Troy: Music From The Motion Picture (Score) [Soundtrack]

troy: music from the motion picture (score) [soundtrack]

On this CD:

Troy, film score
Composed by James Horner
Conducted by James Horner

Remember Me, song (for the film Troy)
Composed by James Horner
with Josh Groban, David Foster, Randy Kerber, Jochem van der Saag, Tanja Tzarovska

Editorial Reviews
Amazon.com
Director Wolfgang Peterson took Homer's The Iliad, excerpted the epic Trojan Wars, ditched those troublesome Greek gods, and largely hung his film's fortunes on copious amount of CGI wizardry and Brad Pitt. Immersing himself in the sword 'n' sandal genre largely revived by Gladiator composer James Horner (whose work here replaced the original score of Gabriel Yared) faced some challenging musical choices: Employ the dark synthetic goth textures of Hans Zimmer, or evoke a more traditional, heroic orchestral tack? The veteran scorer's "3200 Years Ago" arguably goes Zimmer one better, its dissonance-laced textures and dark percussion evoking an ancient, frightening world. There are similar intrigues ("The Temple of Poseidon," "Hector's Death," "The Wooded Horse...") elsewhere, but whether because of the haste with which he composed the score or other filmmaking pressures, Horner also dispenses some cliched, orchestral heroism more worthy of Steve Reeves or Ah-nold. Aficionados often accuse the composer of repeating himself, and the repetitive brass arpeggios he uses as frequent punctuation here do seem straight from the playbook, not to mention Enemy at the Gates; at least he's thematically apropos. There's a closing nod to Jarre's Lawrence of Arabia lyricism, and then Josh Groban gets to burnish his career with a suitably melodramatic take on David Foster's bathetic, neo-exotica ballad Remember Me. -- Jerry McCulley

Troy: Music From The Motion Picture (Score),James Horner,Reprise / Wea,Film,Film Music,Original Score,Pop,Soundtrack,Soundtracks & Film Scores,Vocal,Vocal Music

Troy: Music From The Motion Picture (Score) [Soundtrack]

Average customer rating:

Music for a Certain Mood
Coming from an unbiased fan of the Yared soundtrack...
Excellent Soundtrack, But Missing Some Cuts
The Studio Must Be Crazy...Or Deaf
a let down

Troy: Music From The Motion Picture (Score)
James Horner
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

King Arthur
Kingdom of Heaven
Alexander
Gladiator: Music from the Motion Picture
The Last Samurai

ASIN: B000244F7I
Release Date: 2004-05-11

Tracks:

3200 Years Ago
Troy
Achilles Leads The Myrmidons
The Temple Of Poseidon
The Night Before
The Greek Army And Its Defeat
Briseis And Achilles
The Trojans Attack
Hectors Death
The Wooden Horse And The Sacking Of Troy
Through The Fires, Achilles . . . And Immortality
Remember - Performed by Josh Groban with Tanja Tzarovska

Amazon.com

Director Wolfgang Peterson took Homer's The Iliad, excerpted the epic Trojan Wars, ditched those troublesome Greek gods, and largely hung his film's fortunes on copious amount of CGI wizardry and Brad Pitt. Immersing himself in the sword 'n' sandal genre largely revived by Gladiator composer James Horner (whose work here replaced the original score of Gabriel Yared) faced some challenging musical choices: Employ the dark synthetic goth textures of Hans Zimmer, or evoke a more traditional, heroic orchestral tack? The veteran scorer's "3200 Years Ago" arguably goes Zimmer one better, its dissonance-laced textures and dark percussion evoking an ancient, frightening world. There are similar intrigues ("The Temple of Poseidon," "Hector's Death," "The Wooded Horse...") elsewhere, but whether because of the haste with which he composed the score or other filmmaking pressures, Horner also dispenses some cliched, orchestral heroism more worthy of Steve Reeves or Ah-nold. Aficionados often accuse the composer of repeating himself, and the repetitive brass arpeggios he uses as frequent punctuation here do seem straight from the playbook, not to mention Enemy at the Gates; at least he's thematically apropos. There's a closing nod to Jarre's Lawrence of Arabia lyricism, and then Josh Groban gets to burnish his career with a suitably melodramatic take on David Foster's bathetic, neo-exotica ballad Remember Me. -- Jerry McCulley

Customer Reviews:

Music for a Certain Mood.......2007-07-05

First of all, I am just happy that this score sounds nothing like Horner's scores in the 90's, because Horner has a tendency to recycle himself when he creates a new musical score.------Taken on its own terms, this score goes into the 'rousing' category.-------If you need something to help you get up in the morning this is it.--------I own scores for all my different moods, and this one really does the job when you want something relatively simple with a lot of horns! Of course, having Josh Groban sing a rousing 'Remember Me' during the end credits does not hurt at all!-------Truly, if you are an eclectic music listener, you will be able to gladly fit this into your collection for a certain mood that wants a 'wake-up' call. 'Remember', this is James Horner afterall------no shoddy orchestration here!------------------ Still uncertain, wait for the 'used' price to drop another dollar or two. Yet, definitely put it on your future purchase list.----There are times when we all feel like some rousing 'epic like' music that does not beat around the bush!

