Editorial Reviews
From The New Yorker
The last installment of the "Back to the Future" series brings the story of the suburban kid Marty McFly (Michael J. Fox) and the mad inventor Doc Brown (Christopher Lloyd) to a graceful, almost leisurely conclusion. Most of the picture takes place in 1885, in the Old West, where the specially rigged DeLorean that has been whipping Marty and Doc back and forth in time runs out of gas. Stalled in a Western, these time travellers from the manic, jumped-up nineteen-eighties adjust their internal clocks and do what characters in Westerns do: they wait. The movie settles into a deliberate and rather soothing rhythm, as if the filmmakers-director Robert Zemeckis and writer Bob Gale-knew there was no point in getting themselves, and us, all het up. The relaxing light-vaudeville mood is a welcome break from the strenuous time-hopping of the first two installments. (It's poky, and it's also a touch boring.) While Zemeckis and Gale are biding their time, setting things up for their frantic grand finale, they keep us amused with an eccentric romance between Doc and a schoolmarm played by Mary Steenburgen. Lloyd and Steenburgen are hilariously well matched-they have perfectly compatible styles of celestial goofiness-and their moonbeam love story is the movie's one true inspiration. Also with Thomas F. Wilson. -Terrence Rafferty
Copyright © 2006 The New Yorker
Back To The Future III: Original Motion Picture Score,Alan Silvestri,Varese Sarabande,Original Score,Pop,Soundtrack,Soundtracks & Film Scores
Average customer rating:
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Back To The Future III: Original Motion Picture Score
Alan Silvestri Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000014RN Release Date: 1990-05-10 |
Tracks:
Customer Reviews:
Another good Silvistri work but not as great as the previous.......2003-03-06
Greatest of All.......2002-07-12
Best of all 3 scores........2001-11-21
ZZ-Top does a real cool track called "Double Back" and it sure is rootin' tootin'. Other tracks echo the style of Ennio Morricone's scores to older westerns and it's a nice touch. I would appreciate more themes as there are only 2 new ones in this film, which are Doc's love theme and the main Western cue.
The tracks are out of order and it would have been more intelligent to place them in the same sequence as they appeared in the film. The "Train" is spilt into 3 tracks and at 3 totally different places of the CD. They are the best tracks, especially the ending of "Point of No Return", which gets the pulse going big time, but not for long enough.
It's all worthwhile, but for a series of 3 films there are not many themes to go round other than the main Back To The Future theme and a couple of other minor ones. Most tracks are empty and lifeless but the rest make the CD a worthy purchase.
Great CD.......2001-05-27
TRACK 1: Good song; Good rhythm; Sums up the whole CD; Beginning used at the very first scenes of Back to the Future 3 (the scene where 1955 Doc sees 1985 Marty and faints). TRACK 2: Good song; Second part of the song used during the train scenes. TRACK 3: Good song; Slow at times; Song used when Marty first views Hill Valley in 1885 (now like the wild west). TRACK 4: Good, quick song; Used during the hanging scene; I picture Marty getting dragged on and on by Biff and the other bad guys. TRACK 5: Ok song; Extremely slow; Not adventurous and thrilling like the rest; It still paints pictures of Doc in love with Clara in my mind. TRACK 6: Great, short, song with an excellent rhythm and beat; Song used when Marty is escaping from the Indians. TRACK 7: Ok song; A little slow and boring; Song used when Doc fails while desperately trying to explain to Clara that he is leaving her; TRACK 8: Great song; Used when Doc comes back in the train with Clara, Jules, and Verne; I picture the train blasting away; I see poor Marty saying goodbye. TRACK 9: Good song; Third and last part of the song used during the train scenes; Gets a little boring over time; Still good. TRACK 10: Ok song; Used when Marty and Doc find the gravestone with Doc's death outside the Mine Shaft. TRACK 11: Strange song; Percussion and drums; All I can do is imagine Marty with Buford "Mad Dog" Tannen in the showdown; Marty-"I thought we could talk." Buford-"Thought wrong, kid!" (Then he shoots Marty.) TRACK 12: Very short; Song used when Doc rescues Clara from the Ravine. TRACK 13: Ok song; Not great; Slow and boring; Scene with Doc and Clara looking up at the sky. TRACK 14: Great song; Song used when the DeLorean is out of gas, so Doc and Marty pull it by horses; Great picture in my mind. TRACK 15: Ok song; Song used when the bartender is making the wake-up juice. TRACK 16: Good song; First part of the song used in the train scenes. TRACK 17: EXCELLENT SONG; Doubleback is the best song on this CD; ZZ Top plays it; Song used at the Hill Valley Festival where the clock starts ticking for the first time; Great song with excellent pictures painted in my mind. TRACK 18: Great song; Sums up the whole CD in a different way; Great song to end a great soundtrack of a great movie.
Hope you buy this CD! It's wonderful! You'll love it!
excellent.......2000-04-08
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