Crash [Soundtrack]

crash [soundtrack]

On this CD:

Crash, film score
Composed by Mark Isham

In the Deep
Composed by Bird York, Michael Becker
with Bird York

Maybe Tomorrow
Composed by Kelly Jones

Editorial Reviews
From the Artist
As a composer of music for film, I have had the opportunity to score a wide variety of films from the sweeping studio epic to the intimate independent drama and they all have presented unique challenges. I have found over the years however, that the more money that is tied up in a film, the more requests there are for the composer to make safer choices and for the composer to present the more predictable options to the filmmakers. Thus my continuing interest in working in the world of independent filmmaking.

When I read Paul's script for "Crash", I was immediately inspired to write for this film. The intricate plot, so masterfully woven around the wonderfully drawn characters, demanded a uniquely beautiful score. And in this case, this complete lack of financial resources, with which one could have resorted to the "tried and true" formulas of "successful film scoring", turned out to be a huge blessing.

Many composers start off their careers in "the bedroom" so to speak; in a small room, with their cherished equipment, building their music piece by piece, single handedly. For this score I returned to "the bedroom" and forced myself to find new and refreshing solutions to the challenge of writing this music. I am very proud of this score and sincerely hope that you, the audience, find it as engaging to listen to as I did to compose, and that through this album you can appreciate the beauty of this wonderfully crafted film.

-- Mark Isham

Product Description
Mark Isham's highly emotional score for the film CRASH will move you in ways you never expected. Beautiful cinematic passages collide with ethnic voices evoking the powerful imagery of the film. The album is complimented by the original song "In the Deep" by Bird York and "Maybe Tomorrow" by Stereophonics.

Crash,Mark Isham,Bird York,Stereophonics,Superb Records,Crossover Jazz,Film,Film Music,Original Score,Pop,Post-Bop,Soundtrack,Soundtracks,Soundtracks & Film Scores,Vocal,Vocal Music

Crash [Soundtrack]

Average customer rating:

A good soundtrack...
One of my favorite film scores from Mark Isham
broken box
One of the Best ever
a profound disappointment,,,

Crash
Mark Isham , Bird York , and Stereophonics
Manufacturer: Superb Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Crash: Music from and Inspired by Crash
Wicked Little High
Crash (Widescreen Edition)
The Constant Gardener
Memoirs of a Geisha

ASIN: B0009F79NM
Release Date: 2005-06-07

Tracks:

Crash
Go Forth My Son
Hands In Plain Sight
...Safe Now
No Such Things As Monsters
Find My Baby
Negligence
Flames
Siren
A Really Good Cloak
A Harsh Warning
Saint Christopher
Sense Of Touch
In the Deep - Bird York
Maybe Tomorrow - Stereophonics

Album Description

Mark Isham's highly emotional score for the film CRASH will move you in ways you never expected. Beautiful cinematic passages collide with ethnic voices evoking the powerful imagery of the film. The album is complimented by the original song "In the Deep" by Bird York and "Maybe Tomorrow" by Stereophonics.

Customer Reviews:

A good soundtrack..........2007-05-06

...to a great movie. It's not as good as his soundtrack to "Afterglow" but a nice listen nonetheless. Without the great band members like Gary Burton & Charles Lloyd what can one expect?

One of my favorite film scores from Mark Isham.......2007-02-25

Mark Isham is quickly becoming one of my favorite composers. His work on the indie film "The Cooler" introduced me to his talents and I enjoyed what I heard. It wasn't until "Crash" did I really start taking notice of his work. Mark's work on "Crash" is a mix of ambient and classical with a glimmer of Middle Eastern (like on the song "Flames"). A lot of film composers have a terrible habit of creating loud, bombastic music that simply overwhelms the film and the person watching the film. Mark avoids the bombastic trappings of Hans Zimmer and John Williams by creating a more lush, haunting, minimal score that will leave a profound, moving effect on the filmgoer. One of the best songs on the album is "Flames" a gorgeous Middle Eastern-influenced track with ethereal female vocals that reminded me of Azam Ali and Lisa Gerrard of Dead Can Dance. My other favorite song on the cd is "In the Deep" by Bird York. The song is a lovely folk/pop/jazz song that captures the emotional turmoil that occurs through out the film. I wasn't too wild about The Stereophonics track. It kinda killed the intimate sound Mark Isham created. At least Bird York's song had that same lush, intimate, atmospheric sound. While "Crash" wasn't perfect by all means, the music itself is perfect in every sense of the word at least to me it is. Too bad I can't say the same for his recent work for "The Black Dahlia".

broken box.......2007-02-21

Although the album is a perfect piece of art and the music has a total efect on the whole movie, tha box that came the cd was broken inside.. the teeth that holds the cd were not there and the cd was loose ready to fall when i opened the box..
Thats very unfortunate but still hasn't happened in the past, I'm amazon oriented customer, have ordered lots of stuff from amazon never had problems in the past! My best regards, Alex

