Secret of My Heart

secret of my heart

Track Listings

1. Secret of My Heart

2. Did I Hear You Say That You're in Love

3. Never Gonna Give You Up

4. Baby I Like

5. Stay by My Side

6. Can't Get Enough (Gimme Your Love)

7. Delicious Way

8. Love, Day After Tomorrow

9. Stepping Out

10. Baby Tonight (You and Me)

11. Baby I Like [Extacy Vocal Mix]

12. 'S All Right [DJ ME-Ya Radical Beat Mix]

Secret of My Heart,Mai K,Giza USA,Rock/Pop

Secret of My Heart

Average customer rating:

Broadway: America's Music 1935-2005

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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White Nights

ASIN: B000B8I93Q
Release Date: 2005-10-18

Tracks:

Oh What a Beautiful Mornin'
Summertime
I Could Write a Book
It Never Entered My Mind
I Can Cook Too
Make It Another Old Fashioned, Please
If I Loved You
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Once in Love with Amy
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Lazy Afternoon
There Must Be Somethin' Better Than Love
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Impossible Dream
Love Makes the World Go 'Round
Try to Remember
Put on a Happy Face
I Say Hello
Happiness
She Loves Me
What Kind of Fool Am I?
Shy
Consider Yourself
Poor Little Person

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Magic to Do
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I Don't Know How to Love Him
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Good Morning Starshine
Don't Cry for Me, Argentina
Hard Candy Christmas
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Won't You Charleston with Me?
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Phantom of the Opera
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Mamma Mia!
Popular
Seasons of Love
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Crazy
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Stars
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My Secret Heart: Romantic Meditations for Ambient Piano

Average customer rating:

Seductive and Ethereal
This cd is amazing, perfect for massage
A Piece of Heaven
Most Powerful Music Yet
Soundscape for True Romantics

My Secret Heart: Romantic Meditations for Ambient Piano
Michael Whalen
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD

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Real Piano: A Collection

ASIN: B00074CC6E
Release Date: 2005-02-01

Tracks:

I Have Loved You For A Thousand Lifetimes
Hands Of Silk
Tantric
Two As One
Your Eyes In The Candlelight
Addicted To You
For You
Moonglow
Swimming In A Lovely Sea Of You
Love's Secret

Amazon.com

With song titles like "Swimming in a Lovely Sea of You," one might expect Michael Whalen's My Secret Heart to be as deep in the schmaltz as Yanni playing a candlelight étude for Linda Evans. The fact that he avoids a saccharin overdose is one of the few minor successes on this album of ambient piano compositions. Taking cues from artists like Harold Budd and Suzanne Ciani, Whalen orchestrates a series of romantic mood pieces full of deeply echoing piano and electronic effects that shimmer in the background. Like Ciani, he wears his heart on his keyboard. Unlike Budd, however, he lacks the emotional austerity and distance that would allow his music to speak at a deeper level. Although Whalen spends most of his time doing nature documentary soundtracks and jingles, he does have a gift for ambient space, as evidenced by his albums Nightscenes and Like Rain Through My Hands. My Secret Heart fits in as a minor extension of these works, but the maudlin inscriptions--"Two as One" or "Addicted to You"--wouldn't pass muster on a Hallmark Valentine's Day card. Absent any irony, they trigger an automatic gag reflex that's only slightly overcome by music that deserves better. --John Diliberto

Customer Reviews:

Seductive and Ethereal.......2006-05-07

I was immediately mesmerized on hearing this on Soundscapes. Michael Whalen has composed and performed the most haunting and lingering piano sounds I have heard in a long time. You feel each piano note deeply, sometimes holding a breath not wanting to miss its penetrating moment. It is not only seductive it is intoxicating. I have played it for listening and for dining, all my friends and guests are captivated by it.

This cd is amazing, perfect for massage.......2006-02-21

I am a LMT and I purchased this cd for song #1- I overheard on XM radio. This cd is awesome. I never get tired of it. It is perfect for relaxation. I play it at home and at work.

A Piece of Heaven.......2005-02-13

From the moment I first heard Michael Whalen's new CD, "My Secret Heart", I was absolutely captivated. I adore this CD. The music is quite beautiful and evocative, it is as if Michael captured a piece of Heaven in his hands, and it spilled forth and transformed into this beautiful music.

Most Powerful Music Yet.......2005-02-10

"My Secret Heart, romantic meditations for ambient piano" is by far Whalen's most ambitious and revealing project to date. Imagine all your deepest, darkest secrets hanging out for the world to see? Well, that is what is embodied in this album.

From the first track, "I Have Loved You For A Thousand Lifetimes," Whalen succeeds at what I think is the fundamental goal of this album: to make the music accessible and inviting to the listener. Even deeper: to show a side of Michael that few people get to see-a vulnerability, a longing, an HONESTY...who hasn't wanted to express these emotions???

Whalen has chosen exactly the right notes, at the right time, giving ample time for each shimmering note to breathe. More important, the simplicity of this CD invites you into Michael's world, which is about music he cares about expressing-because of who he is, and what he believes in.

Soundscape for True Romantics.......2005-02-09

This CD is a must have for all of you true romantics out there. It provides a beautiful sonic backdrop that is perfect for moments when you want to escape life's stresses. Michael's ability to create beautiful melodies entwined with electronic processing, makes for a rich sonic tapestry that is at times sad, yet stirring nonetheless. "I have loved you for a thousand lifetimes" is a standout, with a gorgeous melody. It is also the song for which the video was created. Outstanding! I thoroughly enjoyed this CD.

