The Immediate Years [Original recording remastered]
Track Listings
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1. Natural Born Boogie
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2. Wrist Job
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3. Depseration
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4. Sticj Shift
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5. Buttermilk Boy
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6. Growing Closer
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7. As Safe As Yesterday Is
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8. Bang!
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9. Alabama '69
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10. I'll Go Alone
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11. A Nifty Little Number Like You
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12. What You Will
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13. Take Me Back
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14. The Sad Bag Of Shaky Jake
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15. The Light Of Love
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16. Cold Lady
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17. Down Home Again
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18. Ollie Ollie
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19. Every Mother's Son
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20. Heartbeat
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See all 34 tracks on this disc
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Immediate Years,Humble Pie,Varese Sarabande,Pop,Rock,Rock/Pop
The Immediate Years [Original recording remastered]
Average customer rating:
- Best work by the new Sondheim
- second time buying this
- Jason Robert Brown's newest, not best.
- If You Didn't Believe In Jason Robert Brown, You Should Now
- The Last 5 Years
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The Last 5 Years (2002 Off-Broadway Cast)
Jason Robert Brown , Norbert Leo Butz , and Sherie Rene Scott
Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Songs for a New World (1996 Original New York Cast)
- The Last Five Years - Vocal Selections
- Parade (1998 Original Broadway Cast)
- Tick, Tick... Boom! (2001 Original Off-Broadway Cast)
- Wearing Someone Else's Clothes
ASIN: B000065CXP
Release Date: 2002-04-16 |
Tracks:
- Still Hurting
- Shiksa Goddess
- See I'm Smiling
- Moving Too Fast
- A Part of That
- The Schmuel Song
- A Summer in Ohio
- The Next Ten Minutes
- A Miracle Would Happen/When You Come Home to Me
- Climbing Uphill
- If I Didn't Believe in You
- I Can Do Better Than That
- Nobody Needs to Know
- Goodbye Until Tomorrow/I Could Never Rescue You
Amazon.com
Jason Robert Brown burst on the musical-theater scene with a bang when his first Broadway show, Parade, won the Tony for original score in 1999. This new offering is more modest in scale than Parade, but it allows Brown to refine his skills. A two-character, one-act play, The Last 5 Years retraces a relationship through a complex structure that involves varying viewpoints and a chronology that unfurls backward and forward. Brown himself plays the piano and leads a small ensemble, while Norbert Leo Butz (Thou Shalt Not) and Sherie René Scott (Aida) sing the composer's heartbreaking melodies. Brown's lyrics need a bit of work (he can be oddly crass at unexpected moments), but he knows how to write songs that incorporate a pop sensibility and a distinctly theatrical narrative drive. That in itself is quite an achievement. --Elisabeth Vincentelli
Description
A fresh and contemporary musical from Tony Award-winning composer Jason Robert Brown (Parade), "The Last 5 Years" chronicles a young couple's romance in a new and exciting way: Her story starts at the end of their relationship, his begins on the day they met. Funny and uplifting, the show captures some of the most heartbreaking and universally-felt moments of modern romance. Co-star Norbert Leo Butz was last seen on Broadway in Harry Connick Jr.'s "Thou Shalt Not," appeared in the hit musical "Rent," and portrayed the emcee in the touring production of "Cabaret." Sherie Rene Scott, last seen on Broadway in Elton John and Tim Rice's "Aida," also starred in "Rent" and "The Who's Tommy." Songs: Still Hurting, Shiksa Goddess, See I'm Smiling, Moving Too Fast, A Part of That, The Schmuel Song, A Summer in Ohio, The Next Ten Minutes, A Miracle Would Happen/When You Come Home to Me, Climbing Uphill, If I Didn't Believe in You, I Can Do Better Than That, Nobody Needs to Know, Goodbye Until Tomorrow/I Could Never Rescue You.