One of the Best ever.......2007-01-09

Every now and again a movie comes along that impacts you so personally and deeply, you cannot ignore, or ever forget what it meant to you. This is one of those movies.
Crash will take you down to your very soul then drag you back kicking and screaming to reality and wanting to run away and hide.
Dealing with society's inability to overcome prejudice on a very personal level, Crash exhibits the ability to make you examine not only yourself, but everyone around you. You ARE racist. Every thought you have tells you that, good or bad.
There is no one actor that stands out above the rest in this movie, all are treated by the director as being of the same importance, but the viewer WILL identify with at least one of them. All put in performances well above that expected. From Sandra Bullocks affluent life down to Matt Dillons survival in a dingy apartment, through Don Cheadles family dynamic to Jennifer Espisito's implicit Racism, you will see what ordinary America is really like. How we all interact with each other on a day-to-day basis, how the decisions we make effact not only ourselves, but others around us.
It would be impossible to give the plot in less than 5,000 words, but this film has gained 3 Oscars, 36 other awards and has 56 nominations, and it was worth more.
THE film of 2005, will be in the top 250 for all time movies.

a profound disappointment,,,.......2006-12-27

There just isn't enough variety here to make the music memorable, and the mood is similar throughout. One looks in vain for a memorable melody or piquant harmony. anything but the doodling we have here which sounds like that of a 3rd rate composer. Perhaps this music works as background; as the "main event" the Cd is a "crash" ing bore!

Average customer rating:

Looking for a song title
two thumbs up!!
Did i miss the music?
Music Inspired By A POwerhouse of a Film
Buyer Beware - Packaging Deceptive

Crash: Music from and Inspired by Crash
Various Artists
Manufacturer: Superb Records
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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Crash
Wicked Little High
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Crash (Widescreen Edition)
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ASIN: B0009NCPUQ
Release Date: 2005-06-07

Tracks:

If I... - KansasCali
Plastic Jesus Billy Idol
Are You Beautiful - Chris Pierce
Free - Civilization
Hey God - Randy Coleman
Take The Pain Away - Al Berry
Problems - Move.meant
Arrival - Pale 3 featuring Beth Hirsch
Acedia (The Noonday Demon) - Quinn
Save Me - Bird York
Afraid - Quincy
Maybe Tomorrow - Sterephonics

Album Description

The music on this album is from and inspired by Paul Haggis' film CRASH. The songs play in a "continuous" form where musical genres literally collide with each other and become invisible. This is why you will hear no gaps between songs. Musical styles mix, from rock-to-rap-to-electronica-to-singer-songwriters, all in a seamless way that further proves the point that there is a common thread in all of us regardless of our preconceived musical notions.

Customer Reviews:

Looking for a song title.......2007-03-06

Someone help me with the name of this song please from Crash. It plays just before Maybe Ttomorrow (while people throw wood on a torched car that the policeman ditched after accidently killing Don Cheadles brother). I believe it has some foreign lyrics and has a recurring piano chord.

two thumbs up!!.......2006-08-24

at first i really liked the 12th track since i saw the movie,
and that's the reason i bought this although i spent considerable money on shipping.
now I LOVE almost EVERY single one in it.
I really don't know why they don't import this soundtrack in Korea.

Did i miss the music?.......2006-03-15

I really liked the music in the movie, but this wasnt most of what i liked. Maybe it was a different movie. I was disappointed.

Music Inspired By A POwerhouse of a Film.......2006-03-13

'In LA, people don't touch. They're separated by glass and steel
and the only time they come into contact is by crash'. And with these words Paul Haggis tears open the box of CRASH, one of the most searingly vital and important films of the year. This is a film that explores prejudice, racism, fear, hate, bigotry, random violence and all of those barriers we people of the cities have erected to isolate ourselves from the miscegenated world in which we live. In Haggis' hands every possible form of miscommunication based on ignorance and transference of self-loathing is woven together in a story that mixes Caucasian, African American, Asia, Persian, Hispanic conflicts and lifestyles and the concurrent disruption of world views gone wrong into a pungent story of tragedy and collision.

Every character in this well-crafted script eventually confronts every other character in ways that are at times coincidental, at times, tangential, and at other times the direct result of prior confrontations. African Americans bully each other over their own prejudices, Caucasians belittle their Hispanic workers and are the first to point the finger at the 'tattooed gangsters' who in reality are innocent tradesmen, Persians terrorized on their property immediately aim their hate at other minority suspects, redneck racist policemen thrash out at African Americans in response to their own personal family demons that have eroded their outlook and extend that venom to the most innocent of the rookie cops who metamorphose into like habits. Every form of prejudice and hate is encountered and none of the characters is free from being both the perpetrator and the victim. It is as though the Golden Rule of 'Do unto others as you would have others do unto you' has been hideously transformed into a reason for violence.

