Legend of Dragoon V.2 [Import]

legend of dragoon v.2 [import]

Track Listings

1. If You Still Believe (The Legend Of Dragoon Main Theme)

2. Rest Of Tracks In Japanese

Editorial Reviews
Product Description
The hit Japanese original soundtrack to the popular game features 50 tracks including the song 'If You Still Believe'. 2000.

Legend of Dragoon V.2,Game Music,Jms,Soundtrack,Soundtracks

Legend of Dragoon V.2 [Import]

Average customer rating:

Not for the average listener
A thoroughly enjoyable trip through Central Asia and a few other places.
Silk Road Journey
A Detailed Review From A Non-expert Music Lover
Silk Road student

Silk Road Journeys: When Strangers Meet
Yo-Yo Ma , and Silk Road Ensemble
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Silk Road Journeys: Beyond the Horizon
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Yo-Yo Ma Plays Ennio Morricone

ASIN: B0000641CG
Release Date: 2002-04-16

Tracks:

Mongolian Traditional longsong
Legend of Herlen (Byambasuren Sharav)
"Blue Little Flower" (Chinese Traditional)
"Mido Mountain" (Chinese Traditional)
Moon over Guan Mountain (Zhao Jiping)
"Miero vuotti uutta kuuta" from Five Finnish Folk Songs (Michio Mamiya)
"Joiku" from Five Finnish Folk Songs (Michio Mamiya)
Avaz-e Dashti (Persian Traditional)
Habil-Sayagy (In Habil's Style) for cello and prepared piano (Franghiz Ali-Zadeh)
Blue as the Turquoise Night of Neyshabur (Kayhan Kalhor)
Chi passa per'sta strada (Filippo Azzaiolo)
Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon/Tan Dun) (Bonus Track)

Amazon.com

This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.

This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler

Customer Reviews:

Not for the average listener.......2007-03-20

I was going to give it 2 stars, but then again i only listened to it once.
I was looking forward to this, but the music is plodding in many parts,
like a dreary symphony. There are fine moments, but I was looking for something a bit more accesible, rhymic, and lyrical. This is a mixed bag that seems to miss more often than hit.

A thoroughly enjoyable trip through Central Asia and a few other places........2007-03-15

I have just added this to my musical library and am enjoying it. From the first beat of the first note of Khongozurl's long song you are transported to central Asia - the land of horses and gers. Of all the pieces I was most interested in listening to the second piece - Legend of Herlen. This to me, was the real silk road. The morin khuur has a very rich and unusual tone that made we want to listen to the it over and over again. Each piece is different and reminds one of the many parts that make up the whole of central asia's culture be it music or diesel trucks competing for road space with camels. The music captures the variety that makes up the region. The Finnish Folksong tracks are a nice touch. I have a friend who was at a trade conference and met a man from Mongolia. Neither could talk to one another until they discovered a common language - Finnish! My friend's family is Finnish and his new Mongolian friend had lived for several years in Finland where he learned enough of the language to communicate. Listening to the Finnish Folksongs reminds me of the Finnish-Mongolian connection that my friend had described. It is a nice touch and complements the other pieces very well. Please don't neglect to read the information insert as this gives a wealth of information on the music and it's origins as well as some of the difficulties experienced by western players playing traditional middle Asian musical instruments. Ma's difficulties with his instrument are particularly interesing to read. The concludig track - Desert Capriccio is a very nice ending to a very rich musical experince. The music from Crouching Tiger, Hidden Dragon is the perfect ending to this trip through central Asia. I highly recommend this CD to everyone.

Silk Road Journey.......2007-02-19

I saw a performance of the Silk Road Ensemble and was absolutely enthralled. So I bought the CD. But it was a big disappointment. It's not the type of music you can comfortably listen to in your living room - I'm sure it would be much more enjoyable in a concert hall. There was far too much that just sounded like "screeching" to me. However, some of the pieces that were much like what we heard at the performance were beautiful. So - a mixed review, but I disliked more than I liked.

A Detailed Review From A Non-expert Music Lover.......2007-01-12

In this review I will give my opinion on each of the 12 selections in this CD, and will also talk about some general themes related to the title "The Silk Road Project".

To anyone who has heard of the Silk Road in Ancient China, the title of this CD immediately brings up images of exotic peoples and their cultures in your mind. I think Yo-Yo Ma's efforts in creating such a culturally diversified recording are definitely welcomed in this era of globalization.

But after listening through this CD I felt that something was missing from the selections. One of the most important areas on the Silk Road is the Uyghur region in northwestern China. Their music is quite unique. Inclusion of their music in this CD would be really interesting. Also in this CD not all of the selections are chosen from those regions directly related to the Silk Road. So I guess the title is just a metaphor of "when strangers meet", but is not directly about the cultures along the Silk Road.