Coming from an unbiased fan of the Yared soundtrack..........2007-01-30

NOTE: People often give four or even five stars to film scores that don't deserve it. By awarding this score three stars, I am not saying it is significantly lacking or intrinsically flawed. This is a worthy collection of music we're dealing with.

Horner's score for Troy was an earsore for some. The word most frequently employed by his detractors to describe this CD is "bombastic." I can tell you with authority that Yared's score is much subtler in comparison, but it does not render this CD worthless. It's good, but not THAT good. Though I have recently acquired the Yared score and thoroughly enjoyed most of it, my sympathies lie with Horner. Now that I've compared the two, Horner's score lack finesse in many areas yet proves to be more memorable than anybody cares to admit. I've been courted by all the hype surrounding Yared's score for well over a year now, but now that I have listened to it I still appreciate Horner's work. If things were my way, I'd have tracks pulled from both scores for use in the film. Yared's work certainly does have its highlights (Although if it were up to him, Troy's sacking wouldn't have been nearly as poignant. Unlike Horner, who chose to include the wailing women we all know and love during the attack, Yared was content just using the orchestra).

Horner's score is much more straightforward than Yared's at times. Its occasional bluntness compliments the epic nature of Troy well. It has everything Troy needed: exciting battle themes, a good deal of exotic instrumentals and vocals, and subdued themes that convey the loss and sorrow characteristic of any war. I was perfectly content with this score's use in the film and it's just as good in CD form. If you enjoyed Troy, the music is obviously evocative of the film and therefore is a must-buy. And, not that this is relevant at all, but I can't believe this CD is rated lower than the score for Batman Begins.

I do have ONE gripe about this particular CD's contents:

Remember, sung by Josh Groban, is utterly passable. He has a good singing voice, but this isn't the Prince of Egypt. This is Troy. His poppish vocals and the background beat don't belong on this CD or in the credits. Give me ethnic instrumentals and wailing women any day, but this is the only track here I really despise.

Excellent Soundtrack, But Missing Some Cuts.......2006-08-15

This stirring soundtrack contains all the music for the lengthy battle scenes in the film but omits some of the shorter pieces. I was especially sorry that the rendition of what appears to be the theme for Achilles only appears briefly within the battle sequences; the stand-alone version that occurred early on in the film isn't included on the soundtrack album.

The Studio Must Be Crazy...Or Deaf.......2006-08-07

At first I wasn't that excited about the fact that Gabriel Yared was going to write the score for "Troy" because I thought he was not the kind of composer who could create a colossal score. Then there came the controversy regarding the rejection of his composition in favor of one written by James Horner. I must say that I was not surprised about that decision.
Then my concerns were confirmed: James Horner went back to his usual tricks. The "danger motif" -as heard before on "Star Trek II-The Wrath Of Khan", "Krull", "Brainstorm", "Willow" and, in a very infamous and repetitive way, "Enemy At The Gates" -is once again here. But unlike "Enemy At The Gates", there are three different themes that are really quite catchy. The most impressive one is the theme for Achilles and his Myrmidorns, very epic and triumphant. Then there is an exhultant motif for the city of Troy. And I don't want to forget the love theme, which is later turned into a song sung by Josh Groban. The action music is quite enjoyable, but they would be great if the "danger" music didn't interfere. Another thing that bothers me about this work is the use of a wailing woman; you know, I'm getting tired of the endless use of that technique.
After the release of the movie and the soundtrack CD, I got the chance to listen to Gabriel Yared's sample music, and I must ask myself "Is the studio crazy...or deaf?" Because what I heard blew me away. Yared's music is more lyrical and impressive than Horner's. Unfortunately, we have to stick with this CD until somebody at the studio opens his/her eyes and ears to see and hear the real music for "Troy".

a let down.......2006-07-06

Well I saw this film and loved it, even though I know it was nothing like the actual event, it does not mean this movie cannot be enjoyed. The fights are great, great characters, and great music.

It took me a while to get the soundtrack to accompany the film, and I am sure those others who appreciate film scores agree that when you want a soundtrack the music you know from the film stays in your head, as if metaphorically nagging you to buy it.

So eventually when I bought it I had a quick flick through the tracks(as you do with a new one) and I did not think much of it at the time but was a bit dissapointed, however I thought that when I had a proper listen I would feel better - I did not.

The first track was actually belonging in the middle of the movie, it is horrible and not good to listen to.

The secong track was good untill they reach troy, that same tune of bells and trumpets is repeated for ages and becomes really annoying.

I wont go on with them; but I found that the best music parts in the film are not on the CD; like when Achilles fights Boagrius and when he is playfighting with Patriclus. All in all it gets worse everytime I listen to it.

It is a waste of money.

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