Mame [Soundtrack]
Track Listings
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1. Main Title Including "ST. Bridget"
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2. It's Today
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3. Open a New Window - Lucille Ball, Kirby Furlong
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4. Man in the Moon
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5. My Best Girl - Lucille Ball, Kirby Furlong
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6. We Need a Little Christmas - Lucille Ball, Jane Connell, Kirby Furlong, Sab Shimono
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7. Mame
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8. Loving You
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9. Letter - Kirby Furlong,
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10. Bosom Buddies - Bea Arthur, Lucille Ball
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11. Gooch's Song - Jane Connell
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12. If He Walked into My Life - Lucille Ball
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13. Finale (Open a New Window/Mame)
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Mame,Jerry Herman,Beatrice Arthur,Bruce Davison,Jane Connell,Jane Cornell,Kirby Furlong,Lucille Ball,Robert Preston,Sab Shimono,Collector's Choice,Music Theater,Musical Theater,Pop,Soundtrack,Soundtracks & Film Scores
Mame [Soundtrack]
Average customer rating:
- Judy Garland Please!
- Bad Casting/Poor recording
- Lucy you did a wonderful job !!!!!
- Disappointing,but worth a listen
- Three stars for third-rate
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Mame
Manufacturer: Collector's Choice
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Similar Items:
- Mame
- Mame (1966 Original Broadway Cast)
- Bea Arthur on Broadway - Just Between Friends
- Gypsy (1962 Film Soundtrack)
- Miss Bette Davis
ASIN: B0002LO7FQ
Release Date: 2005-02-15 |
Tracks:
- Main Title Including "ST. Bridget"
- It's Today
- Open a New Window - Lucille Ball, Kirby Furlong
- Man in the Moon
- My Best Girl - Lucille Ball, Kirby Furlong
- We Need a Little Christmas - Lucille Ball, Jane Connell, Kirby Furlong, Sab Shimono
- Mame
- Loving You
- Letter - Kirby Furlong,
- Bosom Buddies - Bea Arthur, Lucille Ball
- Gooch's Song - Jane Connell
- If He Walked into My Life - Lucille Ball
- Finale (Open a New Window/Mame)
Customer Reviews:
Judy Garland Please!.......2007-01-21
It was said that if Judy Garland had lived the role would have been hers - if you could gotten her on the set every day. But there was no doubt that she would have been the perfect age for the part and that her voice even while she was struggling in the late 60's would have been anything but better than Lucy's. If only....
Bad Casting/Poor recording.......2006-11-03
The soundtrack to jerry Herman's Mame with Lucille Ball, Bea Arthur and Robert Preston is a recording for hard core Mame Fans only, and even they have to bite down hard to make it pallatable. Primarily due to the exceedingly poor soundtrack quality, this soundtrack is one of the poorest recordings I have ever heard! Lucille Ball is totally miscast as Mame, although she try's very hard. Beatrice Arthur is wonderful as on the B'way cast album w/ Angela Landsburry. Robert Preston is the one presence I actually had to have the disc for. I may copy them to another disc, so I don't have to put up with the rest of this dreadful recording, so full of noise you're looking for the noise reduction button!!!Not for the timid!
Lucy you did a wonderful job !!!!!.......2006-01-22
Lucille Ball, gave it her best shot and I think she Sang, and Danced wonderful. Id rather hear Lucy !!! than that LOUD british singer Angela Lansbury, she seemend to screaming most of her songs in her OBC !! Lucy was more beliveble in her singing, So move out of the way Angela Lucille Ball is Mame !!!
Disappointing,but worth a listen.......2006-01-11
The main reason for buying this CD is to hear Jerry Herman's lovely score.It's always worth listening to,but this version is
like the movie itself-a major disappointment.There are a few
good things on the disc-the title track,Robert Preston,Beatrice
Arthur,and Jane Connell.But the rest of the cast simply can't
sing,and Fred Werner's musical direction is mediocre at best.
And the worst thing of all is Lucille Ball.Sure,she tries hard,but
let's face it-as "I Love Lucy" proved,she simply was not a musical comedy performer(and I'm a Lucy fan!)There is no doubt
that Angela Lansbury should have played Mame,but just as they
did with "My Fair Lady" and Julie Andrews,Warner Brothers didn't
consider her a big enough name for the box office.Overall,this is an acceptable soundtrack,but if you want the best "Mame"
album,get the Broadway cast recording instead.
