It's Saturday Night
Track Listings
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1. It's Saturday Night
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2. I'm Left, You're Right, She's Gone
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3. Such a Pretty Thing
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4. Suspicion
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5. You Win Again
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6. Standing in Your Window
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7. You Won't Slip Through My Fingers This Time
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8. Don't Call Me at Home
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9. I Smell a Rat
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10. Maybellene
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11. Mystery Train
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12. I'm Ready If You're Willing
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13. I'm Letting You Go
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14. Long Black Veil
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15. Wild Side of Life
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16. Let Your Hair Down Baby
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Editorial Reviews
Product Description
The album is a very authentic sounding album it captures all the energy and feelings of pure hillbilly / rockabilly. recorded without drums in the same style that Elvis, Scotty and Bill Black would have done in there first studio recordings at Sun records. Their version of 'I'm left your right she's gone is featured on a tribute to Elvis album, Hanks's 'You win again' recieved a lot of radio play and is also featured on a tribute to Jerry Lee Lewis album. The song 'Such a pretty thing' is one they wrote themselves and is often played as a bopper at the Rockin' venues, it is also featured on 'The wild men of bop' album also available from 'Vampirella' records.
It's Saturday Night,Country Cattin',Vampirella Records,Pop,Rock
It's Saturday Night
Average customer rating:
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Send in the Clowns: The Ballads of Stephen Sondheim
Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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Similar Items:
- Comedy Tonight: Stephen Sondheim's Funniest Songs
- Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
- Cleo Laine Sings Sondheim
- Sondheim Evening: A Musical Tribute (1973 Concert Cast)
- The Sondheim Collection (Studio Cast Re-recordings)
ASIN: B00006LSQJ
Release Date: 2002-10-22 |
Tracks:
- Send In The Clowns (From 'A Little Night Music') - Cleo Laine
- Losing My Mind (From 'Follies') - Barbara Cook
- I Remember (From 'Evening Primrose') - David Korman
- Liasons (From 'A Little Night Music') - Hermione Gingold
- With So Little To Be Sure Of (From 'Anyone Can Whistle') - Jerry Hadley
- Not A Day Goes By (From 'Merrily We Roll Along') - Bernadette Peters
- Pretty Women (From 'Sweeney Todd') - Michael Rupert
- In Buddy's Eyes (From 'Follies') - Barbara Cook
- No One Is Alone (From 'Into The Woods') - Cleo Laine
- Johanna (From 'Sweeney Todd') - Victor Garber
- So Many People (From 'Saturday Night') - Suzanne Henry
- Sorry-Grateful (From 'Company') - Stephen Collins
- Too Many Mornings (From 'Follies) - Barbara Cook
- Finishing The Hat (From 'Sunday In The Park With George') - Mandy Patinkin
- Not While I'm Around (From 'Sweeney Todd') - Angela Lansbury
- Like It Was (From 'Merrily We Roll Along') - Julie Andrews
- Unworthy Of Your Love (From 'Assassins') - Annie Golden
- Anyone Can Whistle (From 'Anyone Can Whistle') - Cleo Laine
Customer Reviews:
Wonderful songs.......2003-02-07
If you're a Sondheim ballad fan, this a must-have. While there are a few renditions that aren't great (Not a Day Goes By is way overdone), the selections from Follies sung by Barbara Cook are outstanding. The Cleo Laine version of "Send in the Clowns" is lovely and Stephen Collins does an amazing good job on "Sorry-Grateful" from Company. Still, it's the Follies songs that truly shine!
Average customer rating:
- Crossover at Its Best
- If Dawn Upshaw had made only one album...
- Great songs by a better than average singer. Buy It.
- A must album for all musical theatre lovers.
