Encounters

encounters

Track Listings

1. No Way Out

2. Essence Of Life

3. Encounters - Overture

4. Encounters - About To Leave

5. Encounters - Your Source

6. Encounters - Tremendously Different

7. Encounters - Long Ago

8. Encounters - All Of It

9. Encounters - Presentiments

10. Encounters - Would You Feel Better ?

11. Encounters - In Vain

12. Encounters

Editorial Reviews
Product Description
With their first album "Deliverance" recorded in 1998, SYLVAN opens the door to a secret world. The music played by this band from Hamburg takes you to a journey filled with miracles, dreams, love and passion. The album consists of eight superb tracks which enchant the listener with their excellent construction and elegant atmospheres. Fantastic vocals, unforgettable melodies, dazzling guitar parts and cascades of keyboard notes show that the music of this group is based on an ever-changing palette of sounds and emotions. Reaching rarely attained standards within progressive rock, the powerful and expressive vocals is not the smallest asset of those nice German. Frequently compared to groups like MARILLION or IQ, SYLVAN successfully adds a new facet to the gem of Nineties neo Progressive. And, during the masterpiece called "Encounters" (2000), their tone is a little tougher, but still remains melodious and easily understandable. This album of maturity includes thr! ee compositions, one of whom is more than 40 minutes long.

Encounters,SYLVAN

Encounters

The Music of John Williams: 40 Years of Film Music

Average customer rating:

Very disappointing, considering what it could have been
Always a pleaser
JOHN WILLIAMS 40 Years of Film Music
Movie Music Magic & Memorabilia
John Williams: 40 Years of Outstanding Film Music

The Music of John Williams: 40 Years of Film Music

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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Summon the Heroes

ASIN: B0000C6K09
Release Date: 2003-10-07

Tracks:

The Sugarland Express-Main Theme
Jaws-Main Theme
Close Encounters Of The Third Kind-Suite
Raiders Of The Lost Ark-March
Raiders Of The Lost Arc-The Map Room:Dawn
E.T. The Extra-Terrestrail-Adventures On Earth
Indiana Jones And The Temple Of Doom-Mine Car Chase
Indiana Jones And The Temple Of Doom-End Credits
Empire Of The Sun-Exsultate Justi
Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

Indiana Jones And The Last Crusade-End Credits
Always-Follow Me/Dorinda's Solo Flight
Hook-Main Themes
Jurassic Park-Main Themes
Schindler's List-Main Theme
Amistad-Dry Your Tears, Afrika
Saving Private Ryan-Hymn To The Fallen
A.I. Artificial Intelligence-Where Dreams Are Made
Minority Report
Catch Me If You Can

Tracks:

The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
Jane Eyre-Suite: The Jane Eyre Theme
Jane Eyre-Suite: To Thornfield
Jane Eyre-Suite: Restoration
The Cowboys-Overture
The Poseidon Adventure-Prelude
The Towering Inferno-Main Titles
Family Plot-End Titles
The Fury-Main Titles
Superman-Main Theme
Dracula-Main Titles & Storm
The River-Main Theme & Love Theme
The Witches Of Eastwick- Dance Of The Witches

Tracks:

Born On The Fourth Of July-End Credits
Presumed Innocent-End Titles
JFK-Arlington/End Titles
Harry Potter And The Philosopher's Stone-Hedwig's Theme
Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
Star Wars: A New Hope- Main Theme
Star Wars: The Empire Strikes Back-Hans Solo And The Princess
Star Wars: The Empire Strikes Back-The Imperial March
Star Wars: The Phantom Menace- Anakin's Theme
Star Wars: The Phantom Menace-The Flag Parade
Star Wars: Attack Of The Clones-Across The Stars
Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!

Average customer rating:

Wonderful! And with thanks to John Williams for introducing this listener to "The Planets!"
Streaming Space
ALMOST A REFERENCE RECORDING
It Doesn't Get Much Better
A fine CD at a friendly price

Holst: The Planets

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Mussorgsky: Pictures at an Exhibition; Night on Bald Mountain
Mussorgsky: Pictures at an Exhibition
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Prokofiev: Peter And The Wolf/Saint-Saëns: The Carnival Of The Animals
Gershwin: Rhapsody In Blue/An American In Paris

ASIN: B000050AQC
Release Date: 2001-04-10

Tracks:

The Planets: Mars, The Bringer Of War
The Planets: Venus, The Bringer Of Peace
The Planets: Mercury, The Winged Messenger
The Planets: Jupiter, The Bringer Of Jollity
The Planets: Saturn, The Bringer Of Old Age
The Planets: Uranus, The Magician
The Planets: Neptune, The Mystic
Close Encounters Of The Third Kind: Suite
Star Wars: Main Title

Customer Reviews:

Wonderful! And with thanks to John Williams for introducing this listener to "The Planets!".......2007-05-07

I bought this CD after a Tanglewood concert a few years ago where John Williams, focusing on movie music including his own compositions, also conducted "The Planets." I recognized "Jupiter" as the theme music for a WQXR (the New York Times radio station) "New York at 6" program. It was a treat to find out where that piece came from. When I listened to this beautifully performed CD, I was pleasantly surprised to see Mr. Williams' movie music included -- a brilliant move on the part of this item's producers (just listen to "Mars" and then to "Star Wars"). As another reviewer has suggested, it's not clear why his music was included, but there are similarities here which I'd love Mr. Williams to discuss some day. I've since become an avid amateur astronomer, and so the themes, musical and otherwise, projected in the works of Holst and Williams have become a special treat for the mind as well as the ear.

Streaming Space.......2006-11-17

Music to travel by - to the market, the mountain top - anywhere.
Beautiful music performed beautifully. A treat for the ears and
the soul.

