William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack [Soundtrack]

william shakespeare's a midsummer night's dream: original motion picture soundtrack [soundtrack]

Editorial Reviews
Amazon.com
The world of meddling fairies and "amorous discord"--both frolicsome and subversive--conjured by A Midsummer Night's Dream has enchanted the imagination of many a composer, the most famous being Felix Mendelssohn. Selections from his magical evocation of Shakespeare's poetry set the tone for Michael Hoffmann's engaging new film version featuring an all-star cast. The soundtrack also takes its cue from the director's setting of the play in late 19th-century Tuscany to indulge in some of the great moments of Italian opera. Gloriously spun melodies from Verdi, Donizetti, and Bellini enrich the film's sensual texture of laden banquets and misbegotten erotic dalliances by night in the forest. In his own original score, Simon Boswell (whose other credits range from Cousin Bette to Shallow Grave) interweaves moments of neo-Puccinian poignancy for the deluded mortals with exotic, Near Eastern-tinged strains to depict the lascivious pleasures of the fairy realm. As envisioned by the director, these assume a netherworldish quality more reminiscent of the Brothers Grimm than the Italian landscape. Opera fans will also relish the presence here of two new recordings by Renée Fleming made specifically for the soundtrack, including "Casta diva," which is sung as a counterpoint of languid beauty to Shakespeare's tangled web of illusory passion. --Thomas May

William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack,Simon Boswell,Renée Fleming,Marcello Giordani,Cecilia Bartoli,Luciano Pavarotti,Roberto Alagna,Decca,Classical Soundtrack/Score,Pop,Soundtrack,Soundtracks,Soundtracks & Film Scores

William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack [Soundtrack]

Average customer rating:

A Masterpiece beyond words
A Musical Dream: A Listening Pleasure
The Flower Duet Song.
Terrific Avant-Garde Music
The Flower Duet for the trailer

William Shakespeare's A Midsummer Night's Dream: Original Motion Picture Soundtrack
Simon Boswell , Renée Fleming , Marcello Giordani , Cecilia Bartoli , Luciano Pavarotti , and Roberto Alagna
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000ILWJ
Release Date: 1999-04-20

Tracks:

Overture (from Mendelssohn's "A Midsummer Night's Dream")
Brindisi - Renee Fleming/Marcello Giordani (from Verdi's "La Traviata")
Che Gelida Manina - Luciano Pavarotti (from Puccini's "La Boheme")
The Course of True Love (Boswell)
Between the Cold Moon and the Earth (Boswell)
Hot Ice (Boswell)
The Forgeries of Jealousy (Boswell)
I Know a Place Where the Wild Thyme Blows (Boswell)
Casta Diva - Renee Fleming (from Bellini's "Norma")
Intermezzo (from Mascagni's "Cavalleria Rusticana")
What Fools These Mortals Be (Boswell)
Strange Snow (Boswell)
Fair Lovers You Are Fortunately Met (from Mendelssohn's "A Midsummer Night's Dream")
Una Furtiva Lagrima - Roberto Alagna (from Donizetti's "L'Elisir d'Amore")
Wedding March (from Mendelssohn's "A Midsummer Night's Dream")
A Most Rare Vision (Boswell/Mascagni)
Non Piu Mesta - Cecilia Bartoli (from Rossini's "La Cenerentola")

Amazon.com

The world of meddling fairies and "amorous discord"--both frolicsome and subversive--conjured by A Midsummer Night's Dream has enchanted the imagination of many a composer, the most famous being Felix Mendelssohn. Selections from his magical evocation of Shakespeare's poetry set the tone for Michael Hoffmann's engaging new film version featuring an all-star cast. The soundtrack also takes its cue from the director's setting of the play in late 19th-century Tuscany to indulge in some of the great moments of Italian opera. Gloriously spun melodies from Verdi, Donizetti, and Bellini enrich the film's sensual texture of laden banquets and misbegotten erotic dalliances by night in the forest. In his own original score, Simon Boswell (whose other credits range from Cousin Bette to Shallow Grave) interweaves moments of neo-Puccinian poignancy for the deluded mortals with exotic, Near Eastern-tinged strains to depict the lascivious pleasures of the fairy realm. As envisioned by the director, these assume a netherworldish quality more reminiscent of the Brothers Grimm than the Italian landscape. Opera fans will also relish the presence here of two new recordings by Renée Fleming made specifically for the soundtrack, including "Casta diva," which is sung as a counterpoint of languid beauty to Shakespeare's tangled web of illusory passion. --Thomas May

Customer Reviews:

A Masterpiece beyond words.......2005-02-14

This is and elegant peice of artwork! The music adds a feeling of love, magic, and beauty. This is one of the best classical/Soudtrack CD I have ever heard. I would highly recommend this!

A Musical Dream: A Listening Pleasure.......2003-10-25

The soundtrack and score to this film version of Shakespeare's "A Midsummer Night's Dream " is a breathtaking and beautiful collection. Despite the complaint that the Flower Duet from Lakme (which was apparently featured in the trailer for this film) was not used means really nothing when you hear what they cooked up for this great musical compilation album. As we know, Shakespeare was English and in the past "A Midsummer Night Dream" movies had a very English, jolly and bouncy kind of music. Simon Boswell wanted to try something different. What he came up with was a very avant garde and fascinating musical score. He combined the music that Felix Mendelsshon composed for A Midsummer Night's Dream in the 19th century (here we get to hear the Overture and the famous Wedding March which is used in movies depicting a wedding and even on actual weddings) and Simon Boswell also gathered some bel canto Italian opera excerpts. In addition, his original music is interpolated. Simon Boswell's original music is appropriately exotic, mystic and fairy-like. After all, we are leaving the human and civilized world of the adults and into a world of tiny people in the woods. The original music sounds Hindi and Oriental, spiritual, chamber music style, a blissful integrated music of Western and Eastern.

As for the human touch, Simon Boswell (as explained in the liner notes) decided that the humans introduce opera which is foreign to the fairies- and in many cases, to us people of the pop culture of 2003. The opera he uses was appropriate and relevant in turn of the century Italy, the time the film is set. The film starred Kevin Klein, Michelle Pfeiffer and Calista Flockheart, a group of Edwardians who are tangled up in a chaotic romantic mess in the woods. The selections from the operas here are excellent. Brand names and recognizable stars of today's opera world are featured. They are Luciano Pavoratti (whom everyone knows and can hear from miles away with his extremely loud voice), the beautiful and vocally talented Renee Fleming who sings the best version of Bellini's Casta Diva from the opera Norma and Roberto Alagna, who sings an incredibly moving "Una Furtiva Lagrima" from Donizetti's "L'Elisir D'Amore". Let's not forget the highly acclaimed mezzo soprano Cecilia Bartoli who sings a sensational finale to Rossini's "Cenerentola" or Cinderella. Cecilia's excellent Italian diction, strong voice and dazzling coloratura technique is a pleasure to hear. This cd is a very lovely collection to have. Five stars all the way. Kudos to Simon Boswell.

The Flower Duet Song........2003-03-05

This is an excellent CD, I am an actor and we are using this CD for our own production of "A Midsummer Night's Dream." To answer your question, there is another Flower Duet and its by Delibes Lakme. And I believe this is the one that is played in the trailer for the film. You can also find it on a British Airway TV ad. Anyway hope this helped you!

Terrific Avant-Garde Music.......2002-09-01

Simon Boswell's movie was a brilliant new twist on the Shakespeare classic. Set in turn of the century Italy, the soundtrack combines opera and excerpts from Mendelsshon's Midsummer Night's Dream (Overture, Nocturne, Wedding March). The Italian opera used here is brand-name stuff, and featuring the most greatest rendition of "Casta Diva" by modern opera star Renee Fleming(in my opinion, her rendition is by far the best), Cecilia Bartoli singing the finale to Rossini's Cenerentola, and a likeable Brindisi from La Traviata, as well as "Una Furtiva Lagrima" from Donizetti's Elisir D'Amore. The rest of the music is original, a blend of romanticism and Hindi exoticism. I highly recommend for you to watch the film first and then listen to the soundtrack. This is for people who love romantic music and wish to fill their hearts with breathtakingly beautiful music. Can also make an excellent wedding reception music. Viva Romance!

The Flower Duet for the trailer.......2001-07-03

This is for those who are searching for the song featured in the trailer. I bought the True Romance soundtrack for the Howard Blake arrangement of the Flower Duet (viens mallika) written by Delibes. It turned out to be the same arrangement as used in the soundtrack for the movie The Hunger starring David Bowie and Catherine Deneuve. It doesn't sound like the version I heard on the trailer. I also checked out the Luminaire version but it was more of a techno track with some floating vocals from the duet. Again, not quite what I had expected. There is also a remix of Luminaire's version by Jonathan Peters called "Flower Duet '99" but I haven't heard it (yet). I finally searched through soundtrack.net which has a section identifying music used just for trailers. This identified the Flower Duet as the arrangement by Yanni. I do have one of Yanni's CDs which has a song called "Aria" - I had bought it specifically for the Flower Duet. It does sound quite similar to the trailer version but I can't be sure - somehow the beat in the trailer is stronger and faster (a slightly speeded-up and remixed version?). Anyway, the Yanni version "Aria" is available on some of his CDs. If you're interested, there's even a live version of "Aria" in his Live at the Acropolis CD. For those who have to get every non-operatic version of this, there is also the Malcolm McLaren arrangement (in a compilation CD) which was rather effectively used quite some time ago in the British Airways ads.

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