Customer Reviews:
Best work by the new Sondheim.......2007-06-08
If you like Sondheim, you will like Jason Robert Brown. His music is more sophisticated than Jonathan Larson, and yet still akin to popular music for our generation! I feel this musical is his best-to-date, but I can't wait to see the new pieces in store. If you liked "Songs for a New World", you will not be disappointed in this work. It is a little more like a traditional musical with a plot that weaves between two parts of a couple, and how they move through their relationship together (the trick is, he is going backwards in time, she forwards--they meet at the wedding.)
second time buying this.......2007-03-28
i have bought this cd twice now. the first time it got stolen and i put off buying as long as i could, but it's just too good. jrb is a wonderful composer and w/ nlb and srs singing his stuff; it's just too good to pass up if you dig show tunes.
Jason Robert Brown's newest, not best........2007-01-19
Parade is fantastic in every way shape or form, its deep, emotional, full of everything, great lyrics and singers. The Last Five Years is good in every way shape or form. The concept is amazing (although it doesn't really come through unless you read the synopsis). The Lyrics really capture the internal monologues of relationships. The orchestrations are simple, which is fine for a show like this. The singers... I was surprised by. Norbert Leo Butz, has been stellar in the other shows I've heard him in, but this one has moments that make him sound amateurish. Sherie Rene Scott has an interesting voice, that sometimes sounds like it isn't being treated healthy. That really comes through in this CD, sometimes she doesn't sound very good. But overall, this is a great CD. Brown is wonderful, the singers are broadways hottest, the topics are very close to home. I would suggest this for almost everyone. Its new and edgy, but borrows some mechanics of the classics. Definitely one for collectors, and people who just started listening to musicals. Favorite Song: "Climbing Uphill"
If You Didn't Believe In Jason Robert Brown, You Should Now.......2007-01-10
Jason Robert Brown wrote a splendidly beautiful musical, semi-autobiographical, chronicling the 5 year span of a relationship. The first five minutes had me hooked. In these first five minutes, Kathy is "Still Hurting" after the torential breakup of her marriage due to many particulars including adultery. With this tender introduction to Kathy, I was immediately sucked into her world of pain, loss, and failure. "What about lies Jamie? What about things that you swore to be true?" It is a question we've all asked time and time again. The music here is outstanding as well. Brown has decided to use a piano, drum kit and a string quartet in lieu of full orchestrations. And this works very well for the cast of two characters. Brown's previous musical, the large-scale "Parade" won him accollades of acclaim from critics everywhere on his music and orchestrations. He knows how to write. After Kathy, sung to perfection Sherie Renee Scott (she has such a conversational way of singing, and not to mention seamless voice), Jamie enters the stage with samba beat singing about this "Shiksa Goddess" he's just met...and her name is Kathy! "WAIT!" I said. Didn't he just lie to her, hurt her, and isn't she still pushing through all of the aftermath of their divorce? And isn't he fine with it? It was then that I knew this was no ordinary musical. Brown has done something revolutionary on the Musical Theatre Stage. Throughout the course of the show, the characters are moving in different directions; not only in their relationship, but in time. Kathy starts at the end of the 5 year relationship and regresses to the beginning, whereas Jamie starts at the beginning of the relationship and progresses to the end. They rarely interact until their marriage, where they sing finally sing together. This is of course another beautiful duet ballad Brown has written a la "All The Wasted Time" in "Parade." In this song, they sing their vows which focus on how much they love one another despite what their fault may imply. During one of Kathy's earlier songs "See I'm Smiling," we really get a sense of how hard it can be when you can see the end of a relationship falling upon you. It's a hard song to get through, though mostly quiet as she smiles through her tears and tries to see everything as "fine." But it is not. When she finally breaks, it is because Jamie decided to go to a party celebrating his book, than take her out for her birthday. When this happens, it is some of the best writing musically and lyrically in musical theatre. The way in which the lyrics seamlessly blend into the melody making it sound as though she were really just talking; the ups and downs through the anger; the breaking point where she finally realizes it is no use. And Scott sings her heart out of it. It raised the hair on my arms.
