Minority Report [Soundtrack]

minority report [soundtrack]

On this CD:

Minority Report, film score
Composed by John Williams
with Deborah Dietrich
Conducted by John Williams

Editorial Reviews
Amazon.com
While Steven Spielberg's sci-fi detective thriller revolves around the intriguing premise of future cops arresting criminals before their crimes, beneath its high-tech veneer it asks a simple but infinitely powerful question: Do we have the power to alter our own destiny? Coming on the heels of the director's posthumous collaboration with Stanley Kubrick, A.I. Artificial Intelligence, it also affords longtime Spielberg musical collaborator John Williams a rare back-to-back opportunity to construct a musical future-world. The composer's efforts here are largely a forceful departure from A.I.'s sparkling minimalist influences, employing an enduring cinematic cliché--that film futures often sound much like the works of early-20th-century serialist/modernist classical composers--that puts a compelling new spin on the ever slippery concept of postmodernism. If the cues here occasionally recall the jagged edges, dark corners, and rhythmic fury of some of Goldsmith's best sci-fi scores, it's only a tribute to both legends' deep musical roots and preternatural scoring instincts. But make no mistake, this is pure Williams at his most compelling, employing his full arsenal of technique and always masterful use of color to construct a new genre--call it "future noir"--from inspirations as diverse as Bartók, Ligeti, Penderecki, Webern, and Schoenberg. Like Herrmann's suspenseful scores for Hitchcock (one of the film's intentional musical touchstones), there may be nary a memorable melody in it, but it's a riveting--and occasionally harrowing--listen from opening bars to its final, minimalist-tinged string flourishes. --Jerry McCulley

Minority Report,John Williams,John Williams,Deborah Dietrich,Dreamworks,Film,Film Music,Original Score,Pop,Soundtrack,Soundtracks & Film Scores

Minority Report [Soundtrack]

The Music of John Williams: 40 Years of Film Music

Average customer rating:

Very disappointing, considering what it could have been
Always a pleaser
JOHN WILLIAMS 40 Years of Film Music
Movie Music Magic & Memorabilia
John Williams: 40 Years of Outstanding Film Music

The Music of John Williams: 40 Years of Film Music

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

John Williams - Greatest Hits 1969 - 1999
The Essential Elmer Bernstein Film Music Collection
Jerry Goldsmith: 40 Years of Film Music
John Barry: The Collection
Summon the Heroes

ASIN: B0000C6K09
Release Date: 2003-10-07

Tracks:

The Sugarland Express-Main Theme
Jaws-Main Theme
Close Encounters Of The Third Kind-Suite
Raiders Of The Lost Ark-March
Raiders Of The Lost Arc-The Map Room:Dawn
E.T. The Extra-Terrestrail-Adventures On Earth
Indiana Jones And The Temple Of Doom-Mine Car Chase
Indiana Jones And The Temple Of Doom-End Credits
Empire Of The Sun-Exsultate Justi
Indiana Jones And The Last Crusade-Indy's First Adventure

Tracks:

Indiana Jones And The Last Crusade-End Credits
Always-Follow Me/Dorinda's Solo Flight
Hook-Main Themes
Jurassic Park-Main Themes
Schindler's List-Main Theme
Amistad-Dry Your Tears, Afrika
Saving Private Ryan-Hymn To The Fallen
A.I. Artificial Intelligence-Where Dreams Are Made
Minority Report
Catch Me If You Can

Tracks:

The Rare Breed-Suite (Universal Emblem/Hilary's Plight/Scottish Romeo/The Hunt)
Jane Eyre-Suite: The Jane Eyre Theme
Jane Eyre-Suite: To Thornfield
Jane Eyre-Suite: Restoration
The Cowboys-Overture
The Poseidon Adventure-Prelude
The Towering Inferno-Main Titles
Family Plot-End Titles
The Fury-Main Titles
Superman-Main Theme
Dracula-Main Titles & Storm
The River-Main Theme & Love Theme
The Witches Of Eastwick- Dance Of The Witches

Tracks:

Born On The Fourth Of July-End Credits
Presumed Innocent-End Titles
JFK-Arlington/End Titles
Harry Potter And The Philosopher's Stone-Hedwig's Theme
Harry Potter And The Chamber Of Secrets-Fawkes The Phoenix
Star Wars: A New Hope- Main Theme
Star Wars: The Empire Strikes Back-Hans Solo And The Princess
Star Wars: The Empire Strikes Back-The Imperial March
Star Wars: The Phantom Menace- Anakin's Theme
Star Wars: The Phantom Menace-The Flag Parade
Star Wars: Attack Of The Clones-Across The Stars
Star Wars: The Phantom Menace-Duel Of The Fates

Customer Reviews:

Very disappointing, considering what it could have been.......2007-04-20

Take a look at the running times:

Disc 1: 60 minutes
Disc 2: 50 minutes
Disc 3: 61 minutes
Disc 4: 58 minutes

What gives Silva? There is *MUCH* more John Williams in the silva screen back catalogue by the Prague Philharmonic than what is in this set, and thats not including their entire discs devoted to Star Wars Films, Indiana Jones Trilogy etc. Why isn't Hook "When You're Alone" included on Disc 2? There's room. Why isn't 1941 on Disc 1? There's room. Why isn't Earthquake on Disc 3? There's room. Why isn't Far and Away on disc 4? There's room. Where's the other ten minutes of the Rare Breed suite on disc 3? Why isn't Midway on disc 1? Where are the Land of the Giants, Time Tunnel and Lots In Space tv themes? Etc. Etc. Etc.

C'mon Silva, most of these 4 disc mega boxes released in the past few years are packed to the brim, but not this one, and with new recordings made after this was released (the terminal, munich, geisha, war of the worlds, star wars ep 3, harry potter 3), it only makes sense for a "re-do" in the next couple of years.

Further, with Silva releasing the 100 Greatest Film Themes on six discs in a couple of months, it's only a matter of time before we see the ultimate six disc john williams set.

This isn't a BAD set to own, but it could have been much better and when compared to the Jerry Goldsmith and John Barry sets in this same series, this one is a major letdown.

Always a pleaser.......2007-03-31

I listen to music all day with patients in my dental chair. This one is a winner with everyone. Patients always comment on how they recognize a song. Who doesn't love John Williams? His music transcends time.

JOHN WILLIAMS 40 Years of Film Music.......2007-01-10

This 4 cd pack is an anthology of all John Williams works. From his earlier works "The Poseidon Adventure" and "Jaws" right through "Indiana Jones" and the most recent"Star Wars" prequel movies are included. Williams work in thriller and horror are also included. If you are into soundtracks and love movie music this is an essential buy. The quality of the music is excellent. With ten or more tracks on each cd it's well worth the money.

Movie Music Magic & Memorabilia.......2006-12-13

This four CD set expands on the previously released John Williams Greatest Hits. It's a grand collection of nearly four hours of famous music scores from over forty years. There are many songs never before available in any collection. The short liner notes tell a great tale of musical movie history and include all of his numerous award nominations and wins. Each song (oddly enough) mentions the actors and the director, so fond are John Williams's memories of his work with these people. All of the conductors are mentioned along with specific orchestras, choirs, arrangement and orchestration specialists and even the publishers (contractual, I am sure). The only things missing are his early television scores, such as those for "Lost In Space" (by Johnny Williams back then). But with four discs, one has nothing to complain about and everything to enjoy!

John Williams: 40 Years of Outstanding Film Music.......2006-11-28

I have been a huge fan of John Williams and I have known about his music for years. However, I never actually bought any of his music on CD. I was rather skeptical about purchasing this CD but when it arrived I knew I had made the right choice. The sound quality of the compilation is outstanding. The City of Prague Philharmonic Orchestra do a great job under the direction of Paul Bateman. The original London Symphony Orchestra CDs of John Williams' Star Wars Trilogy CDs are marginally better but this is still a great CD compilation. If you love ET, Star Wars, Indiana Jones and Harry Potter, you will love this compilation soundtrack. Buy it, listen to these CDs in the car and enjoy every minute of the collection!!!

Average customer rating:

A Brilliant and Complex Piece of Music
Misses a main point
Problems with the actual recording...
Everybody runs . . .
Decent Williams

Minority Report

Manufacturer: Dreamworks
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

A.I. - Artificial Intelligence: Original Motion Picture Score
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JFK

ASIN: B000068C9F
Release Date: 2002-06-18

Tracks:

Minority Report
"Can You See?"
Pre-Crime To The Rescue
Sean And Lara
Spyders
The Greenhouse Effect
Eye-Dentiscan
Everybody Runs!
Sean's Theme
Anderton's Great Escape
Dr. Eddie And Miss Van Eych
Visions Of Anne Lively
Leo Crow.The Confrontation
"Sean" By Agatha
Psychic Truth And Finale
A New Beginning

