Got You (Where I Want You) [Import]

got you (where i want you) [import]

Track Listings
1. Got You (Where I Want You)
2. Damn
3. Holiday Man
4. Gods Of Basketball (Colossal Mix)

Editorial Reviews
Product Description
Debut single from the Southern California surf band. It's backed with 'Damn', 'Holiday Man' and 'Gods Of Basketball' (Colossal Mix). Slimline jewel case. 1999 release.

Got You (Where I Want You),Flys,5"CD Singles

Got You (Where I Want You) [Import]
You've Got Mail: Music From The Motion Picture
Average customer rating: 4.5 out of 5 stars
  • Never has a movie been more dependent on it's soundtrack. I love it.
  • The best soundtrack ever
  • My favorite Movie Soundtrack
  • You've Gort Mail Soundtrack
  • Thoroughly enjoyable soundtrack
 You've Got Mail: Music From The Motion Picture
George Fenton , and Various Artists
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Sleepless In Seattle: Original Motion Picture Soundtrack
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ASIN: B00000F1UP
Release Date: 1998-12-01

Tracks:

  1. The Puppy Song - Harry Nilsson
  2. Dreams - The Cranberries
  3. Splish Splash - Bobby Darin
  4. Dummy Song - Louis Armstrong
  5. Remember - Harry Nilsson
  6. Dream - Roy Orbison
  7. Rockin' Robin - Bobby Day
  8. Lonely At The Top - Randy Newman
  9. Signed Sealed Delivered I'm Yours - Stevie Wonder
  10. I Guess The Lord Must Be In New York City - Sinead O'Connor
  11. Over The Rainbow - Harry Nilsson
  12. Anyone At All - Carol King
  13. I'm Gonna Sit Right Down And Write Myself A Letter - Billy Williams
  14. "You've Got Mail" Suite, The - George Fenton
  15. You Made Me Love You - Jimmy Durante

Amazon.com

The latest Tom Hanks-Meg Ryan movie directed by Nora Ephron (Sleepless in Seattle) about two coworkers who hate each other at work and unknowingly fall in love on the Internet features an extremely eclectic soundtrack that's less technologically advanced than its movie's premise. There's no gratuitous raving or computer-buzzing techno, just pensive singer/songwriters and oldies that tug at the heartstrings. Louie Armstrong weighs in with "Dummy Song." Jimmy Durante pops up for "You Made Me Love You." Randy Newman's song for Frank Sinatra, "Lonely at the Top" (which Sinatra turned down), fits alongside Sinead O'Connor's spirited pass at Harry Nilsson's "I Guess the Lord Must Be in New York City." The late Nilsson himself is represented by "The Puppy Song" and "Remember." Stevie Wonder's soul shouter "Signed, Sealed, Delivered (I'm Yours)" pumps things up, while Roy Orbison's "Dream" has his trademark sense of mystery and despair. --Rob O'Connor

Customer Reviews:

4 out of 5 stars Never has a movie been more dependent on it's soundtrack. I love it........2007-05-17

I'll be the first to concur with comments like "I love it," or "great mix of favorites." But "greatest soundtrack ever? That statement alone is purely subjective. This soundtrack even more. If there is one declaration that can be made without debate, it's that never has a movie depended more on it's soundtrack. The music and songs in this movie are vital to it's pulse. Though it's one of those movies that feels it's necessary to always have music running to some extent (the mark of a cheap feeling movie, mostly), it's quite necessary for this movie which lacks in writing. The music does a lot for the mood setting in this contrived, simplistic story, particularly in my opinion Carole King's closing ballad, "Anyone At All." Oh, I love this movie and own the DVD, and just got the soundtrack. But let's face it folks, this ain't Oscar material (for what THAT'S worth). This movie to me is one of those guilty pleasures. You know what you get going into it. And in that Nora Ephron (whose "Sleepless in Seattle" I detested) goes beyond the call, particularly at setting the mood of this movie, and the feel of the neighborhood where it largely takes place. Even if that does create a kind of Utopian version of New York City. And a large part of that is due to Ephron's choice of music. The flow of this movie is in the music. Even the most subtle of cuts- the 2-3 second Godfatheresque cut after Kinnear's response to Ryan's "You know what it means to go to the mattresses?", and the upbeat Godfather II-like piece that accompanies Ryan's shadow boxing behind the counter as she's (in her own way) preparing to fight for her store's life. But the music is great. Listening to the CD is visualizing the movie as you go about whatever you're doing. You can't listen to any cuts from this soundtrack and not picture the scene and dialogue. That's a good soundtrack. I'll always keep a copy of, oh, Black Sabbath's Greatest Hits right next to it in case any of my buddies happen by so I won't be ostracized. But when they're gone, I actually crank this.