Arleen Auger - Love Songs / Dalton Baldwin

Average customer rating:

Arleen Auger and Dalton Baldwin-Love Songs
Voice of experience
Auger at her best
Hidden Treasure
Gorgeous, sensitive music

Arleen Auger - Love Songs / Dalton Baldwin
Frank Bridge , Benjamin Britten , Pietro Cimara , Aaron Copland , Sir Noel Coward , Stefano Donaudy , Stephen Foster , Charles Gounod , Eduoard Lippe , Frederick Loewe , Gustav Mahler , Joseph Marx , Fernando J. Obradors , Jaime Ovalle , Francis Poulenc , Roger Quilter , Franz Schubert , Robert Schumann , Oscar Straus , Richard Strauss , Joaquin Turina , Dalton Baldwin , and Arleen Auger
Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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Old Friends

ASIN: B0000006VP
Release Date: 1992-05-22

Tracks:

Love Songs: Pastorale
Love Songs: Del Cabello mas sutil
Love Songs: Azulao
Love Songs: Standchen
Love Songs: Selige Nacht
Love Songs: Fleurs
Love Songs: Stornello
Love Songs: Music, When Soft Voice Die
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Love Songs: Love's Philosophy
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Love Songs: Du bist wie eine Blume
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Love Songs: Liebe Schwarmt auf allen Wegen
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Love Songs: Why, No One to Love
Love Songs: O del mio amato ben
Love Songs: The Salley Gardens
Love Songs: Heart, We Will Forget Him
Love Songs: Before I Gaze at You Again

Customer Reviews:

Arleen Auger and Dalton Baldwin-Love Songs.......2007-01-29

A lovely collection -very varied. Arleen Auger has a beautiful voice and Baldwin's accompaniment is wonderful. The 3rd track, by Jayme Ovalle, is, as it says in the accompanying notes, bewitching, and is actually the reason I bought the CD.

Voice of experience.......2006-01-28

There isn't much I can add to the praise bestowed on this album by earlier reviewers. I do think though that a special poignancy is undeniable since Auger's voice, while still beautiful, clearly is not that of a young singer. Her maturity makes her interpretations of these love songs all the more touching. I've probably played this CD a dozen times through the years, far more than any other in my collection. It remains consistently and deeply satisfying.

Auger at her best.......2005-04-26

This is a disc that I recommend to my graduating seniors/graduate students who are pursuing a graduate degree or career options in Vocal Performance.
From the standpoint of technique, Auger is practically flawless---"harsh" is not a word I equate with Ms. Auger's singing. She and Dalton Baldwin are impeccable performers on this disc. All the material was wisely chosen and presented, including one of the slowest "O del mio amato ben's" and one of the slowest "Salley Gardens", indicative of the beautiful breath control this artist had. I have to take exception to one of the comments made by one reviewer, of the "lack of sesitivity to the music that most classical singers possess". This is plain ignorant. This reviewer clearly does not understand the great artistic endeavor that classical singers have to have with Song literature---only a non-singer could have said this. Our finest classical singers of memory have all been outstanding musicians. They also have texts to interpret in many languages. I, as a singer-performer-teacher take great umbrage at comments like this which serve only to degrade the richness of so much repertoire.
I too hated the untimely passing of this fabulous singer. She is one of four famous women singers who all died at the age of 53. I think this disc was recorded not to long before she passed away and does reflect her "goodbye" to her audience. However the disc will remain as timely as the repertoire in it.
Marcia M.Baldwin, Gig Harbor, WA.
Professor Emeritus, Eastman School of Music, Rochester,NY

Hidden Treasure.......2003-11-04

This recording is possibly one of the best examples of beautiful singing one will ever find. The repertoire, the artfulness, the line and the sheer beauty of Miss Auger's voice is a rare find. I've just recently purchased another copy as I loaned mine to a friend who begged to keep it! One note on the cover - this new cover art seems to imply this CD is some light version of 1970's Montovani romance music. Nothing could be further from the truth. Though the previous jacket (a photo of Miss Auger on pale pink) did look dated, I hope the next pressing of this (& I'm sure they'll be many more to come!) will give this collection the class packaging it deserves. This is a collector's item. Enjoy!!

Gorgeous, sensitive music.......2001-06-15

So first of all, ignore the cheesy cover art and album title. This is a beautiful collection of songs, beautifully performed. Since I concur with the other reviews that laud Auger's performance (though don't forget the accompanist Dalton Baldwin, who is also outstanding), I'll add only the comment that there is a certain melancholy surrounding a lot of the songs and performances that (a) I find haunting and appealing, and (b) you would never know simply from looking at the album.

Tracks:

The Rainy Day
Ariette
When Far From Her
Empress Of Night
The Secret
Ecstasy
Within Thy Heart
Sleep, Little Darling
Night
Forgotten
Dearie
Far Awa'
The Year's At The Spring
Ah, Love, But A Day!
I Send My Heart Up To Thee!
Come, Ah Come
Canzonetta
I Did Not Say
We Three
June
I Ask The Bird
Go Not Too Far
Shena Van
Baby
Hush, Baby Dear
A Prelude
O Sweet Content
An Old Prayer
The Funeral Wreath
The Candy Lion
A Thanksgiving Fable
In The Twilight
The Host
May Flowers
I Sought The Lord
Though I Take The Wings Of Morning

Album Description

One of America's most prolific and successful composers, Mrs H. H. A. ("Amy") Beach was one of the first women composers whose works were as highly regarded as those produced by men. Best known during her lifetime for her well-crafted songs and short piano pieces, she was also the first American woman to compose in the larger forms. Beach's 117 art songs span the whole of her compositional career. By incorporating musical ideas from many cultures and musical traditions within a late-Romantic framework, Beach's songs show her skillful craftsmanship and profound understanding of text.

Customer Reviews:

Wonderful!.......2004-11-11

I take private voice lessons from Kathie Kelton and she is amazing! She brings Amy Beach's music to life! I strongly recommend this CD to anyone who enjoys listening to classical and operatic music. The music is so beautiful it will give you chills! Fantastic!

