Phil's Spectre: A Wall of Soundalikes

phil's spectre: a wall of soundalikes

Track Listings

1. When You Walk in the Room - Jackie DeShannon

2. Run Run Run - The Supremes

3. Just You - Sonny & Cher

4. Why Do Fools Fall in Love - The Beach Boys

5. Too Hurt to Cry, Too Much in Love to Say Goodbye - Darnells

6. On the Spanish Side - The Corsairs,

7. Hang On - Wall of Sound

8. Tremblin' - Gene Pitney

9. Little Love (Will Go a Long Way) - Alder Ray

10. All Strung Out - April Stevens, Nino Tempo

11. When the Boy's Happy (The Girl's Happy Too) - Four Pennies

12. (You're My) Soul and Inspiration - The Righteous Brothers

13. You're So Fine - Dorothy Berry

14. Missin' My Baby - Clydie King

15. It Breaks My Heart

16. Yes Sir, That's My Baby

17. Love Her - The Walker Brothers

18. And That Reminds Me

19. Boys Town (Where My Broken Hearted Buddies Go) - Nino Tempo

20. My Baby Looks, But He Don't Touch - Carol Connors

See all 24 tracks on this disc

Editorial Reviews
Product Description
Full Title - Phil's Spectre - A Wall Of Sound-a-likes. 2003 compilation highlights the enigmatic geniuses' influence during his formative years as well as on the singers, songwriters, musicians, arrangers, & producers he worked with. More than half of the 24 tracks here are making their (legal) CD debut. Artists include Jackie DeShannon, The Supremes, Sonny & Cher, The Beach Boys, The Darnells, & many more. Ace.

Phil's Spectre: A Wall of Soundalikes,Various Artists,Ace (U.K.),Blue-Eyed Soul,Brill Building Pop,Disco,Film Music,Folk-Rock,Girl Group,Oldies Collections,Pop,Pop/Rock,Popular Music,Rock & Roll,Soul,Soundtracks,Surf,V/A Compilations

Phil's Spectre: A Wall of Soundalikes

Phil's Spectre III - A Third Wall of Soundalikes

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Phil's Spectre III - A Third Wall of Soundalikes

Manufacturer: Ace Records UK
ProductGroup: Music
Binding: Audio CD

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Teenage Crush Vol. 5
Hard to Find 45s on CD, Volume 9: 1957-1959
The Phil Spector Collection
Hard to Find 45s on CD, Volume 10: 1960-1965
Jersey Beat: Music of Frankie Valli & The Four Seasons

ASIN: B000QEKHU8
Release Date: 2007-07-17

Tracks:

Who Am I - JERRY GANEY
That's The Way - THE KIT KATS
Look Of Love - LESLEY GORE
Sweet, Sweet Love - BOBBY SHEEN
I Love Him - THE CASTANETS
My Girl - JOHNNY CASWELL
'Cause I Love Him - ALDER RAY
Gee, I'm Sorry Baby - THE SAPPHIRES
My One And Only, Jimmy Boy - THE GIRLFRIENDS
Is There Anything That I Can Do - THE ASHES
Big Man - BARBARA JACKSON
Yes Sir, That's My Baby - THE SATISFACTIONS
Usher Boy - MERRY CLAYTON
My Tears Will Go Away - THE RIGHTEOUS BROTHERS
Let the Good Times Roll - JUDY HENSKE
He Really Loves Me - DEBBIE ROLLINS
Goodbye Baby - MAUREEN GRAY
Young Boy Blues - DANIEL A. STONE
He's Mine - ALICE WONDER LAND
Down By The Ocean - GEORGE 'N' SONNY SANDS
In My Lonely Room - MARTHA & THE VANDELLAS
Close Your Eyes - BONNIE
When We Get Married - 1910 FRUITGUM COMPANY
The Way Of The Crowd - DAN FOLGER
It's The Little Things - SONNY AND CHER
Just A Fool - JERRY GANEY

Album Description

The third and final volume of Phil Spector soundalikes is the equal of the previous two in every way.

A beguiling blend of fan favourites that we couldn't find room for on earlier volumes and tracks that we have spent years trying to license for this series, "Phil's Spectre III" features many selections that have never been legally reissued, appearing here from master tapes rather than from rare and worn 45s.