Three stars for third-rate.......2005-12-25
This 1974 disaster all but ended Auntie Mame's career -- and Lucille Ball's. Though to get a full scope of the bad you must see the movie if you dare this soundtrack gives broad hints. If Lucy was photographed through gauze some of her vocals (like the notorious solo duet leading off "If He Walked Into My Life") sound as though she was recorded through it. Compounding the travesty the arranger Ralph Burns turned the grande dame of Beekman Place into a singing tart, with keeyute shticks that suggest less a musical triumph than a musical sitcom. Not everyone suffers and dies; Robert Preston is the apex of mellow crooning the film's one new tune, "Loving You", which starts off hauntingly then swoons to Lucy's gauze; and there is no stopping the trouper in Bea Arthur. But casting Lucy was a mistake, a mistake compounded by a tone-deaf production. My Mame is still Angela Lansbury's, and Goddard Lieberson's.
P. S. The Warner Music folks must have laughed when they turned this album into a limited-edition price gouge. There is no difference between the current CD and the LP; the timings on Rhino Handmade's site are identical to the dust jacket's. Whoever said "A fool and his money are easily parted" was thinking record collectors.
Average customer rating:
- And Then There's BEA!
- Golden Girl Shines Brightly
- Alive and Unforgettable
- A trip down memory lane...
- A Truly Remarkable Accomplishment
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Bea Arthur on Broadway - Just Between Friends
Bea Arthur
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- Mame
ASIN: B00005YTRL
Release Date: 2002-02-12 |
Tracks:
- Lamb Recipe
- Fun To Be Fooled
- Introduction
- What Can You Get A Nudist For Her Birthday?
- Auditions
- Isn't He Adorable
- Fiddler on the Roof
- Let's Face The Music And Dance
- Bosom Buddies
- Angela Lansbury
- Threepenny Opera/ Pirate Jenny
- It Never Was YOu
- And Then There's Maude
- Some People
- The Soup Ladle
- Where Do You Start
- Bernie Schwartz
- If I Can't Sell It, I'll Keep Sittin' On It!
- Personal Hygiene
- Who Cares
- Fifty Percent
- The Nun's Story
- You're Gonna Hear From Me
- The Chance To Sing
- The Man in the Moon is a Lady
Amazon.com
More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls).
"I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi
Customer Reviews:
And Then There's BEA!.......2007-01-20
Thank goodness this is available on CD. I saw the show twice in Manhattan and once in P-town MA. She is an American treasure. What's nice is that you don't need to have had seen the live performance to enjoy this CD. (Though I'd love to have it on DVD.) Just Bea, Billy, a piano and yet so much more!!!!!
Golden Girl Shines Brightly.......2005-10-21
For anyone who has ever laughed as Bea Arthur deftly put people in their place with her lightning quick wit as Dorothy on the "Golden Girls", they will not be disappointed with this CD. Arthur, some 9 years after leaving the small screen, returns triumphantly to her professional roots, the stage, and does not disappoint. Mixing antedotal stories with classic songs, all to the accompianment of Billy Goldenburg, Arthur weaves her life in a brillant 90 minute tapestry so that the listener regrets ever reaching the end. Anyone who has ever seen Arthur perform on stage, or as Maude or Dorothy, they will not regret purchasing this CD. For that rare minority of people who have not have the privilage of seeing Arthur previously should find out what they have been missing of this American icon.
Alive and Unforgettable.......2004-11-21
Bea Arthur. Nearing 80. And yet, her continuing vitality is blatantly obvious in this live recording. I will tell you this--I bought this disc with no expectations whatsoever. I like Golden Girls as much as the next chap, and I was slightly curious about what Bea had become.
The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.
What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.
I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...
Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.
You really can't be disappointed. I promise.
If only we could have a visual as well!
A trip down memory lane..........2003-10-19
Bea Arthur, one of the finest performers of her time.
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.