- Timeless recording
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I Wish It So
soprano Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
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Similar Items:
- Dawn Upshaw Sings Rodgers & Hart
- Dawn Upshaw Sings Vernon Duke
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- Voices of Light
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ASIN: B000005J2V
Release Date: 1994-08-02 |
Tracks:
- I Wish It So
- There Won't Be Trumpets - Sondheim
- What More Do I Need? - Sondheim
- That's Him
- The Girls Of Summer - Sondheim
- The Saga Of Jenny
- Like It Was
- Stay Well
- I Feel Pretty
- Glitter And Be Gay
- My Ship
- In The Clear
- Never Get Lost - Take Me To The World
- My New Friends - Bernstein
Amazon.com essential recording
With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer
Customer Reviews:
Crossover at Its Best.......2006-11-15
"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.
If Dawn Upshaw had made only one album..........2006-08-24
I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.
Great songs by a better than average singer. Buy It........2006-04-24
'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.
And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.
On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.
A very, very nice album if you like female vocalists.
A must album for all musical theatre lovers........2005-04-21
Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!
Timeless recording.......2004-07-20
This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.
Average customer rating:
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Broadway: America's Music 1935-2005
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
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- White Nights
ASIN: B000B8I93Q
Release Date: 2005-10-18 |
Tracks:
- Oh What a Beautiful Mornin'
- Summertime
- I Could Write a Book
- It Never Entered My Mind
- I Can Cook Too
- Make It Another Old Fashioned, Please
- If I Loved You
- My Heart Belongs to Daddy
- Thou Swell
- I Left My Heart at the Stage Door Canteen
- There's No Business Like Show Business
- South American Way
Tracks:
- Shall We Dance
- Ohio
- Luck Be a Lady
- Mack the Knife
- There's a Small Hotel
- Once in Love with Amy
- Yodel Blues
- Lazy Afternoon
- There Must Be Somethin' Better Than Love
- You're Just in Love
- Now Is the Time
Tracks:
- Impossible Dream
- Love Makes the World Go 'Round
- Try to Remember
- Put on a Happy Face
- I Say Hello
- Happiness
- She Loves Me
- What Kind of Fool Am I?
- Shy
- Consider Yourself
- Poor Little Person
Tracks:
- Magic to Do
- They're Playing My Song
- I Don't Know How to Love Him
- I Won't Send Roses
- Good Morning Starshine
- Don't Cry for Me, Argentina
- Hard Candy Christmas
- Diamonds Are a Girl's Best Friend
- Won't You Charleston with Me?
- Applause
Tracks:
- Phantom of the Opera
- Memory
- On My Own
- Muddy Water
- How Could I Ever Know
- American Dream
- I Know Him So Well
- Dr. Jazz
- Me and My Girl
- Suddenly Seymour
Tracks:
- Mamma Mia!
- Popular
- Seasons of Love
- Oh, the Thinks You Can Think
- Whatever Lola Wants
- Crazy
- How Deep Is Your Love
- Stars
- People Like Us
- I Go to Rio
Average customer rating:
- Great showcase of handbell music
- A ground-breaking handbell recording
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Meredith Sonos Handbell Ensemble
Manufacturer: Well-Tempered Produc
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- Christmas with Sonos Handbell Ensemble
- Classical Sonos
- The Raleigh Ringers
- Christmas Bells
- Impressions of the Season
ASIN: B000003Y2T
Release Date: 1994-10-18 |
Tracks:
- Trepak
- Rustic Dance
- Nocturne In A Minor
- Leyenda (Legend) - Leyenda
- Toccata In G, BWV 916: Adagio
- Aka Tonbo (Red Dragonfly)
- Hava Nageela
- Le P'ing
- Sabre Dance
- Shenandoah
- Greensleeves - Greensleeves
- Arabesque
- Joshua Fit The Battle Of Jericho
- Shall We Gather At The River?
- Alexander's Ragtime Band
- Rodeo: Saturday Night Waltz
- Rodeo: Hoe-Down
Album Description
The debut album, with an incredible variety of works, folk songs, classical favorites and spirituals, all performed by the incomparable Sonos Handbell Ensemble and recorded at the amazing sounding Scoring Stage at Skywalker Sound.
Customer Reviews:
Great showcase of handbell music.......1999-06-02
If you think handbells can only play Christmas music, think again.
This CD has such a variety of material that both the newcomer to handbells and experienced ringers will enjoy it. It also will intrigue any classical music lover. Some selections are arrangements for handbells, and some are original works for handbells. Familiar works take on a fresh new face when played on handbells, and the original works showcase the unique tonal qualities of the bells. It's amazing to think that only a handful of people are juggling 55 or so bells to make the music happen. It's also remarkable the range of color and voice that can come from what is essentially one large instrument.
I highly recommend this recording for any listener.
A ground-breaking handbell recording.......1999-02-25
Maybe the first handbell recording to combine exquisite sonic fidelity, incredible repertoire, solid technical playing, and amazing unity of ensemble. If you've only heard Segovia, Bream, or Williams play "Leyenda," you're in for a treat! The overall program is varied, featuring spirituals and folksongs; highlights are the haunting "Nocturne," two final two scenes from Copland's "Rodeo," and of course "Leyenda." The readings on this disc give justification to the rising wave of handbell ringing sweeping the country.
Average customer rating:
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Stage Door Canteen Disc 2
frankie carle , les brown , doris day , franck sinatra , merry macs , al dexter and his troopers , the ink spots , benny goodman , mills brothers , and glenn miller etc
Manufacturer: heartland music
ProductGroup: Music
Binding: Audio CD
Similar Items:
- Stage Door Canteen: The Songs of World War II
ASIN: B000MQLSWG |
Product Description
1.oh what it seemed to be.2.sentimental journey.3 my dreams are getting better all the time.4.saturday night.5.mairzy doats.6.pistol packin mama.7.don't get around much anymore.8.someday else is taking my place.9.you always hurt the one you love.10.don't sit under the apple tree.11.daddy.12.in the mood.13.there i've said it again.14.piano concerto in b flat.15.i left my heart at the stage door canteen.16.chattanooga choo choo
8 MORE TRACKS
Average customer rating:
- As Always, Hilarious
- Spoof Odessey worth the laughs!
- better to be "Lost in Space"
- Stretched Thin
- Do the Math
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Forbidden Broadway 2001: A Spoof Odyssey
Manufacturer: Drg
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ASIN: B0000584UL
Release Date: 2001-02-13 |
Tracks:
- Forbidden Broadway 2001: Another Op'nin, 'Another Show
- Futuristic Stewardess/Usherette: Come Fly With Me
- Judi Dench: Why Can't The English?
- Trouble In New Tork City: Trouble
- The Music Man Revival 2001: Till There Was You
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- Kiss Me, Kate Revival 2001: Wunderbar
- I Hate Ben - Marin Mazzie: I Hate Men
- Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
- Miss Saigon Farewell: Why God Why?
- Saturday Night Fiasco: Stayin' Alive
- Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
- Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
- Let's Run Times Square Again: Let's Do the Time Warp Again
- Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
- Beauty's Been Decreased: Beauty And The Beast
- Being Lupone: Being Alive
- Sondheim's Blues: Buddy's Blues
- Streisand's Farewell Tour: Happy Days Are Here Again/Mame
- Les Miz 2001 - Edith Piaf/Milord
- Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
- Elaborate Sets (Aida Cont.): Elaborate Lives
- Angela Lansbury: I Don't Want To Know
- The Full Monty: Let It Go
- 76 Hit Shows: 76 Trombones
- Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
- Joseph And The Amazing High 'C': Any Dream Will Do
Customer Reviews:
As Always, Hilarious.......2007-05-03
This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.
Spoof Odessey worth the laughs!.......2002-04-14
I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.
Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.
Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)
The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!
better to be "Lost in Space".......2001-12-31
First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.
While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.
While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.
If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.
The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.
Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.
Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.
Stretched Thin.......2001-03-26
I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.
The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.
The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.
The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.
The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.
I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.
The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.
Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.
Do the Math.......2001-03-15
Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.
Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.
Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.
When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large
Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
Average customer rating:
- By no means bad!!!
- Buyer Beware!!
- Atrocious! Dont be fooled!
- A wonderful recording of some great Sondheim
- I just wish I'd been there!
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A Stephen Sondheim Evening (1983 Concert Cast)
Stephen Sondheim , Liz Callaway , Angela Lansbury , and Steve Orich
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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Similar Items:
- Sondheim Evening: A Musical Tribute (1973 Concert Cast)
- Marry Me A Little (1981 Original Off-Broadway Cast)
- Side By Side By Sondheim (1976 Original London Cast)
- A Little Night Music (1973 Original Broadway Cast)
- Company (2006 Broadway Revival Cast)
ASIN: B000003F96
Release Date: 1994-01-18 |
Tracks:
- Invocation And Instructions To The Audience - Bob Gunton And Company
- Saturday Night - Company
- Isn't It? - Victoria Mallory
- Saturday Night (Reprise) - Men
- Poems - George Hearn/Bob Gunton
- What More Do I Need? - Liz Callaway
- Another Hundred People - Judy Kaye
- With So Little To Be Sure Of - Victoria Mallory/George Hearn
- Pretty Little Picture - Bob Gunton/Liz Callaway/Steven Jacob
- The House Of Marcus Lycus - George Hearn/Bob Gunton/Women
- Echo Song - Liz Callaway
- There's Something About A War - Cris Groenendaal/Men
- Being Alive - Judy Kaye
- The Miller's Son - Liz Callaway
- Johanna - Cris Groenendaal
- Not A Day Goes By - Victoria Mallory
- Someone In A Tree - Bob Gunton/George Hearn/Steven Jacob/Cris Groenendaal
- Send In The Clowns - Angela Lansbury
- Old Friends - Stephen Sondheim/Angela Lansbury/Company
Amazon.com
A revue created for the Whitney Museum's Composers' Showcase series (and sometimes known as You're Gonna Love Tomorrow), A Stephen Sondheim Evening collects songs with music and lyrics by Sondheim in a live 1983 concert featuring a top cast of Liz Callaway, Cris Groenendaal, Bob Gunton, George Hearn, Steven Jacob, Judy Kaye, and A Little Night Music's Victoria Mallory, with a special appearance by Angela Lansbury. While many of the songs were somewhat obscure at the time, they're rather familiar decades later, including selections from 1954's Saturday Night and outtakes from A Funny Thing Happened on the Way to the Forum. And though the Fender Rhodes sounds dated, the cast and the performances are excellent. Callaway's "What More Do I Need" is still definitive, and Sondheim himself accompanies Lansbury's "Send in the Clowns" and leads the singers on "Old Friends." --David Horiuchi
Customer Reviews:
By no means bad!!!.......2005-01-04
I like this Sondheim Revue. The performers are good, and I appreciate that they don't try to be "clever" with Sondheim's music. They just performs it as it is written.
The orchestrations are...well...slim. But the synths aren't disturbing, except in Miles Gloriosus.
Otherwise some rare SJS gems are included here. And Angela Lansbury's Clowns is one of the few versions of this song worth listening to (it's not a bad song, but done so many times:P).
Buyer Beware!!.......2004-05-28
This is one of the better Sondheim tributes, but because RCA cut out 2 numbers from the original 2 lp set to fit on one disc, I can only give this 3 stars. I owned the original lp set, and wasnt aware of this omission until after I bought the cd. One of the best songs on the original, You're Gonna Love Tomorrow/Love Will See Us Through with Liz Callaway (among others) from Follies was cut. Inexcusable! There were several other lesser songs they could've cut instead if time was a problem. (Poems and There's Something About a War being two of them) In small print in the booklet it says the 2 cut songs are available on Collected Sondheim. Yeah, like I want to shell out 50 bucks to get those 2 songs when I have everything else on that compilation? If you havent heard the original set, you'll probably love this recording and there is a lot to love, including Angela Lansbury singing Send In the Clowns with Sondheim on the piano. But if you have heard the original LPs, Buyer Beware! Shame on you, RCA!!!
Atrocious! Dont be fooled!.......2000-04-29
This recording is really realllllllllly bad. The songs are terrific, of course, although the selection seems rahter arbitrary. And it is terrific to have a recording of lost gems like House of Marcus Lycus and Invocation. But otherr than that, this CD just stinks! The arrangements were scaled down to a piano (which really seems like its being piped in from a different concert hall) and a wince-inducing synthesizer. The voices are uniformly distant and tinny, the result - i assume - of poor mic placement. And WHO is this Stephen Jacob person, and how did he get it into his head that he's a singer? Every time he opens his mouth - I kid you not - I shudder. I was kind on this CD - I give it 3 stars only because it has some great songs on it, and Judy Kaye's Another Hundred People is very very good. But other than that, this is worthless.
A wonderful recording of some great Sondheim.......2000-04-13
I was at this concert, and this recording captures the excitement that the performers generated that night. A lot of Sondheim's best songs, and a generally strong group of singers. It's unfortunate that the CD release is missing two of the numbers that were performed that evening (and were included on the original LP release). Judy Kaye's "Being Alive" is a particularly glorious highlight of this CD.
I just wish I'd been there!.......1999-09-09
Live performances are tricky to record, and the result is often not nearly as satisfying as attendance at the event itself. This album, though, is different. "Brilliant" about sums it up. Besides including numbers that had been part of recorded scores before, it includes some that were cut from various musicals, or were never produced at all. Not only is Bob Gunton's performance of "Pretty Little Picture" far better than that on the original "Forum" cast album, it is, I think, done more in the fashion Sondheim intended. And two of the "cut" "Forum" numbers are delicious: "In the House of Marcus Lycus" is delightfully sly and filled with double-entendre, and George Hearn revels in the witty lyrics; and "There's Something About A War" is screamingly funny, especially at the point the soldiers lose control gloating about "houses to destroy --Hey! women to enjoy-- hey! statues to deface - hey! - mothers to debase - hey!...". Even the wonderful scoring for small ensemble works perfectly. (In "Something about a war" the fanfare, in the original cast album scored for brass, is performed by a synthesizer, and sounds wonderfully satirical, reminding one of Marvin Martian from the Warner Brothers cartoons.) The numbers from the (at the time) unproduced "Saturday Night" are great, especially Victoria Mallory's ecstatic "What More Do I Need?". The rendition of the moving "Someone In A Tree" is indeed, as others have pointed out, far better than on the "Pacific Overtures" album. And as a final pair of jewels we are treated to Angela Lansbury singing "Send In the Clowns", accompied by Sondheim himself, and then Sondheim and company singing "Old Friends" I could go on and on, but you get the picture. NOW, get the CD!
Average customer rating:
- Not to be missed
- Excellent, fun music
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Cowgirls (1996 Original Cast)
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000014ZE
Release Date: 1996-07-16 |
Tracks:
- Overture (Beethoven's Sonata Pathetique, Opus 13)
- Three Little Maids (Gilbert And Sullivan)
- Jesse's Lullaby (Music By j. Brahms)
- Ode To Connie Carlson
- Sigma, Alpha, Iota
- Ode To Jo
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- Kingdom Of Country (Music By C. Converse/M. Murfitt)
- Songs My Mama Sang (Traditional Hymn, Addidtional Music By M. Murfitt)
- Heads Or Tails
- Love's Sorrow
- Don't Call Me Trailer Trash
- Honky Tonky Girl
- Every Saturday Night
- Don't Look Down
- They're All Cowgirls To Me
- Saddle Tramp Blues
- It's Time To Come Home
- We're A Travelin' Trio
- Sunflower
- Concert Medley
- House Rules
- Cowgirls
Customer Reviews:
Not to be missed.......2007-06-24
I never tire of listening to this CD. I saw the show in Atlanta several years ago and then again in Nashville--featuring Mary Murfitt herself--and think it is wonderful. I'm always surprised at how such a hilarious/silly premise can set the stage for a moving exploration of friendship, relationships between parents and children, and the joy that comes in facing and conquering our fears. I remember sitting at the side of the theater in Nashville and watching the audience, which previously had been rolling with laughter, be spellbound when the cast began "Songs My Mama Sang" with that gentle mandolin strumming in the background. It was magic--and this "little" show with great writing and thoughtful performances made it happen. I only wish it were performed more often, but then it takes a really talented cast to make it work. There will always be the CD, though.
