The Sum of All Fears (Score) [Soundtrack]

the sum of all fears (score) [soundtrack]

On this CD:

If We Could Remember (for the film "The Sum of All Fears")
Composed by Jerry Goldsmith, Paul Williams
Performed by Sandy De Crescent
with Yolanda Adams

The Sum of All Fears, film score The Mission (includes "If We Could Remember")
Composed by Jerry Goldsmith
Performed by Sandy De Crescent

The Sum of All Fears, film score The Bomb
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score That Went Well
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score Clear the Stadium
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

If We Get Through This (for the film "The Sum of All Fears")
Composed by Carole King, Tabatha Fair, John Parish
Performed by Sandy De Crescent

The Sum of All Fears, film score The Deal
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score Changes
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score Snap Count
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score His Name is Olson
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

Turandot, opera Nessun Dorma
Composed by Giacomo Puccini
Performed by Sandy De Crescent
with Bruce Sledge
Conducted by Lawrence Foster

The Sum of All Fears, film score Deserted Lab
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score Real Time
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score How Close?
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

The Sum of All Fears, film score The Same Air
Composed by Jerry Goldsmith
Performed by Sandy De Crescent
Conducted by Jerry Goldsmith

If We Could Remember (for the film "The Sum of All Fears")
Composed by Jerry Goldsmith, Paul Williams
Performed by Sandy De Crescent
with Yolanda Adams

Editorial Reviews
Product Description
Featuring the song 'If We Could Remember' by platinum superstar Yolanda Adams plus original score by Hollywood legend Jerry Goldsmith. The film stars Ben Affleck & Morgan Freeman. 2002.

The Sum of All Fears (Score),Jerry Goldsmith,Elektra / Wea,Pop,Soundtrack,Soundtracks & Film Scores

The Sum of All Fears (Score) [Soundtrack]

Paramount 90th Anniversary Collection: Scores

Average customer rating:

Great Movies have Great Soundtracks!
Only Disc 1 Is Worth Anything
More of a propaganda CD
Great selection of Film Hits!
Older recordings, main themes only

Paramount 90th Anniversary Collection: Scores
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000068TN9
Release Date: 2002-07-02

Tracks:

Saving Private Ryan 'Hymn To The Fallen' - John Williams
Double Indemnity 'Prelude' - Miklos Rozsa
The Lost Weekend 'Finale' - Miklos Rozsa
The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
Sunset Boulevard 'Prelude' - Franz Waxman
The Ten Commandments 'Prelude' - Elmer Bernstein
Breakfast At Tiffany's 'Moon River' - Henry Mancini
Hatari! 'Baby Elephant Walk' - Henry Mancini
Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
Love Story 'Theme From Love Story' - Francis Lai
The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
The Godfather 'Love Theme From The Godfather' - Nino Rota
Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
The Godfather - Part II 'End Title' - Nino Rota
Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
Beverly Hills Cop 'Axel F' - Harold Faltermeyer

Tracks:

Witness 'Building The Barn' - Maurice Jarre
Children Of A Lesser God 'Main Title' - Michael Convertino
The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
Fatal Attraction 'Fatal Attraction' - Maurice Jarre
The Addams Family 'Main Title' - Marc Shaiman
Dead Again 'Winter 1948' - Patrick Doyle
Indecent Proposal 'Flashback & Photos' - John Barry
The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
Braveheart 'For The Love Of A Princess' - James Horner
Primal Fear 'Courtroom Montage' - James Newton Howard
Mission: Impossible 'Zoom B' - Danny Elfman
Star Trek: First Contact 'End Credits' - Jerry Goldsmith
Titanic 'Hard To Starboard' - James Horner
The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
The Talented Mr. Ripley 'Italia' - Gabriel Yared
Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
Mission: Impossible 2 'The Bait' - Hans Zimmer
Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
Vanilla Sky 'To The Roof' - Nancy Wilson
The Sum Of All Fears 'The Mission' - Jerry Goldsmith
Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri

Amazon.com

Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley

Customer Reviews:

Great Movies have Great Soundtracks!.......2007-05-10

If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.

Only Disc 1 Is Worth Anything.......2006-07-19

Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.

And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.

I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.

More of a propaganda CD.......2002-10-30

There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.

It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).

This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.

There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.

Great selection of Film Hits!.......2002-09-25

This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.

Older recordings, main themes only.......2002-08-27

This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.

I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.

Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.

Jerry Goldsmith: 40 Years of Film Music
Average customer rating:

Awesome Set!

Elmer Bernstein Film Music Collection

Overall a strong Goldsmith sampler

Jerry Goldsmith - 40 years of pleasure

Almost the perfect compilation

Jerry Goldsmith: 40 Years of Film Music
Jerry Goldsmith
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009KIYDG
Release Date: 2005-08-09

Tracks:

Blue Max, The
Blue Max, The
Blue Max, The
Blue Max, The
Blue Max, The
The Man From U.N.C.L.E.: Doctor Kildare / Room 222 / Waltons, The / Barnaby Jones / Television Themes Medley
In Harm's Way
The Sandpebbles: Chinatown / Patch Of Blue, A / Poltergeist / Papillon / Wind And The Lion, The / Motion Pictures Medley
Generals, The
Tora! Tora! Tora!
Wild Rovers, The
Pursuit
Wind And The Lion, The

Tracks:

QB VII
QB VII
QB VII
QB VII
QB VII
Waltons, The
Papillon
Police Story
Omen, The
Capricorn One
Swarm, The
Boys From Brazil, The
, The (First) Great Train Robbery
Alien
Star Trek The Motion Picture

Tracks:

Masada
Poltergeist
First Blood - Rambo II
Twilight Zone: The Movie
Under Fire
Under Fire
Under Fire
Under Fire
Gremlins
Baby - Secret Of The Lost Legend
Legend
Lionheart
Rambo III
Total Recall

Tracks:

Star Trek Voyager
Basic Instinct
Russia House, The
Gremlins II
Medicine Man
Shadow, The
Forever Young
First Knight
Powder
Airforce One
L.A. Confidential
Mummy, The
Haunting, The

Album Description

Jerry Goldsmith's death in 2004 marked the end of one of the greatest careers in film composing. This lavish 57 track 4 CD set traces the path of his astonishing achievements and includes recordings conducted by Goldsmith himself. Featuring The City Of Prague Philharmonic Orchestra, The Philharmonia Orchestra, The National Philharmonic Orchestra, and The Daniel Caine Orchestra. Includes over 280 minutes of music.

Customer Reviews:

Awesome Set!.......2007-07-01

I am a huge fan of Jerry Goldsmith. They did a great job preserving his vision. I can listen to this collection for hours. Great music!

Elmer Bernstein Film Music Collection.......2006-11-03

This is compilation of hit film music from one of the greatest composers in motion pictures. What is surprising though is the music not included like the Ghost And The Darkness, the 13th Warrior, Rudy and others. To be sure, 4 discs are not enough for a composure of this stature. THe recording, however, is an "engineering masterpiece" which makes the music even more enjoyable than when you first heard it at the movies. When are we ging to get the music that was omittd from this compilaton?

Overall a strong Goldsmith sampler.......2006-04-11

Okay, this is a CD review, so the focus is on music, but I've got to say this first: this has got to be a contender for the ugliest cover art ever. I mean, come on...instead of a tribute to the composer, the cover looks like someone spilled a glass of merlot over a NASA photo.

Fortunately, even an ugly cover will not ruin good music. And the good news is that I'd say about 75 percent of the music is good....and on a 4 cd set, that's a lot. Like other Silva compilations, the strength of this compilation is the variety. There are selections from the big releases (Star Trek, Omen, Rambo), but there is also a healthy dose of tracks from the smaller releases(Under Fire, Lionheart, The Swarm).

Two examples come to mind. Capricorn One and The Great Train Robbery are two movies that are not exactly household names today, but are dominated by two of Goldmith's finest main themes. The City of Prague Philharmonic come through with terrific renditions. And there are plenty of other strong performances...a few being concert versions conducted by Goldsmith himself. Suprisingly, "The Wind and the Lion" works, which is no small accomplishment given the ferentic original performance of "Raisuli Attacks".

It's not a complete success. A few of the performances fall flat, particularly some of the more inventive scores. Total Recall is just bad, mangling the performance with poor percussion and synthesizer choices to boot. Also a letdown is the Klingon Attack from the first Star Trek movie. The Prague Philhamonic attempt doesn't sound bad--it's just that once you've heard the original soundtrack's "blaster beam" with enough bass to rattle your teeth...well let's just say Silva's version is a little tinny in comparison.

But I shouldn't dwell on the negative. Overall, this is a strong sampler of Goldsmith's variety. There are plenty of quality performances here, and despite a few omissions (noticeably Planet of the Apes)this is a very good release from Silva.

Jerry Goldsmith - 40 years of pleasure.......2006-02-22

It was wonderful to hear Mr. Goldsmith's music that went all the way back to The Man from UNCLE, The Waltons, Dr Kildare, etc. And then to hear his music up to the present. The man was a genius!

Almost the perfect compilation.......2005-12-31

Age has its value.... This sweeping collection of compositions brings back so many great memories. This collection shows how significant Goldsmith was for both the movie screen and the small screen. With such a grand collection, every reader can be assured that at least one movie or TV program they like or remember had Goldsmith's contribution. It was an amazing life and the collection well worth having.

However, as sweepig as it is, there are a few holes in the selection. "First Contact", one of the sweetest and richest compositions from the Star Trek is absent. "The Ghost and the Darkness" is missing and the "Medicine Man" music should include the theme song. By dwelling on several selections from the Blue Max, these were squeezed out. Three full and important movie themes got the axe.

However, all but "The Ghost and the Darkness" are readily available and not overly expensive as is the "Ghost" CD. This is a must have for the TV and movie music fan.

Before there was Hans Solo there was Napolean Solo, before ER there was Dr. Kildare. Jerry Goldsmith IS Sci-Fi. "Resistance is futile.. you MUST assimilate this CD collection."

Average customer rating:

It was OK, I guess.
Travesty
good but the ordering was kind of off
Goog Work
The sum of a great soundtrack

The Sum of All Fears

Manufacturer: Elektra / WEA
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

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ASIN: B000066NYR
Release Date: 2002-06-04

Tracks:

If We Could Remember - Yolanda Adams
The Mission - Shana Blake Hill
The Bomb - Jerry Goldsmith
That Went Well - Jerry Goldsmith
Clear The Stadium - Jerry Goldsmith
If We Get Through This - Tabitha Fair
The Deal - Jerry Goldsmith
Changes - Jerry Goldsmith
Snap Count - Jerry Goldsmith
His Name Is Olson - Jerry Goldsmith
Nessun Dorma from Turandot - Bruce Sledge
Deserted Lab - Jerry Goldsmith
Real Time - Jerry Goldsmith
How Close? - Jerry Goldsmith
The Same Air - Jerry Goldsmith
If We Could Remember (Reprise) - Jerry Goldsmith

Album Description

Featuring the song 'If We Could Remember' by platinum superstar Yolanda Adams plus original score by Hollywood legend Jerry Goldsmith. The film stars Ben Affleck & Morgan Freeman. 2002.

Customer Reviews:

It was OK, I guess........2007-02-07

The opening track is great, however, I bought the cd in anticipation of hearing the rendition of the fourth verse of the Star Spangled Banner from the football game and it wasn't there at all. I have never heard the that piece of music performed so magnificently! But I guess this is a characteristic of "sound tracks"; some items in the movie soundtrack don't seem to make it to the soundtrack you buy from the store.

Travesty.......2006-03-14

One of Goldsmith's last scores, we get the ruined versions of the main tune. Goldsmith had it right, and in Hebrew. The Yolanda versions are awful.

This is one of those albums completely unfaithful the the true genius of the composer.

good but the ordering was kind of off.......2003-08-25

this cd had great pieces but some of the pieces where out of place such as "If We Can Get Through This" but overall it is a good cd

Goog Work.......2003-04-08

The Sum Of All Fears soundtrack CD is a perfect work. 90% of the songs fits with the film action. On the other hand if the composer could work on it with gathering the songs together in harmony and adding all the instruments of a symphony orchestra, it will be a symphonic poem.

The sum of a great soundtrack.......2002-12-20

With Basil Poledouris and James Horner that did previous Tom Clancy films, Jerry Goldsmith steps in and delivers a great score to the latest film, The Sum of All Fears. The soundtrack starts and ends with a song written by Goldsmith (he wrote the music, which becomes the theme) called "If We Could Remember" which is performed by Yolanda Adams. This song should be nominated for an Academy Award because of its outstanding music and lyrics. The second track "The Mission" includes "If We Could Remember", this time performed by Shana Blake Hill, with a 2 note middle eastern theme thrown in. Goldsmith uses a chorus throughout several of the tracks in a Russian like manner to convey the setting of the film. "The Bomb" is a great track which features chorus, low brass, percussion, and synths. "That Went Well" features the choir and brass playing that haunting Russian theme that I talked about earlier. Really the only 2 action cues are found in "Clear the Stadium" and "Real Time" which represent the suspense styles Goldsmith used in Air Force One and possibly U.S. Marshals with sixteenth note string passages. "The Same Air" concludes the score with the "If We Could Remember" theme and that 2 note middle eastern theme. "If We Could Get Through This" is a decent song thrown in the middle of the score that should have been at the very beginning or very end so it doesn't get in the way of the score. The same thing can be said about "Nessun Dorma" which is a great piece performed by Bruce Sledge in an opera like fashion. Concluding the soundtrack is a reprise of "If We Could Remember". To sum it all up, this is a great soundtrack that shows Goldsmith at his best. I wish the 2 themes were used much more often than they were, which is why a 5 star rating is lacking. But, a great soundtrack and a must have.

Average customer rating:

From This Dayforward

Manufacturer: Caroline Distribution
ProductGroup: Music
Binding: Audio CD

Punk | Hardcore & Punk | Alternative Rock | Styles | Music
ASIN: B00004DS03
Release Date: 1997-12-16

Music:

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