Average customer rating:

Two greats: both have seen better days
Two masters of music
Ten Stars!!!
Together is exactly right
Great for casual listening

Together
George Frideric Handel , Jacques Offenbach , Jules Massenet , Imre (Emmerich) Kalman , Fritz Kreisler , Sergey Rachmaninov , Manuel Ponce , Francesco Paolo Tosti , Irish Traditional , Enrico Toselli , Sigmund Romberg , Benjamin Godard , Pyotr Il'yich Tchaikovsky , Richard Strauss , Jonathan Tunick , Itzhak Perlman , Placido Domingo , and The New York Studio Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RS9
Release Date: 1991-10-11

Tracks:

Serenata
Estrellita
Elegie
Weisst Du Es Noch?
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Barcarolle
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Customer Reviews:

Two greats: both have seen better days.......2007-04-16

Putting two great musicians of the stature of Domingo and Perlman together must have sounded like a fine idea-- no doubt joining these musical giants should produce musical fireworks. Unfortunately the final product offered on this disc is rather drab. The recording lacks focus and is generally musically hollow.

No doubt both Domingo and Perlman offer the listener flashes of how great they both are, but neither is interested in exploring the subtle nuances of each musical selection. Pieces such as Massenet's "Elegie," Manuel Ponce's "Estrellita," and Tosti's "Ideale" are beautifully lilting pieces, which are not (except for moments in the Massenet) served well by the rather over-stated performances of both men. Pieces such as Romberg's "Serenade" from The Student Prince and Kalman's "Weist du es noch?" fare better, as they fit Domingo's operatic temperament and Perlman's virtuoso sensibilities. But even these seem to be mere show pieces devoid of depth. I found the tenor-violin rendition of the Barcarolle from Les contes d'Hoffman unpleasant, and Danny Boy equally so.

The over-miking of both performers does not help matters much, and in Domingo's case only served to amplify some strained moments in his top range.

The disc as a concept is also rather problematic. A recital album of any sort should have some sort of shape and texture-- this recording does not offer a readily decipherable one, save for a vague chronological relationship among the pieces (except for a Handel aria!), and the variety offered. As far as variety is concerned, the track listing "kindly" offers the listener explicit references to the many languages Domingo sings on the disc (6-- Spanish, English, French, German, Russian, and Italian).

No doubt fans of both gentlemen will want to have the disc, but both have seen much better days. Still, it is true that a mediocre performance by two giants reveals certain hidden treasures that listeners looking to buy this disc will be able to horde.

(This recording, in my opinion, hovers between two and three stars, but I give it the benefit of the doubt and round up)

Two masters of music.......2003-01-28

Wow! What can I say? It is so obvious who rules the stage when it comes to violin virtuosos. Itzhak Perlman takes my breath away every time I hear his bow touch a violin and to be playing with one of the world's best vocalists alone shows some accomplishment. Of course... it goes without saying that Domingo is probably THE BEST tenor of this lifetime. My personal favorite on this CD is the "Offenbach". I've heard this piece sung and played by many artists, but none of them come close to this recording and it truly touches your heart and soul. This CD has definitely become a favorite of mine and I cannot seem to put it back in its CD case! This album is definitely worth getting for one's self and I would even say it is also a very nice gift idea, that even non-classic listeners would appreciate.

Ten Stars!!!.......1999-07-27

BothItzhak Perlman and Placido Domingo are two of the most sophisticated and gifted musicians that ever graced our sad world with their presence. For whatever they do we should be eternally grateful. Both artists often ventured in the world of popular music, which goes to show just how diverse and open-minded they are. Every time they had something new to say as to the music, and attracted new legions of fans. Perlman's excursions into jazz and Domingo's explorations of modern Latin music are widely known and appreciated and loved by many. Here they combine their extraordinary forces to bring to us a relatively "conservative" repertoire, yet they do with such skill and class, the familiar selections sound fresh and enchanting. Don't underestimate the level of difficulty, though. Notice the two Rachmaninov songs, arranged splendidly for tenor and violin. (Btw, the song "O Cease thy singing, maiden fair" is usually performed by bass (baritone) and piano.) They include a Richard Strauss lieder "Morgen", a feat, not even attempted by other Italian opera-trained tenors, a nice surprise that attests to Placido Domingo's infinite talents. Massenet's "Elegie" is full of passion and melancholy, and Kalman's "Kome, Zigane" sparkles with gypsy rhythm and intensity. Among the other gems are Handel's "Ombra mai fu" and Tosselli's "Serenade" on which Placido and Itzhak display their flawless virtuosity and sincere love for the music. This is the most wonderful and unusual album, a true revelation. Thank you, Placido and Itzhak, the world is a better place thanks to you.

Together is exactly right.......1999-07-18

Together is the most stirring, evocative album anyone could ever wish to hear. Itzhak Perlman's renditons of Estrellita, Danny Boy, actually each of the selections draws the listener along the strings of his bow and sends them soaring. Placido's voice blends magically with the notes of the violin in such a way that you realise both 'instruments' are being played by a master musician.

Great for casual listening.......1999-06-01

This disc is great for casual listening. The pieces featured are light and easy on the ears. Domingo and Perlman combined beautifully in these well-arranged pieces. Sound quality is also good. However, this is not a disc for serious listeners or collectors.

