Road to Perdition [Soundtrack]
On this CD:
Road to Perdition, film score
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Someday Sweetheart
Composed by
Benjamin Spikes, John Spikes
with
The Charleston Chasers
Road to Perdition, film score Meet Maguire
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Blood Dog
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Finn McGovern
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score The Farm
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Dirty Money
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Rain Hammers
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score A Blind Eye
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Nothing To Trade
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Queer Notions
Composed by
Coleman Hawkins
Road to Perdition, film score Virgin Mary
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Shoot The Dead
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Grave Drive
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Cathedral (Includes excerpt from Alma Redemptoris Mater)
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
There'll be some changes made
Composed by
W. Benton Overstreet
Road to Perdition, film score Ghosts
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Lexington Hotel, Room 1432
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Road to Perdition, film score Road to Perdition
Composed by
Thomas Newman
with
Thomas Newman,
Bill Bernstein,
Jo Clarke,
Michael Fisher,
Nico Carmine Abondolo,
Steve Tavaglione,
Eric Rigler,
Chas Smith,
Rick Cox,
Steve Kujala
Perdition, piano duet (for the film Road to Perdition)
Composed by
John M. Williams
with
Paul Newman
Editorial Reviews
Amazon.com
Director Sam Mendes's much-anticipated follow-up to his Academy Award®-winning American Beauty found him exploring the period gangster film--but with a moral fiber and undercurrent of family tragedy familiar from his Oscar® triumph. As he did with Beauty, Mendes again wisely entrusts the film's music to Tom Newman, a composer with an instinctive knack for getting inside a film's characters via innovative and often orthodox methods. As many of Newman's preceding scores have been rhythmically driven and rife with improvisation-driven experimentalism, its good to hear his equally distinctive writing for orchestra largely take center stage here again. But Newman's inquisitive musical instincts can't be denied, and his melancholy string writing is leavened first with subtle uilleann pipe flourishes that echo the characters' Irish-American roots, then with savory, yet ever-restrained touches of his own ethnic-defying instrumental color and rhythmic accents. It's another moody and introspective gem, seasoned with some lively period jazz (courtesy of the Charleston Chasers, Fletcher Henderson and his Orchestra, and Chicago Rhythm Kings) and a warm, final surprise: a duet of John M. Williams's autumnal title track performed by none other than stars Tom Hanks and Paul Newman. --Jerry McCulley
Road to Perdition (Score),Thomas Newman,Decca U.S.,Pop,Soundtrack,Soundtracks & Film Scores
Average customer rating:
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Road to Perdition (Score)
Thomas Newman Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068D1A Release Date: 2002-06-25 |
Tracks:
Amazon.com
Director Sam Mendes's much-anticipated follow-up to his Academy Award ®-winning American Beauty found him exploring the period gangster film--but with a moral fiber and undercurrent of family tragedy familiar from his Oscar ® triumph. As he did with Beauty, Mendes again wisely entrusts the film's music to Tom Newman, a composer with an instinctive knack for getting inside a film's characters via innovative and often orthodox methods. As many of Newman's preceding scores have been rhythmically driven and rife with improvisation-driven experimentalism, its good to hear his equally distinctive writing for orchestra largely take center stage here again. But Newman's inquisitive musical instincts can't be denied, and his melancholy string writing is leavened first with subtle uilleann pipe flourishes that echo the characters' Irish-American roots, then with savory, yet ever-restrained touches of his own ethnic-defying instrumental color and rhythmic accents. It's another moody and introspective gem, seasoned with some lively period jazz (courtesy of the Charleston Chasers, Fletcher Henderson and his Orchestra, and Chicago Rhythm Kings) and a warm, final surprise: a duet of John M. Williams's autumnal title track performed by none other than stars Tom Hanks and Paul Newman. --Jerry McCulleyCustomer Reviews:
Fathers & Sons.......2007-05-13
Hauntingly Wonderful.......2006-12-18
Tells The Story.......2006-04-12
Road to Excellence!.......2006-03-14
MY MOM !!.......2006-02-27
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