5 out of 5 stars The best soundtrack ever.......2007-03-29

Great songs for an even greater movie. As well as Tom Hanks and Meg Ryan's performances, the artists included here really exceeded all expectations. Furthermore, I believe everybody should have a closer look at Sinead O'Connor's incredible performance in "I Guess The Lord Must Be In New York City": specially since the 9/11 terrorist attacks this song has become even more touching every time you hear it.

5 out of 5 stars My favorite Movie Soundtrack.......2007-03-08

I love this soundtrack.Its upbeat and happy. Fun to listen to in my shop.

5 out of 5 stars You've Gort Mail Soundtrack.......2006-02-23

Excellent. Close your eyes and you feel like the movie is playing!! Especially liked the Nilsson tunes.

5 out of 5 stars Thoroughly enjoyable soundtrack.......2006-02-13

Having adored the film the moment I saw it, I couldn't wait to get the soundtrack. Not only did it not disappoint, but it included all the songs that make the movie so memorable. From the sweet Cranberries hit, Dreams, that fit perfectly to the vibe of NYC's Upper West Side, to the gentle sadness of Ray Orbison's Dream, each song fits the story like a glove. With a total of 15 tracks, this soundtrack is a complete joy to listen to over and over again. My toddlers even get a kick out of the oldies, Splish Splash an Rockin' Robin. It's a soundtrack to entertain all ages.
Out Of Africa: Music From The Motion Picture Soundtrack
Average customer rating: 4.5 out of 5 stars
  • Simply beautiful
  • CD has missing track
  • Disappointed
  • Worth Buying!
  • Great Album
 Out Of Africa: Music From The Motion Picture Soundtrack

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002O4X
Release Date: 1990-10-25

Tracks:

  1. Main Title (I Had A Farm In Africa)
  2. I'm Better At Hello (Karen's Theme l)
  3. Have You Got A Story For Me
  4. Concerto For Clarinet and Orhestra
  5. Safari
  6. Karen's Journey - Siyawe (African Traditional)
  7. Flight Over Africa
  8. I Had A Compass From Denys (Karen's Theme II)
  9. Alone On The Farm
  10. Let The Rest Of The World Go By
  11. If I Know A Song Of Africa (Karen's Theme III)
  12. End Title (You Are Karen)

Amazon.com essential recording

The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Simply beautiful.......2007-01-11

Out of Africa is a CD with beautiful music. When I listen to it, I imagine myself in the nature of Africa. You will enjoy it!

2 out of 5 stars CD has missing track.......2006-12-03

John Barry's compositions are pleasantly sweeping. There's nothing wrong with this album, just not really enough to recommend it.

I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.

1 out of 5 stars Disappointed.......2006-11-10

I absolutely love the music from Out of Africa, but I do not recommend this CD at all. The sound quality is so poor that I could only bear listening to it once.

5 out of 5 stars Worth Buying!.......2006-11-06

Highly recommended for those who love instrumental music. A lot of beautiful flute, strings and some piano and harp. Very contemplative and hauntingly beautiful music.