The CD also features several first time stereos, alternate and extended mixes and tracks that have hitherto stayed unissued since their recording dates, over 40 years ago.

The package features rare label shots and pix, and an authorative sleeve note from series co-compiler Mick Patrick.

A series finale that goes out with not so much a single gunshot as an almighty bang. Like Spector's own catalogue - it's "All Killer, No Filler"...

Album Description

The third and final volume of Phil Spector soundalikes is the equal of the previous two in every way. A beguiling blend of fan favourites that we couldn't find room for on earlier volumes and tracks that we have spent years trying to license for this series, Phil's Spectre III features many selections that have never been legally reissued, appearing here from master tapes rather than from rare and worn 45s. The CD also features several first time stereos, alternate and extended mixes and tracks that have hitherto stayed unissued since their recording dates, over 40 years ago. Ace 2007

Average customer rating:

The Sincerest Form Of Flattery
There is a better Beach Boys cover of Spector's work
Ace album of Phil Spector Wall of Soundalikes
Essential for fans of Spector and Sixties pop/rock

Phil's Spectre: A Wall of Soundalikes
Various Artists
Manufacturer: Ace Records UK
ProductGroup: Music
Binding: Audio CD

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Surf Rock | Oldies & Retro | Rock | Styles | Music

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Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Wallpaper of Sound: The Songs of Phil Spector and the Brill Building
Hard Workin' Man - The Jack Nitzsche Story Volume 2
One Kiss Can Lead to Another: Girl Group Sounds Lost and Found
The Complete Phil Spector Sessions
Where the Girls Are, Vol. 4

ASIN: B0000C3HHW
Release Date: 2003-10-06

Tracks:

When You Walk in the Room - Jackie DeShannon
Run, Run, Run - The Supremes
Just You - Sonny & Cher
Why Do Fools Fall in Love - The Beach Boys
Too Hurt to Cry, Too Much in Love to Say Goodbye - Darnells
On the Spanish Side - The Corsairs, Landy McNeil
Hang On - Wall of Sound
Tremblin' - Gene Pitney
Little Love (Will Go a Long Way) - Alder Ray
All Strung Out - April Stevens, Nino Tempo
When the Boy's Happy (The Girl's Happy Too) - The Four Pennies
(You're My) Soul and Inspiration - The Righteous Brothers
You're So Fine - Dorothy Berry
Missin' My Baby - Clydie King
It Breaks My Heart - Ray Raymond
Yes Sir, That's My Baby - Hale & The Hushabyes
Love Her - The Walker Brothers
And That Reminds Me - Dolls
Boys Town (Where My Broken Hearted Buddies Go) - Nino Tempo
My Baby Looks, But He Don't Touch - Carol Connors
He Will Break Your Heart - Kane & Abel
I Just Couldn't Say - Lorraine & the Delights
I Can't Make It Alone - P.J. Proby
Please Phil Spector - Mike Lendell & The Attack,

Album Description

Full Title - Phil's Spectre - A Wall Of Sound-a-likes. 2003 compilation highlights the enigmatic geniuses' influence during his formative years as well as on the singers, songwriters, musicians, arrangers, & producers he worked with. More than half of the 24 tracks here are making their (legal) CD debut. Artists include Jackie DeShannon, The Supremes, Sonny & Cher, The Beach Boys, The Darnells, & many more. Ace.

Album Details

24 Tracks that Document the Influence of Spector on 60's Popular Music. More Than Half of These Tracks Make their Legal CD Debut and Are the Original 45 Mono Mixes.