People left the theater stunned, tearful, informed, and incredulous, so great is the impact of this film. Much or that impact is aided by the brilliantly creative cinematography of James Muro and Dana Gonzales and by the powerful musical score by Mark Isham. Not only is Isham's score reflected in this CD, but there are also bits and pieces of music that reflect the vision of the composer, the writer, and the director and force those who have been exposed to this giant of a film to reflect. This is quite simply one of the finest films of the year by anyone's standards. For those critics who descry Haggis' lack of providing 'Redemption' for the characters, this viewer would take offense: every character is altered either tangentially, directly, or referentially by the tightly woven tapestry that is CRASH. Recommended for everyone to see, internalize, and begin to make changes on our planet. Grady Harp, March 06

Buyer Beware - Packaging Deceptive.......2006-02-22

I'm listening to this CD for the third time since I bought it this past weekend, trying to figure out why it is not what I remembered from the movie. The music is OK, although not exactly my taste. However I kept asking myself why did I like the music from the movie so much when this doesn't do much for me. Was it merely the context of a GREAT movie? From an Amazon search, I realized that there are two different (but visually very similar...same graphics, different photo) Crash (the movie) CD's... the actual Soundtrack and the "music inspired by". Whereas I have no criticism of the music itself, the packaging is extremely deceptive, and irresponsible. I will buy the "real" soundtrack and probably never listen to this again. ($15 wasted). I would also have to comment that the "inspiration" referred to on the cover is also a serious stretch of the truth. This is a pop-hip-hoppish album whereas the actual soundtrack is a Mark Isham piece... very different. And, the cover says "music from and inspired by".. which is only true on a technicality. There is only one song on this CD that is on the soundtrack. To those who knew what they were buying and like this music, more power to you. But I would imagine that I'm not alone in mistaking this CD for the actual soundtrack, as it was the only only Crash CD in the soundtrack section of my local Borders. I would encourage record labels to differentiate the graphics on two very different CD's so that consumers get what they expected. Confusion like this doesn't serve either audience.

Average customer rating:

Quite good, but not a stellar "Trek"
Love The Soundtrack
Best ST recording in the Alpha Quadrant
I must disagree
Middle-Trek

The Star Trek Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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The Ultimate Star Trek
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Symphonic Star Trek
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ASIN: B0000DJYNZ
Release Date: 2003-11-11

Tracks:

Theme (TV Series)
End Titles (The Motion Picture)
Klingon Attack (The Motion Picture)
Warp Drive (Sound Effect)
Overture (The Wrath Of Khan)
Bird Of Prey Decloaks (The Search For Spock)
End Titles (The Voyage Home)
Away Team (Sound Effect)
End Titles (First Contact)
Tasha's Farewell (The Next Generation)
Theme (Deep Space Nine)
He's Toast (Deep Space Nine)
End Titles (The Final Frontier)

Tracks:

End Titles (The Undiscovered Country)
Theme (Voyager)
Battle Stations (Sound Effect)
Overture (Generations)
One Last Visit (Deep Space Nine)
End Titles (Insurrection)
Dogfight In Space (Sound Effect)
The Menagerie (The TV Series)
Opening (Star Fleet Academy)
Crash Landing (Sound Effect)
Suite (Nemesis)

Customer Reviews:

Quite good, but not a stellar "Trek".......2007-05-18

Silva Screen Records has made a name for itself releasing reproductions of modern orchestral soundtracks, with most of its products centering around a particular genre or composer. Star Trek has a history of quality music, so its no suprise Silva has taken a crack at music in the final frontier. This is a fine release, with some strong points and some weak ones as well.

IN GENERAL: For the purist looking for a "best of" compilation taken from the original soundtracks take note: this isn't that product. Rather, these are reproductions by Nic Raine conducting the City of Prague Philharmonic. That said, this is a quality group, and the general sound is professional and comes off quite well (for the most part..I'll mention a few exceptions). It is superior to the other releases I have heard from the Cincinnati Pops Orchestra.

SELECTION: The biggest advantage here is variety of sources. The Trek feature films are all represented here, as well as the various series (except for the last one, "Enterprise"). The thouroughness seems to match or excel the oher Star Trek Compilation CDs that have been released. There are a few other offbeat additions..notably a four minute suite from the videogame Star Fleet Academy. Personally, I found this bland track to be four minutes of wasted disk space. The original series has many memorable moments (listen to the Amok Time/The Doomsday Machine soundtrack) which would be be more exciting and also a better fit on this album.