Average customer rating:

Pure Perfection
Had a Freudian moment
No Villa-Lobos
Be warned!
Unforgettable

American Soprano

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Arleen Auger - Love Songs / Dalton Baldwin
Arleen Auger - Handel · Bach Arias / The Mostly Mozart Orchestra · Gerard Schwarz
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Bach Bachianas / Arleen Augér, The Yale Cellos of Aldo Parisot

ASIN: B00004W1PQ
Release Date: 2000-07-25

Tracks:

Rejoice Greatly - Messiah
Piangero - Giulio Cesare
Care Selve - Atalanta
Let The Bright Seraphim - Samson
Lascia Ch'io pianga - Rinaldo
Ricetti Gramezza
Bist du bei mir
Weichet nur, betrubte Schatten
Sich uben im lieben
Blute nur
Ich will dir mein Herze schenken
Bachianas Brasileiras No. 5 For Soprano And Orchestra Of Violoncellos: Aria
Bachianas Brasileiras No. 5 For Soprano And Orchestra Of Violoncellos: Dansa
Pastorale
Del Cabello mas sutil
Azulao
Standchen
Selige Nacht
Fleurs
Stornello
Music, When Soft Voice Die
Je t'aime
Love's Philosophy
Widmung
Du bist wie eine Blume
Das Rosenband
Liebst du um Schonheit
Cantares
How Do I Love Thee?
I'll Follow My Secret Heart
Serenade
Liebe Schwarmt auf allen Wegen
Love Went A-Riding
Why, No One to Love
O del mio amato ben
The Salley Gardens
Heart, We Will Forget Him
Before I Gaze at You Again

Customer Reviews:

Pure Perfection .......2006-09-25

Words cannot express how much I adore these two discs, but here goes anyway. A friend gave me a burned copy 'Love Songs' which I lost and so I purchased this double disc set. Arleen is by far and away my favorite soprano of all time and if you end up owning these cd's, I have no doubt she will become yours as well. Arleen had the most gorgeous voice, a pure yet colorful tone. And her technique as demonstrated on these recordings was superb. If you are a singer as am I, you will not be able to ignore her phrasing on The Salley Gardens - it's truy astonishing. If you are in to doing side by side comparison, try listening to Arleen's version of O Del Mio Amato Ben, then listen to Sumi Jo's version. But be forewarned if you're a Sumi Jo fan, you won't be able to listen to her version ever again. Arleen wrings every bit of naked emotion out of that song without ever being cheesy or over the top. Her musical instinct and interpretation was as flawless as her voice and technique. I use these cd's as my personal master classes with an impeccable artist who was taken from us all much too soon.

Had a Freudian moment.......2005-08-12

Be it known, I had no intention of writing a review of this recording. I still do not in fact. But I listened to the late Ms. Auger's reading of 'Lascia chio pianga' and nearly seized (cigarette in hand and all.) I've yet to move beyond track five. That being documented, I implore both the fastidious collector of vocal music and the layman alike to purchase this set. Oh, and about the Freud...following the aforementioned revelatory aural sensation of some five minutes, I typed amazing.com in place of the amazon.com destination. "Behind every mishap in speech, writing, etc. there lies an unconcious motive..."
Well,

No Villa-Lobos.......2003-05-28

Since I purchased this album specifically for the recording of the Villa-Lobos, I am extremely disappointed that it was replaced by "He Shall Feed His Flock." She sings everything beautifully, but it is not the recording it pretends to be.

Be warned!.......2003-05-03

My copy did not have the works by Heitor Villa-Lobos. The first disk in the set is Delos 3026, "Bach, Handel: Arias," which includes two selections from Alexander's Feast and "He Shall Feed His Flock" from the Messiah. I am not disappointed. Ms. Auger sings wonderfully. My second disk is Delos 3029 "Love Songs," which makes it a good bargain. But there are no texts.

Unforgettable.......2002-05-16

After much auditioning and re-auditioning, Auger's "Rejoice" here has finally replaced Kathleen Battle's fine performance on "Grace" as my favorite.

Both singers are at their best in the repeat, where their technique and ornamentation will knock anyone's socks off. But where Battle does a musical and brilliant concerto-like display of Kathleen Battle, Auger instead serves Handel with overriding sincerity. She builds intensity to an incredible pitch, ending on an almost trumpet-like flourish to announce the coming of the King.

Tracks:

Aida: Se quel guerrier...Celeste Aida
Rigoletto: La donna e mobile
La Boheme: Che gelida manina
Tosca: Recondita armonia
TOSCA: E lucevan le stelle
La fanciulla del West: Ch'ella mi creda
La Gioconda: Cielo e mar!
L'africaine: Mi batte Il cor...O paradiso
Ideale
O sole mio
The Vagabond King: Only A Rose
For You Alone
Manon: Instant Carmant ... En ferman les yeux
Carmen: La fleur que tu m'avais jetee
Faust: Salut! demeure chaste et pure
Martha: M'appari tutt'amor
Martha: Cujus animam
Messa da requiem: Ingemisco
Il Trovatore: Ah si ben mio
Il Trovatore: Di quella pira
Il Trovatore: Ah si, ben mio
Il Trovatore: Di quella pira
Rigoletto: Questa o quella

Tracks:

La Boheme: O soave faniculla
Rigoletto: E il sol dell'anima
Rigoletto: Questa o quella
Un Ballo in Maschera: Di' tu se fedele
Turnadot: Nessun dorma!
Andrea Chenier: Come un bel di di maggio
Fedora: Amor ti vieta
Cavalleria Rusticana: Mamma!...Quel vino
Pagliacci: Recita! ... Vesti la giubba
Mattinata
L'Elisir D'Amore: Una furtiva lagrima
Les Pecheurs De Perles: Je crois entendre encore
Romeo et Juliette: Ah! leve-tol, soleil!
Manon: Je suis seul! ... Ah! fuyez, douce image
L'arlesiana: E la solita storia
Cavalleria Rusticana: O Lola
Manon Lescaut: Donna non vidi mai
Tosca: Recondita armonia
Tosca: E lucevan le stelle
La Boheme: O soave fanciulla
Romeo et Juliette: Ange adorable
Jocelyn: Concealed In This Retreat
L'albe separa dalla luve l'ombra

Tracks:

Romeo et Juliette: Hoj dig, du klara sol
Rigoletto: O, I kvinnor: Questa o quella
L'illustre Fregona: Fylld av vemod sanker sig natten: Melancolque tombe le soir
Knyaz (Prince) Igor: Dagen gick langsamt till ro: Vladimir's Cavatina: Medlenno den' ugasal
Tosca: Det skona star att finna: Ricondita armonia
Tosca: Ja minns stjarnorna lyste: E lucevan le stelle
Rigoletto: Ack, som ett fjun sa latt: La donna e mobile
Il Trovatore: Skyhogt mot himlen
Pagliacci: Spela komedi! ... Pudra ditt anlet: Recitar! ... Vesti la giubba
Cavalleria Rusticana: O Lola
La fanciulla del West: Lat henne tro: Ch'ella mi creda
Fanal: I manner over lag och ratt
Sadko: I sonderns hav
La Belle Helene: Uti en skog pa berget Ida
Der Zigeunerbaron: Vem har oss vigt?
Der Bettelstudent: Skall jag tala ... Antag det fall
Der Bettelstudent: Ny ar jag pank och fagelgri: Ich hab keion Geld, bin vogelfrei
Nar hag for mig shalv i morka skogen gar
Bland skogens hoga furustammar
Ack Varmeland, du skona
Allt under himmelens faste
Tonerna
Sommarnatt: I de lyse naetter
Ett Folk: Sverige
Land, du valsignade
Namner du Sverige

Tracks:

Adelaide
Morgen
Cacilie
Bon i ofredstid
Bisp Thomas frihetssang
In The Silence Of Night
Siren: Lilacs
Jeanie With The Light Brown Hair
Because
Sylvia
A Spirit Flower
Ah, Love But A Day
Tonerna: I Bless Ev'ry Hour
Till havs
Sangen till havest
Visa king slandblom och manskara
Jungfrun under lind
Kung Helmer och Aslog
Trollsjon
Sa tag mit hjerte
Demanten pa marssnon
Cantique de Noel: Julsang (O helga natt) : Cantique de Noel

Amazon.com

This set tells you why Jussi Bjorling is a perennial entrant in the "Tenor of the Century" sweepstakes. Even as the voice darkens from the light lyric to the full, darker instrument of the later recordings, we hear a singer whose elegant style, lovely timbre and innate musicality touch the heart. Many of the selections are sung in Swedish, less of a liability than you might suppose. In whatever language, Bjorling's molten gold flows lavishly. He eschews the sobs and sentimentality that disfigure so much verismo repertory, making his points with stylish vocalism. He's been called a "cool" singer, but try his Puccini and Verdi arias on Disc One and you'll find more than enough vocal and emotional heat. The selections include many neglected Scandinavian songs, sung, like the arias, with a naturalness that disarms criticism. -- Dan Davis

Amazon.com

Swedish tenor Jussi Björling gets many votes for the distinction of greatest all-time tenor. Up to the end, the voice projected a boyish vulnerability, though he also had enough stentorian power to sing the heavy Puccini roles and was ready to take on Lohengrin when he died. He was so deeply musical he eschewed the usual tenor vulgarity without ever slighting the music's theatricality. Even these four well-filled discs of arias and songs can't fully encompass the vocal riches he left behind, but there's a lot here, much of it from his earliest years and (hope you don't mind) sung in a Swedish translation. --David Patrick Stearns

Customer Reviews:

Superb!.......2001-07-29

This is an wonderful compilation of one of the most incredible voices on record. Whether you are a new or old Bjorling fan -- and who could hear that voice and not be enthralled by it -- this is a fine CD to have. The quality of the recording is excellent, and the range in years, from 1930 to 1959, gives a splendid overview of his dazzling talent. In addition to many of the arias one might expect, there are also lieder and songs in Swedish, as well as some charming duets with Jussi's wife, Anna-Lisa. I have quite a few other Bjorling CDs, and this is one of the best in terms of quality and scope. It is a most worthy addition to any Bjorling collection, regardless of its size.

Beatiful singing - but where are the Swedish texts?.......2001-06-22

This is an excellent collection, the best available overview of a great tenor.

This would get 4 stars but has been marked down for only supplying token texts and translations in the large booklet. It is understandable (sort of) that the Italian opera excerpts don't merit texts and translations as (apart from the Callas recitals series) EMI generally doesn't provide texts with historical issues. However the tempting inclusion of a dozen or so texts to the Italian and Swedish songs makes one all the more aware of the miserliness of not providing all the texts.

if you like bjorling this is the best thing you can get!.......2000-06-26

this is so awesome, i love his voice, this is good for anyone, the professional or just someone who wants to hear the greatest tenor of all times! this is so great

The ULTIMATE Collection.......1999-11-02

When starting my Bjorling collection, I saw MANY CDs, with his early recordings. I was in a quandry as to what to buy, UNTIL I found this set. TRULY remarkable in many levels.FIRST and foremost, the voice. Captured in all levels, from the earliest to the latest. Truly wonderful, and the Swedish versions are a real treat to hear, don't worry, the Italian versions are here too!!Secondly, the remastering process. This set was remastered at Abbey Studios in London. For the first time I've heard, they actually pressed NEW 78s from the metal plates, and THEN remastered the new discs!!! Inspired, and the results--incredible.I find myself listening to Disc 3 the most. Very interesting, as it is the Swedish one. When the songs are terrific, along with the "standard" tenor arias, and it all comes together, it is PURE MAGIC!! I will admit that due to time limitations of recordings of this era, the opera house Bjorling is not fully conveyed. There are other CDs for that. Most notably "Romeo and Juliet", and for a REAL thrill, his ATLANTA concert, in STEREO, so much so, that the piano is even divided; left hand left, right hand right. Wait a minute, am I playing TWISTER??:-)) But if you want to skip all those unknown labels, you couldn't have a MORE complete set. ALL wit the great remastering I spoke of. Bjorling--His voice will NEVER die, at least in MY house!!!

Definitive survey of one of the finest singers on record.......1998-09-25

Jussi Bjoerling was one of the greatest singers of the century. His voice is pure, effortless and yet thrilling. Even better than the quality of the voice is his style. He never scoops up to a note nor does he ever whoop down from one, instead, he uses perfect legato and faultless intonation to deliver the cleanest sound you'll ever hear from a tenor.