Further into the show, we have some more beautiful melodies arise and wonderful lyrics. You never think that Brown is trying to hard to rhyme. Norbert Leo Butz has the pleasure to sing Jamie, and in "Nobody Needs to Know" we get an sense of the sadness that came with all of Jamie's fortune. He is not happy. He did love Kathy. Fame, however, tainted that and hurt him in the end. As he lies in bed with another woman, we see the regret of his loss of innocense. With his rock-belter voice, Butz pulls this off with just the right amount of self-pity, without over-indulging. The Last 5 Years is definitely one of the bright shining moments of musical theatre in the new millenium. Brown should have received much more acclaim for this, as it is not as widely known as it should.
The Last 5 Years.......2007-01-03
One of the best musicals I have ever heard. It's amazing.
Average customer rating:
- A beguiling album
- Broadway FLOP yields a HIT original cast album
- a classic cult musical
- Straight from Broadway's Golden Age: It's Goldilocks!
- Worth your investment - A real delight!
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Goldilocks (1958 Original Broadway Cast)
Joan Ford , Walter Kerr , and Jean Kerr
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000027WO
Release Date: 1992-05-19 |
Tracks:
- Act I: Overture
- Act I: Lazy Moon
- Act I: Give The Little Lady
- Act I: Save A Kiss
- Act I: No One'll Ever Love You
- Act I: Who's Been Sitting In My Chair?
- Act I: There Never Was A Woman
- Act I: The Pussy Foot
- Act II: Lady In Waiting
- Act II: The Beast In You
- Act II: Shall I Take My Heart And Go?
- Act II: I Can't Be In Love
- Act II: Bad Companions
- Act II: I Never Know When
- Act II: Two Years In The Making
- Act II: Heart Of Stone
Customer Reviews:
A beguiling album.......2004-10-31
Someone had a brilliant notion in getting Leroy Anderson to write a show. (It wasn't the first time; he was hired for "Wonderful Town" but was ditched in favor of Leonard Bernstein.) That it didn't quite work may owe to the fact that he was largely written out, the best of his imperishable vest-pocket tone poems long in the past. Still, this is an utterly captivating score, superbly interpreted. If you want a complete idea how it sounds you might want to get MCA's budget two-disc anthology of Anderson conducting his own music, including several of the show's dance numbers; they almost make you forget how great Arthur Fiedler was with this master of the pops.
Broadway FLOP yields a HIT original cast album.......2004-02-13
This is another splendid original cast recording from Goddard Lieberson and Columbia records. Great score by Leroy Anderson by a fine cast headed by Elaine Stritch who is in great voice here. Don Ameche is her nemesis/love interest and Pat Stanley nearly steals the show with her first act number "The Pussy Foot."
The record is short (45 minutes) and does not include the dance pice "The Town House Maxixe" which can be heard on MCA's Leroy Anderson collection. What is on the CD is quite delightful and Sony has done a first rate job coaxing excellent sound from the early stereo tapes. The booklet gives a good essay on the history of the trobled show and a detailed plot summary.
a classic cult musical.......2002-10-19
GOLDILOCKS is one of my all-time favorite 'lost musicals'. It struggled through three months and 161 performances on Broadway, only to close after scathing reviews and dwindling audiences.
GOLDILOCKS was written by theater critic Walter Kerr as a love-letter to the silent movies that had captivated him as a child. The story concerns sardonic silent-actress Maggie Harris (Elaine Stritch) who has a stormy love-hate relationship with her cocky director (Don Ameche). Complications arise in the form of beautiful Lois Lee (Pat Stanley), who sets out to steal him for herself. Maggie decides to make one more picture under the assumed name of Goldilocks, and makes one last grab at romance...
The reason why the show failed so miserably was the weakness of the book, which was magnified a thousand times over by the greatness of the score; which features "Lazy Moon", "Lady in Waiting", "The Pussy Foot", "Where is the Beast in You?", and my personal favorite "I Never Know When to Say When".
Through its lovely cast album, the musical has a devout cult following and no wonder. Elaine Stritch in her first Broadway leading-role (after years of supporting work in revivals of PAL JOEY and ON YOUR TOES) and the sparkling score of Leroy Anderson is fantastic stuff. Highly recommended.
Sony Music.