ALMOST A REFERENCE RECORDING.......2006-11-10

Very good recording of The Planets. I like it even better than the Sir Alexander Gibson recording, although that was my previous favorite. This piece needs to be played dynamically, and Mehta certainly does that. I would recommend it to anyone who likes a certain amount of bombast and a decent workout for their woofers.

It Doesn't Get Much Better.......2006-09-26

This is the fourth recording of "The Planets" I've purchased, and I am extremely pleased. The Los Angeles Philharmonic was at its best here, and much of that was owed to the genius of its then director Zubin Mehta. Crisp arrangements, and a full orchestral sound is how you achieve the full effect of "The Planets." Other conductors should take note. Not my favorite, that honor still goes to the Los Angeles Philharmonic, under the leadership of Leopold Stokowski. But you definitely can't go wrong with this one.

A fine CD at a friendly price.......2006-09-01

I've heard several recordings of "The Planets," and I like this one very much. The Los Angeles Philharmonic Orchestra (with Zubin Mehta conducting) and the Los Angeles Master Chorale (Women's voices) do a fine job of capturing the drama of the work. And I think it was a good idea to couple it with a little of the outer-space-related music of John Williams.

Holst wrote selections about all eight planets, except for the Earth. But what about Pluto? Oh, wait, it got demoted last week! It's only a dwarf planet. Or maybe just a big rock. In any case, we hear some imaginative musical descriptions of the remaining planets.

I recommend this excellent performance.

By Request: The Best Of John Williams And The Boston Pops Orchestra

Average customer rating:

Good popular music.
Still great!
Great Performances as well as Music
De Williams los Boston lo mejor...
Williams at His Finest....as of 1987

By Request: The Best Of John Williams And The Boston Pops Orchestra

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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John Williams - Greatest Hits 1969 - 1999
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ASIN: B0000040YP
Release Date: 1990-10-25

Tracks:

Olympic Fanfare And Theme
The Cowboys Overture
Close Encounters Of The Third Kind: Excerpts From Close Encounters Of The Third Kind
March From Midway
Flying Theme From 'E.T.'
Return Of The Jedi: Luke And Leia Theme From Return Of The Jedi
SUPERMAN: March From Superman
Liberty Fanfare
Raiders Of The Lost Ark: March From Raiders Of The Lost Ark
The Empire Strikes Back: Yoda's Theme From The Empire Strikes Back
'1941': March From '1941'
Jaws: Theme From Jaws
The Empire Strikes Back: Imperial March From The Empire Strikes Back
Mission Theme (Theme For NBC News)
Star Wars: Main Theme From Star Wars

Customer Reviews:

Good popular music........2005-08-14

The interesting issue about this recording is that Williams himself directs. It is always a plus to listen to music played by its author. Average performance by the orchestra.

Still great!.......2005-07-23

John Williams has the magic of translating music from movies. Even not watching the movies themselves, you can still understand what's happening because of the music that comes with it.

I'm happy the music industry compiled this marvellous CD together. It has all the greatest hits like Luke and Leia, Indiana Jones march and the star wars main theme. These songs are really some of the great examples of Williams' finest.

Even if the music isn't really that clear in movies, it's still gives a great impact on the stories. If you watch a movie made up of only dialogues and fights, what's the thrill, we can see fights anytime anywhere. So the element that makes the movies really attractive and interesting is the music itself.

Kirstie Mabitad

Great Performances as well as Music.......2005-04-06

When I picked up this CD I was amazed. I am a big Williams fan and love the Boston Pops. All the pieces are well done and flawless (except for some small tempo issues in "1941") Though all the peices stand out the handsdown best is "The Cowboys" Overture. The ritch sound as well as the great musicmanship make this a joy to here. Another good highlight is the "Midway" March. Midway was a relitivley underated score being in the middle of "Jaws" and "Star Wars" (Both of witch are also on the CD but, Jaws could have had solid feeling but is otherwise performed rather great) The rousing March in my opinion is as rousing as "Raiders of the Lost Ark" or "Superman" (Both yet again are on the CD and Superman's opening is absolutly breathtaking even better than the actual soundtrack. The Trumpet and French Horn fanfare makes you yourself visualize the might of the man of steel himself. But the Midway march is given a stunning representaion with the ritch, lush sound of the Boston Pop's brass section. The CD also has some of John Williams music for the concert stage such as the well known Olympic Fanfare (1984 Los Angeles), The Liberty Fanfare as well as the Mission Theme (The NBC news anthem) all offer a nice break from the movie scores. The only down side to the CD is that because it was made in 1987 it doesn't have music from Hook, Far and Away, Schindler's List and of course Jurassic Park. But even though it lacks Williams' early 90's scores its always a Joy to listen to as well as a treat for the ears. So i give it two thumbs up and *****.
I advise any John Williams/Boston Pops fan not to let this gem slip through their fingers! ;)

De Williams los Boston lo mejor..........2004-12-14

John Williams ademas ser un compositor sin igual es un extraordinario director es asi como en conjunto con Los Boston Pops logra grabaciones espectaculares.
Entonces lo mejor de Williams a cargo de Williams junto con los POps es sorprendente, la obertura de "Cowboys" es grandiosa, Encuentros cercanos es fantastica, asi igual lo son la marcha para superman, Indiana Jones, de Darth Vader y la menos conocida para Midway. En resumen lo mejor de Williams en unas interpretaciones increibles, y nadie que se queje que no son las originales porque suenan incluso como la Sinfonica de Londres, y eso es mas de lo que uno espera. Grandioso.