Customer Reviews:

The Sincerest Form Of Flattery.......2005-11-30

Phil Spector was a millionaire at the age of 23, after producing 15 hits in a row, including classics by the Ronettes and the Crystals. He had his own record label, Philles, and was the creator of his trademark Wall Of Sound, usually manufactured at the Gold Star Studios in Hollywood, with a crack team of musicians including the Wrecking Crew and a host of session singers. As an auteur producer, probably the first of the breed, he was the acknowledged master, and his success engendered a whole genre of other groups and performers from New York to Los Angeles, like the Chiffons and the Shangri-Las, whose producers tried to emulate the sound and the success of the young svengali.
This collection brilliantly demonstrates some of the most notable efforts, with "many tracks reissued legally for the first time", as it says on the back. Spector wasn't easy to work with and the number of former acolytes who left the fold and set up in competition to try to beat him at his own game is almost a genre in itself: Sonny and Cher, the Righteous Brothers, Nino Tempo and April Stevens, Carol Connors and the writers Jeff Barry and Ellie Greenwich are all included here.
Rival companies such as Motown weren't above experimenting with the Spector sound in the early days, and there are two examples, one by the Supremes and one featuring the great Gladys Horton, moonlighting from the Marvelettes. For some, emulating Spector was a form of homage and tribute, as with Brian Wilson, whose own style developed from studying Phil Spector. His girl group productions were often pastiche, while the Beach Boys' Spectorish version of Why Do Fools Fall In Love? was probably inspired by Ronnie (later Ronnie Spector) of the Ronettes' love of the Frankie Lymon original. The Walker Brothers also owed a debt to Spector for the sound on their British hits, of which the first, Love Her, chosen here, was arranged by one of Spector's right hand men, Jack Nitzsche.
The Chiffons appear in their extra Spector-like guise as the Four Pennies on the chart-storming, if non-PC, Barry/Greenwich song When The Boy's Happy (The Girl's Happy Too), and there is a wonderful Wall Of Sound transformation of the Falcon's You're So Fine by Dorothy Berry, the wife of Richard Berry, who went on to become one of Ray Charles' Raelettes. One of the groups included even call themselves The Wall Of Sound, whilst another proclaims itself A Spectra Production. Every track has earned its place on this fascinating glimpse at some of the impact Spector had on the music scene between 1963 and 1967

There is a better Beach Boys cover of Spector's work.......2005-05-04

A better selection from the Beach Boys would have been "I Can Hear Music", certainly the definitive Spector cover. It easily bests the original while keeping its spirit intact. It doesn't merely ape Spectre; it becomes its own work. There's no denying the Spector influence on the Beach Boys, particularly Brian, but "I Can Hear Music" is an example of how Brian and the group assimilated, then surpassed, Spectre's technique. "Why Do Fools Fall in Love" is a slight piece of filler from the group's early days that doesn't display the group's prowess in the studio at its best and is a pretty weak tribute to Spector as well (likewise the group's cover of "Then I Kissed Her", thankfully overlooked for this collection.)

Ace album of Phil Spector Wall of Soundalikes.......2003-12-30

This isn't the first CD to catalog pop songs that were influenced by Phil Spector's revolutionary "Wall of Sound" production technique, but it's certainly among the best. Unlike grey-market items such as the three-volume Japanese "Touch the Wall of Sound" (reissued as a triple-disc in the past few years), this is a sanctioned release, and the ear-popping quality of the masters (including true stereo for tracks 1-2, 9-10, and 12) tells the tale.

It's really no surprise to anyone familiar with Spector's landmark singles of the early-60s that his sound had far reaching influence. It was borrowed by many of his partners, assistants and former artists, such as arranger Jack Nitzsche, go-fer Sonny Bono, former Teddy Bear bandmate Marshall Lieb, and Righteous Brother Bill Medley. Nitzsche's production of "When You Walk in the Room" builds up layers of guitars, percussion and strings in support of Jackie DeShannon's impassioned vocal. It's truly amazing that this brilliant record had little commercial success and has been all but totally eclipsed in the public consciousness by the Searchers hit cover. At least DeShannon collected songwriter's royalties! Bono's 1965 recording with Cher of "Just You" is filled with Spectorian touches of glockenspiel, strings and the underlying Wall of Sound. Lieb's "A Little Love (Will Go a Long Way)" (co-penned by `60s stalwart Gary Zekley) sounds as much like a Darlene Love tune as anything Love actually recorded; but it's not - it's Alder Ray on lead, with Love guiding the backing vocals. Medley helmed the Righteous Brothers kickoff single for Verve (having split with Spector), Mann & Weil's "(You're My) Soul and Inspiration," and showed that the duo's sound was as much their own as Spector's.