Straight from Broadway's Golden Age: It's Goldilocks!.......2001-06-29
I first discovered Goldilocks through the double draw of Leroy Anderson and Elaine Stritch. Elaine Stritch I already knew as Joanne in Company singing "The Ladies Who Lunch", and Leroy Anderson was one of my favorite composers, known for such light programmatic and novelty orchestral pieces as The Syncopated Clock, Belle of the Ball, Bugler's Holiday, The Typewriter and Plink, Plank, Plunk. That combo of names caught my eye as I was flipping through the record bins one day, and as I scanned the album cover I saw the names Don Ameche, Nathaniel Frey and Margaret Hamilton which absolutely clinched the deal. I left the store with the record and went straight home to play it. From the moment I dropped the needle (yes, I've had it that long) I was captivated, and it has since become one of my perennial favorites.
The score is top notch, particularly in the material for Stritch and the perfectly cast Don Ameche. It does sag a bit in the material for the secondary couple, but I think that's because it's the primary couple who are the comedians while the secondary couple gets stuck with the sappy side of romance. Yes, there are book problems. Walter Kerr later admitted that they kept beefing up the comedy at the expense of the love story, and reading through the book (which through an incredible stroke of good fortune I found at a local Half Price Books) that's a fair criticism. But this weakness doesn't overwhelm the show and make it unworkable. I have to agree with the assessment that with The Music Man already running featuring a slightly more lovable con artist and a sweet rather than brassy leading lady, Goldilocks wasn't able to measure up to the competition. Taken on its own terms though, Goldilocks works wonderfully.
To mention particular favorites of mine in the score, I have to start with Stritch's Act 2 torch song, "I Never Know When To Say When". Why didn't this become a standard? It stacks up with the best Broadway has to offer. You can hear the pain in Stritch's voice as she laments the mess she's made of her relationhips. "Give the Little Lady" near the top of Act 1 doesn't really cover much in the realm of plot, but it's just so much fun, and "The Beast In You" never fails to get me laughing. All of these feature Stritch alone or with the chorus, but her duet with Ameche, "No One'll Ever Love You", is just as good, and Ameche's solo number, "I Can't Be In Love", in which he discovers to his astonishment that he is indeed in love, is priceless. Then on top of that is "Bad Companions" for Don Ameche's shady sidekicks Nathaniel Frey (an excellent comic character actor who appeared in many better known shows such as Damn Yankees and She Loves Me) and Margaret Hamilton (the Wicked Witch of the West sings!) which is a hoot from start to finish. These are the standouts in my book, but the whole score is eminently listenable, pleasant and tuneful. Of course with Leroy Anderson writing the music it couldn't be anything else.
I sometimes wish I had been born 30-40 years earlier so I could have actually seen what I am only able to get the barest hint of from reading the libretto and listening to the cast album. I strongly recommend to anyone who has had enough interest to wind up here reading these reviews to make this show a permanent part of your collection. More people need to know this show!
Worth your investment - A real delight!.......2001-01-14
Having learned about the life of Leroy Anderson through the recent PBS story on his career,I was very interested to hear this famous composer's only Broadway show.
This original cast recording is a gem. The majority of the songs are first rate, the perfomers are all first rate and the recording quality sounds as fine as anything on the market today. What a shame that the show had such serious problems, such as a weak book and opening with such hits as West Side Story and Music Man already running on Broadway.
If you enjoy Broadway musicals and don't know this show, buy this recording. You will not be disappointed!
Average customer rating:
- Kay Thompson, the vocal cannon!
- Exciting vocal arrangements, but very poor sound
- SENSATIONAL!!!