Williams at His Finest....as of 1987.......2003-07-13

For fans looking for a sampler of John Williams' music circa 1987, this CD is a treasure trove of selected movie and special occasion themes. While not as comprehensive as Sony Classical's Greatest Hits 1969-1999 collection, there is enough variety to satisfy even the most casual Williams fan. Included here among his famous themes (Star Wars, ET, Superman, and Raiders of the Lost Ark) are his 1984 Olympic Fanfare, "The Mission" (NBC News theme), and the rousing Overture to the John Wayne film The Cowboys. As always, the Boston Pops Orchestra shines under the baton of Hollywood's -- and America's -- favorite composer!

Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra

Average customer rating:

The planets are magnificent, and the cd is excelent
Lovely
If you like John Williams soundtracks, you'll love this!
You gotta love it! Perfect for the Sci-Fi fan.
Out of This World

Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Holst: The Planets / R. Strauss: Also Sprach Zarathustra
The Planets in Full Score
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ASIN: B0000042G5
Release Date: 1998-01-13

Tracks:

The Planets: I - Mars, The Bringer Of War
The Planets: II - Venus, The Bringer Of Peace
The Planets: III - Mercury, The Winged Messenger
The Planets: IV - Jupiter, The Bringer Of Jollity
The Planets: V - Saturn, The Bringer Of Old Age
The Planets: VI - Uranus, The Magician
The Planets: VII - Neptune, The Mystic
Close Encounters Of The Third Kind: Close Encounters Of The Third Kind - Suite

Tracks:

Also Sprach Zarathustra: Introduction
Also Sprach Zarathustra: Of The Backworldsmen
Also Sprach Zarathustra: Of The Great Longing
Also Sprach Zarathustra: Of Joys And Passions
Also Sprach Zarathustra: Song Of The Grave
Also Sprach Zarathustra: Of Science
Also Sprach Zarathustra: The Convalescent
Also Sprach Zarathustra: Dance Song
Also Sprach Zarathustra: Night Wanderer's Song
Star Wars - Suite: I - Main Title
Star Wars - Suite: II - Princess Leia's Theme
Star Wars - Suite: III - The Little people
Star Wars - Suite: Cantina Band
Star Wars - Suite: IV - The Battle
Star Wars - Suite: V - The Throne Room And End Title

Customer Reviews:

The planets are magnificent, and the cd is excelent.......2007-01-09

I love the Planets Suite, and I was looking for a cd of the Planets to buy. When I saw this one with the Star Wars Suite. Close Encounters of the Third Kind, AND Also Sprach Zarathustra at this low of a price, I was hooked

Lovely.......2006-11-04

I've thoroughly enjoyed both CD's. I do wish the Holst and Strauss pieces were a little louder, but I guess that's my radio's problem.

If you like John Williams soundtracks, you'll love this!.......2003-12-19

Okay, so the album isn't all John Williams. However, I think the selections to create this album were superb! You get the best of outer space soundtracks with this double CD set!

I should mention that I enjoy this album merely because of the works used to put it together. Some of the interpretations left a bit to be desired (hence, the reason why I give this only four, instead of five, stars). For example, I felt the horn player in "Mars" (the first movement of "The Planets") was too overbearing (I thought he/she overdid the vibrato, among other things), rather than subtle (as done in the Orchestre Symphonique de Montreal's version, ASN# B0000041S7 -- check out my review of that album). Additionally, I wasn't too crazy about "Cantina Band" in "Star Wars" -- it's not that I don't like the piece (I do!); rather, the fade out by the sound engineer was unnatural and inappropriate for an orchestral work. (C'mon, shouldn't a fine group led by the great Zubin Metha be able to perform a decrescendo ending without any electronic help?)

Criticism aside, let me say that I LOVE this album! Even though I might attack the performance quality, I loved how the works were selected and organized. If you're a fan of sci-fi or action/adventure soundtracks, you'll thoroughly enjoy what you hear!

You gotta love it! Perfect for the Sci-Fi fan........2002-11-28

This is a great CD for the Sci-Fi fan. It has all of the music that you could want. It has the classic "Star Wars Suite" from " Star Wars Episode IV: A New Hope," but it also includes the "Close Encounters of the Third Kind" suite from Lucas' director buddy, Steven Spielberg.

The compilers got another bull's-eye by including Holst's "The Planets," which is the source for the themes of Star Wars. For example, play "Mars," then listen to the themes associated with the Empire. Or play "Venus" and compare that to "Princess Leia's Theme." And the similarities between "Mercury" and "The Little People" are too obvious to state.

"The Cantina Theme" is strong, except for the bridge. In the original recording there were steel drums that are conspicuously absent.

For some reason, the entire "Also Sprach Zarathustra" was included on the CD. The introduction was made famous by "2001: A Space Odyssey," but the rest of the opus has been forgotten. I think they just had extra space on the CD, so they included the rest of the composition. Whatever reason, we are better for hearing all of the music that was based on Nietzsche's philosophical book of the same name.

The recording is clear and sharp, and I have had no technical problems with the CD skipping. The cover-art has some of those unusual pictures from the Hubble Telescope that gives the entire product that sense of otherness we all crave.

Out of This World.......2002-06-30

This is the version of "Star Wars" you want. It has the raucus, almost bawdy victorious power you remember from the movie.

Likewise are the other pieces. Besides being the themes from "Star Wars", "2001: A Space Odyssey", "Close Encounters", there is the classical classic (can I say that?) work, "The Planets" by Holst.

I think the them to 2001 ("Thus Spake Zarathustra") also was the intro the famous Macintosh commerical (1984 Superbowl?).

These are more than pop-culture favorites that happen to be orchestral works. They are sophisticated and poetic, with more than easy melodies sweeping occasionally.

These are the complete suites. You might remember the glorious intro to 2001, but enjoy with this CD the full piece: almost 33 minutes.

The pace and range of the music undulates from serene, almost pastoral quietude to raging, fist in air excitement.

I fully recommend "Holst: The Planets/John Williams: Star Wars/Strauss: Also Sprach Zarathustra."