Jerry Goldsmith's standard Star Trek March is heard far too often on these 2 CDs. The march itself is terrific, but it has been used so much it has become the franchise's major theme and the album's producers rely on it by representing many movies by their "End Titles". Unfortunately, Goldsmith's end titles consistently use a three-section approach: two sections of the "standard" Star Trek March sandwich a middle section of music that is unique for that particular film. This is OK if you are listening to a single movie's soundtrack, but for a compilation album, the fourth or fifth time you hear the march, it is too much. It would have been a better idea to cut a few "End Title" performances in favor of other selections from the films' soundtracks.

PERFORMANCE QUALITY: For the most part it is very good and captures the spirit of the original soundtracks. Selections from Horner's scores for the second and third films stand out as particularly well done. The last movie, "Nemesis" also has a terrifically arranged suite, and most of the movie soundtrack reproductions are very good quality. The only exception is from "Klingon Attack" in which the awesome bass of the "blaster-beam" from the original cannot be matched by the comparatively hollow synthesized atempt here.

PERSONAL GRIPE: the inclusion of sound effects. Every so often a special effect like "Warp Drive" or "Dogfight in Space" pops up between tracks. This by itself would be extremely cheesy. Add to this that these are not the actual sound effects from the TV shows or movies and the cheesiness levels reach a level I think only a Wisconsin resident could appreciate. Sci Fi music (and Star Trek in particular) seems to inspire some labels to add special effects inclusions like this. Who knows why.

Love The Soundtrack.......2007-04-03

I bought this soundtrack and I love it.A great edition to the star trek fans.

Best ST recording in the Alpha Quadrant.......2007-01-10

Great collection of Star Trek series and Movie themes; only a Klingon
Opera is missing.

I must disagree.......2005-07-17

I own all the original recordings, and I still enjoy this re-recording. It is good. It is better than the Cincinatti Pops "Symphonic Star Trek", it is better than the Richard Hayman "Star Trek" compilation from 89, its better than the Sci Fi compilation on the Edel label from 93 and for the most part is better than Varese's Ultimate Star Trek from 1998.

This collection has music you will not find anywhere else. The Tasha's Farewell track is beautiful and the only other place its avialable is the Edel "Best of Science Fiction" compilation from 1993, and while that was recorded by the same orchestra, it was with a different conductor, and comparing the two, you can tell that Nic Raine was more successful with Prague than William Motzing was. That said Edel release is also more than $30 here on amazon. Also this release is in HDCD Dolby which is a plus. There's also two cues from Star Trek: Deep Space Nine; one of them is on The Best of Star Trek: 30th Anniversary Special, the other is not on any other album. In addition, there is music from Ron Jones "Starfleet Academy" video game which is pretty cool to listen to, and not availble anywhere else that I know of. Finally, Jerry Goldsmith's main theme can get boring after a while, I mean, its repetitive that it is in all the end credit suites, it would have been nice for Insurrection to have maybe an action cue instead of the end credits suite...And Nic Raine, did just that, only for Star Trek: Nemesis. Instead of the tradition end credit suite, Mr. Raine arranged a professional suite with the main Nemesis theme, some action cues, as well as the Goldsmith Star Trek march, and it is a wonderful 8 minutes. If you already have the 3 space and beyond albums, the Star Trek Nemesis track as well as Birds of Prey Decloaking from Star Trek III are the only new tracks on this CD.

This is a must-buy for fans of star trek in general, and hardcore star trek fans should buy this album for the aforementioned cues that aren't available anywhere else.

Middle-Trek.......2005-01-13

I rate this album as fair-to-middlin' for Trek score tributes.
After Star Trek: The Motion Picture's ground breaking and intensely serious dramatic score, the other Trek filmscores slide downhill somewhat and like the films themselves became less spectacular. Goldsmith himself never even re-captured the grandness of the first film's music and it shows in this album. The playing by the orchestra is fairly competent but it suffers a bit by being a smaller ensemble and these scores need at least 90 or 100 pieces to do them justice. Also the "Blaster Beam" instrument is so integral to a couple of the scores as to be alarming by it's absence. Only Craig Huxley and Micheal Stearns still use one as they built each-other's instrument in the late seventies.

What would have rescued this album from the admittedly 'high end' of mediocrity would have been if the producers could have recorded some of the missing cues from ST-1 and ST-2 and maybe a couple of the others.

This would have made it much more valuable to soundtrack collectors and Star Trek music buffs.

What we are left with is a nicely produced somewhat 'ho-hum' in an endless series of Trek music covers...