Now I will review each of the selections.

1. Mongolian Traditional Long Song

I am somewhat familiar with their culture and land. So to me this song is very beautiful and enchanting. One of the most important factors in conducting any cross-cultural communications is context! You really cannot take it out of context. The Mongolian Long Song might sound monotonous and drawling to a person who is more used to the Western tradition of chant, choral, or opera music. Yet if you know the traditional nomadic lifestyle of the Mongolian people on the vast rolling greens of the Mongolian grassland embellished with winding creeks and rivers, you would probably hear such long-singing voices reverberating between the green of the grass and the blue of the sky. The Mongolian people have some of the most beautiful songs that I know of.

2. Legend of Herlen

There are probably two broad categories of non-western ethnic musics. One is the authentic folksong tradition of the people, the other is westernized works composed by westernized local musicians. I guess Legend of Herlen might fall into the second category. It has some interesting tunes in it. But the overall listening experience is too dramatic. I guess the dynamics used in this piece might even go beyond the ppp and fff. In the Mongolian traditional music, dynamics are sometimes used quite dramatically, with sharp difference between two adjacent notes or phrases. So this piece here is probably not very surprising. Nonetheless I find it a little too dramatic, sometimes even disturbing. Again I am not familiar with the background of this piece, so that might explain the unusual drama.

3. Blue Little Flower

I am not sure what fusion should really sound like. But in this piece it does seem to me that a lot of musical traditions are intertwined in it: western music, Chinese folksong from Shaanxi, and probably Iranian or Indian drums. Somehow the only part of this song that I liked is the beginning line. It's very beautiful and delicate, reminding me of the theme music from the Couching Tiger, Hidden Dragon. But it is westernized, not authentic Chinese folksong. If this is still not a problem, then the drum used in this piece does cause a lot of funny effects. The drum sounds so distinctive and it represents some of the central or western Asia cultures. The images such drum beats conjure up are very incompatible with this northwestern Chinese folksong. So in this piece there are at least three threads: western, Chinese, and Iranian/Indian (I am not sure which one). But they do not converge. There is also the funny part of the singing included in this piece. It is out of place and unnecessary. The singing itself is just too frivolous to me.

4. Mido Mountain

I like this piece, especially the part played by the Sheng. Again there are some elements that sound a little bit too foreign to me, especially the percussion part. They use the same percussion/drum in this piece as in the previous one. But the overall effect of the arrangement does sound authentic and pleasant to me.

5. Moon Over Guan Mountains

If you know that Zhao Jiping is famous for his scores for films, you will probably understand this piece better. But of course understanding does not mean you will like it. This piece falls into the second category that I described above. For a lot of non-Western countries, the influence of western music is definitely immense. Many local composers are trained in both the western tradition and the local tradition. But there is probably a general feeling among composers in these countries that western music is richer in theory and methods. Many of these composers will use themes from folk songs to compose westernized music. I will give this piece a B+. It does include some themes from northwestern China, which sound really unique. As I said in this CD there is no selection from the Uyghur region in China, this piece might make up for that, since some of the themes seem to me to be from that region. But this piece is still too dramatic too, like a film score.

6. Five Finnish Folksongs No. 3

I love this one! The theme melody is so beautiful, and maybe a little bit nostalgic, and maybe a little bit romantic also? But this piece is straightly western music. There is nothing ethnic about it.

7. Five Finnish Folksongs No.5

This one is ok, but not very impressive. The overall structure of this piece sounds like very loose. There is not memorable melody either. But it does not have the maddening drama like in the two pieces I have just talked about. This is good.

8. Avaz-e Dashti
I am not familiar with Persian music. But there are indeed some very Persian melodies in this piece. The instruments used in this piece are all traditional Persian instruments. Maybe this is why it sounds so authentic to me. I like the haunting, floating tunes in this piece. They sound very ethereal to me.

9. Habil-Sayagy

Again this piece falls into the second category like the Legend of Herlen and Moon Over Guan Mountains. Such music is probably interesting to the performers, since they can let loose their inner floodgate of emotions and resort to pure artistic connections. But the problem for such music is that they are just too dramatic, and it's really hard to understand them without fairly good knowledge of the context and their unique cultural backgrounds. I am sure all these three pieces might sound profound, meaningful, and artistic once we know the cultural backgrounds better. But for the general listener, they are too abstract and too emotionally charged. Another problem for such western-traditional combination pure art form of music is that tradition might be distorted and represented in the wrong way.

10. Blue as the Turquoise Night of Neyshabur

I like this one better that the previous one, especially the middle part beginning at around 5 min 30 sec into the music. The melody is quite unique, and memorable. The bassline is very interesting too. It conjures up the image of merchants traveling on camel back through the desert. The pulse of the bass sounds like the steps of camels walking. One the instruments used, I am not sure which one, santur or kemancheh, is quite successful in bringing out the authenticity of the music style.

11. Chi passa per'sta strada

This one has the same problem as the Blue Little Flower: it does not sound like anything! It is not Italian, nor is it Iranian, nor Chinese, nor anything else. What is it? Who knows. The ethnicity of world music is tied to their unique musical instruments closely. I remember there was one year the Chinese traditional orchestra had a New Year's Concert at Vienna, and when they played the Radetzky March at the end of the concert, I was quite unimpressed.

12. Desert Capriccio

Tan Dun is similar to the composers I mentioned above like Zhao Jiping. Tan's music is unique and interesting to both western and Chinese audience, because of the same thing: they are both unfamiliar with Tan's music. To the Chinese audience, his music sounds western, but to the Western audience, his music sounds exotic. Nonetheless I still like some of this music, like the Couching Tiger and Hidden Dragon. Some of the melodies are really great. Again this piece makes up for the lack of Uyghur music in this album, since the "desert" in this piece is in the Uyghur region. But the music is not Uyghur at all.

There you have it. That's all for my detailed review of this CD. I would give it a B+ for its efforts and some of the really good tunes. As I am not an expert, I might be wrong in many of the points that I make in this review. So feel free to comment on my review.

Silk Road student.......2007-01-05

Each story is complete within itself and offers insight into the life and hard times. I found the stories very believeable.

Average customer rating:

An Adventure in Music
CD is not compatible with my player

Silk Road Journeys: When Strangers Meet

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005USF3
Release Date: 2002-04-30

Tracks:

Mongolian Traditional Long Song
Legend of Herlen
Blue Little Flower
Mido Mountain
Moon Over Guan Mountains
Five Finnish Folksong: No. 3 Miero Vuotti Uutta Kuuta
Five Finnish Folksong: No. 5 Joiku
Avaz-E Dashti
Habil-Sayagy (In Habil's Style)
Blue as the Turquoise Night of Neyshabur
Chi Passa Per'sta Strada
Desert Capriccio [From Crouching Tiger, Hidden Dragon][*]

Customer Reviews:

An Adventure in Music.......2002-10-31

Yo-Yo Ma's Silk Road Project is a noble and ambitious attempt to bring together "traditional" musicians of Asia with Western musicians. For the most part, they play new music that combines Western instruments with instruments (and tonalities) of China, India, Azerbaijan, Mongolia, and other countries along the Silk Road.

Normally, I avoid new music, because much of it is self-indulgent stuff. But the Silk Road Ensemble and its music are quite the opposite: lively, fascinating, musical in the best sense of the word.

My wife and I have had the privilege of seeing the Silk Road Ensemble perform twice, in March and October of 2002, and they are fabulous. But if you cannot make the concert, this disk is the next best thing. Highly recommended!

CD is not compatible with my player.......2002-06-18

In the excitement of finding this CD, I did not notice that it requires a special player. Upon receiving it and unpacking it I saw the "super audio player only" sticker, and thought that my player would be sofisticated enough to be able to handle it. But, NO. I have spoken with friends and professionals and everyone was surprised to hear of my predicament. I would very much like to return this CD for the same title that will play on my player. Since I could not find a customer service site to air my disappointment, I chose this.

Average customer rating:

The Fantasy Album
nice release from Silva
Outstanding Fantasy Scores from Hit Fantasy Movies
"successful formula from Silva spells Classic all the way"

The Fantasy Album
Jerry Goldsmith , Kenneth Alwyn , Nic Raine , Paul Bateman , Randy Edelman , Danny Elfman , Bernard Herrmann , and James Horner
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Film Music by John Williams
The Science Fiction Album
Great Film Fantasies
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Simply the Best Movie Themes

ASIN: B00006GOEG
Release Date: 2002-09-24

Tracks:

Harry Potter And The Sorcerer's Stone - 'Hedwig's Theme'
Lord Of The Rings: The Fellowship Of The Ring - 'The Fellowship'
The Mummy - 'Sand Volcano/Love Theme'
The Mummy Returns - 'Main Themes'
Crouching Tiger, Hidden Dragon - 'Crouching Tiger, Hidden Dragon/The Eternal Vow'
Conan: The Barbarian - 'Suite: Prologue/Anvil Of Cron/Riddle Of Steel/Riders Of Doom'
Dragonheart - 'Main Themes'
The Seventh Voyage Of Sinbad - 'Overture'
Mysterious Island - 'Prelude/The Balloon'
Mysterious Island - 'Giant Bees/The Giant Crab'
Jason And The Argonauts - 'Prelude'
The Valley Of Gwangi - 'The Forbidden Valley/Pterodactyl Attack/Death Of Gwangi'
The Three Worlds Of Gulliver - 'Overture'
The Golden Voyage Of Sinbad - 'Prelude/Sinbad Fights Kali/Finale'
The Witches Of Eastwick - 'The Dance Of The Witches'