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The Golden Years 1934-1954
Kay Thompson
Manufacturer: Box Office
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000G2KC
Release Date: 1999-04-27 |
Tracks:
- Take A Number From One To Ten
- You Let Me Down
- You Hit The Spot
- Out Of Sight, Out Of Mind
- Don't Mention Love To Me
- Carelessly
- There's A Lull In My Life
- It Had To Be You
- Exactly Like You
- The Steam Is On The Beam
- You're Mine, You
- 'Bout You 'N' Me
- (Where Are You?) Now That I Need You
- That Old Feeling
- Basin Street Blues
- Blue Moon
- Katie's Blues
- Quel Joie
- Moonglow
- I Must Have That Man
- Poor Suzette
- Violins
- How Deep Is The Ocean
- I Hadn't Anyone Till You
- It's All Right With Me
- Myrtle
Customer Reviews:
Kay Thompson, the vocal cannon!.......2004-10-27
It's really a shame more of Kay Thompson's vocal work isn't (as yet) out there! I was impressed with both her speaking presence as well as booming vocal capabilities from the very first (of many) viewings of "Funny Face"! Let's face it, outside of the background vocalists in that movie she's really the only one that can actually sing (and that's no putdown to either Fred Astair or Audrey Hepburn; both of whom I love for their many other talents)! She's absolutely amazing! This collection came available a few years back and I snapped it right up, only having her recordings up to that time from the aforementioned soundtrack. What others have said about the sound quality is true, but nowadays remastering equipment has come a whole lot further, so maybe a second re-release of this and others is somewhere out there in the works, one can only hope. But my favorites on this one start about midway with her standards like "That Old Feeling", "Where are You?", "Blue Moon", etc.. The earlier big band numbers are enjoyable too in another way like "Take a Number From one to Ten" for example, but you also have to like earlier recordings that were about a "band singer" that was only one part of the whole ensemble (see also Janet Blair or Lucia Pamela) until musical tastes later went off the direction they did. Overall, though this is a good diverse body of her earlier years and I'll look forward to coming across more from this amazing lady as I collect things!
Exciting vocal arrangements, but very poor sound.......2002-04-25
Kay Thompson is an amazing vocal arranger and singer and it is wonderful to hear her at the top of her craft. The cd on the other hand suffers from poor sound quality. This cd has been recorded from an out of print album and pops and skips along. It is really too bad because it distracts from the performance. I hope that some time in the future they will release the material from the original source.
SENSATIONAL!!!.......1999-03-03
Kay Thompson has smart-set style, vocal virtuosity, class, and arrangements to kill (her swinging version of "How Much Do I Love You" alone is worth the price of the CD). She taught Judy Garland and Lena Horne style at MGM, and you can see where those two seminal artists developed some of their technique. The last 10 tracks, taken from her obscure studio album of 1952, are by far the best, and each swings. A must for any fan of Sinatra, Garland, Horne, Lee... actually, for anyone!
Average customer rating:
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The Early Years, Vol. 2: Original Recordings 1935-1942
Vera Lynn
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006669O
Release Date: 2002-06-18 |
Tracks:
- I'm Yours Sincerely
- When My Dream Boat Comes Home
- The General's Fast Asleep
- No Regrets
- Roses In December
- Careless
- It's A Lovely Day Tomorrow
- When You Wish Upon A Star
- Until You Fall In Love
- Memories Live Longer Than Dreams
- There'll Come Another Day
- Smilin' Through
- When They Sound The Last "All Clear"
- Yours
- My Sister And I
- I Don't Want To Set The World On Fire
- You're In My Arms
- That Lovely Weekend
- Someone's Rocking My Dreamboat
Average customer rating:
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W.C. Fields
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD
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ASIN: B000004CPR
Release Date: 2003-06-17 |
Tracks:
- W.C.: Fifty Years - Al Carmines/Paul Rounsaville
- W.C.: I'll Still Be There - Alice Playten
- W.C.: You Could - Al Carmines/Alice Playten
- W.C.: Give Me An Old Tune - Al Carmines
- W.C.: NEver Give A Sucker An Even Break - Debbie Damp
- W.C.: Why Do Women Always Choose The Wrong Man? - Bill Daugherty
- W.C.: You Come First - Debbie Damp
- W.C.: Bring On The Booze - Al Carmines/Quartet
- W.C.: I'll Follow My Star - Alice Playten
- W.C.: Serenade - Bill Daugherty
- W.C.: Love Can Get You Down - Alice Playten
- W.C.: Dummy Juggler - Al Carmines
- Promenade: Promenade - Theme - Maria Irene Fornes/Al Carmines
- Promenade: I Saw A Man - Alice Playten
- Promenade: Capricious And Fickle - Alice Playten
- A Carmen's Bouquet: Wedding Blues - Al Carmines
- A Carmen's Bouquet: My Old Man - Al Carmines
- A Carmen's Bouquet: No Room At The Inn - Al Carmines/Quartet
Average customer rating:
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The Sullivan Years: An Evening With Rodgers And Hammerstein
Various Artists
Manufacturer: Tvt
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000GUS
Release Date: 1993-08-24 |
Tracks:
- Introduction - Ed Sullivan
- Oklahoma!: Oklahoma - John Raitt
- Oklahoma!: Many A New Day - Shirley Jones
- Oklahoma!: I Cain't Say No - Celeste Holm
- Oklahoma!: People Will Say We're In Love - Celeste Holm/Ray Middleton
- State Fair: It Might As Well Be Spring - Dolores Gray
- Carousel: June Is Bustin' Out All Over - Celeste Holm
- Carousel: If I Loved You - John Raitt
- Carousel: You'll Never Walk Alone - John Raitt
- Carousel: Soliloquy - John Raitt
- Allegro: The Gentleman Is A Dope - Lisa Kirk
- Allegro: A Fellow Needs A Girl - Celeste Holm
- South Pacific: Bali Ha'i - Juanita Hall
- South Pacific: Younger Than Springtime - William Tabbert
- South Pacific: Some Enchanted Evening - Dickinson Eastham
Tracks:
- The King & I: Getting To Know You - Getrude Lawrence
- The King & I: A Puzzlement - Yul Brynner
- The King & I: Something Wonderful - Dorothy Sarnoff
- The King & I: We Kiss In A Shadow - Doretta Morrow/Larry Douglas
- Me & Juliet: The Big Black Giant - Bill Hayes
- Me & Juliet: No Other Love - Bill Hayes/Isabel Bigley
- Me & Juliet: I'm Your Girl - Isabel Bigley
- Pipe Dream: Everybody's Got A Home But Me - Judy Tyler
- Pipe Dream: All At Once You Love Her - Judy Tyler/William Johnson
- Cinderella: In My Own Little Corner - Miyoshi Umeki
- Flower Drum Song: A Hundred Million Miracles - Miyoshi Umeki
- Flower Drum Song: I Enjoy Being A Girl - Pat Suzuki
- Flower Drum Song: Sunday - Pat Suzuki/Larry Blyden
- Flower Drum Song: You Are Beautiful - Ed Kenney/Juanita Hall
- The Sound Of Music: The Sound Of Music - Marion Marlowe
- The Sound Of Music: Do-Re-Mi - Nancy Dussault & Cast
- The Sound Of Music: Climb Ev'ry Mountain - Patricia Neway
Average customer rating:
- Have Western Music Will Travel
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BERNARD HERRMANN: THE CBS YEARS Vol #1 (The Westerns)-Original soundtrack Recordings
Bernard Herrmann
Manufacturer: PROMETHEUS RECORDS
ProductGroup: Music
Binding: Audio CD
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- BERNARD HERRMANN: THE CBS YEARS Vol #2 (American Gothic)-Original soundtrack Recordings
ASIN: B000E1Z4JW
Release Date: 2005-01-01 |
Tracks:
- Suite (10:19)
- Prelude (1:26)
- The Ambush (2:55)
- Tranquil Landscape (3:28)
- Dark Valley (2:15)
- The Meadows (3:21)
- Bad Man (1:53)
- Gunfight (1:34)
- Rain Clouds (2:58)
- Sun Clouds (1:24)
- suite (9:24)
- Indian Ambush (3:26)
- Echo (1:11)
- Indian Signals (2:18)
- Indian Fight (2:10)
- Prelude (:55)
- Street Music (1:44)
- Open Spaces (3:29)
- The Hunt (2:08)
- The Watching (3:09)
- The Canyons (2:23)
- Gunsmoke (1:55)
- Gunfight (1:15)
- Victory! (:44)
Product Description