Average customer rating:

The penultimate collection ...
Muisic of the Spheres
The Ulllllltimate Sci-Fi Music Collection
SciFi Album gift
Away From to be a Collectible Peace

The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side

ASIN: B000066HE5
Release Date: 2005-02-08

Tracks:

2001: A Space Odyssey
Aliens
Sound Effect - The Nostromo
Alien
A.I.
Armageddon
Sound Effect - Apollo 13 Lift-off
Apollo 13
Back To The Future
Battle Beyond The Stars
Battlestar Galactica
The Black Hole
Contact
Capricorn One
Close Encounters of the Third Kind
The Day The Earth Stood Still
Dune

Tracks:

Galaxy Quest
Sound Effect - Dogfight in Space
Enemy Mine
Ghostbusters
Gremlins
Heavy Metal
Independence Day
E.T.
Judge Dredd
The Last Starfighter
Lifeforce
Sound Effect - Crash Landing
Lost In Space
Mars Attacks
The Matrix
Predator
The Right Stuff

Tracks:

Moonraker
Robocop
Silent Running
Sound Effect - Alien Organism
Species
Stargate
Starship Troopers
Starman
Star Trek - TV Theme
Star Trek: The Motion Picture End Title
Klingon Attack
Sound Effect - Warp Drive
Star Trek II: The Wrath of Khan
Star Trek: Deep Space Nine
Star Trek: Generations
Star Trek IV: The Voyage Home

Tracks:

Star Trek VI: The Undiscovered Country
Sound Effect - Transporter Crew
Star Trek: Deep Space Nine - Main Theme
Star Trek First Contact
Star Wars
The Empire Strikes Back
The Empire Strikes Back
Return of the Jedi
Sound Effect - Battle Stations
Star Wars Episode 1: The Phantom Menace - The Flag Parade
Anakin's Theme
The Adventures of Jar Jar
Duel of the Fates
The Time Machine
Things to Come
The Thing From Another World
War of the Worlds
When Worlds Collide
Total Recall
You Only Live Twice
Superman

Customer Reviews:

The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.

Crash: Original Motion Picture Soundtrack

Average customer rating:

When lane markers blur and the wheel is more real than you
One of Shore's best scores
good soundtrack for the book
Dark, Unique and Focused
WHERE ARE MY KEYS?

Crash: Original Motion Picture Soundtrack
Howard Shore
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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Crash
Cop Land: Music From The Miramax Motion Picture
The Client: Original Motion Picture Soundtrack
Crash: Music from and Inspired by Crash
Panic Room (Score)

ASIN: B0000015M1
Release Date: 1997-01-14

Tracks:

Crash
CineTerra
Mechanism Of Occupant Ejection
Mirror Image
Where's The Car?
Sexual Logic
Road Research Laboratory
Mansfield Crash
Chromium Bower
A Benevolent Psychopathology
Two Semi-Metallic Human Beings
Triton
Accident...Accident...
A Crushed Convertible
Prophecy Is Dirty And Ragged

Amazon.com

Howard Shore's music for Crash is among those truly rare times when a film composer and his subject matter achieve optimum intercourse. Every electrified guitar wail and steely screech, every wistful woodwind and haunting harp, and each melancholic violin conspire to provide a soundtrack perfectly suited for, yet independent from, its movie. Shore no doubt adds a darkly romantic logic to David Cronenberg's screen adaptation of J.G. Ballard's literary meditation on the eroticism of car crashes. Instead of being obvious or trendy (e.g., songs by the Crash Test Dummies), he opts for a singular combination of electronic overlapping and echo delays that are both metallic and oddly melodic. Highly Recommended. --Joseph Lanza

Customer Reviews:

When lane markers blur and the wheel is more real than you.......2005-02-17

Imagine a stoned, scared steel drum band rescored for strings. That's the essence of this film score. It's broken into surprisingly short sections on the CD and I've never decided if this works to or against the material. On the one hand it doesn't have the chance to buildbuildBUILD but on the other it dodges the pretentious song-cycle and the sharp disjunctions in volume level reset the listener. Reboot the ear, if you will.

Other reviewers here talk about speed. That's misleading. It's not I can't go fifty-five. It's the quickening of an obsession, the surprised inability to break away--to ever leave. Trembling letters stories high and decades long lining and bridging the highway, or urban corridors of hookers' legs. This is the music of obsession and as such is the perfect match to Ballard's novel and a fair one to the film.

"Chromium Bower" is one scary car wash. Reminds me of Mr. Bungle's "The Bends".

One of Shore's best scores.......2004-09-10

I've purchased this cd a couple of times now for various reasons, one of which is because it's a score I could not live without. Simply put, this is one of the best film scores ever recorded, and certainly one of Shore's best.
The music is moody, elegant, enigmatic, and darkly sensual. It was one of those rare moments where film and score achieve synthesis, and the result is incredible. BUT, as a score alone (sans film), it's still great (not good but Great) music. If you've read this far, just get the cd already!

good soundtrack for the book.......2004-07-21

I thought the movie was good but not great.to get the whole idea behind "crash" read the book by jg ballard(some very trippy elements were left out in the film.)as far as the score itself-it's truly innovative and strikingly original in every way!check this out,for instance;in the liner notes of the cd booklet howard explains how he created the lush atmosphere of the score by playing instrumentals he recorded of guitar and harp backwards and pretty much mingling and re-aranging these recordings to create an awesome feel.if you like david cronenberg,david lynch,or any others like them you will like this cd.pure atmosphere

Dark, Unique and Focused.......2003-07-21

This is an amazingly haunting soundtrack, very dark and very focussed upon creating the mood for the movie. The overlay of steel stringed instruments brilliantly reflects both the car crashes within the movie and the seemingly cold and inhuman obsession of the main characters. The movie is extremely psychological and this soundtrack adds an enormous amount to the atmosphere. There are no warm and fuzzy bits here and no loss of focus. This is like an album of mood music for industrial nightmares. Overall quite brilliant, but only when you are in the right frame of mind.