Tracks:

The Pig Keeper's Daughter
2
Scissor F*** Paper Doll
Whore Meets Liar
Insects
Imogeni's Puzzle Pt. 2
Play Some Skynyrd
Kill Us
Siobhan's Song
Happy Valentine's Day
Our Puzzling Encounters Considered

Amazon.com

Noisier than a 50-car pile-up and more disorienting than a spin on a demonic merry-go-round, the music of Psyopus provides the listener with an endless barrage of challenging riffs and rhythms that, like much arriving to the second tier of mathcore, fails to be wholly memorable. The jarring, nightmarish guitar figures in "2" are undoubtedly impressive as is the gentle and beautiful moment of calm, "Siobhan's Song." The sheer athleticism of tracks such as "Whore Meet Liar" and unimaginatively titled "Play Some Skynyrd" is dealt in equal supply and skill. On the whole, there's enough aural action to inspire a month-long bout of insomnia as the listener tries to figure out how so many disparate but relentlessly aggressive elements are pieced together. But tricks such as these--inexplicably shifting tempos, moods, time signatures, and plainsong vocals--can't make up for the fact that Psyopus seems largely incapable of writing a straightforward and coherent song that can stir a series of diverse moods and emotions in the listener. Remove "Siobhan's Song" from the picture and Our Puzzling Encounters Considered is all dull, monochromatic rage.--Jedd Beaudoin

Customer Reviews:

Nothing too new, but mighty enjoyable.......2007-05-12

Greatly improving on Psyopus's so-so debut Ideas of Reference, Our Puzzling Encounters Considered is a fast, grinding piece of wildly excessive noisecore, brilliantly rendered and sure to please all fans of over-the-top displays of musical madness. Criticisms of this album as one-dimensional are somewhat justified, as Psyopus do generally have the intensity pushed well past max, but I actually find the single-minded ferocity that's generally on display to be part of this album's charm. With the obvious exception of the relatively calm instrumental tracks, these guys reach a level of sonic devastation that manages to rival anything unleashed by the likes of the Dillinger Escape Plan and Converge, and they do it with a staggering, free jazz-esque level of technical skill and flair to boot. The jarring, stop/start rhythms of tracks like 2 and Whore Meets Liar are some of the most confounding and disorienting out there, combining with the unhinged-mental-patient screams of Adam Frappoli to result in a listening experience somewhat tantamount to trying to solve a calculus problem while being beaten over the head with a crowbar, while the incredibly fast and intense Insects perfectly epitomizes the everyone-soloing-at-once style as Chris Arp unleashes wave after wave of corkscrewing guitar lines and Chris Herman seemingly hits his drumkit about 45,000 times a minute. My personal favorite, Kill Us opens with a succession of crashing waves of sound, all gut-wrenching vocals and scathing guitar riffs, before a dizzying tempo change leads straight into a maelstrom of clashing instruments. Another classic, Play Some Skynrd, is mighty short at around 30 seconds, but it packs in more heaviness and sonic anarchy than many bands will manage in an entire career, with a devastating main riff early on than regretfully doesn't get repeated amid all the rapid-fire chaos. But hey, in an album where time signatures shift every few seconds, the best parts are going to give way pretty quickly, so you're better off not getting too comfortable.

F*CKING AWSOME.......2007-05-01

IF you like technical metal and you don't like this album your a f*cking retard. Psyopus= best f*cking band in the world???YES!

Beautiful!.......2007-04-28

This is exactly the kind of music I have been waiting for since Dillinger screwed the pooch. The technicality is great. What an amazing guitarist & drummer. This is more along the lines of extreme metal than tech. The murderistic screaming is what gets me. Congrats on a great album.. To me, this is one for the ages. Will not disappoint ( if you can handle it ).

pointless bandwagon jumping.......2007-04-16

If listening to Dillinger Escape Plan's Calculating Infinity makes you think "why can't more bands try to sound like this" rather than "why can't creativityless trendy little [...] just leave this alone" you will enjoy this album. add this guitarist to the "proof virtuosos have no creativity" file alongisde vai, satriani, and malmsteen.

WTF ???.......2007-04-12

Wow is this stuff boring.Songs w/no real structure And the singing? doesnt even match the music.Fast & erratic is the best description i can give this.How do bands like this even get signed?Only recommended if you want a headache.....

Average customer rating:

All-time Greatest Movie Scores on 1 CD
10 tracks, but 11 selections!
great movie music, John Williams best stuff

Star Tracks

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003CT8
Release Date: 1990-10-25

Tracks:

Proto: Introduction
Star Wars: Main Title
The Empire Strikes Back: The Imperial March
Return of the Jedi: Luke And Leia
Superman: Theme
Raiders of the Lost Ark: The Raiders' March
Star Trek: Main Theme
Close Encounters Of The Third Kind: Main Theme
E.T.: The Bicycle Chase
E.T.: The Departure
Conclusion

Customer Reviews:

All-time Greatest Movie Scores on 1 CD.......2005-12-04

I agree with 'a music fan'. This is a must have for a complete John Williams greatest hits list. It replaces all the all-time classic movie soundtracks,- saving almost $100. Classic heart-warming scores, from Indiana Jones to Star Wars; Superman to E.T. I never want to part from this CD. And now, I wonder how I ever did without it :)
A++

10 tracks, but 11 selections!.......2005-09-17

The first track on this CD is actually a combination of the first two "tracks" listed on Amazon's web page, joined one immediately after the other with no pause between them. Hence, there are actually ten physical tracks, not eleven. Why the manufacturer of the CD chose to do this is anyone's guess. This is also a source of confusion if you rip this CD using Windows Media Player or other services which list these tracks as separate entities when in fact they are not, causing all the tracks to be misnamed! Excellent duplication of the movie sound tracks, though. Better than the originals in the movies!