Bernard Herrmann (1911-1975) was one of the movies' greatest musical dramatists. He had the remarkable ability to see a film, imagine its musical possibilities, and translate them into a compelling dramatic score that enhanced and often deepened the story being told. For fifteen years in the late 1950s and the 1960s, television also benefited from Herrmann's genius. Much of that work was accomplished under the auspices of the television and radio arm of the Columbia Broadcasting System. Starting in late 1956, Bernard Herrmann received several television commissions from CBS, including considerable music for a genre that largely eluded him in feature films: the western. One of his themes, "Have Gun -- Will Travel," ran for six years on the network and then had a healthy decades-long run in syndication. Herrmann was, when he wrote most of this music, at a high point in his cinema career, between scores for Alfred Hitchcock ("The Man Who Knew Too Much" was behind him, "Vertigo" just ahead) and the great Ray Harryhausen fantasy films (he would soon embark on "Seventh Voyage of Sinbad"). Among the music on this CD, two of these scores were written specifically "to picture," these were the pilot score for the Richard Boone TV Series "Have Gun,Will Travel" and Herrmann's score for the episode THE TALL TRAPPER from the long-running TV series "Gunsmoke" starring James Arness. The other three for the CBS music library (occasionally borrowing musical ideas from his 1953-54 CBS radio series "Crime Classics"). The three library suites ("Western Suite," "Indian Suite," "Western Saga") are demonstrative proof of Herrmann's vivid musical imagination. He was writing to no visual or timing cues, only to vague concepts as suggested in the titles of each piece. It's a testament to both his dramatic sense and his musical efficiency -- these were all written for ensembles of less than 15 players -- that his music was used again and again in many television programs through the mid-1960s. All of it, however, is clearly and unmistakably Bernard Herrmann.
Customer Reviews:
Have Western Music Will Travel.......2007-06-27
This disc was GREAT. If you watch Rawhide, Gunsmoke, or Have Gun WIll Travel, or even Twilight Zone or any other number of CBS early '60's dramas, you will recognize these classic background scores. I especially recognized them from Rawhide background music and Have Gun Will Travel. But all those westerns used this music. Fantastic CD, very very glad I got it.
Average customer rating:
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BERNARD HERRMANN: THE CBS YEARS Vol #2 (American Gothic)-Original soundtrack Recordings
Bernard Herrmann
Manufacturer: PROMETHEUS RECORDS
ProductGroup: Music
Binding: Audio CD
General
| Soundtracks
| Styles
| Music
Similar Items:
- BERNARD HERRMANN: THE CBS YEARS Vol #1 (The Westerns)-Original soundtrack Recordings
ASIN: B000E1Z4K6
Release Date: 2002-01-01 |
Tracks:
- LANDMARK Theme
- Prelude-Processional (1:55)
- Exuberance (1:34)
- Religioso (1:52)
- Processional 2 (1:00)
- Religioso 2 (2:01)
- Act Ending (0:37)
- Idyll (1:34)
- Reflection (1:14)
- Pastoral (1:00)
- Hope (0:33)
- Indian Gathering (1:04)
- Funeral March (2:40)
- Processional 3 (1:30)
- Finale (0:34)
- Suite (10:12)
- Prelude (2:58)
- The Trial (2:31)
- South Horizon (0:49)
- Ghost Town (1:36)
- The Mountains (1:42)
- East Horizon (1:13)
- North Horizon (1:06)
- Suite (8:52)
- Suite (7:43)
- Suite (7:43)
Product Description
Bernard Herrmann (1911-1975) was one of the movies' greatest musical dramatists. He had the remarkable ability to see a film, imagine its musical possibilities, and translate them into a compelling dramatic score that enhanced and often deepened the story being told. For fifteen years in the late 1950s and the 1960s, television also benefited from Herrmann's genius. Much of that work was accomplished under the auspices of the television and radio arm of the Columbia Broadcasting System. Starting in late 1956, Bernard Herrmann received several television commissions from CBS. Herrmann was, when he wrote most of this music, at a high point in his cinema career, between scores for Alfred Hitchcock ("The Man Who Knew Too Much" was behind him, "Vertigo" just ahead) and the great Ray Harryhausen fantasy films (he would soon embark on "Seventh Voyage of Sinbad").
