playing is very hot but it's also very free form in places. Some of it even reminds me of Holland and Corea's Circle - The Paris Concert with Anthony Braxton. Fidelity is a little muddy for bass and drums but don't let that put you off. Apparently, according to the Cellar Door Sessions booklet, the engineers were still trying to figure out how to record this band with this concert took place.
Miles Moves Forward.......2006-08-30
Miles Davis' 1969-1970 performances, which saw - or rather heard - the trumpeter fusing the eerily open-ended logic of BITCHES BREW with the screaming stagecraft of the then-burgeoning arena rock scene, represent one of the most exciting links in the solid gold chain of breakthroughs which was his singularly stellar career. Long unavailable in the US, these shows have hit the shelves in a big way over the past nine years as Columbia Records continues its hell-for-leather efforts to get every note Miles ever recorded for the label out to the public. Happily, IT'S ABOUT THAT TIME, like other releases from the same era, more than justifies such a policy.
With saxophonist Wayne Shorter here playing his final gig with Miles, TIME could easily get by on historic importance alone. But riding atop one of Davis' - indeed, one of jazz's - greatest rhythm sections (Chick Corea on electric piano and assorted bizarre circuitry, Dave Holland on bass guitar and Jack DeJohnette on drums and on fire), the two great blowers and composers are given no chance to rest on their laurels. Tunes from BREW and IN A SILENT WAY here coalesce into forty-five-minute suites of crashing, keening, thundering improvisational elan and fearlessly forward momentum. Whether this sort of thing is your cup of tea or not, it's impossible to dismiss; few if any acts in either the jazz or rock sphere could have offered a more powerful concert experience than this in what must surely rank as the absolute peak period for live music of any sort. Never once sinking into either the safety of convention or the lethargy of chaos, this version of the Miles Davis Quintet/Sextet was and remains a formidable unit.
And IT'S ABOUT THAT TIME is a formidable pair of discs. Whether it's the best way to hear Miles and Company at this juncture, however, is rather hard to say. I'd actually call the long-deleted Japan-only release 1969 MILES, recorded in Antibes a month before BITCHES BREW itself, a somewhat more interesting document, as it applies the scorched-earth logic of this band to a broader cross-section of Davis' repertoire, including such pre-electric classics as "'Round Midnight" and "Footprints." By the same token, Shorter's departure, regrettable as it may have been, didn't prevent his bandmates from continuing to jell and explore, with the result that BLACK BEAUTY, recorded a month after this set with Steve Grossman on soprano sax, seems to my ears to achieve the impossible by reaching an even more torrential level of intensity, if only in a few spots.
Nevertheless, with no other recording of this particular combo tackling this particular program currently available, IT'S ABOUT THAT TIME meets five-star criteria for both the sound and significance of its content. Miles forever!
A Smokin' Performance.......2006-06-08
There are numerous official and bootleg albums dating from the early electric phase of Miles Davis. But It's About That Time is the best that is currently available. The material features a band operating loud and proud, with the solos by Davis and Shorter nothing short of brilliant.
Looking back more than 35 years later, one can easily hear why jazz fans/critics were critical of Davis (in actuality, what else was new) while he took "fusion" into major rock venues, while opening for popular rock acts of the time.
The music is as thrilling to hear today as it certainly was live in 1970. The CD is an essential part of a collector's library who wants to hear Davis and his band tearing it up and get a real understanding in what fusion meant at its inception.
Better than Bitches'.......2005-09-28
I'm a neophyte to Fusion in general, but I think that the rumours are true - this CD set is much better than the legendary Bitches Brew.
My favorite track is "Bitches Brew" itself, in a version that is shorter, harsher and more focussed than the album version. Besides, it doesn't have all those bizarre edits and tape loops that made the album so hard for me to digest.
"Spanish Key", in two versions, is also funkier than the album version, with fine soloing by Wayne Shorter. I prefer the second set's version.
Note that both sets end with the "Go-Go" theme, with which Miles Davis ended all his sets in the 1950s-60s - that and the tune "Masqualero" are the only remnants of Miles' pre-electric past.
Average customer rating:
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Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000658H9
Release Date: 2002-05-07 |
Tracks:
- The Song Is You - Jamie Anderson
- How'd You like To Spoon With Me? - Jane Lanier
- The Land Where The Good Songs Go - Pamela Myers
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- The Folks Who Live On The Hill - Lee Lessack
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- Shimmy With Me - Lea Thompson
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- Remind Me - Ron Rifkin
- In Love In Vain - Melissa Errico
- Make Believe - Linda Michele
- Ol' Man River - Brock Peters
- You Are Love - Dale Kristien
- I Won't Dance - Bonnie Franklin
Tracks:
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- Long Ago (And Far Away) - Pam Dawber
- They Didn't Believe Me - Pat Marshall
- Look For The Silver Lining - Rod McKuen
- A Fine Romance - Jane Carr
- Sure Thing - Sally Kellerman
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- Yesterdays - Joan Ryan
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![it's time! [live]](http://images.amazon.com/images/P/B00009MGP3.01.TZZZZZZZ.jpg)
Nice remix but nothing outstanding.......2004-03-06
