Breakfast At Tiffany's: Music From The Motion Picture Score [Soundtrack]

breakfast at tiffany's: music from the motion picture score [soundtrack]

Editorial Reviews
Amazon.com
When you think of Henry Mancini, you inevitably think of either "Peter Gunn" or "Moon River." (Well, maybe "The Pink Panther"--but that became a cartoon show, so it doesn't count!) Breakfast at Tiffany's gave the world the latter tune, and that beautiful melody recurs throughout this soundtrack LP, which remained No. 1 on the Billboard pop charts for 12 weeks in 1961. (Music for Peter Gunn in 1959 was Mancini's only other No. 1 album.) The soundtrack doesn't include Andy Williams's hit single of "Moon River," but then neither did the film. It does, however, take you through the many moods of the film (and the exploits of Miss Holly Golightly), with an emphasis on Latin influences in the forms of "Latin Golightly" and "Moon River Cha Cha." Nevertheless, one common complaint has been that RCA could've remastered the music and added additional tracks to flesh out the CD. Maybe in the future... --Bill Holdship

Breakfast At Tiffany's: Music From The Motion Picture Score,Henry Mancini,RCA,Lounge,Original Score,Pop,Soundtrack,Soundtracks & Film Scores

Breakfast At Tiffany's: Music From The Motion Picture Score [Soundtrack]

Average customer rating:

Best soundtrack I've heard, especially if you like 1950's swing and jazz
YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP)
Capote
It Still Resonates in Our Hearts
Oh it's good...

Breakfast At Tiffany's: Music From The Motion Picture Score
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Lounge | Easy Listening | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

1960s | By Decade | Soundtracks | Styles | Music

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Similar Items:

Breakfast at Tiffany's (Special Aniversary Collector's Edition)
The Music from Peter Gunn (1958-1961 TV Series)
The Pink Panther
Music From The Films Of Audrey Hepburn
Midnight, Moonlight & Magic: The Very Best of Henry Mancini

ASIN: B000002W3F
Release Date: 1990-10-25

Tracks:

Moon River
Something For Cat
Sally's Tomato
Mr. Yunioshi
The Big Blow Out
Hub Cap & Tail Lights
Breakfast At Tiffany's
Latin Golightly
Holly
Loose Caboose
The Big Heist
Moon River Cha Cha

Amazon.com

When you think of Henry Mancini, you inevitably think of either "Peter Gunn" or "Moon River." (Well, maybe "The Pink Panther"--but that became a cartoon show, so it doesn't count!) Breakfast at Tiffany's gave the world the latter tune, and that beautiful melody recurs throughout this soundtrack LP, which remained No. 1 on the Billboard pop charts for 12 weeks in 1961. (Music for Peter Gunn in 1959 was Mancini's only other No. 1 album.) The soundtrack doesn't include Andy Williams's hit single of "Moon River," but then neither did the film. It does, however, take you through the many moods of the film (and the exploits of Miss Holly Golightly), with an emphasis on Latin influences in the forms of "Latin Golightly" and "Moon River Cha Cha." Nevertheless, one common complaint has been that RCA could've remastered the music and added additional tracks to flesh out the CD. Maybe in the future... --Bill Holdship

Customer Reviews:

Best soundtrack I've heard, especially if you like 1950's swing and jazz.......2007-05-04

Great soundtrack, though very hard to find. Henry Mancini does a great job with the orchestra, I can almost see Mr.Yomioshi peeking out of his door, or Holly singing with her guitar in her windowsill. Perfect for background music when entertaining, and also when you want to relax and enjoy the music of the 1950's.

YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP).......2006-08-27

Back in the mid-1980s, I had an idea for a "theme party" I wanted to throw. Unfortunately, life (lower case L) obstructed my plan and I never got around to it. {*Truth is, he never managed to save up enough money to buy friends to invite.*} But I did record four 90-minute cassette tapes of background music for the party that never was. (Remember, this was before recordable CDs and all the other technocrap.) Oh, the music would have been great: Booker T And The MGs; Three Dog Night; Bobby Darin; Stevie Wonder; Muddy Waters; The Partridge Family; War; and Wild Cherry (guess which Funky song, White Boy!) But each side of every tape ended with MR. YUNIOSHI, the theme song for Mickey Rooney's angry Japanese character in the movie, Breakfast At Tiffany's. MR. YUNIOSHI was to be the cue for me - wherever I was mixing, or whoever I was mixing it up with - to prepare to turn over the tape.

I may throw this party yet...someday. The house is going to be jammed - floor to ceiling - with helium-filled balloons, so as you push your way through them, you'll never know who or what you're about to run into. {*Fun, eh? If you're smart, you'll have a prior engagement.*} Hey, never mind that voice behind the curtain - it IS going to be fun! But there is one thing that every person at this party will have in common: Regardless of who ends up kissing whom, or who ends up punching whom, or regardless of For Whom The Bell Tolls {*Sounds like it's going to be an exhausting evening for Whom! I hope he or she is up to it.*}, each and every person will have knocked back a slug of SAKE as a prerequisite for gaining admittance to this soiree.