5 out of 5 stars Great Album.......2006-11-04

For me, one of the best music of last decade. Romantic, full of sense. Please give a listen at least
If You Want Blood You've Got It
Average customer rating: 5 out of 5 stars
  • HIGH VOLTAGE ROCK N ROLL
  • If you want Blood You've got it
  • Bon Scott lives!
  • Feels like you were really there
  • AC/DC - 'If You Want Blood You Got It' (Sony)
 If You Want Blood You've Got It
AC/DC
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00009MGR0
Release Date: 2003-07-01

Tracks:

  1. Riff Raff
  2. Hell Ain't A Bad Place To Be
  3. Bad Boy Boogie
  4. The Jack
  5. Problem Child
  6. Whole Lotta Rosie
  7. Rock 'N' Roll Damnation
  8. High Voltage
  9. Let There Be Rock
  10. Rocker

Customer Reviews:

5 out of 5 stars HIGH VOLTAGE ROCK N ROLL .......2007-06-28

THIS IS ANOTHER GREAT ALBUM FROM AC/DC ONE OF THE BEST LIVE ALBUMS OF THEM EVER RECORDED ONLY OFFICAL LIVE ALBUM WITH BON SCOTT ON VOCALS!!!!!ONCE IN A LIFETIME THIS CONCERT WOULD OF BEEN GREAT GREAT ALBUM ROCK N ROLL HAS NEVER BEEN THIS GOOD YOUR CRAZY IF YOU DONT HAVE ANYTHING FROM THIS ALBUM BUY IT IF YOU STILL DONT HAVE IT!!!!!!

4 out of 5 stars If you want Blood You've got it.......2007-04-10

Early CD by AC/DC and I think one of there best, Angus Young proves once again that he is a guitar god, his guitar solo's in A Whole Lot Of Rosie is superb. If your a AC/DC fan this is a must have.

5 out of 5 stars Bon Scott lives!.......2007-03-21

This is one of my all time favorite albums (yes I have it on vinyl). Bon Scott is in his element and delivers one of the best live performances of all time. A must have for AC/DC fans!

3 out of 5 stars Feels like you were really there.......2007-01-18

Ac/Dc is a very rare breed of band that never lets you down...you always know what to expect,which is great blues based rock at a super high volume with some great guitar playing and some great screaming vocals...this live CD "If You Want Blood" is no exception to that.
It includes 10 great rock and roll classics played live,with lots of crowd participation. What sets this CD apart from their next live album recorded many years later on the "Razor's Edge" tour,is that this feels much more intimate,like you were front row in a small arena right in the middle of the high volume onslaught. I like this,whenever you make a live album that feels like you were there it can be considered a success.The later live album feels much more thought out and commercial and it didn't feel spontanious at all. I much prefer this one,"If You Want Blood"...the band was very hungry for success and was touring for the "Powerage" album...the only complaint I have is that they didn't include a lot of songs that I think would have went over better...in particular Sin City,TnT,Dirty Deeds,and It's A Long Way To The Top...this is a great CD to pop in the car and crank to 10 and imagine being there watching this classic band tearing through some awesome rock and roll...if you are a hard core ac/dc fan you should already have this,if not go out and grab it now...if you are new to the band,buy a few of the studio albums first,mainly Back In Black,Highway To hell,High Voltage,and even Powerage...once you know the songs in the studio versions you'll be able to appreciate the live versions in a whole new way...one song in particular "The Jack" has completely new lyrics live as opposed to the studio version (I prefer the studio version but then again,I like being subtle,but the live version is great too)...this CD also includes the live version of "Whole Lotta Rosie" and one of my favorites "Rock And Roll Damnation"...this is another in a long line of triumphs for this great band and includes a GREAT guitar solo that shows what Angus can do and some great crowd interaction with the great Bon Scott


The Upside - very well produced live album,feels very intimate like you were there..includes some great classics like "Whole Lotta Rosie" "Problem Child" "Rock And Roll Damnation","hell Ain't A Bad Place To Be","High Voltage" and more...great booklet also comes with the remaster version with lots of great pictures and some cool stories

The Downside - missing some obvious hits like "TnT" and "Dirty Deeds" (they included 'Rocker' from the dirty deeds album but not the much more popular title track,not sure why) and "Jailbreak" which would have been a treat to hear Bon sing that one live..and again,no bonus tracks for the remaster version which would have been a nice treat to us fans

The Bottom Line - the best live collection of Ac/Dc songs so far...start with the studio versions and then crank this one up to 10 and relive a great concert...Ac/Dc is timeless and classic...go buy this one...donutman says so!!!