Amazon.com

While Steven Spielberg's sci-fi detective thriller revolves around the intriguing premise of future cops arresting criminals before their crimes, beneath its high-tech veneer it asks a simple but infinitely powerful question: Do we have the power to alter our own destiny? Coming on the heels of the director's posthumous collaboration with Stanley Kubrick, A.I. Artificial Intelligence, it also affords longtime Spielberg musical collaborator John Williams a rare back-to-back opportunity to construct a musical future-world. The composer's efforts here are largely a forceful departure from A.I.'s sparkling minimalist influences, employing an enduring cinematic cliché--that film futures often sound much like the works of early-20th-century serialist/modernist classical composers--that puts a compelling new spin on the ever slippery concept of postmodernism. If the cues here occasionally recall the jagged edges, dark corners, and rhythmic fury of some of Goldsmith's best sci-fi scores, it's only a tribute to both legends' deep musical roots and preternatural scoring instincts. But make no mistake, this is pure Williams at his most compelling, employing his full arsenal of technique and always masterful use of color to construct a new genre--call it "future noir"--from inspirations as diverse as Bartók, Ligeti, Penderecki, Webern, and Schoenberg. Like Herrmann's suspenseful scores for Hitchcock (one of the film's intentional musical touchstones), there may be nary a memorable melody in it, but it's a riveting--and occasionally harrowing--listen from opening bars to its final, minimalist-tinged string flourishes. --Jerry McCulley

Customer Reviews:

A Brilliant and Complex Piece of Music.......2005-07-09

This is an amazing addition to any John Williams fan's collection. It has many exciting tracks, like three quarters of the disc is comprised of action and suspense. The remaining few are beautiful. Track 9 "Sean's Theme" is the most heartbreakingly beautiful peice I have heard in ages.

A must buy.

Misses a main point.......2005-04-26

Seems to me that the centrally important music in this movie was not written by John Williams: it was Schubert's "Unfinished" Symphony, the first movement of which was played (in part) twice by my count. No accident that it was the "Unfinished." That was the movie's essence: unfinished crimes. Only if Schubert--or any other composer--had written an "Uncommitted" symphony could it have been more appropriate.

Problems with the actual recording..........2004-06-26

I liked the music from Minority Report, but rather than talk about the soundtrack itself (because I figure you've seen the film otherwise you wouldnt be here, and you've got many other reviews here talking about the music) I'd like to mention the recording quality of the CD which is EXTREMELY POOR!

I have an expensive stereo system and for a modern recording I was severly dissapointed in the quality of the mastering. It hisses, it pops, I thought I was listening to vinyl!!!! Maybe you can't here it on low volumes, or if other stereo systems have more bass which hide it? Personally, I like listening to my music LOUD and this recording SUCKS!

Everybody runs . . ........2003-10-18

. . . to get this brilliantly dark soundtrack for one of Spielberg's most intriguing works in recent years. I just loved the cue "Everybody runs" . . . even when I heard it for the first time in the movie, accompanying the tense scene where John Anderton (Tom Cruise) is trapped in the futuristic vehicle tearing along the highway -- the music is just SOOOO good (no noticeable melody here, but just so fitting and -- I guess the right word here is -- BREATHTAKING), I had to buy the CD for that one cue only. When Anderton kicks away the window glass and climbs out of the car to perform this genuinely stunning acrobatic act, you can actually sense the trumpets in Williams's break-neck score simulating the wind and blasting into Anderton's face. (The score deserves five stars for that one single moment only!!!) Now that I've had the CD for a few days (and listened to track 8 like fifty times), I also find other cues memorable, especially "Minority Report," "Spyders" (no Herrmann this, just much more effective), "Eye-Dentiscan" (harrowingly good), and the heart-warming "Sean's Theme." I recommend this soundtrack to anyone who loves Steven Spielberg, John Williams, or just one knockout of a movie score that'll take you away into a bleak, futuristic, cold world. Spielberg notes that John Williams is the greatest musical storyteller the world of the movies has ever known; I couldn't agree more.

Decent Williams.......2003-06-08

Though it worked well in the film, the score is not the greatest piece to listen too. "Minoirty Report" is a good and strong orchestra and percussion start. The next few pieces are nothing special. "Spyders" is the next action piece, and it works pretty well. "Eye Dentiscan" is an enjoyable orchestra piece. "Everybody Runs" is a continuation of the action theme. "Sean's Theme" is the emotional work with a nice touch of piano. "Anderton's Great Escape" is a face paced wonderful action piece. Overall, the work is still strong, but, in the end, there is nothing 'classic' about the score.

Music from the Films of Steven Spielberg

Average customer rating:

mediocre mess, nonetheless worth having for some
28 tracks from "Duel" to "The Terminal" ~ Steven Spielberg

Music from the Films of Steven Spielberg

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Steven Spielberg: Greatest Movie Themes
The Witches of Eastwick
Paramount 90th Anniversary Collection: Scores
Jerry Goldsmith: 40 Years of Film Music
The Essential Elmer Bernstein Film Music Collection

ASIN: B00080Z69M
Release Date: 2005-05-10

Tracks:

Raiders Of The Lost Ark (March)
Duel (The Cafe/Truck Attack)
The Sugarland Express (Main Title)
Jaws (Main Title)
Close Encounters Of The Third Kind (Suite)
1941 (March)
Raiders Of The Lost Ark (The Map Room)
Raiders Of The Lost Ark (The Basket Game)
E.T. The Extra Terrestrial (Adventures On Earth)
Poltergeist (Main Theme)
Twilight Zone: The Movie (Suite)
The Color Purple (Finale)
Empire Of The Sun (Exsultate Justi)
Indiana Jones And The Temple Of Doom (Finale)