A Truly Remarkable Accomplishment.......2003-06-16
As a huge fan of Bea Arthur's, I was very excited when I heard she would return to Broadway to do a one-woman show. Not since winning the Tony Award for Best Actress in a Musical for "Mame" has Bea Arthur been on stage. Well, what a way to follow up! This cd (which was recorded during a live performance) Bea gives fans an intimate look into her show business life. The stories are very funny and touching, and the songs (which Bea picked out herself) are fun, beautiful, and magical. A favorite part of this cd for me, is when Bea talks about her days on TV. She was the star of two very successful and groundbreaking sitcoms, "Maude" and "The Golden Girls" I am a huge fan of "The Golden Girls" and Bea's character Dorothy was always my favorite. This cd is a must for any Bea Arthur fan, but the appeal of this amazing show goes beyond her hardcore fans. Any fan of classic Broadway and cabaret songs will love this cd. This is one of the favorite cds I own, and should be treasured by more people. And finally, as a sidenote, Bea's one-woman show was nominated for a Tony Award in 2001 in the category of Best Special Theatrical Event.
Average customer rating:
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Bronislaw Kaper Plays His Famous Film Themes
Manufacturer: Delos Records
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ASIN: B000000738
Release Date: 1992-12-14 |
Tracks:
- Mutiny On The Bounty
- Lili
- The Glass Slipper
- Butterfield
- Auntie Mame
- The Chocolate Soldier
- Invitation
- The Brothers Karamazov
- Green Dolphin Street
- The Swan
- Lord Jim
- San Francisco
Customer Reviews:
Don't ask me how I know.......2006-12-05
Readers:
Before commenting upon this music CD, the following information is helpful.
One morning in 1980 some vans arrived at the California home of Bronislaw Kaper. Out of them emerged Gene DiNovi -composer, arranger, jazz pianist -plus his film crew. Gene had arrived to spend the day with Bronislaw, to interview him about his musical career, to learn the story of incredible tunes like On Green Dolphin Street and Invitation, and to listen to him play some of his own compositions on the living room piano.
Bronislaw Kaper played his creations in a "minimalist" style; after all, he was a composer and studio orchestra conductor, not a Performer. All the while, film cameras were rolling and recording this charming, witty, under-rated musical genius. The end result, after editing and in-cutting was a one-hour documentary film sans commercials. It became part of a public television series hosted by Gene DiNovi, called The Music Room.
A best guess is that The Music Room series was not broadcast in the USA. The series was produced in Ontario and shown across Canada. To date, those people storing the archival film have not made the series available to the public on DVD nor any other medium. It is an absolute crime that this critical musicology remains hidden from YOUR EYES and from students of music. We, who love music and repect those who create it, should complain our heads off to the proper sources in Toronto.
Until the said documentary is made public, this music CD is the only record we have of Bronislaw Kaper playing his own compositions.
It is more of a historical treasure than a CD for ordinary enjoyment of music. The music of Bronislaw Kaper is best heard as performed by the likes of Miles Davis, Michael Feinstein, Wynton Marsalis, Marian McPartland, George Shearing and countless others.
But, we owe the man his Propers.
I sit at the window and watch the rain,
Hi Lili, hi Lili, hi lo.
Tomorrow I'll probably love again,
- - - - - Hi Lili, hi Lili, hi low.
Edward M. Chilton
Midland, Michigan
Average customer rating:
- MAIMED
- Lucy- An Old Friend
- This is actually a good album for Braodway fans
- nobody can say she didn't give it her best shot...
- WE LOVE YOU LUCY!! Sorry, Miss Lansbury
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Mame (1974 Movie Soundtrack) (Rhino Handmade)
Jerry Herman , Lucille Ball , and Beatrice Arthur
Manufacturer: Rhino Handmade
ProductGroup: Music
Binding: Audio CD
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ASIN: B0001LYG2G
Release Date: 2004-01-01 |
Tracks:
- Main Title Including "ST. Bridget"
- It's Today
- Open a New Window - Lucille Ball, Kirby Furlong
- Man in the Moon
- My Best Girl - Lucille Ball, Kirby Furlong
- We Need a Little Christmas - Lucille Ball, Jane Connell, Kirby Furlong, Sab Shimono
- Mame
- Loving You
- Letter - Kirby Furlong,
- Bosom Buddies - Bea Arthur, Lucille Ball
- Gooch's Song - Jane Connell
- If He Walked into My Life - Lucille Ball
- Finale (Open a New Window/Mame)
Customer Reviews:
MAIMED.......2005-07-01
LUCILLE BALL WILL BE FOREVER IMMORTALIZED AS LUCY RICARDO AND AS SUCH HER COMEDIC GENIUS WAS UNIMPEACHED- BUT LUCY AS MAME? ARE YOU KIDDING? MAME IS A THIRTY-SOMETHING PARTY ANIMAL TAMED BY THE RESPONSIBILTY OF RAISING HER NEPHEW. MISS BALL AT SEVENTY APPEARED TO BE AN ARTHRITIC OLD CRONE RECENTLY ESCAPED FROM THE NURSING HOME. SHE THEN STARTS TO SYSTEMATICALLY DESTROY EACH SONG SHE CROAKS FROM THIS WONDERFUL SCORE. USE THIS CD AS A COASTER FOR A FROSTY MINT JULIP AND REVEL IN THE OBC STARRING ANGELA LANSBURY.