5 out of 5 stars AC/DC - 'If You Want Blood You Got It' (Sony).......2006-11-16

Originally released in 1978,this live album came out after AC/DC had put out four lp's and just prior to 'Highway To Hell'.Ten full-throttled tracks of blistering in-your-face heavy rock&roll as only AC/DC can do it.Used to have the cassette of this lp,but it is great to have it on CD.Was nice to hear Bon Scott-versions of "Rif Raff","Bad Boy Boogie","Problem Child",the awesome "Whole Lotta Rosie"(my favorite of the entire disc),"High Voltage" and "Let There Be Rock" once again.Essential.
Oliver! (Deluxe Edition) (1963 Original Broadway Cast) [CAST RECORDING]
Average customer rating: 4.5 out of 5 stars
  • Food for Thought - Great for Productions
  • Oliver is a classic and meant to be heard and seen.
  • PLEASE SIR! I WANT SOME MORE!
  • Oliver-The Broadway Cast
  • spectacular Broadway album
 Oliver! (Deluxe Edition) (1963 Original Broadway Cast) [CAST RECORDING]
Various Artists
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000996JO
Release Date: 2003-06-03

Tracks:

  1. Overture/Food Glorious Food - The Boys
  2. Oliver! - The Boys, Wiloughby Goddard, Hope Jackman, Bruce Prochnik
  3. I Shall Scream - Wiloughby Goddard, Hope Jackman
  4. Boy for Sale; Where Is Love? - Wiloughby Goddard, Bruce Prochnik
  5. Consider Yourself - Crowd, Michael Goodman, Bruce Prochnik
  6. You've Got to Pick a Pocket or Two - Bruce Prochnik, Clive Revill
  7. It's a Fine Life - Georgia Brown, Alice Playten
  8. I'd Do Anything - Georgia Brown, Michael Goodman, Alice Playten, Bruce Prochnik, Clive Revill
  9. Be Back Soon - The Boys, Michael Goodman, Bruce Prochnik, Clive Revill
  10. Oom-Pah-Pah - Georgia Brown
  11. My Name - Danny Sewell
  12. As Long as He Needs Me - Georgia Brown
  13. Who Will Buy? - Bruce Prochnik, Chorus
  14. Reviewing the Situation - Clive Revill
  15. As Long as He Needs Me (Reprise) - Georgia Brown
  16. Reviewing the Situation (Reprise) - Clive Revill
  17. Finale

Amazon.com

Lionel Bart's wonderful musical adaptation of the Charles Dickens classic was the first London stage musical to be transplanted to Broadway with the same kind of sensation it received in Britain-- something that is now common in these post-Cats/Les Miserables times. Although no one from this British cast ever became enormously famous (future Monkee Davy Jones was in the second Broadway cast)--and Sir Carol Reed's film version receives all the critical accolades--this remains the better recording, featuring all the songs cut from the film, while excluding the film's musical interludes that simply seem annoying without the visuals. Just compare Bruce Brochnik to the film's Mark Lester in the title role. Or Clive Revill to Ron Moody's Fagin. Or any of the principals, for that matter--and the differences are remarkable. --Bill Holdship

Customer Reviews:

4 out of 5 stars Food for Thought - Great for Productions.......2007-07-03

If you are considering a production of Oliver this is a great recording that has good background information. It does skip some of the overture music but the rest of that tracks are well done.

3 out of 5 stars Oliver is a classic and meant to be heard and seen........2007-05-25

Many of these numbers are well known. And the dark tone of the story being told is well represented by the choices made by the actors and their directors. But it IS rough and dark and mournful. Not a road-trip CD, rather a show to see in the theater.

5 out of 5 stars PLEASE SIR! I WANT SOME MORE!.......2007-02-27

I starred in my local summer stock company's production of "Oliver," in the summer of 2005. I used this CD to practice learning the musical numbers, by listening to it on my iPod. It has some very memorable numbers such as "Oom-Pah-Pah," "Food, Glorious Food," "Who Will Buy?" "That's Your Funeral," and "Consider Yourself." The one Oliver song that gets on my nerves. But I just can't get enough of most of this music, after the great time I had in the show. I even listen to the soundtrack on airplane trips and car rides sometimes.

2 out of 5 stars Oliver-The Broadway Cast.......2006-03-17

As an original cast member with Florence Henderson's "Sound of Music" tour 45 years ago, I have a unique perspective about this recording. Even the musical director comments at the end that this version of "Oliver" was not particularly well sung but that the cast had a lot of energy.

Unfortunately,(in my opinion) this energy doesn't translate suficiently to the recording and I agree - it's not particularly well sung. Again, from the perspective of a former child performer singing with other kids, it actually is possible for a group of children to sing together and make pleasant-sounding music. The adults in this "Oliver" aren't up to musical snuff either.

Although I haven't heard it, I'd be willing to take my chances on the original London version before settling for this one (which, by the way, was recorded in an LA studio before it even got to Broadway.)

5 out of 5 stars spectacular Broadway album.......2006-02-15

The cast album to the 1963 Broadway premiere production of OLIVER! was actually recorded during the show's pre-Broadway run in Los Angeles. OLIVER! played to subsequent audiences in San Francisco, Detroit and Toronto before opening at the Imperial Theatre in New York on January 6, 1963. The show played 774 performances before prematurely ending the season to play a 9-month national tour, later returning to New York for a `farewell' run of 64 performances.

As she had done to rapturous acclaim in London three years previously, Georgia Brown played the role of Nancy, and earned similar praise for her performance in New York. Her rich, velvet-tinged voice is especially haunting with the chill inducing ballad "As Long As He Needs Me". Composer Lionel Bart wrote "It's a Fine Life" especially for Brown after learning she had been cast in the role in the London production.

Ron Moody had also scored heavily in London with his tour-de-force turn as Fagin, but with producers fearing his portrayal `too ethnic', the role was taken by Clive Revill for the Broadway premiere. Revill had just come from his celebrated role in IRMA LA DOUCE, and his interpretation of Fagin is every bit as valid as Ron Moody's. Bruce Prochnik is a winsome and wistful Oliver, and Michael Goodman is a delight as the Artful Dodger. Wisely-retained from the original London company were a handful of the first-rate supporting players: Hope Jackman's shrill Mrs Corney; and the up-and-coming Barry Humphries as Mr Sowerberry (Humphries would later graduate to playing Fagin before his beloved alter-ego Dame Edna unleashed herself on the world). The promising young belter Alice Playten was smartly-showcased as Nancy's offsider Bet.

But, the sound mix on the Broadway album has always been rather flat and dull, despite being recorded in the stereo format of the day. Voices and orchestra have no vibrancy or depth, and this was due to the studio in which they recorded it, where the ceiling was very low and the sound did not have the necessary acoustic projection. Nevertheless, the recording has a charm and energy which overrides the technical shortcomings.

This new CD reissue from RCA offers some interesting bonus materials including musical director Don Pippin sharing his memories of the show; Barry Humphries performing "That's Your Funeral" (from the London cast album but left off the Broadway album); and a live recording of Patti LuPone singing "As Long As He Needs Me" (LuPone played Nancy in a short-lived Broadway revival in 1986).

Good value.
Joshua Bell - Gershwin Fantasy
Average customer rating: 5 out of 5 stars
  • Bell & Gershwin
  • Enchanting
  • Joshua Bell's playing is exquisite
  • S'Wonderful
  • My Starter Bell CD
 Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000009OP5
Release Date: 1998-07-28

Tracks:

  1. Fantasy For Violin And Orchestra On Porgy And Bess
  2. Three Preludes: I. Allegro ben ritmato e deciso
  3. Three Preludes: II. Andante
  4. Three Preludes: III. Allegro ben ritmato e deciso
  5. Songs For Violin And Orchestra: I Got Rhythm
  6. Songs For Violin And Orchestra: Embraceable You
  7. Songs For Violin And Orchestra: Nice Work If You Can Get It
  8. Songs For Violin And Orchestra: Liza
  9. Songs For Violin And Orchestra: But Not For Me
  10. Songs For Violin And Orchestra: Sweet And Low-Down
  11. Songs For Violin And Orchestra: Love Is Here To Stay

Amazon.com essential recording

On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde

Customer Reviews:

4 out of 5 stars Bell & Gershwin.......2007-05-20

Two of my faves, George Gershwin and Joshual Bell -

Can't beat that!

