Princess Mononoke: Music From The Miramax Motion Picture [Soundtrack]

princess mononoke: music from the miramax motion picture [soundtrack]

Editorial Reviews
Amazon.com
This score to Japan's anime megahit stresses Western musical influences over Eastern, despite the movie's themes being more attuned to Japanese heritage and mythology. Hisaishi (who has contributed music to more than 30 Japanese films) employs a traditional Hollywood-style orchestral movement that is generally lush and pleasing--a soundtrack that could easily fill the boundless skyscapes of classic horse operas. There are occasional exotic moments involving woodwinds or solo violin or both that digress into more indigenous folksongs, but these, too, have soothing melodies akin to what one might demand from sushi dinner music. The operatically trained Sasha Lazard offers the sweet and ethereal "Theme Song" (with lyrics by director Hayao Miyazaki). These tracks may not always be distinctive but they manage to evoke moods of mysticism and, of course, ritual violence. --Joseph Lanza

Princess Mononoke: Music From The Miramax Motion Picture,Joe Hisaishi,Milan Records,Film Music,Original Score,Pop,Soundtrack,Soundtracks & Film Scores

Princess Mononoke: Music From The Miramax Motion Picture [Soundtrack]

Average customer rating:

Beautiful Music That Will Remind You How Much You Loved The Movie
Beautifully done, and it *is* Hisaishi's best
Second Best
Great Movie, Great Soundtrack
beautiful...

Princess Mononoke: Music From The Miramax Motion Picture
Joe Hisaishi
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Spirited Away (Score)
Princess Mononoke: Symphonic Suite
Princess Mononoke
Howl's Moving Castle
Castle In The Sky (Score)

ASIN: B00001U06H
Release Date: 1999-10-12

Tracks:

Legend of Ashitaka
Demon God
Journey to the West
Demon Power
Land of the Impure
Encounter
Kodamas
Forest of the Gods
Evening at the Ironworks
Demon God II-The Lost Mountains
Lady Eboshi
Tatara Women Work Song
Furies
Young Man from the East
Requiem
Will to Live
San and Ashitaka in the Forest of the Deer
Princess Mononoke Theme Song
Requiem II
Battle Drums
Battle in Front of the Ironworks
Demon Power II
Requiem III
Retreat
Demon God III
Adagio of Life and Death
World of the Dead
World of the Dead II
Adagio of Life and Death II
Ashitaka and San
Princess Mononoke Theme Song
Legend of Ashitaka Theme

Amazon.com

This score to Japan's anime megahit stresses Western musical influences over Eastern, despite the movie's themes being more attuned to Japanese heritage and mythology. Hisaishi (who has contributed music to more than 30 Japanese films) employs a traditional Hollywood-style orchestral movement that is generally lush and pleasing--a soundtrack that could easily fill the boundless skyscapes of classic horse operas. There are occasional exotic moments involving woodwinds or solo violin or both that digress into more indigenous folksongs, but these, too, have soothing melodies akin to what one might demand from sushi dinner music. The operatically trained Sasha Lazard offers the sweet and ethereal "Theme Song" (with lyrics by director Hayao Miyazaki). These tracks may not always be distinctive but they manage to evoke moods of mysticism and, of course, ritual violence. --Joseph Lanza

Customer Reviews:

Beautiful Music That Will Remind You How Much You Loved The Movie.......2007-07-10

The Music in this CD was brilliant and very beautiful. I loved the movie and the Cd reminded my of how much I loved the movie. I have always been a fan of Myazaki and Hisaishi and together they bring an experience that many will cherish and love. If you are a fan of Myazaki's work, you MUST buy this CD!

Beautifully done, and it *is* Hisaishi's best.......2007-06-01

I've watched nearly every Ghibli movie that exists, and I have to say, none of the soundtracks come even close to this one. I literally almost cried at the end of this movie (very unlike me), and the soundtrack made the movie that much more emotional. Even if you've never watched the movie, this soundtrack is worth buying.

Second Best.......2006-12-20

What people say that this soundtrack isn't the best of Hisaishi's is true. He has done better than this. On the other hand, that just shows how incredible he is, because this is a wonderful soundtrack. It's a slightly dark, dramatic soundtrack with several recurring themes. The themes are dark and mysterious, and almost haunting. They are mostly in the lower register, played by cellos and basses, beautiful and dark.

The disc starts off with "The Legend of Ashitaka". This is mostly the recurring theme in the movie and soundtrack. It's played by low, dark strings and then rises slightly and then the brass comes in. It's a dramatic opening piece that is fitting to what it happening in the movie. "The Demon God" is another recurring theme. It's even lower than Ashitaka's parts, dark and dangerous. Starting out with a long, low note it moves on to a steady heavy beat with some high, kind of creepy strings and then percussion, and then underneath all of that the low notes come back with the low strings and low brass. A creepy piece that fits the creepy part of the movie well.