Lucy- An Old Friend.......2004-11-18
The reason I like the movie Mame is because Lucille Ball is in it. As everyone knows Lucy is the greatest female comedienne ever.
When she sings in Mame its like listening and watching an old friend sing.
Sure, Lucy isn't a great singer, but to me, this makes the movie more realistic. Yes, its a musical, but I find it cool that when Lucy sings, it sounds like Lucy! Her personality and comedy skills shine through her singing voice.
The character of Mame is supposed to be a brassy, loud, opinionated, friendly woman, and Lucy played the part perfectly, in my opinion.
What I'm trying to say is, in the real world, when someone sings in a social setting, like a party, they don't normally sound perfect, they sound like an amature.
And I like to view Mame as an amature singer who just likes to have a good time and doesn't care what people think about her singing.
This is actually a good album for Braodway fans.......2004-10-19
Yes, I know, Lucille Ball can't sing and neither can Kirby Furlong, who played the young Patrick. But the orchestrations on this album are wonderful. The overature is a delight and captures the spirit of the story and the original novel. Watch the details of the actual film and you will see that it is quite faithful to the details of the orginal novel.
The producers of the movie kept all the Broadway score except for one song, and added the lovely "Loving You."
When you listen to the album, listen to it with fun in mind. Lucille Ball's rendition of "We Need a Little Christmas" is actually quite joyous and full of spunk. There is nothing wrong with her "Bosom Buddies," and she brings a sense of pathos to "If He Walked Into My Life."
The pity of the album is that if true singers had been cast in the Mame and young Patrick roles, the album would be perfect.
The title song is very well done, perhaps with more life and excitement than the OBC rendering.
All in all, this is a fun album if you think Fun, good Broadway music not ruined by the movies, and not "I need to be a critic."
nobody can say she didn't give it her best shot..........2004-06-29
MAME was one of the top musicals from the 1966 Broadway season, cementing Angela Lansbury as a musical theatre star to be reckoned with, and earning her the first of several Tony Award's. Lansbury campaigned heavily to reprise the role of Mame Dennis in the Warner Bros. film version, though producers said she didn't have the box office clout (a laughable notion, considering that Lansbury started out in the movies and only segwayed into theatre quite late into her career!). Lucille Ball gamely stepped up to the plate, middle-aged and with no singing voice to speak of (she had starred on Broadway in WILDCAT but its run was notorious for Ball's frequent illnesses and vocal problems). If there were any qualms about Ball being miscast, they were kept quiet. Madeline Kahn was originally announced for the role of frumpy secretary Agnes Gooch, but Ball was afraid the trained opera-singer would steal the picture. After considering Ruth Buzzi, producers resorted to Jane Connell, who had played the role in the 1966 original cast. Likewise Bea Arthur got to reprise her Tony-winning role of boozy barb Vera Charles, with Broadway favorite Robert Preston (THE MUSIC MAN) as Mame's loving Beauregard Jackson Pickett Burnside. Cherubic little Kirby Furlong played the young Patrick Dennis. Jerry Herman simplified all Mame's numbers in order to accommodate for Ball's shortcomings. The score for the film version of MAME is vastly different to what audiences heard during the show's almost 5-year run on Broadway. The Overture now included Gooch's number "St. Bridget", and Mame's introductory number "It's Today" isn't the brassy showstopper it should be. Apparently in order to get the most out of Ball's voice, an electronic device was implemented to adjust her pitch and so forth, during the recording of the numbers. This is glaringly obvious on this reissue of the soundtrack, where her voice often sounds over-dubbed. Jane Connell gives a splendid reading of "Gooch's Song" (perhaps even better than on the OBC) and Bea Arthur is at the peak of her formidable musical talents. Robert Preston is heartbreaking with "Loving You", the only new number written especially for the film by Jerry Herman. Apart from the odd lyric-change, the numbers are almost exactly the same (the only glaring omission is Mame's Act 2 showstopper "That's How Young I Feel", though given Ball's musicality, perhaps it was a mountain she'd preferred not to have tackled). This limited-edition reissue from Rhino Handmade marks the soundtrack's CD premiere
WE LOVE YOU LUCY!! Sorry, Miss Lansbury.......2004-05-20
I've always been amazed at those who have the gall to say the most unkindest remarks about Lucille Ball's performance on the soundtrack of "Mame," not to mention the fact the utter shock of those who 30 years later, are still sticking up for a stuffy, old-fuddy duddy like Angela Lansbury. Give it UP!! "Mame" didn't bomb. It actually made money, and today this movie is loved by a lot of people. Was the movie supposed to make ten million dollars in order to be called a success?? Were there supposed to be lines around the block like "Star Wars?" Were people actually supposed to be breaking the doors down to see it, in order for these "haters" to call this movie a success?