Also, "Porgy" is a fave opera... so three out of three isn't bad!

5 out of 5 stars Enchanting.......2007-03-24

A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!

5 out of 5 stars Joshua Bell's playing is exquisite.......2005-07-08

Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.

5 out of 5 stars S'Wonderful.......2004-10-20

Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.

5 out of 5 stars My Starter Bell CD.......2003-11-05

This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.
Porgy & Bess
Average customer rating: 5 out of 5 stars
  • Absolutely peerless
  • once-in-a-lifetime greatness
  • We love this album
  • Simply great
  • Porgy and Bess
 Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Porgy and Bess
  2. Gershwin: Porgy & Bess [With Members of the Original Cast]
  3. Porgy & Bess: High Performance
  4. George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera
  5. Ella & Louis Again (Dig)

ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

  1. Overture
  2. Summertime
  3. I Wants To Stay Here
  4. My Man's Gone Now
  5. I Got Plenty O'Nuttin'
  6. Buzzard Song
  7. Bess, You Is My Woman Now
  8. It Ain't Necessarily So
  9. What You Want Wild Bess?
  10. A Woman Is A Sometime Thing
  11. Oh, Doctor Jesus
  12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
  13. There's A Boat Dat's Leavin' Soon For New York
  14. Bess, Oh Where's My Bess
  15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

5 out of 5 stars Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

5 out of 5 stars once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

5 out of 5 stars We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

5 out of 5 stars Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

5 out of 5 stars Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording
Got You on My Mind
Average customer rating: 4.5 out of 5 stars
  • Great CD
  • Melodious Madeliene, Magnificent!
  • Wonderful Cd
  • fun stuff
  • Addicting
 Got You on My Mind
Madeleine Peyroux , and William Galison
Manufacturer: Waking Up Music
ProductGroup: Music
Binding: Audio CD

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  1. Dreamland
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  5. Hang on Little Tomato

ASIN: B0002VERC4
Release Date: 2004-09-07

Tracks:

  1. Back In Your Own Backyard
  2. J'ai Duex Amours
  3. Flambee Mantalbanese
  4. Got You On My Mind
  5. Jealous Guy
  6. The Way You Look Tonight
  7. Rag for Madi
  8. Playin'
  9. Shoulda Known
  10. Heaven To Me
  11. Heaven Help Us All

Album Description

Got you on my mind is the collaboration between chanteuse Madeleine Peyroux and harmonica virtuoso/ guitarist William Galison, with whom she has toured extensively in recent years. On Ms. Peyroux's first recording since Deamland, Madeleine and William cover a wide variety of tunes, from a Josephine Baker classic through tunes made famous by Willy Dixon, Stevie Wonder and John Lennon, as well as three delightful original compositions. The accompanying musicians are stars in their own right, including Bob Dylan's bassist Tony Garnier and Saturday Night Live's drummer Shawn Pelton, and there is a delightful cameo by none other than Carly Simon. To many of Madeleine's fans, Got You On My Mind represents her exquisite singing at its most natural and unconstrained -- in an informal, musical context close to her roots and to her heart. What comes across most strongly from this CD however, is the amazing musical chemistry between these two extraordinary artists.

Customer Reviews:

5 out of 5 stars Great CD.......2007-05-07

I love Madeleine Peyroux and now have all her CD's. Her voice blends perfectly with William Galison's playing. I highly recommend this selection.

1 out of 5 stars Melodious Madeliene, Magnificent!.......2007-03-26

I love her relaxed phrasing and the tone and easy flow of her vocals

4 out of 5 stars Wonderful Cd.......2007-03-13

This is a wonderful cd and a nice addition to my collection. I recommend it highly.