WHERE ARE MY KEYS?.......2001-08-17

IF YOU LIKED THE FILM, YOU'LL LOVE THE SOUNDTRACK (ST). HOWARD SHORE HAS DONE A GREAT JOB OF CONSTRUCTING A WONDERFUL ST THAT SUITS THE MOOD AND TONE OF THE MOVIE BY DOING 2 THINGS. THE FIRST IS THAT HE DIDN'T SLAP A BUNCH OF CURRENT (OR RETRO) SINGLES TOGETHER AND CALL IT A ST (UNLIKE MANY OF TODAY'S FILM STs). THE SECOND THING HE DID WAS COMPOSE A SCORE THAT ACTUALLY SOUNDS LIKE HE WATCHED THE MOVIE BEFORE HE BEGAN WRITING FOR IT (AGAIN, SOMETHING THAT YOU DON'T FIND THESE DAYS). WHILE NOT THE MOST UPBEAT OF MUSIC, SHORE's WORK DOES HANG TOGETHER THEMATICALLY. ANYONE UP FOR A DRIVE?

Average customer rating:

Perhaps not *quite* what you want...
Nice imaginative collection

Film Noir

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Legendary Film Noir Movies
Ultra Noir
Murder Is My Beat: Classic Film Noir Themes And Scenes - Motion Picture Soundtrack Collection
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White Heat: Film Noir

ASIN: B00081U78G
Release Date: 2005-05-24

Tracks:

Turning Pages - Matthew Herbert Big Band
Godfather - Terence Blanchard
Silencio - Angelo Badalamenti
They Go Long - Edward Artemiev
Don't Be Worried - Cyril Morin
Suspense - Frederick Rousseau
Chop Shop - Alex Wurman
The Wrong Man - Bernard Herrmann
Simpatico/Misterioso - Ornette Coleman
House Of Silence - Angelo Badalamenti
Mansfield Crash - Howard Shore
Verbal Kint - John Ottman
The Swing - Hans Zimmer
Blues For Guylaine - Andre Hossein
Buckets Of Blood - Pino Donaggio
The Elephant Man - John Morris
Mourning - Claire David
Ballade - Joe Hisaishi
Taxi Driver Suite - Bernard Herrmann

Customer Reviews:

Perhaps not *quite* what you want..........2007-04-27

If you're like me and you have a hankering for "film noir music," you're probably thinking of a lonely sax playing an urban, 3 AM melodic line, backed by some bluesy chords from a small jazz ensemble. Like John Barry's excellent theme from "Body Heat," for example, or something like Jerry Goldsmith's theme for "Chinatown."

Never mind the fact that the great majority of films noir from the classic period (1941-1955) didn't have jazzy background music like that at all, but was usually scored with quasi-classical romantic string music (with a solo violin) or bombastic, brass-heavy instrumentals.

Anyway, this CD isn't the 3 AM sax stuff.

Not to say that there isn't some of that on here. You might like "Godfather" (not, however, the theme you're thinking of from the Francis Ford Coppola Godfather films), or "Blues for Guylaine," or even the bluesy passages from Bernard Herrmann's "Taxi Driver" suite.

But there's some odd stuff on here that causes me to wonder how, precisely, it qualifies as "film noir."

For instance, the dreamy carnival music from "The Elephant Man," or the angular string music in "Buckets of Blood" (from "Carrie," not the Roger Corman film). Seems like a reach. The first cut, "Turning Pages" had me unpleasantly surprised, and triggered my I've been ripped-off alarm. And "Chop Shop" has a wah guitar that sounds a lot more like a 70's blaxsploitation film than film noir.

The inclusion of Angelo Badalamenti helps redeem the collection; his music for "Twin Peaks," "Fire, Walk With Me" and "Mulholland Drive" redefines what a noir theme should sound like.

This CD is odd, no doubt about it. "Godfather," which sounds decidedly noirish, is from a comedy/drama film about a man who's paid to impregnate lesbians. "The Wrong Man" music is relentlessly perky but comes from a bona fide noir. (Okay, a Hitchcock noir, not quite the same thing.)

The key here, I guess, is to enlarge the scope of what you think noir film music ought to be... But perhaps a better title for this collection of music might have been "Neo-Noir!"