Spector's sound had its impact at more of a distance, as well. Early efforts by the Supremes often sounded more like Brill Building girl-group productions than Motown's trademark soul sound. Other early Motown acts like The Darnells were also treated to the percussion and vocal layers of The Wall of Sound. More famously, Beach Boys mastermind Brian Wilson was a thorough Spector devotee. The group's take on Frankie Lymon's "Why Do Fools Fall in Love" marries the Beach Boys' multipart harmonies to the shifting backing of Spector's wall.

Mick Patrick's song-by-song liner notes are wonderfully informative, providing valuable background on both the better-known and obscure sides that helps place these tracks in context with Spector's own work. Vintage photos, picture sleeve and 7" label reproductions flesh out a superb booklet for a wonderfully curated disc.

Essential for fans of Spector and Sixties pop/rock.......2003-11-30

It's an odd title, and an odd concept - the kind that's usually the basis for bootleg or "collectors-only" albums. But this is all legal, and all magnificent. Although Phil Spector himself isn't involved in any of these tracks, many of his compadres (Jack Nitzsche, Nino Tempo, Sonny Bono, Carol Connors) are. In my opinion, anyone who seriously enjoys Spector's work, or Sixties pop/rock in general, should have this CD right next to their copy of Spector's "Back to Mono" box set. Which reminds me of the album's one flaw - some of the tracks included here in stereo would have been better off in mono, especially Nino & April's "All Strung Out." But that's a minor quibble with an otherwise near-perfect collection.

Phil's Spectre II: Another Wall of Soundalikes

Average customer rating:

The only sequel?
Another super fine clutch of Spector-inspired singles
Imitation is the best form of flattery

Phil's Spectre II: Another Wall of Soundalikes
Various Artists
Manufacturer: Ace Records UK
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Oldies | Compilations | Pop | Styles | Music

General | Rock | Styles | Music

General | Oldies & Retro | Rock | Styles | Music
Similar Items:

Phil's Spectre: A Wall of Soundalikes
Wallpaper of Sound: The Songs of Phil Spector and the Brill Building
One Kiss Can Lead to Another: Girl Group Sounds Lost and Found
Hard Workin' Man - The Jack Nitzsche Story Volume 2
The Complete Phil Spector Sessions

ASIN: B0009OBZ10
Release Date: 2005-07-04

Tracks:

Nite Owl - The Righteous Brothers
I Do - The Beach Boys
One Block from Heaven - Mary Wells
Ya Gotta Take a Chance - The Bonnets
Dum Dum Ditty - Goodies
Timmy Boy - Timmy & the Persianettes
Dreamin' of You - Noreen Corcoran
Climb Ev'ry Mountain - The Victorians
I'm Nobody's Baby Now - Reparata & the Delrons
No Room to Cry - Dobie Gray
Girl Never Knows - Connie Stevens
Habit of Lovin' You Baby - April Stevens, Nino Tempo
Bring It All Down - The Satisfactions
Bobby's Come a Long Long Way - Eight Feet
Be My Man - Suzy Wallis
Break Down and Cry - Kane & Abel
Gee What a Boy - Fantastic Vantastics
You Gave Me Somebody to Love - The Dreamlovers
(Baby) You Don't Have to Tell Me - Bobby Coleman
Thrill Is Gone - Clydie King
Your Baby Doesn't Love You Anymore - Ruby & the Romantics
Wonderful Baby - The Four Tops
Wishful Thinking - The Knickerbockers
Don't You Be Ashamed - Joe South

Product Description

Format: CD

Customer Reviews:

The only sequel?.......2005-12-28

The concept is fairly clear from the title of this, a sequel to the earlier Wall Of Soundalikes compilation put together by those benign record obsessives at Ace. Phil Spector was the creator of the trademark Wall Of Sound, and had a huge influence on his peers. Some tried to emulate his sound and success, often hiring the same studio (Gold Star in Hollywood) and engineer (Larry Levine or Stan Ross) that he used, and employing musicians who included members of his Wrecking Crew mafia; others adapted some of his techniques and many innovations to their own hallmark sounds. On this second collection several of the tracks also show how many singers tried to sound like Bill Medley and Bobby Hatfield, the Righteous Brothers, and did a pretty good job of it. Nite Owl, the Righteous Brothers track chosen here, predates their spell on the Philles label and shows that they were no strangers to Gold Star or to the Spector Wall Of Sound themselves. Particular highlights include I'm Nobody's Baby Now by Reperata and the Delrons (the single of which Reperata is most proud) and Ruby and the Romantics' Your Baby Doesn't Love You Anymore, in its reverberating UK single edit mix.
Some of Spector's sidemen are involved in these productions and songs, including Nino Tempo, Jeff Barry, Jerry Riopelle, Pete Andreoli, Vincent Poncia, Jack Nitzsche and Leon Russell. Surprisingly, though, there are no examples of the songwrting teams of Greenwich/Barry, Mann/Weil or Goffin and King. The collection includes some of the artists found on Phil's Spectre: the Righteous Brothers, Nino Tempo and April Stevens, the Beach Boys, Clydie King and Kane and Abel (an earlier version of the same song found on its predecessor), as well as a further couple of instances of Motown borrowing from the Spector box of tricks, this time involving Mary Wells and the Four Tops. Neither the Beach Boys or Mary Wells tracks were released at the time, though not for reasons concerning quality control. However, overall, it seems reasonable to suppose from this that their may never be a Phil's Spectre III, though Ace are welcome to prove me wrong. I wonder if they might transfer some of their energies to licensing and releasing some of the many Phil Spector productions, including whole albums, never made available on CD?
There are some tantalising moments. The producer of the Bonnets' track says they were named after their lead singer, Bonnie, without revealing whether this could be Bonnie O'Hara, who sang the Spector-linked Home Of The Brave by Bonnie and the Treasures. We know Jack Nitzsche's wife Gracia sang in the Satisfactions (so named because he played piano on the Stones' song) but not whether hers is the lead vocal. There seem to be no line-up details available for several of the groups included, which is unfortunate as some pieces of several puzzles might have been found in the process.
As one of the tracks is produced by Abner Spector it is worth pointing out that he and Lona Spector from Tuff Records etcetera, and who produced the Jaynetts' Sally Go Round The Roses, have no connection with Phil Spector. Their appearance on composer credits without a first name has fooled some collectors and critics.
All the tracks are monaural apart from those by the Righteous Brothers, the Beach Boys, Nino Tempo and April Stevens, the Four Tops and Joe South. Unlike a previous reviewer I can detect no stereophony in the Clydie King track, though, as with all the tracks, the sound is crystal clear; also, worryingly, some of the tracks seem to be a few seconds shorter than on previous, other label re-issues.
Recommended if you loved the first Phil's Spectre.

Another super fine clutch of Spector-inspired singles.......2005-09-04

Ace's second volume of singles inspired (but not actually produced) by Phil Spector continues to document the impact that the "tycoon of teen" had on popular music. Not only did Spector dominate the charts with miniature symphonies by The Ronettes, Crystals and others, but his innovative "Wall of Sound" production techniques became the backbone of a whole generation of music. Spector's genius was passed directly to collaborators like Nino Tempo, Jack Nitzsche, and Bill Medley of the Righteous Brothers, by transitivity through the studio (Gold Star) where he worked and the engineer (Larry Levine) who tended his sessions. Even more broadly, the impact of his hit records spawned a thousand imitators.

Volume two repeats a few of the artists found on volume one, including The Righteous Brothers, Nino Tempo and The Beach Boys. The latter's unreleased-at-the-time "I Do" is a wonderful synthesis of Spector's shifting-wall of rhythm with Brian Wilson's falsetto-driven vocals. Also providing connection to volume one is a pre-"Motown Sound" side from the legendary Detroit label, featuring Mary Wells in a setting that would have done The Crystals proud.

More intriguing are the obscure singles from virtual unknowns who were treated to full Spector-styled orchestrations and arrangements. The Bonettes were a pick-up foursome of L.A. session singers whose Goldstar session (with Wrecking Crew drummer Hal Blaine beating the skins) is as much an ode to The Ronettes as their group name. Goldstar's sound - particularly its echo chamber - was so unique that even a whitebread pop singer like Noreen Corcoran could seem Spectorian. Dobie Gray, best known for his hit singles "The 'In' Crowd" and "Drift Away," received the Goldstar/Wrecking Crew treatment for the rare "No Room to Cry."