This collection, from the large set of EMI recordings, provides a wonderful survey of Bjoerling's career. He was a straight 'spinto' tenor, that is, between a lyrical tenor (like Pavarotti) and a dramatic tenor (like Domingo). Most of the Puccini roles demand a spinto and those are the roles that Bjoerling was unbeatable in (particularly Des Grieux in Manon Lescaut). However, I think I most prize this collection for the songs sung in English on the last disc. I had some of them on a cassette I wore out in the car and others on a vinyl disc I wore out at home. For shear beauty of voice, the Berceuse by Jocelyn is stunning. For perfect diction, intonation and style, Love but a Day is breathtaking. Buy this set and I guarantee you'll fall in love with what many think is the finest voice on record.

The Water Gipsies (Original London Cast) with Bonus Tracks
Average customer rating:
The Water Gipsies (Original London Cast) with Bonus Tracks

Manufacturer: Sepia
ProductGroup: Music
Binding: Audio CD

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The Buccaneer (Original London Cast) and Bonus Tracks

Salad Days (1954 Original London Cast)

Baker Street, A Musical Adventure of Sherlock Holmes (1965 Original Broadway Cast)

The Drowsy Chaperone (2006 Original Broadway Cast)

Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B000CNDXH2
Release Date: 2005-12-26

Tracks:

Overture - Orchestra
Why Did You Call Me Lily? - Dora Bryan
Clip-Clop - Laurie Payne
I Should Worry - Dora Bryan
When I'm Washing Up - Pamela Charles
Jane's Prayer - Pamela Charles
Lily's Tale - Dora Bryan
He Doesn't Care - Peter Graves
Castles And Hearts And Roses - Laurie Payne
Peace And Quiet/Little Boat - Laurie Payne
Why Should Spring Have All The Flowers? - Doris Hare
This Is Our Secret - Peter Graves
It Would Cramp My Style - Dora Bryan
You Never Know With Men - Dora Bryan
Here's Mud In Your Eye - Chorus
I'm Not A Jealous Woman - Joan Sims
Finale - Chorus
I'm So Terribly In Love With You - Robert English
I Never Dreamt (You'd Fall In Love With Me) - Lido Dance Orchestra
My Heart Is Saying - Billy Milton
Selections From 'Little Tommy Tucker' - The Million-Airs
You Looked At Me - Olive Groves
My Heart's A Compass - Olive Groves
You Have That Extra Something - Phyllis Stanley
Three Songs From 'Big Ben' - Vivian Ellis
Three Waltzes From 'Big Ben' - Vivian Ellis
Selections From 'Tough At The Top' Part One - Vivian Ellis
Selections From 'Tough At The Top' Part Two - Vivian Ellis
The Music From 'And So To Bed' Part One - Vivian Ellis
The Music From 'And So To Bed' Part Two - Vivian Ellis

Album Description

English composer Vivian Ellis had a prolific career spanning five decades, during which she wrote nearly 70 West End shows. The Water Gipsies was a 1955 collaboration between Ellis and A.P. Herbert. Contains the cast recording of The Water Gipsies plus bonus tracks including early Ellis compositions, many appearing on CD for the first time!

My Secret Heart - Songs of Parlour, Stage and Screen

Average customer rating:

Almost too much lavender and roses, but a delight anyway
Mr. Heppner Must Have A Large Parlour!
He can keep his secret to himslef
What a 'crossover' album should be!
This cd has left me speechless, wow!

My Secret Heart - Songs of Parlour, Stage and Screen
Ben Heppner , Vittorio Giannini , Ernest Charles , Ivor Novello , Sir Noel Coward , Eric Coates , Teresa Clotilde del Riego , Mana-Zucca , Ernst Seitz , and Haydn Wood
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Ben Heppner - Great Tenor Arias
Ideale: Songs of Paolo Tosti
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ASIN: B00002JXEC
Release Date: 1999-11-09

Tracks:

Let All My Life Be Music
Sing To My Heart A Song
Let My Song Fill Your Heart
Love Is My Reason For Living
Someday My Heart Will Awake
I'll See You Again
We'll Gather Lilacs
Bird Songs At Eventide
Homing
I Love Life
The World Is Waiting For The Sunrise
Roses Of Picardy
I'll Be Seeing You
Serenade
Love Me Tonight
Be My Love
The Desert Song
I'll Follow My Secret Heart

Amazon.com

With his 1999 Met triumph as Tristan--the most taxing of all Wagner's tenor roles--Canadian singer Ben Heppner has fully earned his heralded position as the great new Heldentenor of our time. His Lohengrin is a signature role, while his album German Romantic Opera has been nominated for a Grammy. Yet Heppner also commands tremendous versatility--and of a much more engaging character than that of the typical crossover effort--using his powerful, bronze-tinged tenor to tender and charming effect in My Secret Heart. This is a collection of songs roughly from the period between the two world wars, when music began to reach mass audiences via radio and screen. Many of these are almost forgotten gems--emblems of a vanished era--but once had wide cultural currency: the World War II hit "We'll Gather Lilacs," the radio show Family Hour's theme tune "Let My Song Fill Your Heart," and the oft-recorded 1919 ballad "The World Is Waiting for the Sunrise." Heppner, with his sturdy beauty of tone and sweet, natural-sounding vibrato, breathes new life into this genre. He handles the idiom's unabashed schmaltz with charm and brings a lilting urbanity to two Noël Coward tunes, with especially bittersweet refinement in "I'll Follow My Secret Heart." --Thomas May

Customer Reviews:

Almost too much lavender and roses, but a delight anyway.......2006-08-29

These are beloved popular songs from our grandparents' generation that are redolent of lavender an tears. Their sentimentality couldn't be more out of fashion, but Ben Heppner steps forward, like Mario Lanza before him, to offer thrills amidst the honeyed scents. He's totally sincere, and you'd have to be Alberich or Don Pizarro to react with anything but a melting heart. God, I'm falling into the same vocabulary as these songs. No need to blush, though, with such a great singer at hand.