Still, credit must be given to liner notes writer Eddie Muller and his Film Noir Foundation for at least directing the current noir wave. His book "Dark City" turned me - and probably many others - to noir. Long may his tribe increase!

Summary: If you're looking for classic/sterotypical, 3 AM wet-pavements-in-the-Dark-City noirish stuff, try John Barry's "Body Heat," which I enthusiastically recommend. Barry practically *owns* that silky/sexy slow sax genre.

Nice imaginative collection.......2006-08-04

A collection of musical cues from various film noir scores, but imaginatively assembled to constitute a new score for a nonexistent movie. Cleverly done, choosing from excellent sources, and not going for the easy or the obvious. It's exciting to hear someone making a connection between Bernard Herrmann and Angelo Badalamenti.

Average customer rating:

Sound Track Out Of Time!

Green Berets

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

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The Green Berets

ASIN: B0006SSPZ8
Release Date: 2005-01-04

Tracks:

Main Title (Ballad of the Green Berets)
Petersen Caught/Sergeant Petersen
South Vietnam
Danang
Departure
Dodge City
Hamchunk Appears
Requisition
Casualties
All the Way
Bedfellows
Killing Zone/The Spy
Brutality/The Children
Amulet/Confidence
Devastation
After the Raid/Alarm
River Seine
Java de Saigon
Starlight, Starbright/Ready to Fire
Crash Landing
Hamchunk's Dog/Hamchunk's Tragedy
Temporary Victory/Aftermath
Provo's Death
Street Cafe
Paratroopers/Frustration
Chateau Costeau
Seduction/Abduction
Bridge/Escape
Operation Skyhawk
Forgiveness/Petersen's End
End/Ballad of the Green Berets

Customer Reviews:

Sound Track Out Of Time!.......2006-10-10

Aside from the opening and closing tracks (which are choral tracks of Barry Sadler's famous tune - The Ballad Of The Green Beret) - if you close your eyes - you almost feel you are in an asian flavored version of Ben Hur when listening to this sound track. No surprise given the composer - Miklós Rózsa.
All politics aside, I cannot help but be moved by the opening chorus of The Ballad Of The Green Beret - it is immensely stirring. The movie itself is like a John Wayne WW2 movie taking place in Vietnam.

Average customer rating:

It's not the good kind of keyboard!

Crash And Burn Soundtrack
Richard Band
Manufacturer: Intrada Records
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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Shrunken Heads

ASIN: B000000O6I
Release Date: 1992-11-24

Customer Reviews:

It's not the good kind of keyboard!.......2005-01-12

Okay, if you are a Richard Band fan, then you probably want this score. But I urge you not to get it. It's awful. It's all synthesized. Which is not a bad thing, but in this case it certainly is. Unless this was selling for 50 cents I would not pick it up. A good kind of synthesized score would be like Terminator 2 or The Killing Fields or John Carpenters music, but this basically is nothing but ambient. None of the music takes any kind of form or shape. It just floats there without going places. There's no discernable movement of any kind. So trust me, I got it for a dollar used somewhere, and I would sell it if I thought I could get anything for it.

The Harvest: Original Motion Picture Soundtrack

Average customer rating:

The Harvest: Original Motion Picture Soundtrack
The Crash Baptists
Manufacturer: World Domination
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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1990s | By Decade | Soundtracks | Styles | Music
ASIN: B000005LAK
Release Date: 1996-01-30

Tracks:

One By One
Theme Park I
Harvester
River Run
Tunnel Vision
The Elephant Song - Sky Cries Mary
Flesh Dance
Stream Dream
Shriek Freak
Blood On Brick
All In Death Is Sweet - Low Pop Suicide
Operation Escape
Flesh Fish
Theme Park II
I Want You Alive - Low Pop Suicide
Harvest Moon Rave
One By One (Reprise)

Average customer rating:

its not that the material is bad, it is simply repeated
"Silva takes film-score-buffs to the far reaches of space"

The Science Fiction Album, Vol. 1

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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The Science Fiction Album
Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers

ASIN: B0000658GL
Release Date: 2002-05-07

Tracks:

2001: A Space Odyssey: Also Spach Zarathustra
Star Wars: Main Title
The Empire Strikes Back: Han Solo And The Princess
The Empire Strikes Back: The Imperial March
Return Of The Jedi: Forest Battle
The Phantom Menace: The Flag Parade
The Phantom Menace: Anakin's Theme
The Phantom Menace: The Adventures Of Jar Jar
The Phantom Menace: Duel Of The Fates
Apollo 13 Lift Off
Apollo 13: Main Title
Capricorn One: Overture
The Right Stuff: Main Themes
Battlestar Galactica: Main Themes
The Nostromo
Alien: End Title
Independence Day: End Title Suite

Tracks:

Aliens: Prelude/Ripley's Rescue
Mars Attacks: Introduction & Main Title
The Thing From Another World: Main Theme
War Of The Worlds: Main Title/Martian Man Dies
When Worlds Collide: Main Title/The New World
Armageddon: Suite
Crash Landing
Lost In Space: End Title
Back To The Future: Main Title
The Black Hole: Overture
A.I.: Where Dreams Are Born
Lifeforce: Main Theme
Predator: Main Titles
Dogfight
Starship Troopers: Klendathu Drop
E.T.: The Flying Theme
Close Encounters Of The Third Kind: Suite

Customer Reviews:

its not that the material is bad, it is simply repeated.......2005-05-17

The entire first disc is available on other Silva America CDs, (at the time the star wars songs were the first release, but now they are on Music from the Star Wars saga), the rest on "Space and Beyond" "Space and Beyond 2: Alien Invasion", "The Cult Files" and "Battlestar Galactica A-Z of SciFi/Fantasy TV Themes". The re-recordings are cool but this is mainly a rehash of other cd's, as I said, the entire first cd is available on other Silva collections, and only 9 of the 15 tracks on cd 2 are not available on any other cd i own from Silva. (I don't have Cult Files re-opened or Space and beyond 3, who knows they might be on there)

Obviously, when this album was originally released, the main appeal was the newly recorded star wars tracks, this cd has become more or less obsolete, its still a nice collection, but if you own the other Silva cd's. you don't really need this.

"Silva takes film-score-buffs to the far reaches of space".......2002-05-17

Just in time for the latest George Lucas "Star Wars-Episode II:Attack Of The Clones"(5/16)(John Williams) ~ Silva America and James Fitzpatrick have gathered eight cues from previous Star Wars films to thrill us again. Get ready for another chapter in the ongoing saga of inner planetary tales, all collected for your listening pleasure in Silva's latest release ~ "The Science Fiction Album Volume 1" with 34 tracks on a futuristic 2-CD-Set(with a 3-D cover insert), much like the science fiction pulp covers from the '40s, inticing the reader to purchase, read and dive into another world of aliens and creatures from far reaches of space and planets.

This collection features the best of the best composers and film scores ~ David Arnold(INDEPENDENCE DAY)~ John Barry(THE BLACK HOLE)~ Bruce Broughton(LOST IN SPACE)~ Bill Conti(THE RIGHT STUFF MAIN THEMES)~ Danny Elfman(MARS ATTACKS)~ Jerry Goldsmith(CAPRICORN ONE/ALIEN)~ James Horner(APOLLO 13 MAIN TITLE)~ Glen Larson & Stu Phillips(BATTLESTAR GALACTICA MAIN THEMES)~ Henry Mancini(LIFEFORCE)~ Basil Poledouris(STARSHIP TROOPERS)~ Trevor Rabin(ARMAGEDDON)~ Alan Silvestri(BACK TO THE FUTURE/PEDATOR)~ Leith Stevens(WAR OF THE WORLDS/WHEN WORLDS COLLIDE)~ Dimitri Tiomkin(THE THING FROM ANOTHER WORLD)~ John Williams(STAR WARS MAIN TITLE/HAN SOLO AND THE PRINCESS/THE IMPERIAL MARCH/FOREST BATTLE/THE FLAG PARADE/ANAKIN'S THEME/ADVENTURES OF JAR JAR/DUEL OF THE FATES/ARTIFICIAL INTELLIGENCE/E.T.-THE EXTRA-TERRESTRIAL/CLOSE ENCOUNTERS OF THE THIRD KIND).

No doubt the above composers excel in the world of film music, notice how many John Williams scores appear in this collection. Williams is without a doubt one of the major players in this genre, but there are many other composers who can stand up to his high marks when it comes to bringing the full force of a story through music. One such composer is Henry Mancini, if you ever had any doubts about this mans ability to score any film, whether it be drama, comedy, action or sci-fi...this question is answered here with "LIFEFORCE", gives the audience a cinematic education tightly coiled around directors Tobe Hooper's story of outer space vampires. Within each cue of the film, Mancini's score takes over and we are pleasantly surprised with the results.

If you're a "film-score-buff", like I am...then this collection from the '50s', '60s, '70s, '80s and '90s is an absolute must. As an added bonus we feature the world renowned ~ The City Of Prague Philharmonic Orchestra with conductors Paul Bateman, Nicholas Dodd and Nic Raine, plus, yes plus the Crouch End Festival Chorus and one of my favorite sopranos Charlotte Kinder. When it comes to releasing compilations of this magnitude, most labels tend to become much safer in their choices, afraid to make a mistake. Silva America takes the risk and it always pays off, this is one of those times ~ looking forward to "The Science Fiction Album Volume 2", gotta love it!

Total: Disc One 62:45 on 17 Tracks & Disc Two 66:10 on 17 Tracks ~ Silva America
SSD-1139 ~ (2002)

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