Excellent, fun music.......2000-05-03
This is a strong woman's musical with great music that doesn't get tiring to listen to. I'd recommend it for anyone wanting to perform a great musical for theatre.
Average customer rating:
- Unsung Sondheim
- Valuable only if you don't have any of these songs elsewhere
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Unsung Sondheim
Various Artists
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
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ASIN: B000067CMJ
Release Date: 2002-06-04 |
Tracks:
- Saturday Night - Stan Chandler
- Love's A Bond - Walter Wilson
- All For You - Davis Caines
- In The Movies - Marilyn Cooper
- What Can You Lose? - Judy Kuhn
- Incidental Music From 'Invitation To A March' - Dave Rodgers
- That Old Piano Roll - Lynnette Perry
- They Asked Me Why I Believe In You - Rebecca Luker
- No, Mary Ann - Jason Crade
- Truly Content - Judy Kaye
- Water Under The Bridge - Debbie Cravitte
- Incidental Music From 'The Enclave' - Bjorn Messaget
- There's Always A Women - Kaye Ballard
- The Two Of You - Crista Moore
- Multitudes Of Amys - Michael Rupert
- Goodbye For Now - Liz Callaway
Customer Reviews:
Unsung Sondheim.......2007-05-20
What a collection of unsung Sondheim tunes. At times I wondered why these songs had been dropped from shows. Well sung by the various artists.
Valuable only if you don't have any of these songs elsewhere.......2006-10-07
In the early 90's this was a fascinating CD, as it gave listeners a chance to hear many of Sondheim's "lost treasures" which might otherwise be gone forever. (The man does not do "trunk songs" which can be dropped into other shows.) Time, however, has not been kind to this collection. The first four tracks from "Saturday Night" have some bouncy charm (I never realized before how naughty the lyrics for "Love's a Bond" are), but with the glorious complete cast album released a few years ago with David Campbell in the lead, they've now been rendered redundant. (And "In The Movies," though boasting endearing vocals, suffers with all of its context and intercutting songs gone.) "What Can You Lose" can't measure up to Madonna and Mandy Patinkin's sensitive performance on her "I'm Breathless" album (and that would hardly qualify as "unsung"). "That Old Piano Roll" is fun but slight, and "Truly Content" mines the same lyrical phrase over and over till the fun wanes, despite Judy Kaye's winning vocals. "Water Under the Bridge" is one of the weakest songs Sondeheim's probably ever done, and deserves obscurity. Other, better songs here with often exquisite renditions are nonetheless available on other discs, and thus again hardly qualify as "unsung": "I Believe In You," a sweet and lovely song, is on Bernadette Peters' second "Sondheim Etc." CD (though Rebecca Luker's warm, enchanting rendition here is nothing to sneeze at), Mandy Patinkin frantically covered "Multitudes of Amys" on "Experiment," Madeline Kahn and Peters jousted with "There's Always a Woman" on the "Anyone Can Whistle" cast album from the mid-90's (props to Kaye Ballard's biting performance here though), Streisand covered "Goodbye for Now" on "The Movie Album" (and gave it a poignancy and depth it probably doesn't really deserve for such a drab little song). What's left? A cheerful, seemingly menage-a-trois ditty called "The Two of You" (which, bizarrely, was apparently written for "Kukla, Fran and Ollie"). A just plain wonderful "No, Mary Anne," which combines an impassioned performance, hard-bitten realism and sweeping romanticism into something quintessentially Sondheim. (The liner notes indicate that Sondheim expected this to be a parody of a big hit song, "like 'Hello Dolly!'" Those who know anything about Sondheim--and the yawning chasm between his style and Jerry Herman's--may find their heads exploding at that one.) Two endless instrumental pieces from "The Enclave" and "Invitation to a March" (tracks #6 and #12) that are mostly remarkable for how uninteresting they are. The liner notes are outstanding and offer lots of intriguing perspective (listening to "Multitudes of Amys," and you just might wish that "Company" had ended as it was orginally intended to). If you don't have CDs by Peters, Madonna, Streisand, et all, this is a great introduction; otherwise, bump it way down the priority list.
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