Mr. Heppner Must Have A Large Parlour!.......2005-02-22

I purchased this CD after hearing Mr. Heppner in recital singing "Homing" for an encore. This small gem written by Teresa Del Riego is a haunting song about loneliness. We learn from the notes-- they are very informative with bios on the composers included here as well as the words to the lyrics-- that she composed this ballad in 1917, the year her husband was killed in France just before the ending of World War I. There are other lovelies here as well: "I Love Life", "We'll Gather Lilacs", "The World Is Waiting For The Sunrise" as well as music by Noel Coward, Sigmund Romberg and Rudolf Friml. Heppner also sings "I'll Be Seeing You." It's such a relief to hear someone other than Liberace do that number since it was the song that he always used to close his television show in the 50's and unfortunately made into a syrupy cliche.

Mr. Heppner says these are songs of the parlour, stage and silver screen. His glorious voice which appears to be a combination of steel and gold fills a recital hall easily. He would need a huge parlour to sing in as well.

This CD is quite wonderful. There are no dull cuts. Since the songs are all about love, this would make a great February 14 gift.

He can keep his secret to himslef.......2003-12-13

This is OBNOXIOUS, this dude should be in operas. i am speechless, he is one loud mouthed dude!

What a 'crossover' album should be!.......2001-09-01

In general, I hate it when classical singers make 'crossover' recordings. Usually the singer has no idea how to sing 'pop' material in anything like the proper style - even someone who is singing it because he or she genuinely likes the music and not just to milk cash from the unsuspecting masses. But there are always exceptions to a rule, and this CD is one of them. Ben Heppner here scales down his huge operatic voice and shows his 'secret heart', a more intimate side of his musical personality.

There is no question that Heppner is one of the greatest tenors of our age. He is often compared with his fellow Canadian Jon Vickers (with whom he shares much of his repertory) but especially here, he is beginning to remind me more and more of Jussi Bjorling, and I can think of no higher compliment. Part of this is because Bjorling actually sang quite a bit of repertory similar to what Heppner sings here, but more importantly, both voices have an ideal combination of power and sweetness. Heppner's is essentially a very lyric voice despite its large size, and he is capable of great tonal beauty and sensitivity. This not only makes his Wagner, Giordano, and Berlioz very special, but makes him equally adept with the gentle little gems he sings on this disc. He is helped somewhat by the fact that these songs, most of which were written in the very early part of the 20th century, are a lot closer to the 'classical' style than more modern pop. But what really makes Heppner perfect for this material is his total identification with the texts, his tenderness, and his utter sincerity. Also, his diction is superb - you won't need the printed texts to understand what he is singing. In the hands of a lesser singer, some of these old fashioned songs would be absolute treacle. But an artist like Heppner can raise up even 'substandard' compositions and give them the aura of greatness.

In the more upbeat songs, Heppner sings with the thrilling, heroic tone that has made him in demand in every opera house in the world. He makes 'Let All My Life Be Music' into his personal mission statement. 'Homing' was also a favorite of another great Wagnerian tenor, namely Lauritz Melchior. 'I Love Life!', complete with splendid high C, is sung with enough cheer and vigor to bring anybody out of a depression. But this repertory is often gentle and introspective, and Heppner can also easily fine down his voice to a splendid pianissimo, drawing you in and enticing you to pay attention as opposed to banging you over your head like many other tenors do. Ivor Novello's 'Love is My Reason For Living' and Ernest Charles' 'Let My Song Fill Your Heart' are light, gracious Viennese waltzes. The familiar 'Roses of Picardy', 'Bird Songs at Eventide' and 'I'll Be Seeing You' are also sung sweetly and caressingly. Two more Novello songs are among the best tracks on the album. 'Someday My Heart Will Awake', is soft, gentle, and nostalgic, rising to a passionate conclusion. 'We'll Gather Lilacs' is obviously a love song from Heppner to his wife Karen (to whom the entire album is dedicated), full of yearning and deeply moving.

The operetta selections are even more special. In the Serenade from 'The Student Prince', which is alone worth the price of the CD, Heppner makes something truly thrilling of the declaration 'Oh, hear my longing cry!/Oh, love me or I die!', and ends with not one but two spectacular high Cs. What a pity that the chances of him ever recording the entire operetta are so slim! The cajolingly sung title song from 'The Desert Song' is almost as fine, as is 'Love Me Tonight' from 'The Vagabond King'. Finally, the title song 'I'll Follow My Secret Heart', with yet another brilliant high C, makes a splendid finish to this very enjoyable album.

I should also give credit to noted composer and orchestrator Jonathan Tunick for his warm, rich, and perfectly scaled arrangements of these songs. Like Heppner, he finds the perfect mood for each piece and never engages in schmaltz that one might expect from some of this material. The only complaint I have about this disc is the one I have about many contemporary CDs - why is there only 54 minutes of music on a medium that can hold almost 80 minutes? There are assuredly more than 18 songs Heppner could have recorded in this vein. I would have liked to have seen more operetta items in particular. Although I suppose they couldn't have recorded the Drinking Song from 'The Student Prince' as well as the Serenade without a chorus, it would have been nice if 'Deep In My Heart, Dear' had been included. Still, the quality of what is there far outweighs the quantity. The excellent documentation, in German and French as well as English, includes a personal note from Heppner, biographies of all the composers as well as Heppner and Tunick, and complete song texts. The cover shows Heppner surrounded by red velvet, designed, amusingly enough, by Red Herring Productions!

Whether you're an opera lover who wants to hear a great tenor in a lighter mood, or a fan of early 20th century popular music who is curious to see what it sounds like sung by a genuinely great voice, this disc is essential. It is an excellent introduction to Heppner's artistry if you haven't experienced it before, and after listening to it you might want to try some of his opera CDs, both solo recitals and complete recordings. There are few voices that could serve as a better introduction for a neophyte to the wonderful world of opera. If only more 'crossover' singers (both classical and pop) had Heppner's musical integrity...