great movie music, John Williams best stuff.......1998-11-19

If you want a best-of John Williams CD this is the one to get. My favorites are Raiders of the Lost Ark and of course Star Wars. The recording quality is very good on all tracks - DE

Close Encounters Of The Third Kind: The Collector's Edition Soundtrack

Average customer rating:

Arguably Williams' best
So disappointed in the changes they made!
Why fix it if it ain't broke???
Best film soundtrack ever...
Come into a close encounter with this score

Close Encounters Of The Third Kind: The Collector's Edition Soundtrack
John Williams
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000636B
Release Date: 1998-04-28

Tracks:

Opening: Let There Be Light
Navy Planes
Lost Squadron
Roy's First Encounter
Encounter At Crescendo Summit
Chasing UFOs
False Alarm
Barry's Kidnapping
The Cover-Up
Stars & Trucks
Forming The Mountain
TV Reveals
Roy & Gillian On The Road
The Mountain
Who Are You People?
The Escape
The Escape (Alternate Cue)
Trucking
Climbing The Mountain
Outstretch Hands
Lightshow
Barnstorming
The Mothership
Wild Signals
The Returnees
The Visitors/'Bye'/End Titles: The Special Edition

Amazon.com essential recording

Steven Spielberg's extraterrestrial-themed follow-up to the Jaws phenomena cemented his reputation as a cinematic wunderkind capable of shameless emotional manipulation and continued blockbuster ticket sales. But Close Encounters (whose soundtrack is now gratifyingly back in print on Arista) also displayed Spielberg's wise confidence in at least one of his collaborators.

Composer John Williams, fresh from the Wagnerian success of Star Wars, was allowed the unusual luxury of composing much of the Close Encounters score before principal photography began. Thus Spielberg was able (as had Sergio Leone with Morricone's Once Upon a Time in the West) to stage much of his action to the Williams music playing on the set in a rare way. The entire special-effects finale was in fact edited to match the composer's rhythms.

For his part, Williams composed arguably his most ambitious and accomplished score. Balancing his more obvious sentimental skills with refreshingly bracing doses of atonality (and just a nod to the modern Ligetti pieces Stanley Kubrick had wedded so well to 2001: A Space Odyssey). Williams produced a mature work that holds up remarkably well 20 years on; a true classic. --Jerry McCulley

Customer Reviews:

Arguably Williams' best.......2006-01-22

Second only to Star Wars because of its historical importance, Close Encounters Of The Third Kind remains John Williams' most remarkable effort.
From hard to soft, from creepy to downright haunting, from mysterious to shocking, from thematic grandeur to terrifying cacophony, practically everything you can do with a symphony orchestra is presented here.
And not only that; John Williams defined alien music for generations to come.

Presented here is the full score in chronological order, plus alternates and unused cues, and it was about time.
What John Williams managed to do to the film and the listener is outstanding: there has never been, nor will there ever be a score that is so strange and dissonant, but so fascinating, powerful and capturing at the same time.
I don't know where Williams dug up all those playing techniques and writing styles, sometimes so abstract that you'd think it would be impossible to incorporate them into a coherent piece of music, but Williams did it; and you just can't detach yourself.

What fascinates me most about Close Encounters is the way dissonance and harmony full of awe are combined. John Williams would write fast aleatoric, almost incomprehendable violin passages, and suddenly slow, huge sounding tuba lines come in underneath to illustrate the arrival of the aliens. Out of the cacophony, suddenly an emotional horn line would emerge. You can hear this approach for instance in "The Mothership". I think hearing one of these cues with the film in mind is one of the most chilling moments someone can experience; this truly is the power of movie and music.

One of the best cues on the album is the track "Wild Signals", written in a call-and-response manner. This piece accompanies the scene in which humans and aliens are communicating via music (which is such a touching idea itself) and Steven Spielberg actually edited the movie in a way so that it would fit the music.
This track also introduces the main theme for the film, the five-note motif that NASA now sends out into the space to look for extraterrestrial life.
There is a handful of other themes, all featured in the final 12 minute track that is in my humble opinion one of the best cues ever written for film. The thematic and choral beauty is so overwhelming; and the terrifying, yet awe- inspiring alien music transforms over the course of the piece into something friendly and pure, until the main theme is sung by a boy choir.

It's not only the technical aspects that make Close Encounters so outstanding, it's first and foremost the emotions you feel when you hear it.
Just like in the film, there's always a sense of mystery in the air; you can't put your finger on it, but there's always something in the air.
The movie, and much more so the music, make you yearn. You believe it, you long for the great mystery. This score will change the way you look at the evening sky forever, so be prepared; it might never let you go!

So disappointed in the changes they made!.......2005-12-19

I'm a 36 year old who grew up with the 1977 soundtrack. I have great memories of turning off all the lights in our house and running around with my brothers, jumping on all the beds and just LOVING the music as it blasted over our huge speakers. Even our mother let us - she knew it was quality music (and loved the movie). As an adult, on certain days/moods I'd crank it on my stereo as I did dishes or did some art work. Then my c.d. was stolen from my car and I went to buy another, only to discover they'd changed things, and for the worse. Yes, part of the reason I don't like it as much anymore is because I'm used to hearing it the way I'm used to, but it just doesn't sound as good anymore - it's all choppy - which takes away a good part of its magic. I'm destroyed....I need my fix and don't know how to get ahold of the old soundtrack on c.d. anymore! :-(

Why fix it if it ain't broke???.......2005-09-09

CLOSE ENCOUNTERS OF THE THIRD KIND is my favorite Steven Spielberg film of all time, so the music is always great to listen to, but even the most perfect things in this world can be needlessly screwed with.