Spector's collaborators could also sprinkle the magic dust without benefit of the studio or specific musicians, as was the case for the Jeff Barry-penned "I'm Nobody's Baby Now." The production's deep percussion and string arrangement are the perfect backing for Reparata & The Delrons, pitting Spector-like sophistication against Shangri-La's styled drama. Another Spector collaborator, Wrecking Crew pianist Leon Russell, provided a Righteous Brothers styled arrangement for The Knickerbockers' "Wishful Thinking."

Artists who'd later cut their own figures also had their hands in early Spectorian works. The pre-Bread David Gates produced a Connie Stevens side written by the pre-Grass Roots/Turtles Barri & Sloan, and the legendary Al Kooper produced several Spector-styled folk-rock and girlfroup sides, including Eight Feet's percussive "Bobby's Come a Long Way."

While many producers were content simply to borrow Spector's production techniques, others lifted his song ideas. Timmy & The Persianettes' "Timmy Boy" and The Victorians' "Climb Every Mountain" were among the more obscure in a surprisingly deep genre of songs to copy the formula of Bob B. Soxx & The Blue Jeans' "Zip A-Dee Doo-Dah." Less copied is Ike & Tina's "River Deep - Mountain High," but that's exactly what Joe South did with his swamp-styled "Don't You Be Ashamed."

Perhaps the most impressive of all is Kane & Abel's "Break Down and Cry," produced in 3 hours in a Chicago studio with high-school string players and pick-up background singers. Magically, the studio engineer duplicated Spector's wall of musicians by having the small combo overdub their own recording a few times. The result sounds amazingly like a Spector recording of The Righteous Brothers - and a good one at that!

There's much more here, and each production has a story to tell in both its origins, and its relation to and reflection of Phil Spector. Sound quality is generally excellent throughout. Song notes and interviews are top-notch, as are the label and photo reproductions. A must have for any fan of Spector's work. [©2005 redtunictroll at hotmail dot com]

Imitation is the best form of flattery.......2005-09-03

This CD is just as enjoyable as the first collection. There are a few tracks I didn't care much for (mainly by the male vocalists), but the ladies sound superb. And the booklet is also fun. Hearing Connie Stevens (when will her singles ever make it to CD...come on Warner Bros. wake up!), The Bonettes, and Clydie King alone are worth the price. The re-mastering is wonderful, as ACE UK do a superb job each time. Let's band together and get more Clydie available. She has a beautiful sound. If you like the Connie tune, "A Girl Never Knows"...check out her 45, "Little Miss Understood"/"There Goes Your Guy" (if you can find it), it's an even better Spector soundalike set!!! Grab this one up!

Average customer rating:

Phil's Spectre III- A Third Wall of Soundalikes
Various
Manufacturer: Ace
ProductGroup: Music
Binding: Audio CD
ASIN: B000R1A0FW
Release Date: 2007-07-06

Music:

Music

music

1. When You Walk in the Room - Jackie DeShannon
2. Run Run Run - The Supremes
3. Just You - Sonny & Cher
4. Why Do Fools Fall in Love - The Beach Boys
5. Too Hurt to Cry, Too Much in Love to Say Goodbye - Darnells
6. On the Spanish Side - The Corsairs,
7. Hang On - Wall of Sound
8. Tremblin' - Gene Pitney
9. Little Love (Will Go a Long Way) - Alder Ray
10. All Strung Out - April Stevens, Nino Tempo
11. When the Boy's Happy (The Girl's Happy Too) - Four Pennies
12. (You're My) Soul and Inspiration - The Righteous Brothers
13. You're So Fine - Dorothy Berry
14. Missin' My Baby - Clydie King
15. It Breaks My Heart
16. Yes Sir, That's My Baby
17. Love Her - The Walker Brothers
18. And That Reminds Me
19. Boys Town (Where My Broken Hearted Buddies Go) - Nino Tempo
20. My Baby Looks, But He Don't Touch - Carol Connors
See all 24 tracks on this disc