Tracks:

Indiana Jones And The Temple Of Doom (Mine Car Chase)
Indiana Jones And The Last Crusade (Indy's First Adventure)
Always (Follow Me/Dorinda's Solo Flight
Hook (Main Themes)
Hook (When You're Alone)
Jurassic Park (Main Themes)
Schindler's List (Main Theme)
Amistad (Dry Your Tears Afrika)
Saving Private Ryan (Hymn To The Fallen)
A.I. Artificial Intelligence (Where Dreams Are Born)
Minority Report
Catch Me If You Can
The Terminal (The Tale Of Viktor Navorski)
Indiana Jones And The Last Crusade (End Credits Suite)

Album Description

This 28-track collection highlights the astounding career as director and producer of Steven Spielberg, whose films are inexorably linked with the symphonic beauty of John Williams' scores. With five Oscar(r) wins and 41 nominations, Williams is a master of his art. The set also features other Spielberg collaborations including Quincy Jones, Jerry Goldsmith, and Billy Goldenberg. From "Duel" (a premiere recording) to "The Terminal," this release is a journey through movie magic.

Customer Reviews:

mediocre mess, nonetheless worth having for some.......2005-07-07

If you've never purchased one of these Silva Screen best-of score CDs, let me first say this: unless you're a true film-score nut (like me), don't do it. Just don't. They really aren't terribly good. This one, like most, is played by The city of Prague Philharmonic, and it's not a terribly talented orchestra. They play very flatly, they miss notes, their orchestrator makes odd changes to composers' music. The end result of all this is that if you're familiar with the film versions of the pieces of music they're playing, it can be, frankly, a bit difficult to listen to.

That said, there is one decent -- decent, mind you -- reason to buy this CD. That's for the five-minute track of music from Spielberg's "Duel." It isn't great music, by any means, but if you're a Spielberg fanatic, this is the only release there has ever been (to my knowledge, at least) of music from that movie.

To be fair, not all of the tracks here are poorly done. "Hymn to the Fallen" comes off fairly well, and so does the music from "A.I." and "The Terminal" -- and the "Minority Report" theme is actually quite good. But much of the rest just doesn't sound right, so if you're looking for a quick way to assemble a quality overview of Spielberg music, this isn't the way to go.

That brings me to my final complaint, which is that "The Lost World" is omitted entirely! There were several good themes done for that movie; it was no mere rehash of "Jurassic Park."

For the seriously devoted only.

28 tracks from "Duel" to "The Terminal" ~ Steven Spielberg.......2005-05-11

Silva Screen Classics celebrates the career of one of the most popular directors in cinema history...with this anthology of the music that hits the mark everytime for all the fans of "Music from the Films of STEVEN SPIELBERG"...these indelible musical impressions appear courtesy of the most renowned film scores composers of our time and long time Spielberg friend, John Williams...plus Jerry Goldsmith, Billy Goldenberg, Quincy Jones, Jeremy Lubbock, J. Rosenbaum and Rod Temperton...released in several categories from Action, Adventure, Drama and Sci-Fi sharing moments from powerful classic filming to a lighter side with some of the most familiar and recognizable themes ever written.

Anyone who has ever read my reviews knows that I'm a complete "film-score-buff" nut...Silva Screen Classics has come up with the best of the best in the category of soundtracks/scores...just take a peek with their latest release featuring a 2-CD-Set with inclusive 28 cues of unforgettable scores from the leading composers of the past three decades...the quality of sound, texture and substance is a film score collectors dream...each and every track is a self culture unto its own, bringing countries, worlds and universes under one umbrella.

This is one not to be missed...so many highlights and stand outs...from one spectrum of comedy, romance, drama, suspense, action, adventure...to the other of horror, war, thrillers and classics that linger from decade to decade...many have sold millions in Soundtracks, but here in this collection they all appear compliments of conductors Paul Bateman, James Fitzpatrick, Mario Klemens and Nic Raines...conducting The City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus...though different arrangements in some cases, still a very good representation in tribute of this legendary director and icon.

A must have for "film-score-buff" collectors, including music lovers and anyone who enjoys a little nostalgia now and then...thank you James Fitzpatrick(producer), Reynold da Silva(executive producer) and Silva Screen Classics...it's amazing when one thinks about just how much a part of filmmaking history that Steven Spielberg has been over the last 30 some odd years...listening to this collection will bring back wonderful memories of some of those highlights and then your imagination sets in...just the way we like 'em!

Total Time 2-CD-Set ~ Silva America 1182 ~ (5/10/2005)

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