The problem with re-releasing it in its sequential order is that without the transitional blending of one piece into the next, as it was on the original 1977 soundtrack, is that each piece is now too short. Just as you really start to enjoy a particular cut, its over. You find yourself taking more notice of the breaks in between rather than the cuts themselves.

Also, on this CD, you get the final end credits as it was written for the 1980 special edition, which in my opinion, is inferior to the original 1977 ending.

As a movie and soundtrack purist, I'm afraid I also have this beef with the original STAR WARS trilogy soundtracks, which were re-shuffled for the 1997 special editions. I'm glad I still have STAR WARS and THE EMPIRE STRIKES BACK in their original form, both on vinyl and cassette (STAR WARS on CD, too). Lucky me! Never bothered to get RETURN OF THE JEDI, though, because it pretty much rehashed the same cuts that were already from the first two films.

Best film soundtrack ever..........2003-08-27

Though I have many complaints and quibbles with the various "versions" of the Close Encounters of the Third Kind movie, this is wonderfully conceived and put together and there's no need for any other soundtrack versions at least of CE3K.

A lot of soundtrack releases based upon motion pictures often get it wrong. There are always considerations of what music from the film to keep in or out. This is not such a problem with movies that have a dozen or more "pop hits" in them, or classic musicals and broadway type stuff. But in a soundtrack like Close Encounters, there is only the music in the film (all versions) from which to draw material. It is a pleasure to announce that almost ALL of John William's BEST work ever, in my humble opinion, is ON THIS ONE CD. But wait, there's more!

Unlike previous treatments of the music in Close Encounters (from vinyl to 8 track to cassette to CD), not only is there a ton more music here than previously released, but it is arranged in an amazing manner. Though there are many individual tracks, almost all of it proceeds in a symphonic whole. And while it generally follows events in the movie, there are detours along the way that are a pleasant surprise. It is great on repeat or random mode.

John Williams is a composer of many fine movie scores, but is especially associated with Star Wars. Rightfully so, as his work for those films is great. But back in 1977, he not only did the soundtrack to Star Wars, but Close Encounters as well. While even casual music fans know many themes from Star Wars, the five note sequence in CE3K is about all that's memorable for most folks. But dive into the wonder and magic and power of the music on this CD, and hear what you might've missed from the film.

While this work stands alone as a symphony with the best of composers of all time, including the classics, fans of the movie itself, and especially those who've seen it several times, will love this. There are many little touches here that will bring back memories of the film that were both subtle and sublime. As one who has listened to this soundtrack since 1977 in all its forms, I applaud the producers of this treatment. There had always been musical moments from the films missing, but not here. Everything is here, and it's all great.

John Williams uses almost every style imaginable here, every orchestral instrument being used to create alternative moods of doom and the scary and unknown, to rousing, joyous chorus voices mixed with dozens of instruments. Part Star Wars, part 2001, the music here is an awesome ride all the way.

There are a few liberties taken here, and parts of this were not in the film but seem arranged for this CD especially, but everything works beautifully. While John Williams will probably always be better remembered for Star Wars, Jaws, ET and other soundtracks, in my view, the glorious roller coaster ride of his music for Close Encounters will always remain my favorite. And there are really no need for anymore music from the movie CD's at this point. They got it right with this one, and it just doesn't get any better than this.

Even if you don't care that much for the film(s) this music comes from, if you've never heard this work of art in its entirety, you're missing something. And for fans of John William's other work who've never heard a lot of this also (apart from the visual experience of watching the movie), you're in for a pleasant surprise.

An amazing musical trip. Get it!

Come into a close encounter with this score.......2003-04-03

John Williams is no stranger when it comes to writing knockout themes for the cinema. This soundtrack though, doesn't quite lay out a huge main theme like some of his other scores do. Not to say that there isn't one because there is a main theme present. The theme itself is a 5 note motif that Williams finally came up with after literally hundreds of different options. The beginning of the soundtrack is mainly filler music that is atmospheric in nature. "Navy Planes" contains standard Williams action music. Some military-esque marches are found in "The Cover Up", "Stars and Trucks", and "Who Are You People?" Hints of the 5 note main theme are found in "Encounter at Crescendo Summit" and "Barry's Kidnapping". "Wild Signals" is an interesting cue with the aliens and humans playing the 5 note theme to each other faster and faster. However, the best track is the last one, as the main theme is given in full force in gigantic proportions with full orchestra and choir. Bits and pieces of "When You Wish Upon A Star" are featured in the last track as well. If you are expecting Williams' usual bombast and fanfarish sounds, you may be disappointed with this one, as it is much different and more atmospheric than most of his others. Still a good score, though.

Average customer rating:

WHAT A COMBO!!!! WHAT A RECORDING!!!!
saxophone delight
The Meeting of Giants
More Than Meets The Eye
The nobility of tenor sax players

Coleman Hawkins Encounters Ben Webster
Coleman Hawkins w , Ben Webster , and Coleman Hawkins
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music
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Ben Webster Meets Oscar Peterson (20-Bit Master)
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ASIN: 1452142726
Release Date: 1997-07-29

Tracks:

Blues For Yolande (Stereo)
It Never Entered My Mind
La Rostia
You'd Be So Nice To Come Home To
Prisoner Of Love
Tangerine
Shine On Harvest Moon
Blues For Yolande (Monaural)
Blues For Yolande (Incomplete Takes)

Amazon.com

Coleman Hawkins and Ben Webster first met at a Kansas City jam session at which Hawkins finally encountered his match in local tenors Webster, Herschel Evans, and Lester Young. The all-night meeting has become the stuff of legend (and a continuous thread in Robert Altman's film Kansas City, though there it's reduced to two tenors). Recorded by Norman Granz, this 1957 meeting supports the two with fine accompaniment that includes Oscar Peterson, Ray Brown, and Herb Ellis. The material includes the great "Blues for Yolanda," with a honking, squeaking solo that suggests Hawkins is the father of all R&B tenor saxophonists as well as those in jazz, while "Rosalita" has an engaging Latin beat. There's also plenty of room for the two to display their ballad art, but there's no real competition between the two big-toned, gruff tenorists, each a mature artist enjoying the highest challenge a peer might offer. --Stuart Broomer

Customer Reviews:

WHAT A COMBO!!!! WHAT A RECORDING!!!!.......2007-05-13

A great album to do nothing but relax to. Turn this one on, dim the lights down low, crash on the couch and let this marvelous music work it's magic. This album is the perfect panacea for the blues, a perfect preventive for all of the daily stress in living in this chaotic, barbarous world. If you are a fan of jazz, and you don't own this one yet, then you definitely need to make this purchase.

This 1957 recording is a work of art, and why shouldn't it be with a such a great group of legends. The whole album, every second, every single solo, every song, is perfect. And first-rate of a line-up this certainly is, with - Hawkins & Webster (tenor sax), Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (bass) and Alvin Stoller (drums) - all giving excellent, first-rate performances.

Webster is wonderful! He plays with such warmth and tenderness and in many ways his playing reminds me of Sinatra (when crooning a sad song) in the way that he is not afraid of bravely baring his whole, frail soul. He emits from his sax the softest, sweetest, most serene sounds I can ever remembering hearing from anyone at anytime. And then, there's Coleman Hawkins (a.k.a the Bean) who compliments his partner so well with his sweet, soulful, harmonious style. Hawk always seems to be under full control, always at ease, while he makes it look and sound so effortless, so easy it almost seems as if he came out of his mother's womb making those sounds. As I said before, and it's worth repeating - WHAT A COMBO!

These two legends really shine, and with the excellent, if not perfect performances by their supporting cast it makes for one of the most memorable recordings in my jazz collection and one that I very highly recommend. This music is soft, stirring and tranquil, yet most of all it's just plain and simply BEAUTIFUL!

Enjoy and live well!

saxophone delight.......2007-04-16

Backed by the Oscar Peterson quartet on this 1959 Verve release, `Coleman Hawkins Encounters Ben Webster' is mandatory listening for jazz fans. Hawkins and Webster were two jazz saxophone ambassadors. This fairy-tale meeting of raw talent falls nothing short of spectacular. The album has been remastered at a 20-bit transfer with bonus alternate takes of "Blues for Yolande".

Track 1, "Blues for Yolande", is a bluesy jazz tune in stereo that you can really dig. Track 2 is a solemn, mellow bluesy tune called "It Never Entered My Mind". Track 3, "La Rosita", starts to a Latin rhythm with Hawkins and Webster amusing listeners with smooth and bouncy blows. Oscar Peterson kicks it off on track 4, "You'd Be So Nice to Come Home To", with Hawkins and Webster kicking up a more swinging endeavor. "Prisoner of Love", track 5, is a satisfyingly quiet song perfect for a late night drink. Track 6, "Tangerine", is laid back and slicker than grease. "Shine on Harvest Moon", Track 7, puts on its Sunday best and marches down the avenue with a slow motion marching band. The remaining two tracks are a monaural version of "Blues for Yolande" and an incomplete take of the song, as well. A great album well worth the time and money.

Personnel: Coleman Hawkins and Ben Webster (ts), Oscar Peterson (p), Herb Ellis (g), Roy Brown (b), and Alvin Stoller (d).

The Meeting of Giants.......2006-09-30

Some might say (including historians, musical producers and liner notes writers) that Hawkins was much better than Webster, that only Young could equall his power with his unique approach. Even if this is true, the level at which Hawk and Webster play is so high that I see the meeting of two true giants. Impecable rhythm section led by great Oscar Peterson always helps at these Verve style encounters and I feel that both tenor plays made the best of it. Whether it is gentle ballads, blowing the blues or harmonizing in rhythm, this CD should satisfy not only swing and mainstream fans but also modern jazz fans: mainstream by definition leans somewhat towards modern jazz and Hawk and Peterson particularly well blend the best of both worlds (as they did throught their careers; Hawkins even before modern jazz was born).
Classic.

More Than Meets The Eye.......2005-10-11

A classic of jazz, the studio work of these 2 giants together in this mid to late 1950's period put forth some of the greatest sounding music ever layed down.
Hawkinks the master,Webster,the sweet soul bluesman on these tracks are an amazing display of blues,and jazz with the great Oscar Peterson on piano.
There are a whole slew of recordings done in this 1950's era for Verve comprising a similiar lineup of these stellar musicians and many are on the Veve master-editions issue...not to be missed for those exploring are the Genius of Coleman Hawkins,Ben Webster and Associates,Ben Webster meets Oscar Peterson,Ben Webster's Soulville..these releases were all repackaged with liner notes and given great treatment..
All of these "senior" masters were given their due late on in their careers but the greatness of their youth is revisited on this and the other fine releases.

The nobility of tenor sax players.......2005-08-18

Without doubt Coleman Hawkins and Ben Webster are the best tenor players ever. Their distinctive sounds are the best one can produce on such a horn. That would be enough reason to buy this 'Encounter.' Apart from that, this is just a great swinging disc.

