Paris, Texas: Original Motion Picture Soundtrack [Soundtrack]

paris, texas: original motion picture soundtrack [soundtrack]

Editorial Reviews
Amazon.com
Ry Cooder has done some of the best soundtracks in the last 20 years or so (I wouldn't live without The Long Riders or the two-disc Music By Ry Cooder compilation, either)--most of them superior to the movies. (Sorry about that, Walter Hill--but it's true.) His lonesome, steel-guitar music for Wim Wenders' Paris, Texas is one of those cases where the movie and its music are equally great. I can't imagine one without the other. Every time I hear Cooder's opening theme, I see those wide western spaces and Travis (Harry Dean Stanton) wandering through them; and every time I see a still from the movie, I can hear Cooder's music playing in my head. --Jim Emerson

Paris, Texas: Original Motion Picture Soundtrack,Ry Cooder,Warner Bros / Wea,Contemporary Blues,Film Music,Instrumental Rock,Original Score,Pop,Roots Rock,Slide Guitar Blues,Soundtrack,Soundtracks,Soundtracks & Film Scores


Paris, Texas: Original Motion Picture Soundtrack [Soundtrack]
Paris, Texas: Original Motion Picture Soundtrack
Average customer rating: 4 out of 5 stars
  • Paris, Texas (the movie)
  • Elemental and essential.
  • In my top 5
  • Soundtrack for a sparse summer
  • Masterpiece
Paris, Texas: Original Motion Picture Soundtrack
Ry Cooder
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Music by Ry Cooder
  2. Paris, Texas
  3. The Long Riders
  4. Boomer's Story
  5. Chicken Skin Music

ASIN: B000002L7L
Release Date: 1990-10-25

Tracks:

  1. Paris, Texas
  2. Brothers
  3. Nothing Out There
  4. Cancion Mixteca - Harry Dean Stanton
  5. No Safety Zone
  6. Houston In Two Seconds
  7. She`s Leaving The Bank
  8. On The Couch
  9. I Knew These People - Harry Dean Stanton And Nastassja Kinski
  10. Dark Was The Night

Amazon.com

Ry Cooder has done some of the best soundtracks in the last 20 years or so (I wouldn't live without The Long Riders or the two-disc Music By Ry Cooder compilation, either)--most of them superior to the movies. (Sorry about that, Walter Hill--but it's true.) His lonesome, steel-guitar music for Wim Wenders' Paris, Texas is one of those cases where the movie and its music are equally great. I can't imagine one without the other. Every time I hear Cooder's opening theme, I see those wide western spaces and Travis (Harry Dean Stanton) wandering through them; and every time I see a still from the movie, I can hear Cooder's music playing in my head. --Jim Emerson

Customer Reviews:

5 out of 5 stars Paris, Texas (the movie).......2006-08-23

Who doesn't like Ry Cooder. His music is just so individual, like nothing else. (Good to listen to when you're spaced out). Or just listening to the soothing relaxing southern twang of his guitar just sends you to another plane. What I see when I hear this music is the wide open spaces and desserted highways on a hot hot summer's day somewhere in the middle of Texas. It just wants to make you chill out! It's so cool.

4 out of 5 stars Elemental and essential........2006-06-15

There are two types of soundtracks, and this is the more significant kind. The first type gives you a selection of tracks in no way related but for the taste and selection of a movie maker. I prefer my own compilations usually, but there are some good ones, usually from films no one really saw like Sleep With the Fishes. The other kind are inspired by images and landscapes no longer seen, but felt in the songs that came from them. They open the same spaces within the listener, but these are no longer owned by the movie maker, actors and their characters; some story in a film. It's not about the film at all anymore. It's music that doesn't demand you attention in the three-or-so minute grab of a regular song. This is music that you put in the background as you look to open your soul and create something yourself. And it's only found in this second type of soundtrack. There's the whole genre of New Age music which tries to do the same thing, though rarely achieves it with such deft subtlety. If you liked this one, listen to Monster's Ball, though skip the first five songs.

5 out of 5 stars In my top 5.......2005-04-03

Paris Texas and Wings of Desire - 2 of my favorite movies. I LOVE them. Beyond Wenders theme of love (in my mind)....is space. Space to think. And the music reflects this beautifully. It is short - I simply play it over and over!! And the dialogue is the point.....haunting, honest and just beautiful. How Travis knows just what the right thing to do is is nothing short of a miracle to me. His love is pure. Yes we all made lots of mistakes in our youth. He learned. Can't wait to see Wenders other movies.

5 out of 5 stars Soundtrack for a sparse summer.......2002-04-11

I listened to this album (LP, at the time) ceaselessly during the summer of 1987. I lived in a sparsely furnished apartment, painted stark white, with my first and only platonic male roommate.
When I woke up, the album went on. The sun shone brightly through our south and east windows. The ominous, pensive sounds generated by Ry Cooder were the perfect accompaniment to my barely post-adolescent A.M. ponderings.
This album makes an unforgettable background to a life. The movie was good, if melodramatic. The monologue on the soundtrack that people are complaining about is the explanation of the whole movie. It is important. We have CD players so we can program the tracks we don't want to hear out of our listening experience. But I recommend letting the monologue track stay. Let it meander through your head. Imagine the scenes and the logic Stanton describes. Then apply the music to the words and you will see why they are equally deserving of space on the disc.

5 out of 5 stars Masterpiece.......2001-11-13

Ry Cooder drop-tunes his guitar and creates an incredible piece of film music. The title theme, Dark Was The Night are haunting and beautiful. But the real underrated treasure on this soundtrack is "She's Leaving The Bank." Creative, atmospheric and brilliant.

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