Tracks:

Gladiator - 'Suite'
Fleash And Blood - 'End Titles'
Willow - 'Willow's Theme'
Beetlejuice - 'Main Theme'
Edward Scissorhands - 'Main Title/Ice Dance'
Batman - 'Suite'
Highlander - 'Training Montage'
Mad Max - 'Suite'
Mad Max Beyond Thunderdome - 'Thunderdome Fanfare/I Am Captian Walker'
Excalibur - 'O Fortina From Carmina Burana'
The Thief Of Bagdad - 'Overture/The Market At Basra'
Legend - 'Faerie Dance/Re-united'
Raiders Of The Lost Ark - 'The Radiers March'

Customer Reviews:

The Fantasy Album.......2007-05-09

You can't have too many Sci-Fi albums. This is a good addition to anyone's collection. A good crosssection of SF music. It even has music from The Thief of Bagdad from the 30s(?)

nice release from Silva.......2005-08-15

As with most of the recent Silva America releases, Silva Screen has compiled older recordings from previous CDs and added some new material exclusively for this release. In this case, Silva has recorded music from The first Harry Potter and Lord of The Rings films, both Mummy films and Gladiator. I'm not sure what else is new, but combine these excellent tracks with golden age material from Hermann and Rozsa, and some Elfman (Batman, Edward Scissorhands) and Williams (Raiders of the Lost Ark, Witches of Eastwick) for good measure, you have a heckuva compilation.

The performance is first rate with only the Raiders March being a subpar track.

Outstanding Fantasy Scores from Hit Fantasy Movies.......2003-04-05

If you're looking for some fantasy role-playing game backround music to play or just like mostly classical fantasy-esque music, this double CD contains excellent scores wrapped in whopping total of 140+ minutes worth of music.

Classic music from your favorite hit fantasy and action movies are found all over this huge, quality collection. You'll hear suites and sounds from outstanding films like Lord of the Rings, Gladiator, Willow, The Mummy, Harry Potter, Excalibur, Conan, Highlander, Batman, Edward Scissorhands and more.

A recent (2002) and impressive collection of musical scores, and by far the best CDs I've personally bought for fantasy themed music.

"successful formula from Silva spells Classic all the way".......2002-09-24

History repeats itself with this latest compilation from Silva Screen "Fantasy Album:Adventure & Fantasy at the Movies", a heap of music to digest within the twenty-eight tracks. All beautifully arranged and conducted by Paul Bateman and Nic Raine with the City Of Prague Orchestra in full force...with the helping hand of David Temple (choir master) of the Crouch End Festival Chorus. A perfect blend from brew master James Fitzpatrick(producer) who has impeccable foresight and taste in film music.

What I most enjoy about Silva, is the fact they always have the lesser recorded selections within the big picture...take for instance "THE SEVENTH VOYAGE OF SINBAD"(1958), "THE THREE WORLDS OF GULLIVER" (1960), "MYSTERIOUS ISLAND" (1961) and "JASON AND THE ARGONAUTS" (1963), all four composed by Bernard Herrmann who is in a class by himself, they'll never be another.

But for my money the highlight picks are "GLADITOR"(2000), Hans Zimmer's recreation of the spectacle that was Romes, with man against man, man against beast and the armies that clashed and fell under the powerful story that unfolds within this suite from the film ~ "BEETLEJUICE", "EDWARD SCISSORHANDS" and "BATMAN", each from the films of Tim Burton still ring true within the realm of great direction and storytelling, this can only be topped by composer Danny Elfman who adds the frosting to an appetizing treat ~ "LEGEND" (1985), can faeries, goblins, woodland spirits mix well with the Lord of Darkness...only the legendary Jerry Goldsmith can conjure up a tune to drive the entire cast into a frenzy with "FARIE DANCE/REUNITED", this is the stuff nightmares are made of with a happy ending of course.

With composers like Tan Dun, Randy Edelman, Danny Elfman, Jerry Goldsmith, Bernard Herrmann, James Horner, Maurice Jarre, Michael Kamen, Brian May, Jerome Moross, Carl Orff, Basil Poledouris, Miklos Rozsa, Howard Shore, Alan Silvestri, John Williams and Hans Zimmer...one can only hope this will last forever. Silva, I don't know how you do it, but keep them coming...gotta love it!

Total Time: Disc One 71:43 on 15 Tracks & Disc Two 73:48 on 13 Tracks ~ Silva
SSD-1142 ~ (2002)

Jebdeh & Dragon's Legend
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Jebdeh & Dragon's Legend
Koto
Manufacturer: Zyx Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003WG0F
Release Date: 1995-01-10

Music:

Music

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