Average customer rating:

Electronic Classics
Tomita, Will You Enjoy His Splendor?
Complete list of Tomita's classical albums...
A millenium must-have.
Cleverly-synthesized, familiar classical tunes

Tomita's Greatest Hits CD

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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Kosmos
Different Dimensions: Anthology

ASIN: B000003EO5
Release Date: 1990-10-25

Tracks:

Also Sprach Zarathustra: Fanfare
Grand Canyon Suite: On The Trail
The Pachelbel Canon
Syncopated Clock
Bolero
'Star Wars' Main Title
Suite Bergamasque: Clair De Lune
Close Encounters Of The Third Kind
Symphony No. 5: 2nd Movement: Allegro Marcato
Children's Corner: Golliwog's Cakewalk
Firebird Suite: Infernal Dance Of King Kastchei
Hora Staccato
The Planets: Mars, The Bringer Of War
Pictures At An Exhibition: The Great Gate Of Kiev

Customer Reviews:

Electronic Classics.......2006-12-03

As far as I know, Isao Tomita is not an original artist in the sense that he composes new works. He is, however, an original artist who puts a new spin on existing compositions and reinterprets them in a new and, mostly, delightful way.

The selection on this album come right out of a "pops" concert given by any symphony orchestra but they are not performed my symphonic orchestras. They are performed electronically by Tomita. This results in some parts being more emphasized than one would expect to hear in a concert hall. It is a new experience.

This work is new and different in its presentation. It is quite enjoyable.

Tomita, Will You Enjoy His Splendor?.......2004-01-08

If you've never heard any Tomita then answer these questions:

1. Do you have a taste for classical music?
Good, you should know some of these peices, and be able to enjoy them.

2. Do you enjoy odd music, peices that are unique?
I personally don't have a taste for synth. But Tomita is very unique and is very enjoyable to listen to.

3. Do you hate pop music?
This shows your intellegence level. Like pop music? Then you are just another sheep and should NOT buy this album. Dislike pop music? You sir or madame may just show a ray of intellegence and should consider this.

This is a nice addition to your collection if you are a serious musician or student of music, (and I don't mean high school band class, I mean like music theory).

Enjoy the sonic explorations into the mind of Tomita.

Complete list of Tomita's classical albums..........2002-03-05

5 stars for the music, but why do all the Tomita compilation CDs have almost the same tracks with so much available?

A big box set of every classical Tomita album would be even better. Most of the CDs out of print for years are absolutely fantastic. Four of his albums would fit two on one CD. Here's the complete list...

Snowflakes Are Dancing 1974 (11 Debussy pieces) The newly remastered CD is an audiophile recording, adds Prelude To The Afternoon of a Faun and is available for a good price.

Pictures At An Exhibition 1975 (Mussorgsky)

Firebird 1976 (Stravinsky: Firebird. Debussy: Prelude To The Afternoon of A Faun. Mussorgsky: Night On Bald Mountain)

The Planets 1976 (Holst)

Kosmos 1978 (Star Wars Title. Space Fantasy- R. Strauss: 2001 Title, Wagner: Ride of The Valkyries and Tannhauser Overture. Honnegar: Pacific 231. Ives: Unanswered Question. Rodrigo: Aranjuez. Grieg: Solveig's Song. Dinicu-Heifetz: Hora Staccato. Bach-Tomita: The Sea Named Solaris)

The Bermuda Triangle 1979 (Sibelius: Valse Triste. And excerpts from... Williams: Close Encounters. Prokofiev: Romeo and Juliet, Scythian Suite, Symphonies 5 and 6, Violin Concerto 1. My favorite electronic CD.)

Bolero 1980 (Ravel: Daphis and Chloe. Pavane for A Dead Princess. Bolero. Mother Goose Suite)

The Grand Canyon 1982 (Grofe)

Canon of The Three Stars 1984 (Pachelbel: Canon. Rachmaninoff: Vocalise. Albinoni: Adagio. Bach: Jesu Joy of Man's Desiring. 4 pieces from Villa Lobos: Bachianis Brasileiras 2, 4, and 7)

Live At Linz, Austria 1985 (With speakers on both sides of the Danube River and live soloists. Includes 7 pieces from previous albums plus Stravinsky: The Rite of Spring. Japanese Traditional: Cranes In Their Nest. Vaughn Williams: The Lark Ascending. Wagner: Tristan Und Isolde-Liebestod. Beethoven: Ode To Joy with full Choir.)

Live In New York 1988 (Includes 7 pieces from previous albums plus Dukas: Fanfare. Mahler: Symphony 3 in D Minor - 5th Movement. Traditional: Chinese War Lord Going Home. Gershwin: Rhapsody In Blue. Fisher-Dvorak: Goin' Home. My favorite live concert CDs.)

A millenium must-have........1999-11-05

This is the true reason God invented the CD player. Ravel's "Bolero" and Holst's "Bringer of War" are standouts, in my opinion. If Mr. Tomita is still living, perhaps, he can grace us with Camille Saint-Saens' "Organ Symphony" or "The Carnival of the Animals" electronically interpreted.

Cleverly-synthesized, familiar classical tunes.......1998-11-02

I use this CD with elementary school children. It's classical music with an electronic twist--fun, sometimes surprising, and well-done!

Close Encounters Of The Third Kind: Original Motion Picture Soundtrack

Average customer rating:

Arguably Williams' best
So disappointed in the changes they made!
Why fix it if it ain't broke???
Best film soundtrack ever...
Come into a close encounter with this score

Close Encounters Of The Third Kind: Original Motion Picture Soundtrack
John Williams
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:

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Jaws: Anniversary Collector's Edition
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ASIN: B0000014RP
Release Date: 1990-09-14

Tracks:

Main Title and Mountain Visions
Nocturnal Pursuit
Abduction of Barry
I Can't Believe It's Real
Climbing Devil's Tower
Arrival of Sky Harbor
Night Seige
Conversation
Appearance of the Visitors
Resolution and End Title

Amazon.com essential recording

Customer Reviews:

Arguably Williams' best.......2006-01-22

So disappointed in the changes they made!.......2005-12-19

Why fix it if it ain't broke???.......2005-09-09

Best film soundtrack ever..........2003-08-27

An amazing musical trip. Get it!

Come into a close encounter with this score.......2003-04-03

Music:

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