Average customer rating:
- Gathering lilacs and rarer flowers.
|
Shine Through My Dreams: Original 1917-1950 Recordings
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Nostalgia
| Miscellaneous
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Oldies
| Pop
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Vocal Jazz
| Jazz
| Indie Music
| Stores
| Music
Traditional & Vocal Pop
| Pop
| Indie Music
| Stores
| Music
Similar Items:
- We'll Gather Lilacs: The Songs of Ivor Novello
- The Musicality of Novello
- Gosford Park (2001 film)
- Ivor Novello (H Books) (H Books)
- The Ultimate Collection
ASIN: B000063579
Release Date: 2002-06-18 |
Tracks:
- Deep In My Heart
- Fold Your Wings
- The Radiance In Your Eyes
- Every Bit Of Loving In The World
- The Thought Never Entered My Head
- Give Me Back My Heart
- Scene from Act I of "Murder In Mayfair"
- When The Gypsy Played
- The Girl I Knew
- Shine Through My Dreams
- If You Only Knew
- My Dearest Dear
- The Leap Year Waltz
- Dark Music
- We'll gather Lilacs
- I Can Give You The Starlight
- Waltz Of My Heart
- Keep The Home Fires Burning
Customer Reviews:
Gathering lilacs and rarer flowers........2002-08-22
Justice is done to Welsh-born composer, pianist, actor and man of the theatre Ivor Novello in this Naxos CD. The artists who first performed them are heard in 18 items, recorded between 1917 and 1950. Ivor Novello himself is heard in two of them, providing some spoken repartee as he accompanies Edna Best at the piano. Most were recorded in the 1930s. The sound quality is good enough for the lyrics to be clearly heard. They bespeak a long-vanished era, but the music still has charm.
Film buffs can nowadays most easily see Ivor Novello in an Alfred Hitchcock film of 1926, "The Lodger". Actor Jeremy Northam portrayed him in the recent film, "Gosford Park". Ivor Novello starred in his last production, "King's Rhapsody", and died nine days before I saw it in London in March 1951.
Average customer rating:
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Original Cast Recordings: Centenary Celebration
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
ASIN: B000000WNN
Release Date: 1993-12-07 |
Tracks:
- The Dancing Years: Orchestral Pot-Pourri: Leap Year Waltz - Uniform - My Life Belongs To You - Waltz Of My Heart - Primrose - Wings Of Sleep - I Can Give You The Starlight - My Dearest Dear - Finale
- The Dancing Years: Waltz Of My Heart
- The Dancing Years: The Wings Of Sleep
- The Dancing Years: My Life Belongs To You
- The Dancing Years: I Can Give You The Starlight
- The Dancing Years: My Dearest Dear
- The Dancing Years: Primrose
- Glamorous Night: Orchestral Pot-Pourri: Her Majesty Militza - Shine Through My Dreams - Fold Your Wings - When The Gipsy Played - Far Away In Shanty Town - Royal Wedding
- Glamorous Night
- Glamorous Night: When The Gipsy Played
- Careless Rapture: Why Is There Ever Goodbye?
- Careless Rapture: Studio Scene
- Crest Of The Wave: Rose Of England
- Crest Of The Wave: Haven Of Your Heart
- Crest Of The Wave: Why Isn't It You?
- Crest Of The Wave: If You Only Knew
- Theodore & Co.: What A Duke Should Be
- Theodore & Co.: Oh, How I Want To Marry
Music:
- Tiddlywinks
- Traume Der Erinnerung [Import]
- Treble Charger
- Ultimate Collection [Import]
- Very Eavy Very Umble [Import]
- Vol. 1-Best of [Import]
- Vol. 5-Balladeers [Import]
- Vol. 6-Balladeers [Import]
- Wherever You Will Go [CD-single] [Import]
- White Hot Peach [Import]
Music
music