4 out of 5 stars fun stuff.......2007-03-09

These musicians clearly are in synch with each other on this very good album. For fans of Madeleine, this is an example of her singing in a very relaxed style. Not quite as intense as her more mature work, yet beautiful nonetheless in a timeless manner that her voice communicates so easily. All in all, sweet harmony.

5 out of 5 stars Addicting.......2007-01-03

I found that I had to play the CD over and over in the car. Haven't done that with a new CD in a long time. Made traffic seem to disappear because I just didn't care how long I was in the car.
Gershwin Plays Gershwin: The Piano Rolls
Average customer rating: 5 out of 5 stars
  • Wonderfully American
  • A Gersh-winner
  • Interesting... but I think I'd prefer a good Gershwin interpreter
  • Gershwin's playing overated
  • The jazzy Gershwin. What a CD!!!!!!!
 Gershwin Plays Gershwin: The Piano Rolls

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2
  2. Essential George Gershwin
  3. Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
  4. Levant Plays Gershwin
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ASIN: B000005J1I
Release Date: 1993-11-09

Tracks:

  1. Sweet And Lowdown
  2. Novelette In Fourths
  3. That Certain Feeling
  4. So Am I
  5. Rhapsody In Blue
  6. Swanee
  7. When You Want 'Em, You Can't Get 'Em...
  8. Kickin' The Clouds Away
  9. Idol Dreams
  10. On My Mind The Whole Night Long
  11. Scandal Walk
  12. An American In Paris

Customer Reviews:

5 out of 5 stars Wonderfully American.......2007-05-14

I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).

When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.

"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.

4 out of 5 stars A Gersh-winner.......2007-01-07

George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.

The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.

The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.

Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.

TOTAL RUNNING TIME -- 60:36

4 out of 5 stars Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14

Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.

This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!

I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.

Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.

Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.

2 out of 5 stars Gershwin's playing overated.......2006-04-09

After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.

5 out of 5 stars The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23

I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Average customer rating: 4.5 out of 5 stars
  • They were right--there is NO business like the show business they did way back when !!!
  • One of the best cds I ever bought.
  • Never Sounded Better
  • Somewhere Over The Rainbow
  • "Hollywood Musicals of the Golden Age are still among us"
 Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

  1. Singin In The Rain - Gene Kelly
  2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
  3. 'S Wonderful - Gene Kelly & Georges Guetary
  4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
  5. Stranger In Paradise - Ann Blyth & Vic Damone
  6. Easter Parade - Judy Garland & Fred Astaire
  7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
  8. Get Happy - Judy Garland
  9. Night And Day - Fred Astaire
  10. True Love - Bing Crosby & Grace Kelly
  11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
  12. They Cant Take That Away From Me - Fred Astaire
  13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
  14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
  15. For Me And My Gal - Gene Kelly & Judy Garland
  16. Puttin On The Ritz - Clark Gable & Co.
  17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
  18. Bless Yore Beautiful Hide - Howard Keel
  19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
  20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
  21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

  1. Over The Rainbow - Judy Garland
  2. Its A Most Unusual Day - Jane Powell
  3. Wunderbar - Kathryn Grayson & Howard Keel
  4. Cant Help Lovin Dat Man - Ava Gardner
  5. Going Hollywood - Bing Crosby
  6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
  7. Gigi - Louis Jourdan
  8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
  9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
  10. The Lady Is A Tramp - Lena Horne
  11. The Best Things In Life Are Free - June Allyson & Peter Lawford
  12. Cheek To Cheek - Fred Astaire
  13. A Kiss To Build A Dream On - Louis Armstrong
  14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
  15. If Swing Goes, I Go Too - Fred Astaire
  16. Almost Like Being In Love - Gene Kelly
  17. Lets Face The Music And Dance - Fred Astaire
  18. Be A Clown - Gene Kelly & Judy Garland
  19. Embraceable You - Connie Francis
  20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
  21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

