The Third Man [Enhanced]
On this CD:
Bells Big Ben (London Films)
Composed by
Recorded Sound
The Third Man, film score The Harry Lime Theme
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue - "It's a Shame"
Composed by
Graham Greene
The Third Man, film score The Café Mozart Waltz
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, film score Main Title - Harry's False Funeral
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue - "Heard of Harry Lime?"
Composed by
Graham Greene
The Third Man, film score Holly Encounters Anna / Meeting the Conspirators
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue "The Third Man"
Composed by
Graham Greene
The Third Man, film score Holly Is Accused of Homocide
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue - "This isn't Santa Fe"
Composed by
Graham Greene
The Third Man, film score Holly Brings Flowers
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, film score Holly Runs After Harry's Shadow
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue - "Holly, What Fools We Are"
Composed by
Graham Greene
The Third Man, film score Trap to Catch Harry
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, screenplay Dialogue - "The Cuckoo Clock"
Composed by
Graham Greene
The Third Man, film score Anna Walks Away / End Title - The Harry Lime Theme
Composed by
Anton Karas
with
Gertrud Huber
Visions of Vienna, for zither
Composed by
Anton Karas
with
Gertrud Huber
Danube Dreams, for zither
Composed by
Anton Karas
with
Gertrud Huber
The Third Man, film score The Harry Lime Theme
Composed by
Anton Karas
Performed by
Prague Philharmonic Orchestra
with
Gertrud Huber
Conducted by
Nic Raine
The Third Man, film score The Café Mozart Waltz
Composed by
Anton Karas
Performed by
Prague Philharmonic Orchestra
Conducted by
Nic Raine
The Third Man,Graham Greene,Anton Karas,Recorded Sound,Nic Raine,Prague Philharmonic Orchestra,Silva America,Film,Film Music,Miscellaneous,Miscellaneous Music,Pop,Soundtrack,Soundtracks & Film Scores
The Third Man [Enhanced]
Average customer rating:
- Top Ten Stranded on an Island Albums
- Jack White knows 3 chords and I'm sick of hearing them...
- Really good
- It's all good!
- Raconteurs
|
Broken Boy Soldiers
The Raconteurs
Manufacturer: V2 Records/Third Man
ProductGroup: Music
Binding: Audio CD
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- Stadium Arcadium
- Wolfmother
- Pearl Jam
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- The Information
ASIN: B000F48CD8
Release Date: 2006-05-16 |
Tracks:
- STEADY, AS SHE GOES
- HANDS
- BROKEN BOY SOLDIER
- INTIMATE SECRETARY
- TOGETHER
- LEVEL
- STORE BOUGHT BONES
- YELLOW SUN
- CALL IT A DAY
- BLUE VEINS
Amazon.com
Smothered by the indulgence of his rock star ranking, Jack White steps into the eccentricities of the supergroup, and at first glance, this seems to be a band where White's imposing presence could overshadow the rest. Not the case with these Raconteurs. Teaming with fellow Detroit songwriter Brendan Benson and Jack Lawrence and Patrick Keeler, the rhythm section from Cincinnati band the Greenhornes, White exhales a bit, deferring enough to his mates to make Broken Boy Soldiers play like a team effort. Following the Benson blueprint, "Steady as She Goes," which opens as a slice of 1960's radio pop, the record steers away from pigeonholing the rest of the way. White's in a Middle Eastern mood for the title track as he pulls off a wicked Robert Plant howl, while Lawrence and Keeler excel on the chorus-strong "Intimate Secretary" and the optimistic acoustic rocker "Yellow Sun." Like so many all-star bands before them, The Raconteurs could be one and done. But don't place the blame on this fertile and genuine debut. --Scott Holter
Leading up to The Raconteurs...
The Alternative to Love
Brendan Benson |
Get Behind Me Satan
The White Stripes |
Sewed Soles
The Greenhornes |
The Greenhornes
|
One Mississippi/Wellfed Boy
Brendan Benson |
De Stijl
The White Stripes |
Album Description
The Raconteurs are a new band made up of old friends, consisting of Jack Lawrence (bass), Patrick Keeler (drums), Brendan Benson (guitars, vocals, keys) and Jack White(guitars, vocals, keys). The seed was sewn in an attic in the middle of a hot summer when friends Jack White and Brendan Benson got together and wrote a song that truly inspired them. This song was "Steady, As She Goes" and the inspiration led to the creation of a full band with the addition of Lawrence and Keeler. While each of these four individuals have had successful careers with their own bands, the culmination of all of their talents is what truly makes The Raconteurs a force to be reckoned with.
Customer Reviews:
Top Ten Stranded on an Island Albums.......2007-06-22
Indie Rock's answer to a "Supergroup". Every track on the disc should be on the radio. The most underrated and unrecognized band of the year. The band has great chemistry and passion for what they do. Incredible Live act. If you love good music, buy this NOW!
Jack White knows 3 chords and I'm sick of hearing them..........2007-06-17
Most under talented, overrated performer/entertainer in pop in the last 30 years. Terrible album. Indulgent, completely forgettable regurgitations of the things one learns when they first pick up an instrument. I don't think the whole amateur rock think is cute at all... Terrrrrrible...
Really good.......2007-06-12
I love artists who can make a new sound from old influences, and the Raconteurs deliver on this albumn. Some of the guitar work sounds like it's straight out of the sixties, yet the songs sit comfortably among other contemporary alt-rock projects. Check this one out.
It's all good!.......2007-06-04
I'd heard a song or two on the radio while traveling and thought I'd give the cd a go. Fabulous! Truly these musicians enjoy what they do and each others company. Only through genuine collaboration could such a creation happen. They had me from the first song to the last. The style is definately not that of amateurs. Well produced but not to the point that it sounds plastic. In fact one thing I love the most is how they have retained a slight raw edge that was quite refreshing. I hear influences of the Beatles, Pink Floyd and Led Zeppelin but with completely fresh insight and I only hope they keep it up so I can add more to my music collection!
In my opinion, not just one or two songs but, all of them are good!
Raconteurs.......2007-05-21
Incredible. I chose this CD at random as "raconteur" is a favorite word. Finding that Jack White was connected made me quite curious. Could this group of musician friends sell themselves as the title they chose for their group? I've played several of these tracks for friends of all ages. There's something for everyone. There's sort of a nostalgic feel to many of the tracks. Not a single track disappoints. Rather each track brings something unique to this collection. I hope we haven't heard the last from these talented Raconteurs!
Average customer rating:
- Very pleased
- Sumptuous and mellow
- One of the Best Collections of English Madrigals
- A Delightful Collection of English Madrigal
- A wide variety
|
All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- English and Italian Renaissance Madrigals
- The King"s Singers: English Renaissance
- Olde English Madrigals & Folk Songs at Ely Cathedral
- Madrigal History Tour
- Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers
ASIN: B000002RPZ
Release Date: 1990-10-25 |
Tracks:
- English Madrigals: A Little Pretty Bonny Lass
- English Madrigals: Weep No More, Thou Sorry Boy
- English Madrigals: Shoot False Love
- English Madrigals: Now Is The Month Of Maying
- English Madrigals: Four Arms, Two Necks, One Wreathing
- English Madrigals: Hark, All Ye Lovely Saints Above
- English Madrigals: Since Robin Hood
- English Madrigals: Though Philomela Lost Her Love
- English Madrigals: O Wretched Man
- English Madrigals: Weep, O Mine Eyes
- English Madrigals: The Nightingale, The Organ Of Delight
- English Madrigals: Come, Sirrah Jack, Ho!
- English Madrigals: Cruel, Behold My Heavy Ending
- English Madrigals: Fair Phyllis I Saw Sitting All Alone
- English Madrigals: Sing We And Chant It
- English Madrigals: On A Fair Morning
- English Madrigals: Oft Have I Vowed
- English Madrigals: Is Love A Boy?
- English Madrigals: Say, Love, If Ever Thou Didst Find
- English Madrigals: All At Once Well Met
- English Madrigals: Construe My Meaning
- English Madrigals: Lord! When I Think
- English Madrigals: Cruel, Wilt Thou Persever
- English Madrigals: Fine Knacks For Ladies
- English Madrigals: Strike It Up, Tabor
- English Madrigals: I Love, Alas I Love Thee
- English Madrigals: Farwell, Dear Love
- English Madrigals: See, See The Shepherd's Queen
- English Madrigals: Have I Found Her
- English Madrigals: Lady Your Words Do Spite Me
- English Madrigals: Were I A King
- English Madrigals: Come Again
- English Madrigals: Tan Ta Ra, Cries Mars
- English Madrigals: Why Should I Love?
- English Madrigals: This Sweet And Merry Month Of May
Customer Reviews:
Very pleased.......2007-06-10
I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.
Sumptuous and mellow.......2002-11-28
The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.
One of the Best Collections of English Madrigals.......2002-03-27
Any fan of the King's Singers will regret not having this album in their collection.
This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.
Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.
This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.
A Delightful Collection of English Madrigal.......2000-08-16
With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.
A wide variety.......2000-04-28
This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.
Average customer rating:
- perfect score for a perfect movie
- Pleasant "ethnic" melodies
- Third Man & Other Original Records
- The first man of the zither
- This is the one you're looking for.
|
Third Man & Other Original Recordings
Anton Karas
Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD
Greece
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Similar Items:
- The Very Best of Anton Karas
- The Third Man
- The Third Man (50th Anniversary Edition) - Criterion Collection
- Austrian Zither
- Vienna, City of Dreams
ASIN: B00006J9M2
Release Date: 2004-04-05 |
Tracks:
- Third Man Theme (The Harry Lime Theme) (Original Version)
- Anton Karas Second Theme
- Cafe Mozart Waltz (Original Version)
- Carol Theme
- That Dear Old Song (Original Version)
- Rendezvous Waltz (Previously Unissued)
- Farewell To Vienna (Previously Unissued)
- Alt Wiener Tanz In C-Dur
- Visions Of Vienna
- Danube Dreams
- Anton Karas Medley Pt. 1
- Anton Karas Medley Pt. 2
- Im In The Middle Of A Riddle (V. Kay Arment)
- Where Do I Go From You? (V. Kay Armen)
- Zither Rhythm Of Anton Karas
- Vienna, Women And Song (Later Version)
- Cherry Stones
- Wo Grunes Kranzel Hangt
- Silent Night, Holy Night
- Vienna, City Of My Dreams
- Vienna, Women And Song (Original Version)
- Third Man Theme (Later Version)
- Cafe Mozart Waltz (Later Version)
- That Dear Old Song (Later Version)
- Wenn Der Herrgott Net Will / The Third Man Theme (Brief Reprise)
Customer Reviews:
perfect score for a perfect movie.......2007-02-19
Carol Reed's veteran cinematographer Robert Krasker's quirky angles under Reed's direction perfectly framed the ready-made-for-an-art designer bombed out shadows and stark, isolated street lights of post-war Vienna and its underworld. Unique to cinema history the whole score (but for some canned incidental cafe music) was just the brilliant zither playing of Anton Karas, adding his nuances to every dramatic transition. Krasker won an Oscar, and Karas was nominated.
The "Third Man Theme" (also known as the "Harry Lime Theme") is alternately brittle, jaunty, bittersweet, romantic, wry, and even sardonic piece of music--which fits the mood of the story and the film perfectly -- that, once heard, can't be forgotten.
The "Third Man Theme" turned Anton Karas into a wealthy man after 28 years of toiling in obscurity an relative poverty in Vienna.
One night, Carol Reed was passing by a wine tavern where growers offer their own wines for sale directly, and heard Anton Karas's playing in the background. Reed had never heard a zither before and found the sound to be attractive. He approached Karas and persuaded him to play for him at his hotel, and made a recording, which Reed brought back to the studio to test. He liked the effect when the zither's sound was placed against the recorded dialogue and, ignoring the protests of many around him, hired Karas and brought him to London for 12 weeks.
Anton Karas screened the movie hundreds of times, devising music for each scene. The Third Man ended up with a vast amount of music, scored in virtually every scene of its 104 minutes. Ironically, the piece that became known as the "Third Man Theme" was something that Anton Karas had written two decades earlier and hadn't played in over 15 years. As he later explained to Reed, playing the zither for a whole night for tips was hard work, and one tended to play the easiest pieces the most often, to save the fingers.
Other zither players never got it to sound just right. The truth was that as recorded for the movie, "The Third Man Theme" was one of the first practical examples of overdubbing on a hit record, rivaling Les Paul's work--Anton Karas had gotten just the right effect working underneath Reed's kitchen table, and had gotten the piece just right by recording and mixing more than one zither part.
The Third Man was finished and prepared for release, and Reed and the production company, London Films, tried to raise interest in it through the music. None of the record companies, however, was interested in recording Karas or releasing the "Third Man Theme." The music was too strange and different, and although British movies had produced some soundtrack successes in the past, those were usually more conventional light classical pieces, not a jangly piece of music played on a central European folk instrument.
Pleasant "ethnic" melodies.......2007-01-22
The tunes on this disc have a nice, comforting sound. Some of the selections are haunting, some have a peasant-liveliness. Nothing great or revolutionary, but plain good zither music, very enjoyable.
Third Man & Other Original Records.......2006-11-10
We bought it for a friend. They loved it.
The first man of the zither.......2006-03-10
The CD didn't sound as good as the movie sound track. Ity sounded a bit rushed as if the sampling during the transfer was not sufficient
This is the one you're looking for........2004-04-26
You've been looking for the original version of the music in "The Third Man", right? Every other CD on the market wouldn't work for you. But lucky for you, this is the one! Don't go wrong.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Simply Breathtaking !
- Fantastic!
- Pure Viennese Magic!
|
From Holland with Love: Waltzes I've Saved for You
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Polkas
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Similar Items:
- The Vienna I Love, Waltzes From My Heart
- Roses from the South
- Emperor Waltz
- Fiesta
- 100 Years of Strauss
ASIN: B00000411X
Release Date: 1996-03-05 |
Tracks:
- Strauss & Co: A Bright Young Man - Along The Wonderful Blue Danube - Roses From The South - Viennese Blood - Lips Are Sealed ...
- During Thunder And Lighting
- The Third Man
- The Second Waltz
- Come On Gypsy
- Swallows From Austria
- Song Of Vilja
- The Life Of Artist
- Persian March
- The White Horse Inn
- Vienna, Vienna Just You
- Today Angels Come To Vienna On Holiday
- My Mother Was A Viennese
- Rose From The South
Customer Reviews:
Simply Breathtaking !.......2000-05-14
I have always been a lover of classical music, but had never been truly introduced to the waltz until my wonderful father sent me this CD. After one time through it...I was in love. The romance...the feeling...the images of days gone by. Ladies in long, flowing gowns, men in black tails and white gloves...swirling around a ballroom floor. It's all right there for you to hear. Just lovely. My personal favorite is Song of Vilja, composed by Lehar. I think this to be the most beautiful piece of music ever written. This collection is a must for any lover of the classics....but for waltz enthusiasts, it is Heaven !
Fantastic!.......1999-12-27
I am a great fan of Andre Rieu and his Orchestra and this in possibly their best. I changd the CD's in the changer in my vehicle about once a week but this one usuallly occupies the honored number one spot for months at a time.
Pure Viennese Magic!.......1999-03-01
A wonderful find for any lover of Viennese music, particularly of the "Silver Era" of operetta. Great renditions of operetta fare by Strauss, Lehar, Kalman, Stolz and Benatzky. Also charming Viennese songs, such as "Die Engeln Kommen auf Urlaub Nach Wien," "Meine Mutterl war eine Weanerin," and other "heuriger" wine garden favorites. The whole thing is a delight!
Average customer rating:
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Award Winning Movie Themes: The 50's
Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD
All Works by Arnold
| Arnold, Malcolm
| ( A )
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| Porter, Cole
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Similar Items:
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- The High & The Mighty
- Hollywood's Greatest Hits, Vol. 2
- Hollywood's Greatest Hits, Vol. 1
ASIN: B0000011JK
Release Date: 1994-11-28 |
Tracks:
- The Third Man Theme (Harry Lime's Theme)
- The Big Country
- Song From Moulin Rouge
- Unchained Melody
- Terry's Theme (Eternally)
- April Love
- The High and The Mighty
- Friendly Persuasion (Thee I Love)
- Cherry Pink And Apple Blossom White
- Around The World
- True Love
- Love Is A Many Splendored Thing
- Smile
- The River Kwai March
Average customer rating:
- Six Decades of Film Music
- Excellent collection with fine performances
- "essential film scores from 1939 to 2004 ~ Incredible Music"
|
The Incredible Film Music Box
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
| ( H )
| Featured Composers, A-Z
| Classical
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All Works by Mascagni
| Mascagni, Pietro
| ( M )
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Morricone, Ennio
| ( M )
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All Works by Mancini
| Mancini, Henry
| ( M )
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All Works by Nyman
| Nyman, Michael
| ( N )
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Rota, Nino
| ( R )
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| Strauss, Richard
| ( S )
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Vangelis
| ( V )
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ASIN: B0007S687Y
Release Date: 2005-05-10 |
Tracks:
- Gone With The Wind: Overture
- Citizen Kane: Overture
- Casablanca: As Time Goes By
- It's A Wonderful Life: It's A Wonderful Life
- The Third Man: The Harry Lime Theme
- The Searchers: Suite
- The Bridge On The River Kwai: Colonel Bogey March
- Vertigo: Prelude
- Touch Of Evil: Main Title
- Ben-Hur: Parade Of The Charioteers
- North By Northwest: Prelude
- Psycho: Suite
- The Magnificent Seven: The Magnificent Seven
- Lawrence Of Arabia: Overture
Tracks:
- To Kill A Mockingbird: Suite
- The Great Escape: Main Title
- Doctor Zhivago: Main Title & Lara's Theme
- The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
- Once Upon A Time In The West: Jill's Theme
- 2001: A Space Odyssey: Also Sprach Zarathustra
- Midnight Cowboy: Midnight Cowboy
- Get Carter: Main Title
- A Clockwork Orange: Ode To Joy
- The Godfather: Waltz & Love Theme
- Jaws: Jaws
- Rocky: Gonna Fly Now
- Taxi Driver: Suite
- Star Wars: Episode IV: A New Hope
Tracks:
- Superman: Main Theme
- Alien: End Title
- Raging Bull: Intermezzo From Cavalleria Rusticana
- Raiders Of The Lost Ark: Raiders March
- Blade Runner: End Titles
- E.T.: The Extraterrestrial: Adventures On Earth
- Once Upon A Time In America: Deborah's Theme
- Back To The Future: Main Theme
- Witness: Building The Barn
- Aliens: Main Title
- Cinema Paradiso: Cinema Paradiso
- Glory: Charging Frot Wagner
- Dances With Wolves: The John Dunbar Theme
- Unforgiven: Claudia's Theme
Tracks:
- The Piano: The Heart Asks Pleasure First
- Schindler's List: Main Theme
- Braveheart: End Credits
- Titanic: My Heart Will Go On
- Saving Private Ryan: Hymn To The Fallen
- American Beauty: Any Other Name
- Gladiator: Now We Are Free
- Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
- The Girl With The Pearl Earring: Griet's Theme
- Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
- Harry Potter And The Prisoner Of Azkaban: Suite
- Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
- Finding Neverland: Impossible Opening
- The Incredibles: Overture
Customer Reviews:
Six Decades of Film Music.......2007-05-13
This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.
Excellent collection with fine performances.......2007-03-28
Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.
"essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16
When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004
There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!
Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.
Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!
Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Average customer rating:
- Canadian Brass is COOL!
- Bold and Brassy
- The Comical Yet Excellent Recording
- Canadian Brass Strikes Again!
- great!
|
Bolero & Other Blockbusters
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Ballets
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All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Beethoven, Ludwig van
| ( B )
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| Chopin, Frédéric
| ( C )
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Forsyth, Malcolm
| ( F )
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| ( G )
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| Handel, George Frideric
| ( H )
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| Haydn, Franz Joseph
| ( H )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Offenbach, Jacques
| ( O )
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| Ponchielli, Amilcare
| ( P )
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Ravel, Maurice
| ( R )
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| Strauss, Richard
| ( S )
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| Sullivan, Arthur
| ( S )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Verdi, Giuseppe
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| Vivaldi, Antonio
| ( V )
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ASIN: B000003FVD
Release Date: 1995-06-13 |
Tracks:
- 2001 Theme
- Concerto For Two Trumpets: Allegro
- Sarabande
- Bolero
- Turkish March
- Jesu, Joy Of Man's Desiring
- Rondeau
- Music From The Royal Fireworks
- Lord Nelson Mass: Gloria
- Xerxes: Largo
- Minute Waltz
- Toreador Song
- Sonata No.11: Turkish Rondo
- Cor Royale
- Sleeping Beauty: Overture
- Nutcracker: Waltz Of The Flowers
- La Gioconda: Dance Of The Hours
- The Glow-Worm
- Peer Gynt: In The Hall Of The Mountain King
- Gaite Parisienne: Can-Can
- Jerusalem
- La Virgen de la Macarena
- Aida: Grand March
- Guadeamus Igitur
- Overture To H.M.S. Pinafore
- Golyardes' Grounde
- Farewell Anthem
Customer Reviews:
Canadian Brass is COOL!.......2007-04-11
Brass virtuosos offer familiar pieces in refreshing way. Great listening!
Bold and Brassy.......2006-05-10
You either like the sound of brass instruments or you don't. I do. I especially like them in the hands of competent musicians playing tunes I like (mostly), I like this album.
It's a hodgepodge of mostly very short pieces and not all of them are "classical" although that is the main thrust of the work. Intermixed with Handel's MUSIC FROM THE ROYAL FIREWORKS and Ravel's BOLERO you will find such pieces as the CAN-CAN or GLOWWORM. It's all very enjoyable.
The Comical Yet Excellent Recording.......2004-09-15
This CD absolutely shows the absolute talent in the absolute Canadian Brass. These short little songs might be abused, but they showed the great skills the players had. The tuba was heard clearly in one of the song's end. Trombone had a lot of solo that showed hard technique, and the trumpets are surprisingly outstanding! The French horn might not be heard quite easily, but it was played fantastically good.
Great recording for sure, all famous songs, and some great classical ballads.
Canadian Brass Strikes Again!.......2000-06-01
This is a fun cd to listen to. The recording is very clear and crisp, each instrument shines. Also, the cover photo is comical. I have several other Canadian Brass recordings and I think they are all interesting. A truly talented band of skillful musicians.
great!.......1999-08-31
This is a truly splendid CD. Each song is wonderfully played and Arranged. In turkish rondo, the french horn player and the trumpets do a great job. And in Sarbande by Handel, and Bolero by Ravel, htey do even better! Two big thumbs up!
Average customer rating:
- amazing cd
- Great release from the best ska band
- Pez-score! haha lame little pun
- it's pretty good, but....
- Less Than Jake When Less Than Jake Was Still Good
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Pezcore
Less Than Jake
Manufacturer: Asian Man
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Losing Streak
- Losers, Kings, and Things We Don't Understand
- Hello Rockview
- Greased
- B is for B-Sides
ASIN: B000003OPM
Release Date: 1995-08-22 |
Tracks:
- Liquour Store
- My Very Own Flag
- Johnny Quest Thinks We're Sellouts
- Big
- Shotgun
- Black Coffee
- Throw The Brick
- Growing Up On A Couch
- Blindsided
- Downbeat
- Jen Doesn't Like Me Anymore
- Out Of The Crowd
- Robo
- Where In The Hell Is Mike Sinkovich
- Process
- 3 Quarts Drunk
- Boomtown
- Short On Ideas
- One Last Cigarette
Customer Reviews:
amazing cd.......2006-06-19
i was introduced to less than jake with anthem, which i thought was a very good album. after i saw them at warped tour and they played 'liquor store' and 'johnny quest thinks were sellouts' i picked this up. it sounds very unpolished compared to anthem, but i like that about it. it truly is less than jake at their best. its given that with 19 tracks there will be some filler, but even the filler has that awesome less than jake sound. its funny how they left the "turn the record over" message at the end of blindsided on the CD.
Great release from the best ska band.......2006-02-25
This album has a bunch of awesome songs and a handful of mediocre as well... it has ska anthems and if you don't own this album you are not a true LTJ fan. This is mandatory its not optional. Liquor Store, My Very Own Flag, Johnny Quest, Shotgun, Throw The Brick, Jen, and 3 Quartz Drunk are classics but there is not a single bad song on the album (actually I don't think I've ever heard a BAD LTJ song) Like another reviewer said this album is not as polished as later works and that is why i DONT like it as much... buy Losing Streak first but any LTJ album is going to be worth the money.
Pez-score! haha lame little pun.......2006-02-22
Basically, im going to compare Less Than Jake to the Simpsons. This is not LTJ's first release, but its far from their new stuff. Now, the earlier Simpsons seasons are crudely drawn, awkward-sounding, and way better than the new stuff. However the middle seasons are the best. The same goes for Less Than Jake. Pez-core is one of Less Than Jakes best. Great lyrics, thrashing speed coliding with upbeat horns and guitars, and catchy songs. You can notice messups and stuff throughout the CD, but that just adds to the album. Its not as good as Hello Rockview or whatever, but its definately one of my favorite Less Than Jake record. And a comment about Less Than Jake selling out, i used to think that too. But go check them out live. Theyre still playing the old stuff and still a bunch of crazy (30 year old) teens with nothing better to do than make you laugh, mosh, and dance a bit. So....check it out if you want.
it's pretty good, but...........2006-01-31
you know that song "johnny quest thinks were selouts" i think its extremly funny that they are making fun of people who think they are sellouts (that was in 1995) but 11 (8 when anthem came out) years later, they really are a sellout band. nice going LTJ. this is an okay album, but Losers, rockview, and Boundaries are way better. (Borders and boundaries is where they started to sell out, but they were still good)
Less Than Jake When Less Than Jake Was Still Good.......2006-01-10
An amazing ska-punk-pop album.
If you have not heard Less Than Jake before, do yourself the favor of checking out this album or Losing Streak.
Then, if you feel up to it, check out Hello Rockview.
Anything post-Hello Rockview just plain sucks.
Anthem is an embarassment for anyone in the Pezcore generation.
Average customer rating:
- The Best C.D. They Put Out
- Get it.
- Full Music Effect
- Ska's unknown stars
- fast pace ska, polka with a kick ass twist.
|
Full Trucker Effect
Johnny Socko
Manufacturer: Asian Man
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000066H2
Release Date: 1998-05-12 |
Tracks:
- 'Ever Ride...?'
- Half Your Brain
- Tobacco In Paree
- Tired & Happy Life
- Next Big Thing
- Shizit
- They Know Us At The Spa
- 'Eat My Distance'
- Man In Disguise
- Boraborinski Brothers
- Jackknife
- Full Trucker Effect
- Commercial
- She's Righteous
- Sour Me
- '...Where It Counts'
- Rumpy Pumpy
- Interlude
- Tortugas
- Hasselhoff
- 'Keep On Truckin''
Customer Reviews:
The Best C.D. They Put Out.......2004-07-16
First off, there is no "Full Trucker Effect" movie, so don't look for it. Secondly, this is the best cd that these boys ever put out, and while I'm a fan of all their music, this one will stay in my cd collection and my heart forever. Listening to this today made me realize how much I miss the old lead singer.
Get it........2001-01-03
"They Know Us at the Spa" and "Tortugas" are absolute gems.
Full Music Effect.......1999-10-16
Man, is this a good CD. Despite the fact that I still haven't found _Full Trucker Effect_, the "movie" for which this CD is a soundtrack for, this CD has a total of 16 songs (with 5 soundbites from the movie) which all are very, very good ska.
Ska's unknown stars.......1998-12-27
WOW!! That's all you can say about Johnny Socko. They incorporate fun with music. These guys have a style all their own. The only band that comes close to them is Goldfinger.
fast pace ska, polka with a kick ass twist........1998-12-17
i really liked this cd, because i love ska
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Music
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