SAKE (pronounced "Sock-ee"), in case you don't know, is the traditional fermented Japanese beverage made from rice. It's served hot in small ceramic cups. Being hot, it seems to assimilate in a person's bloodstream fairly quickly and makes one feel real good, real fast. For many, it's an "acquired taste", although I took to it immediately. {*He's an alky; he took to all booze before he took to the bus for elementary school.*} I have two nice sake sets that I purchased ages ago in Chinatown, near downtown Los Angeles, and you'll need to suck a shot of sake before you're permitted to enter my pagoda to hear MR. YUNIOSHI. {*And burst his bubble and pop his balloons!*}

But MR. YUNIOSHI is far from being the only track I like from Henry Mancini's BREAKFAST AT TIFFANY'S soundtrack. I've seen the movie a couple of times and I'm just not one of its fans. But the music, now that's another thing! BREAKFAST AT TIFFANY'S (the film) won none of the 1961 Academy Awards, but the Oscars for "Best Music Score" and "Best Song" (Moon River) went to Mr. Mancini. What does that tell you? {*Think, McFly! Think!*} This entire album is delicious; it's one of my 25 most frequently played compact discs!

It starts with the award-winning bittersweet song, MOON RIVER, written by Mancini and the equally legendary Johnny Mercer. I love the song even if my favorite version was recorded later by Louis "Satchmo" Armstrong. This is the only "song", literally speaking, as it contains lyrics sung by Mancini's Chorus. All other tracks are instrumentals unless you're counting the Chorus singing "Oohs" and "Ahhs" on a couple of the other cuts.

Some of the instrumental pieces have that unmistakable "Mancini" stamp: Distinctively pronounced beats (a la "The Pink Panther"). Others are the antithesis of that style, with a tremendously yearning emotional content conveyed through the subtle interplay of his impeccable Orchestra and the smooth harmonic layering of his Chorus of male and female voices doing little more than humming the melodies.

And yet again, on some pieces, Mancini's charts propel his dynamic, top-notch Orchestra into bright, soaring flights that seem almost on the verge of running off the pages and into improvisational exuberance. {*Don'tcha just love how he nearly sounds like he knows what he's talking about?*} I mean, listen to that Orchestra crank it up on THE BIG BLOW OUT, or SOMETHING FOR CAT, or LOOSE CABOOSE - Mancini directed highly accomplished musicians as befitting a man of his genius. And I never use the word "genius" lightly, but this man was indeed just that! How he was able to translate the action of a scene into corresponding "music pictures" in pieces like THE BIG HEIST and the playful striptease-cum-cartoon, HUB CAPS AND TAIL LIGHTS! {*Some would say, if you've got `em, flaunt `em.*}

But nothing moves me more than SALLY'S TOMATO, BREAKFAST AT TIFFANY'S, and HOLLY - three instrumentals that float like some tear-drenched, melancholic sunbeam. They were recorded at the dawn of the 1960s, just before all hell broke loose in this country and we found ourselves embroiled in a cultural revolution that pierced an ineffable something deep within us and from which we'll never recover. There's a desperate "looking back at innocence" captured in these three pieces that crushes my heart and forces my eyelids closed. It's a memory of joy that's gone and not returning. It's gently swaying grass growing around the headstone of a deceased lover. {*Aw, cap it, will ya? Yer bumming everyone out.*}

Alright then. Let me just say that this soundtrack is Five Star from top to bottom, and in short {*It's too late for THAT!*}, there are two things that I really recommend you do: You should acquire a copy of Henry Mancini's musical masterpiece right here and now, and later you should come to my SAKE PARTY. {*If you pass out, and you're still there in the morning, he's gonna treat you to BREAKFAST AT TIFFANY'S!*}

Capote.......2006-05-23

If you've seen the recent academy-award-winning performance depicting Truman Caopte, you can appreciate even more the role Hepburn plays in this film.

And, perhaps as much or more, the crucial function Henry Mancini had to fulfill in creating this memorable music. The exact music in the movie itself is a little different than what you'll find in this album, but that is actually a good thing.

This album combines aspiration, ambition, sophistication and pretense into a really irresistable brew. Hepburn's performance made us love her.

But Mancini won an Oscar, too. Let's reflect on exactly how and why that happened...

It Still Resonates in Our Hearts.......2006-03-03

Henry Mancini's soundtrack is very timely for the period in which it was released. It remains vibrant, elegant and sentimentally moving and captures the essence of this film so satisfyingly. Adding to the overall effect is the melancholy and so endearingly memorable and touching MOON RIVER. This soundtrack truly captures the feel of this film and those great times that seem gone forever but still resonate in our hearts.

Oh it's good..........2005-11-23

When listening to the first track simply entitled "Moon River" you would think that you're in a black Givency evening dress with a string of pearls standing outside Tiffany's eating a dansih and drinking coffee.
"Moon River Cha Cha" describes a typical cocktail party and it's good!
This soundtrack does NOT dissapoint and in my opinion is timeless, I mean it *is* Henry Mancini...

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