This cd has left me speechless, wow!.......2001-02-18

Air give me air, I need lots of air, air, air.......This cd has caused me a lot of adverse breathing.

The things that I have read about Ben have been very true. He really is a lot more than I ever bargained for. He is THAT GOOD.

I need to go out on a limb and say that he is the best tenor I have ever heard. In my wildest dreams I never thought anyone could be that good.

For this cd Ben choose to sing a lot of standards. Bravo! This is my kind of music. Ben did an excellent job crooning us with his golden voice. He knew when to hold back and when to sing at full strength. This is marvelous how he worked each song to get the full meaning out of it.

The only complaint I have is there was not enough of the good olde songs that I wanted to hear Ben sing. I know it's hard to please all the people all the time and I understand where Ben was coming from.

Tracks:

(Snova, kak prezhde'e, adin), Op. 73 No. 6
(Salavej), Op. 60 No. 4
(Podvik), Op. 60 No. 11
(Rastvaril ja akno...), Op. 63 No. 2
Serenada Don Zhuana, Op. 38 No. 1
Son, Op. 8 No. 1
(Ana kak polden' harasha), Op 14 No. 9
(Ne poj, krasavitsa, pri mne), Op. 4 No. 4
(O, net, mal'u, ni uhadi!), Op. 4 No. 1
Primiren'je, Op. 25, No. 1
(Sieza drazhyt f tvajom rivnivam zvore), Op. 6 No. 4
(Net, tol'ka tot, kto znal), Op. 6 No. 6
Strashnaja minuta, Op. 28 No. 6
(Fchira my fstretilis'), Op. 26 No. 13
V malchan'ji nochi tajnay, Op. 4 No. 3
(Fs'o otn'al u min'a), Op. 26 No. 2
Atryvak iz A. Musset: (Shto tak usilenna), Op. 21 No. 6
(Hristos vaskres), Op. 26 No. 6

Customer Reviews:

I've known him and his life and also mine that love Russian music so much........2005-09-12

I am a mezzo-soprano singer and love Italian opera and German Lieder. But I haven't known how beautiful Russian Romances are. Maybe because many male low voice singers have just good voices but beautiful legato phrasing with the hottest heart as Dmitri Hvorostovsky sings on this CD.
His amazing earthquaking low tone and heavenly elegant high tone are based on his deep breathing of his own. His sweet but excellent expressions moved me and my life. I recognized these Romances are his foundation of whole his musical life. I felt his deep love to Russia and his family, and it impressed me as a Lieder singer.
It is a huge contribution to many foreigners including me got to love Russian music who haven't liked them before.

An Overlooked Treasure.......2004-08-05

Even major fans of Tchaikovsky and Rachmaninoff may be unfamiliar with these works, but I think this CD perfectly captures what these artists sought to convey musically. The songs are mostly "torch songs" with text by major Russian poets. The piano and voice work together very well to build to "the point" of every work. The deep male voice we hear is just right for the material. After reading the text along with the music a few times, the listener can most fully appreciate this artwork, even if one may not philosophically enjoy the explicit message of the words, the music clearly delivers an artistic expression of intense longing.

magnificent !.......2000-06-19

This recording was my introduction to the glorious voice of this Siberian baritone, and it continues to overwhelm me with its passion and soul. These are mostly songs of love unrequited and love departed, sung with emotion and sensitivity by one of the most extraordinary singers of our generation. The simplicity and beauty of the solo piano accompaniment by Oleg Boshniakovich only adds to the power of this CD. It's a must for anyone who loves Russian music and appreciates Hvorostovsky's amazing talent.

The Essential Dmitri CD.......1999-08-25

The repertoire for Dmitri's second solo album was chosen with great care. The title "romances" can be somewhat misleading, though. This is not a collection of "touchy-feely" love songs. The lieder-style songs by Tchaikovsky and Rachmaninov deal with anguish, suffering, reflective melancholy and the kind of love that leaves a heart scarred and bleeding forever. One exception - the bravura of Don Juan, sung with gusto and thirst for life. These songs are dear to every educated Russian. Much like Schubert, who composed the lieder to the poetry of Goethe and Shakespeare, the Russian composers selected works by Pushkin, Pleschcheyev, Fyet, and others to communicate the intense emotions or dreamy reflections. The incredible "Christ is Risen", is written by D. Myeryezhkovsky, a man far ahead of his time, lamenting the irony of hearing the happy church hymns and praises set against the background of our brutal age. Everyone who has ever experienced utter loneliness, despair, melancholy mixed with expectations of a way out will be touched by these songs, that cross the language barriers and speak to the heart with the help of today's greatest baritone. You don't have to be a native speaker like me to appreciate them. Dmitri's voice never fails to explore the very core of the human soul. It can expand thunderously or soften to the sensuous pppp with perfect control and clarity. The high notes are triumphant and soaring with none of the coarseness that so many baritones have. The lower notes impress with their basso-like quality. His passion and intelligence are reminiscent of such great singers as Boris Christoff and Nicolai Ghiaurov, yet the range of the baritone allows for new, unusual, and welcome interpretations. He receives warm, thoughtful, and lively support from pianist Oleg Boshniakovich. Philips provides great sound and a nice booklet amiss any Cyrillic texts (which is thankfully corrected in their latest releases) and, alas, with a few minor spelling mistakes. The cover features, quite appropriately, Dmitri singing, looking out into the morning mist. Great artist and great achievement!

Wonderful and should be on the Essential List!.......1998-09-11

This is a wonderful collection of Tchaikovsky and Rachmaninoff songs and is one of my favorites. Dmitri does the full-out dramatic songs as well as the folk-song-style songs (like "She is as fair as day"). All are well suited to his (bass/baritone) voice and artistry.

If you like this album, also try his CD "My Restless Soul", another good one.

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