"The Journey to the West" is a quieter piece. It takes advantage of woodwinds and slightly higher strings than the previous songs. With the use of flutes, it gives off a more delicate touch. "The Demon Power" is a fast, frightening sort of song. "The Land of the Impure" is less dramatic than the others. It's kind of quieter and less dark, though not without it's dark moments. It too has the themes. "The Encounter" brings to us the theme that will be recognized as a more gentle, recurring theme, with flutes and more gentle instruments. "Kodamas" is a cute little piece that fits what is happening in the movie wonderfully.

"The Forest of the Gods" is a very short little piece that is meant to display a more magic touch. It's very short and more for transition. "Evening at the Ironworks" is also very short, with a kind of cool sound. "The Demon God II - The Lost Mountains" is mostly the same pulsing, creepy demon theme again, set for the movie. "Lady Eboshi" is an interesting piece that's kind of creepy and kind of fascinating at once. "The Tatara Women Work Song" is sung and breaks the orchestration of the movie, but it quite nice.

"The Furies" is a dramatic little piece, strong and bold. "The Young Man from the East" includes the Ashitaka music again, but slightly more dramatic than the beginning. "Requiem" is another theme built on low strings and played by high notes. It's slightly less dramatic than other pieces as well. "Will to Live" is extremely short and more of a transition piece that has Mononoke's theme embedded in it.

"San and Ashitaka in the Forest of the Deer God" starts out creepy but ends with a high notes theme. "Princess Mononoke Theme Song" is a woodwind song, played gently and beautifully, but very sadly. "Requiem II" has the low theme again. "Princess Mononoke Theme Song II" is another sung song, and is rather pretty.

"Battle Drums" brings the score back to the rhythmic aspect. Several percussion instruments are played here throughout the entire piece. "Battle in front of the Ironworks" is a pulsing, creepy song. "The Demon Power III" is a bit different, though still with the same demon theme. This time it's slightly creepier. "Requiem III" is sad and heavy. "Retreat" is a low, dramatic piece. "The Demon God III" picks up where the previous track left off. It's a creepy and low song which later has several themes thrown together. "Adagio of Life and Death" is a slow, gentle piece until the slightly dramatic ending.

"The World of the Dead" is very creepy and low. "The World of the Dead II", on the other hand, has very different music at its start, and more of the flutes. Later on in the song the creepy aspects of the previous come, but slightly less creepy than they had been, as they are underneath the strings now. "Adagio of Life and Death II" is another slow piece with a dramatic ending.

"Ashitaka and San" is a piano and strings piece. It is very lovely and very pretty. "Princess Mononoke Theme Song III" is again a singing song, rather like the previous one. "The Legend of Ashitaka Theme" is a beautiful piece, dark and dramatic, but then rising up in a huge swell to the lovely recurring theme that is Ashitaka. The difference between this and the other pieces is that this one is significantly longer than other Ashitaka songs and has much more to his theme.

So yes, much of this soundtrack is dark and low. On the other hand, it's not all dark and low. There are some lovely higher parts too, and even some singing, if you want it. The soundtrack matches the movie very well. Dark, with some light parts? Yes, that about sums up both. I highly recommend this soundtrack, even if you haven't seen the movie (I hadn't when I first heard it, and I loved it) for some wonderful stuff. If you had heard the "Spirited Away" soundtrack (highly recommended) before this and have turned to more Hisaishi because you liked him, be warned. This is not as good as the spectacular "Spirited Away", but it's second best of all of his soundtracks and I urge you to listen to it anyways.

Great Movie, Great Soundtrack.......2006-08-05

I Am A Huge Fan Of This Movie, And I Just Had To Have The Soundtrack. Some Of The Best Music In A Movie.

beautiful..........2006-07-04

A seamless blend of western orchestral monumentality and grandeur with traditional oriental melodies that are full of mysticism, poetry and inspiration. Especially recommended to lovers of classical music. Hisaishi writes the kind of music that has what you would call a nationalistic character in it -- passionate and full of fervor, dreamy and melancholic, and imbued with deep humanity and a strong oriental identity. If you liked Tchaikovsky, Dvorak or Sibelius, you would find Hisaishi's music a very worthwhile and enjoyable experience. Personally I find myself playing this album from beginning to end and return to it from time to time.

Hisaishi made arrangements of these pieces into an orchestral suites, played by Czech Philharmonic Orchestra with an Eastern European taste. The composer played the piano solo in some movements. The music is warm, lush, and melodic, just as this one here.

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