I loved the movie and I love the album. For heaven's sake, this is LUCY. Was the voice of Karen Carpenter supposed to come out of Miss Ball's mouth when she sang "Get the ice out" or "hang up the holly?" I can honestly say that I never questioned Lucy's singing into Lucy haters started pointing out the technical aspect of Miss Ball's vocal chords. I've heard Miss Lansbury sing and I can honestly say as well that her voice has never made me want to go out and buy her records or put a poster up on the wall.
We all like Lucy. Those that don't, well, we know what they are. This is a great album and my thanks to Rhino for doing a splendid job on the mastering. Viva La Luce!!!!!!
Average customer rating:
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Olga
Manufacturer: Sonhos & Sons Brasil
ProductGroup: Music
Binding: Audio CD
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ASIN: B0003C5Z14
Release Date: 2004-08-30 |
Tracks:
- Iluminar
- Adeus M(Tema de Leoca)
- Cavaleiros da Esperzn
- When I Get Old (Saudoso Luar)
- Cartas (Tema de Olga)
- Tristango
- Pelo Melhor Do Mundo
- Tema de Amor
- Sobre O Mar (Valsa)
- Chegada Ao Brasil
- Orquestral
- Revolu
- Tema de Olga II
- Prateada
- Caa
- Separa (Marcha Fe)
- Solitude
- Solis Lux
- Deportada
- Ravensbruck
- O Nascimento de Anita
- Main Mame
- Prece
- Marcha Fe
- tima Carta
Album Details
Original soundtrack. Adriana Mezzadri, Maria Helena Nunes, Roberta Lombardi & Rosana Viana singing Marcus Viana.
Customer Reviews:
Brazilian Movie "Olga".......2005-08-28
This music is mesmerizing. Anything that Marcus Viana writes I will buy without question. I only wish the movie was available on DVD. Marcus Viana plays all instruments and some of the songs have words in portugues. Wonderful music as is typical of Viana. I also recommend El Clon and anything else he has written.
Average customer rating:
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Auntie Mame [Original Motion Picture Soundtrack]
Manufacturer: Soundtrack Library
ProductGroup: Music
Binding: Audio CD
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ASIN: B000GDYXYK |
Product Description
"Limited archival pressing" of the soundtrack to the 1958 motion picture Auntie Mame, starring Rosiland Russell. The soundtrack includes both the actual complete soundtrack to the film (recorded with the WB 65-piece orchestra), as well as the commercially recorded and released soundtrack (recorded in stereo with a 35-piece orchestra). Tracks (soundtrack sessions): Main Title/The Will/The Party/Patrick Sleeps, The Halo/The Martini/Bully for Bixby/Chu Chin Chow, Lady Iris/Job Hunting/Christmas, Plantation/Hunt/Around the World/Beau's Death, Mame Returns/Writing the Book/Gooch's Makeover, Upsons/Jackpot/Finale, Alternate: Beau's Death. Tracks (soundtrack album): Main Title, Patrick, The Martini, Lady Iris, Plantation/Fox Hunt, Mame Goes Abroad, Miss Gooch & Finale, Theme from Auntie Mame.
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Music
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