1 out of 5 stars Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
The Greatest Ragtime of the Century
Average customer rating: 5 out of 5 stars
  • Awesome to hear the old masters almost live.
  • The Greatest Ragtime of the Century
  • A great introduction and sampling.
 The Greatest Ragtime of the Century

Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
GeneralGeneral | Compilations | Jazz | Styles | Music
Stride PianoStride Piano | Traditional Jazz & Ragtime | Jazz | Styles | Music
Boogie-WoogieBoogie-Woogie | Traditional Jazz & Ragtime | Jazz | Styles | Music
RagtimeRagtime | Traditional Jazz & Ragtime | Jazz | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
1920-19291920-1929 | Decades | Compilations | Miscellaneous | Styles | Music
1930-19391930-1939 | Decades | Compilations | Miscellaneous | Styles | Music
Similar Items:
  1. Complete Piano Music of Scott Joplin
  2. Scott Joplin: Piano Rags
  3. King of the Ragtime Writers
  4. The Sting: Original Motion Picture Soundtrack
  5. Red Hot Ragtime Volume 1

ASIN: B00009PJST
Release Date: 2003-06-10

Tracks:

  1. Shreveport Stomp - Jelly Roll Morton
  2. Sweet Man - Jelly Roll Morton
  3. Tom Cat Blues - Jelly Roll Morton
  4. A New Kind Of Man With A New Kind Of Love For Me - Thomas 'Fats' Waller
  5. Nobody But My Baby - Thomas 'Fats' Waller
  6. Got To Cool My Doggies Now - Thomas 'Fats' Waller
  7. Maple Leaf Rag - Scott Joplin
  8. Weeping Willow Rag - Scott Joplin
  9. Something Doing - Scott Joplin
  10. Steeplechase Rag - James P Johnson
  11. Twilight Rag - James P Johnson
  12. Charleston Rag - Eubie Blake
  13. It's Right Here For You - Eubie Blake
  14. Fare Thee Honey Blues - Eubie Blake
  15. Mr. Freddie Blues - Jimmy Blythe
  16. Regal Stomp - Jimmy Blythe

Customer Reviews:

5 out of 5 stars Awesome to hear the old masters almost live........2007-03-27

It was an awesome experience to hear Ragtime and early blues played by the masters themselves. When you hear the music from their own hands, if not their own pianos, it makes the music immediate, and makes even clearer the stylistic differences of the various American musical pioneers. The sound quality is excellent. I'd strongly recommend this recording to anyone who enjoys early-20th-century jazz.

5 out of 5 stars The Greatest Ragtime of the Century.......2005-10-30

What a terrific CD. What a joy to add to your life. Everyone should begin their day with this Great Ragtime.We would all be much better.

As a former dancer, Flapper, wth the Charleston in my routine, I do appreciate Great Music. I'm not quite as good as I used to be, but neither are you, Gal. Will be 66 next birthday. Still have the rhythm and love life.

Put some spice in your life and don't let this CD get away. Please, just get it today.

5 out of 5 stars A great introduction and sampling........2005-08-23

Prior to this album, the only ragtime I really knew was "The Entertainer" and "Maple Leaf Rag". I don't know how this album fares for enthusiasts, but I've thoroughly enjoyed it. It introduced me to several different composers. The way the album is organized by giving you a two or three song block by each composer is good. As you listen to this, you can easily hear the different styles from one composer to another. As for the recording quality, I don't have any complaints whatsoever. Each note is clear without much noticable fuzz or hissing. The versions of Scott Joplin's songs are played a bit brash and speedy when compared to Joshua Rifkin, but I think they sound livlier because of it. Overall a solid release.

Music:

  1. Happy Birthday Rock N Roll [Limited Edition] [Original recording remastered] [Import]
  2. Hardtimes
  3. Hello My Love [Import]
  4. Hot Jazz Duo [Import]
  5. Impact Worship Band
  6. In Certi Momenti
  7. Incognito
  8. In Love & Death [Import]
  9. It'll All Work out in Boomland [Limited Edition] [Original recording remastered] [Import]
  10. Jackie Blue

Music

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