Memoirs of a Geisha [Soundtrack]
On this CD:
Memoirs of a Geisha, film score
Composed by
John Williams
with
Masayo Ishigure,
Hiromi Hashibe,
Pro Musica Nipponia Ensemble,
Itzhak Perlman,
Masae Yoshizawa,
Yo-Yo Ma
Conducted by
John Williams
Editorial Reviews
Amazon.com
Director Rob Marshall hired three of Asia's most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn't put in a call to a local composer as well. Was Tan Dun's line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn't end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely "Sayuri's Theme" resurfaces at regular intervals, and it's good to hear Williams keep his showier instincts in check through a good chunk of the movie, as he delivers a more subdued sound. One of the most dramatic moments happens during "The Fire Scene and the Coming of War." By then Williams has basically reverted to the familiar, brooding mode he uses for ominous scenes, when suddenly the track integrates an excerpt from "The Folding Fan as a Target," a traditional piece for voice and the Japanese lute known as biwa. Though Williams is right to err on the side of low key, it would have been nice to get more of these stark sounds in his competent but ultimately unmemorable compositions. --Elisabeth Vincentelli
Memoirs of a Geisha,Yo-Yo Ma,John Williams,John Williams,Pro Musica Nipponia Ensemble,Itzhak Perlman,Sony,Film,Film Music,Original Score,Pop,Soundtrack,Soundtracks,Soundtracks & Film Scores
Average customer rating:
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Memoirs of a Geisha
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BJS4TO Release Date: 2005-11-22 |
Tracks:
Amazon.com
Director Rob Marshall hired three of Asia's most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn't put in a call to a local composer as well. Was Tan Dun's line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn't end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely "Sayuri's Theme" resurfaces at regular intervals, and it's good to hear Williams keep his showier instincts in check through a good chunk of the movie, as he delivers a more subdued sound. One of the most dramatic moments happens during "The Fire Scene and the Coming of War." By then Williams has basically reverted to the familiar, brooding mode he uses for ominous scenes, when suddenly the track integrates an excerpt from "The Folding Fan as a Target," a traditional piece for voice and the Japanese lute known as biwa. Though Williams is right to err on the side of low key, it would have been nice to get more of these stark sounds in his competent but ultimately unmemorable compositions. --Elisabeth VincentelliCustomer Reviews:
Wonderful !.......2007-06-08
GREAT PRODUCT.......2007-04-07
great soundtrack.......2007-04-04
Memoirs of a geisha.......2007-02-20
Memoirs of a Geisha.......2007-01-21
Music: