The Order [Soundtrack]

the order [soundtrack]

Track Listings
1. Dusk & Dawn
2. Truth Is Beauty
3. Father Alex's Mass
4. Re-aligned & Gone To Rome
5. Aramaic Texts
6. There Will Be No Inquiry
7. Ask The Dying
8. Nightengales
9. Building The Cathedral
10. Trying To Understand
11. The Death Of Mara
12. Their Final Union
13. Hunting Eden
14. Alex Is Another Other
15. Resolve, At All Costs
16. Due Croce

Editorial Reviews
From the Artist
"The score is split between being electronic in a way that is not electronica and live orchestral. It's not standard drum-and-bass electronica by any means. It's very exotic sounding: me doing things that I do with things that used to be guitars, as well as a lot of electronic tabla and production. The things that used to be guitars are easier to hear than to describe. They wind up being very rich, harmonic textures that are in motion -- very animated. It's like electronics without synthesizers, so there remains at the root of the sound a very organic, real audio quality -- as opposed to something that's derived purely electronically. Because I've been involved in a secondary creative role in so many films (among them, 1998's 'Velvet Goldmine' and 2000's 'Traffic'), I've always been party to the process.

Product Description
Listen to this music in the dark. You will be transported into the film quicker through his music than by watching the film with the sound turned off. Tablas, ouds and guitar feedback. Synthesized Tibetan monks and Bulgarian women. This is what David brought to the table. He's not from around here. David was sent from the future to drag the past into the present tense. I don't know how he drives a car and lives. Maybe it's the only time he follows the rules.

The Order [Soundtrack]

The Order,Original Soundtrack,David Torn,Superb Records,Pop,Soundtrack,Soundtracks & Film Scores


The Order [Soundtrack]
Harry Potter and the Order of the Phoenix
Average customer rating: 3.5 out of 5 stars
  • Time to BRING BACK JOHN WILLIAMS!!
  • Noise noise noise noise
  • Hooper Drops the Wand
  • SKIP IT
  • A fine effort and a great improvement over Doyle
Harry Potter and the Order of the Phoenix

Manufacturer: Warner Bros/Wea
ProductGroup: Music
Binding: Audio CD

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  1. Pirates Of The Caribbean: At World's End
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ASIN: B000OLGCHA
Release Date: 2007-07-10

Tracks:

  1. Fireworks
  2. Professor Umbridge
  3. Another Story
  4. Dementors in the Underpass
  5. Dumbledore's Army
  6. The Hall of Prophecies
  7. Possession
  8. The Room of Requirements
  9. The Kiss
  10. A Journey to Hogwarts
  11. The Sirius Deception
  12. Death of Sirius
  13. Umbridge Spoils a Beautiful Morning
  14. Darkness Takes Over
  15. The Ministry of Magic
  16. The Sacking of Trelawny
  17. Flight of the Order of the Phoenix
  18. Loved Ones and Leaving

Amazon.com

For its fifth cinematic installment, the Harry Potter franchise gets a new composer as England's Nicholas Hooper (a usual collaborator of new director David Yates) succeeds Patrick Doyle and John Williams. The screeching electric guitar that suddenly irrupts on the very first track, "Fireworks," lets the listener know that all is not quiet on the Hogwarts front. The kiddies are growing up, evil is spreading: which is worse?! But actually this modern sonic touch is deceiving: Hooper works within an old-school format and mostly sticks to tried-and-true effects. His score is best when it goes for tension and unease, particularly in its use of low, rumbling tones: A choir starts by humming in a menacing manner in "Dementors in the Underpass"; the sound at the beginning of "The Death of Sirius" feels as if it's being belched out from some deep, dark, scary place, creating an effective atmosphere of dread. Elsewhere, the beginning of "Possession" feels as if it belongs in a J-horror movie, and then the track becomes deceptively calm before the storm hits again. Keen listeners will recognize Williams' "Hedwig's Theme" in "Another Story," but mostly Hooper is his own man. Just like the overall series, which gets darker and darker as it goes along, this CD makes for a rather brooding listening experience--the pizzicato violins on "Umbridge Spoils a Beautiful Morning" provide one of the few jaunty touches. --Elisabeth Vincentelli

Album Description

Featuring a colorful and inspiring score by Nicholas Hooper, the soundtrack to Harry Potter and the Order of the Phoenix takes the movie-goer to the next level of magical enchantment right along with Harry and his friends.

Customer Reviews:

2 out of 5 stars Time to BRING BACK JOHN WILLIAMS!!.......2007-07-13

Sadly, this soundtrack turned many of John Williams' beautiful themes into death marches and left nothing new to be desired. It was much like a bunch of sound effects rather than a score meant to tie the movie together into an artistic whole. Obviuosly, Warner Brothers is trying to make the Harry Potter movies as cheap as possible since they know the fans will come no matter how poorly they make the films. John Williams has said that he would love to do Harry Potter again, and they need him to strenthen his wonderful themes to tie all the movies together before it's too late.

3 out of 5 stars Noise noise noise noise.......2007-07-12

Received the soundtrack prior to having a chance to see the movie since the movie just came out for us yesterday. I was disappointed in the sound track since from Williams' first the HP music has been fun to listen to even as background music while working or whatever. But HP 5 just seemed tune-less. The Umbridge theme is there and annoying as it was designed to be -- increasingly so -- as designed to be -- but this is well, annoying music. Good job. Well, I waited to see the movie before making a judgment on the soundtrack since after all it is music for the movie and the main thing it should do is work well with the movie. And while watching the movie I noticed that it is appropriate noise for the movie -- but, and I realize one of the rules of music is to be not only invisible but inaudible -- not distract from the action -- it is never distracting. It seems never good enough to distract attention from the action. Is this how the science of directing our emotional sense during the movie is going? There will be little point in buying soundtrack noise then. So this is a disappointment. I miss Williams' themes even if they remind us of Star Wars or Indiana Jones or Close Encounters. You can sing some of those. With HP 5 the only thing I can sing is annoying.

2 out of 5 stars Hooper Drops the Wand.......2007-07-12

When the soundtrack for "Harry Potter and the Goblet of Fire" was released in 2006, John Williams fans rose up in outrage. They didn't appreciate composer Patrick Doyle's big, loud, unvarying score. They demanded back the whimsy and nuance that lost out to tense and ominous overtures in "Goblet of Fire". And they were rewarded with...Nicholas Hooper, and a soundtrack filled with whim and nuance...but not much else.
Don't get this reviewer wrong--there are some brilliant moments in the soundtrack. "Dolores Umbridge" is filled with over-the-top cuteness--and it carries over well onto the big screen. "Journey to Hogwarts" is a reminder of Williams' theme, and plays out with a touch of urgency that lends itself well to the listening experience. And when Hooper wants his score to be tense, it's tense.
Unfortunately, those moments are few and far between. While I can forgive Hooper for choosing to rearrange the track order for better effect, the interesting bits remain quite sparse and aren't enough to keep someone listening through the rest of the score, which, when not filled with complete silence, consists of instruments playing so softly and unmelodically that you could swear Hooper was simply running the orchestra up and down scales for all anyone could tell.
Despite its shining moments, "Harry Potter and the Order of the Phoenix" fails to reach the musical heights achieved by John Williams and makes Patrick Doyle's sweeping and grandiose soundtrack look like a giant by comparison. Everyone who has ever caught a scene from a film sans music knows how much its soundtrack is worth--when well done, music adds layer upon layer of depth, emotion and intensity to a scene. But Hooper does not achieve this, and it's unfortunate because the film could have been much more interesting had he done so. Ultimately, the final track, "Loved Ones and Leaving", sums up the entire disc--it plays a few quiet strains, has no climax, and quietly fades away, leaving but the faintest of an impression.
Let's hope Warner Bros. decides to rethink their director/composer duo come "Half-Blood Prince".

1 out of 5 stars SKIP IT.......2007-07-12

With all the incredible talent out there, why this guy was selected for the score reminds us that directors and the guys in the suits usually don't know anything about the power of REAL film music.
Stick to TV shows, Mr. Hopoper.

4 out of 5 stars A fine effort and a great improvement over Doyle.......2007-07-12

Well, I've long since stopped mourning the loss of John Williams from the Harry Potter series. After composing the best score yet for "Azkaban," the prolific Williams left the Harry Potter fandom to wallow in the cutesy waltzes and themeless chromatic atmospherics of "Goblet."

But "Order of the Phoenix" sees yet another composer: Nicholas Hooper. I'll admit I was wary at first (I believe I wrote a blog on him a long time ago), but after listening to the entire score streaming through AOL Music, my opinion has changed.

Although nowhere near the quality of Williams, Hooper brings a new atmosphere to the soundtrack series. Although his darker tracks like Darkness Takes Over and Possession may get a little boring with the endless, near silent violin tremolos, puncuated by the occasional bang that makes you jump out of your seat, it's the lighter tracks and the more emotional core of the soundtrack that really impressed me.

For the first time in the entire series, Hooper has hesitantly used a piano at the forefront of one track, accompanied by violins, and the result is heart-wrenching. Recorded beautifully as well, I reluctantly say that these bits may have served the Mirror of Erised scene in "Philosopher's Stone" much better than the numerous repetitions of "Hedwig's Theme" or "Harry's Wondrous World." I wish Hooper had used more solo piano on the album as it is some of the best stuff on there. Another emotional point in the album uses the flute and soaring violins, possibly to depict Harry and Sirius's close relationship.

The opening cue, Fireworks, is comparable to the Quidditch World Cup cues from "Goblet." Staunchly Irish in its rhythms and melodies, the cue has an energy to it befitting the scene which it scores.

The Dumbledore's Army music is some of the best, and really suggests a fun time, with great learning, and underscores the idea of a rebellion, but not something like Guy Fawkes, but something you'd expect from school kids. I sorely wish Hooper had expanded on that more, but sadly, you only hear about a minute of it on the entire album.

The Umbridge music fits very well, even if it is a bit reptitive, but I really liked the Room of Requirement music (which has been incorrectly named the Room of Requirements). It's mysterious and quirky at the same time, and evokes a hidden, ancient magic that has a mischeivous mind of its own. And knowing that Hooper will probably be back for "Half-Blood Prince," because the David Yates, the director will as well, I know he'll be able to weave the slightly naughty Requirement theme into a much darker tapestry when Malfoy uses it to break into Hogwarts.

One great aspect of the score is Hooper's willingness to revisit Williams' lasting mark on the score: Hedwig's Theme. He uses it subtly, but noticeably, paying homage to the old master, but also varying it and changing its mood from dark to light to moody where it is needed.

The music for the famous kissing scene suffices, in my opinion, and I'm sure it works well with the on-screen visuals, but I don't feel the magic in it very much, or nearly as much as I did when I read the scene in the books. I think it could have done with a few more flute trills and runs, possibly some soaring violins to depict the fluttering of Harry's heart, but it's a much slower, calmer piece with a few long chords and modest bells.

The driving music found in the climactic cue Sirius Deception really reminded me a great deal of the better action movies of late. I can't wait to hear it in conjunction with the film's visuals. I can just see Harry and co. marching down to the forest and then soaring away on the thestrals, whose music gives me goosebumps, because it really feels like an epic flight. Next to Williams' amazing cue Buckbeak's Flight in "Azkaban," I'd say this cue comes closest to matching that swooping feeling in the pit of your stomach when you soar into the air.

The cue for the death of the major character (I won't spoil it for those that haven't read the book) is very unsatisfying. It is one of those moments where dark atmospherics take precedence over melody, and as a result, the emotional impact that the cue should have is conspicuously absent. I'm sure it works well in the film, but I still would have expected something more gut-wrenching and heartbreaking. Then the cue launches into an ugly boisterous section which I can only imagine depicts Harry launching himself into a heated duel with Bellatrix. I can only describe it as noisy. In its final moments, the cue tries to become emotional, but it doesn't try hard enough and it only sounds like a weak attempt at tears.

Being a flute player, I love the opening of Umbridge Spoils a Beautiful Morning, because it is a lovely flute serenade, which then breaks into a string pizz version of Umbridge's bouncy, insidious theme.

The Ministry of Magic music is very funny in its quirky, bouncy sense, and is almost reminiscent of Sorcerer's Apprentice. Although I would not have thought the Ministry of Magic would warrant bouncyness, perhaps the method in which it is depicted calls for such motifs. The amazement at the Ministry's massive size is somewhat poorly scored, relied on somewhat idiotic downward arpeggios that seems a bit obvious. The mischief continues through to the end of the track, however.

The one thing that annoyed me was how the music for Trelawney being sacked fit more with the emotional impact of the big death in the film.

The Flight of the Order of the Phoenix, which depicts the Order's picking up Harry and flying back to headquarters, was okay in the sense that it was flying music, but it somehow felt too ordinary.

The horn is also used to create a sense of deep, tragic loss, and great scope, as it always will be, but its effect is somewhat diminished as Hooper shies away from the more soaring, incredible chords and triads that the horn does so well with.

The ending of the album finally hints at a somewhat great, emotional, soaring happiness, but it is never fully developed to be truly appreciable.

I know I make it out to be a horrible album, and I admit, if it wasn't Harry Potter, I would not have picked it up. I only feel that it doesn't come anywhere close to the perfection that was "Azkaban." Having said that, this score really isn't too bad, although the current masters of today like Elfman, Williams, and (I can't believe I'm saying this, but the Pirates 3 score was phenomenal) Zimmer would easily have done a better job, I think Hooper has done an admirable job of rescuing the score from Patrick Doyle.

An essentially dark score, puncuated by light, bouncy, quirkiness, the music shines at certain moments and snores at others. Overall, I would give it a 7 out of 10.

~ Adhish
Married to the Mob
Average customer rating: 3.5 out of 5 stars
  • Only place to get the original "Goodbye Horses"
  • GOODBYE HORSES COMPARED
  • A Different Kind of Review
  • Hello, "Horses"
Married to the Mob
Original Soundtrack
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Release Date: 1990-10-25

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  9. Too Far Gone - The Feelies
  10. You Don't Miss Your Water - Brian Eno

Customer Reviews:

4 out of 5 stars Only place to get the original "Goodbye Horses".......2005-10-17

The weird song "Goodbye Horses" by the obscure Q. Lazzarus and The Feelies "Too Far Gone" are really the only reasons to own this odd collection of mismatched songs. Brian Eno's lazy cowboy influenced piece "You Don't Miss Your Water" is a novelty, for it is Eno's take on a song probably better sourced from "Riders in the Sky". New Orders "Bizarre Love Triangle" adds to the band's growing collection of residuals for this piece's widespread appearance. The Tom Tom Club serves up their worst song ever.

4 out of 5 stars GOODBYE HORSES COMPARED.......2004-10-23

I RECENTLY WON AN AUCTION FOR THE MARRIED TO THE MOB CD WHICH I MAINLY WANTED FOR THE "GOODBYE HORSES" TRACK BY Q. LAZZARUS FROM THE SILENCE OF THE LAMBS JAMES GUMB DANCE ROUTINE. I ALSO RECENTLY PURCHASED THE PSYCHE ALBUM "LEGACY" IN WHICH THE GROUP PSYCHE DID A REMAKE OF THE GOODBYE HORSES SONG. I HAVEN'T SEEN ANY REVIEWS WHICH COMPARED THE TWO GROUPS RENDITIONS OF THIS SONG. ALL I CAN SAY IS THAT THE ORIGINAL BY Q. LAZZARUS IS THE BEST, LIKE MOST ALL ORIGINALS. BUT I MUST SAY THAT THE PSYCHE VERSION IS EXCELLENT. THE SINGER'S VOICE IS VERY SIMILAR TO Q. LAZZARUS BUT PSYCHE'S VOCALS AREN'T AS PRONOUNCED IN VOLUME AND TEND TO BLEND IN MORE WITH THE SONG. PSYCHE TENDS TO MAKE USE OF SYNTHESIZERS MORE IN THE SONG. THE DRUMS ARE PRACTICALLY THE SAME RHYTHM AND BEAT IN BOTH VERSIONS.
MOSTLY, I'M WRITING THIS REVIEW FOR PEOPLE WHO CANNOT GET THEIR HANDS ON THE VERY RARE, HARD TO FIND MARRIED TO THE MOB CD BUT WOULD STILL LIKE TO HAVE A GOOD VERSION OF "GOODBYE HORSES" IN THEIR CD COLLECTION SINCE THE CURRENT ALBUM "LEGACY" BY THE GROUP PSYCHE IS READILY AVAILABLE. YOU CAN EVEN GET IT RIGHT HERE ON AMAZON. THE WHOLE ALBUM IS ACTUALLY VERY GOOD AND PRETTY COOL. DON'T BE AFRAID TO BUY IT. YOU WON'T BE DISSAPPOINTED.

2 out of 5 stars A Different Kind of Review.......2003-04-23

This review is different in the respect that it addresses what is NOT on the Soundtrack.

Rent the movie again, and listen to the song playing when Michelle Pfeiffer's character, Angela first arrives in the city with her son. The song playing is WELCOME TO THE REAL WORLD, by Jane Child. The self-titled CD, Jane Child, was actually released a year after this movie was made.

Nonetheless, my point is that "Welcome to the Real World" should have made it onto the soundtrack. There, I've said it--- I feel better now.

4 out of 5 stars Hello, "Horses".......2003-04-02

Music supervisors usually choose existing songs to be used in a movie, apart from the score created for the film. "Goodbye Horses" gained notoriety for its use in Jame Gumb's, um, -dancing- scene in "Silence of The Lambs". Jonathan Demme's music supervisors assembled a good set of tunes.

Most of the songs are straight out of MTV "120 Minutes" territory. Before alternative became an obsolete term, these were good examples. Sinead O'Connor's Jump in The River" and New Order's "Bizarre Love Triangle" will yank you right back into your senior year of high school (depending upon your age). "Devil Does Your Dog Bite?" is fun and goofy. The Feelies' "Too Far Gone" has a strong kinship to The B52's.

Brian Eno Closes the CD with a soothing, quasi-country lament ("You Don't Miss Your Water"), a reminder of how much variety he has brought to pop music as a musician and producer.

As for "Goodbye Horses," it sounds smaller and mellower when not played in Jame Gumb's torture chamber/basement. It's a good dance track with an easy beat. There's a slight mania surrounding this album, mainly because that song is so hard to find. Even if the "Horses" were absent, the soundtrack is a good cross-section of 80's new wave/dance pop.
Ride the High Country/Mail Order Bride
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      The Order
      Average customer rating: 5 out of 5 stars
      • One of My Favorite Albums
      • f*ckin badass
      • Hauntingly refreshing
      The Order
      Original Soundtrack , and David Torn
      Manufacturer: Superb Records
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000CDCU4
      Release Date: 2003-08-26

      Tracks:

      1. Dusk & Dawn
      2. Truth Is Beauty
      3. Father Alex's Mass
      4. Re-aligned & Gone To Rome
      5. Aramaic Texts
      6. There Will Be No Inquiry
      7. Ask The Dying
      8. Nightengales
      9. Building The Cathedral
      10. Trying To Understand
      11. The Death Of Mara
      12. Their Final Union
      13. Hunting Eden
      14. Alex Is Another Other
      15. Resolve, At All Costs
      16. Due Croce

      Album Description

      Listen to this music in the dark. You will be transported into the film quicker through his music than by watching the film with the sound turned off. Tablas, ouds and guitar feedback. Synthesized Tibetan monks and Bulgarian women. This is what David brought to the table. He's not from around here. David was sent from the future to drag the past into the present tense. I don't know how he drives a car and lives. Maybe it's the only time he follows the rules.

      Customer Reviews:

      5 out of 5 stars One of My Favorite Albums.......2007-01-20

      I love movie soundtracks and I own quite a few. This is one of my favorites. I listen to it often not only because of its otherworldly sound and moving rhythms, but because it has a great mix of moods. Energizing? Got it. Calming? Got that too.

      5 out of 5 stars f*ckin badass.......2003-09-15

      THIS DISC IS A MUST HAVE FOR ANY EDITOR OR ANYONE ELSE IN THE BIZ (MUSIC OR FILM)!!!

      5 out of 5 stars Hauntingly refreshing.......2003-09-09

      The Order is by far one of the best movies I have seen. When watching this if you don't hear the music in the back ground. It forms the entire movie. Even if you don't like the movie you love the music. It's probably one of the most excelent cds I have accuired. It blends chants with haunting music. Listen to it in the dark, in the light, doesn't matter. It's quite amazing. I personaly love listening to it in the dark with candles lit. Do yourselves a favor and pick it up, you won't regret it!
      Rebirth of Mothra 2
      Average customer rating: Not rated
        Rebirth of Mothra 2
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        Release Date: 2003-10-28

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        Now Playing on Marco Polo
        Average customer rating: Not rated
          Now Playing on Marco Polo

          Manufacturer: Marco Polo
          ProductGroup: Music
          Binding: Audio CD

          Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
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          1. Legendary Film Composers

          ASIN: B00006JIAD
          Release Date: 2002-09-17

          Tracks:

          1. Overture - Malcolm Arnold
          2. 'Look Out! It's King Kong Coming!' - Max Steiner
          3. The Next Morning - The Order - Erich Wolfgang Korngold
          4. Prelude - The Scroll & Storm - Victor Young
          5. Death Of Merit - Alfred Newman
          6. Invasion - Landing - Franz Waxman
          7. Campfire - Up There! - Water Trough - Gold Digging - Cave-In - Max Steiner
          8. All About Eve Suite - Alfred Newman
          Soundtrack
          Average customer rating: Not rated
            Soundtrack

            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Soundtracks | Styles | Music
            SoundtracksSoundtracks | Imports | Stores | Music
            ASIN: B000RGUGZ6
            Release Date: 2007-07-17
            The Peter Saville Show Soundtrack - Sealed!
            Average customer rating: Not rated
              The Peter Saville Show Soundtrack - Sealed!
              New Order
              Manufacturer: London Records
              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Alternative Rock | Styles | Music
              New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
              GeneralGeneral | Dance & DJ | Styles | Music
              GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
              GeneralGeneral | Pop | Styles | Music
              GeneralGeneral | Miscellaneous | Styles | Music
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              ASIN: B000LZOPS2
              Out of Order
              Average customer rating: 5 out of 5 stars
              • Chill out music with a hip hop twist
              Out of Order
              Original Score
              Manufacturer: Immergent
              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Rock | Styles | Music
              GeneralGeneral | Compilations | Rock | Styles | Music
              Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
              GeneralGeneral | Soundtracks | Styles | Music
              ASIN: B0000CG8FX
              Release Date: 2003-10-21

              Tracks:

              1. Over the Coals - Tipper
              2. Head Banger
              3. Karma - Miho Hatori, Rambient
              4. She Gets Me High - Yellow Note
              5. When You Go - Gus Black
              6. Grey Skies - Josh One
              7. Sinking
              8. Forty Winks - Tipper
              9. Everyday - Tippa Irie
              10. Love Resurrection - Yellow Note
              11. Antarctica - Alan Parsons, Shpongle

              Customer Reviews:

              5 out of 5 stars Chill out music with a hip hop twist.......2005-03-19

              Mellow music, but at the same time upbeat... Could listen to this before you go to bed, or in the club. Check out the movie too...

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