Sound of Music
Track Listings
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1. Prelude/The Sound of Music - Julie Andrews
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2. Overture and Preludium [Dixit Dominus] - Nuns Chorus
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3. Morning Hymn/Alleluia - Nuns Chorus
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4. Maria - Nuns Chorus
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5. I Have Confidence - Julie Andrews
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6. Sixteen Going on Seventeen - Charmian Carr, Dan Truhitte
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7. My Favorite Things - Julie Andrews
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8. Do-Re-Mi - Julie Andrews, Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Karat, Heather Menzies, Debbie Turner
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9. Sound of Music - Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kim Karath, Heather Menzies, Christopher Plummer, Debbie Turner
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10. Lonely Goatherd - Julie Andrews, Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Karat, Heather Menzies, Debbie Turner
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11. So Long, Farewell - Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kim Karath, Heather Menzies, Debbie Turner
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12. Climb Ev'ry Mountain - Peggy Wood
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13. Something Good - Julie Andrews, Christopher Plummer
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14. Processional/Maria - Nuns Chorus
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15. Edelweiss - Julie Andrews, Christopher Plummer
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16. Climb Ev'ry Mountain (Reprise) - Chorus
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The Sound of Music,Original Soundtrack,RCA,Film Music,Musicals,Show Tunes,Soundtrack,Soundtracks,Soundtracks & Film Scores
Sound of Music
Average customer rating:
- Great music
- I've heard this before.
- Better Than His Last One
- Sounds like a hit!!
- bright eyes
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Sound of Silver
LCD Soundsystem
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
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ASIN: B000M3452Y
Release Date: 2007-03-20 |
Tracks:
- Get Innocuous!
- Time To Get Away
- North American Scum
- Someone Great
- All My Friends
- Us V Them
- Watch The Tapes
- Sound Of Silver
- New York, I Love You But You're Bringing Me Down
Amazon.com
Two years after LCD Soundsystem's eponymous full-length debut sent indie scenesters rushing to the dancefloor, the outfit headed by dance-rock producer James Murphy serves up another stiff cocktail of punk, dance, and funk with Sound of Silver. Analog synths, chugging basslines, chunky guitars, and Murphy's wild falsetto excursions are once again the foundation to which is added the new and strange, such as the heavily chorused voices that suggest backward-masking in the opener "Get Innocuous" and the captivating harmonics keyboardist Nancy Whang bounces off of Murphy's vocals on "Someone Great." If this album has its own version of "Daft Punk Is Playing at My House," it has to be "North American Scum," an infectious stormer that breezily dismisses Europe as a place where "the buildings are old and you might have lots of mimes." Such lines are good evidence that LCD's music would rather ridicule itself than fall into the kind of pretense and nostalgia it constantly lampoons. The album's title track reflects that hankering after one's teenage years is often interrupted when "you remember the feelings of a real live emotional teenager--then you think again," while the power ballad "New York I Love You But You're Bringing Me Down" wearily serenades the Big Apple as "still the one pool where I'd happily drown." True, LCD's music is not for everyone, which may have something to do with why their fans love them as they do. If you fall into the latter category, however, Silver is gold. --Brent Kallmer
Customer Reviews:
Great music.......2007-07-07
This was the first CD I ever heard from LCD Soundsystem and once I did, I was hooked. Excellent music has made me a fan.
I've heard this before........2007-07-03
Why is everyone lauding this second effort from LCD Soundsystem so much? It sounds like his first album. I own his first double CD album and this, "Sound Of Silver", just sounds like a rehash of that. It's well produced, fairly nice to listen to, but it just seems as if LCD Soundsystem realizes they have a hook, something that people will buy, so that's what they'll put out. And unfortunately, I was duped into buying it. I wasted money on an album ('Sound Of Silver') that I basically could have heard by listening to his first album. All of the songs on this album sound like songs on his first, and the lyrics on some of the songs are laughable in the least, which I would quote verbatim from the lyric sheet, had I already not gotten rid of this CD, due to its taking up space in my CD rack. 'New York...', is a riot, anyone who produces a track like this cannot expect to be taken seriously. I hope for his next album that he does better, although I'm fairly certain I won't be buying it anyway.
Better Than His Last One.......2007-06-22
If I have one criticism of this album it would be that he wears his influences on his sleeve. However, if you love Talking Heads' "Remain In Light" and Kraftwerk's "The Man Machine", you will probably like this album. The last track is also reminiscent of Grandaddy.
Sounds like a hit!!.......2007-06-17
LCD Soundsystem are a US electronic rock group, with a very British sound, a fact not lost on them as they sing "and for those of you who still think we're from england / we're not, no" on the buzzing, incredibly catchy "North American scum".
The album comprises just 9 songs, averaging 5 minutes each. Each track takes 1 to 2 minutes to build up to the vocal delivery.
Case in point is "Someone great" with loads of layering and electronic effects building up to a Human League-like song with eighties sounding synths.
Similarly, "Get innocuous" takes about 2 minutes to build to a shimmery dance song (with disembodied vocals) which takes no prisoners.
"Time to get away" has lead singer James Murphy singing and yelping over a pulsing guitar drenched house groove. The title track is a sparse but hypnotic effects laden song. "All my friends" is a pulsing U2-esque song.
Closing is the lone ballad; "New York, I love you but you're bringing me down", starting off deceptively like a Coldplay song, building up to a blistering guitar solo, and an unexpected twist at the end. They sound like a totally different band on this one.
It does take a few plays to get into but once it gets into your head, you can't get it out. One of the best dance CDs of the year!
bright eyes.......2007-06-12
I had to think of the Bright Eyes albums 'I'm Wide Awake' and 'Digital Ash'. The first one is a lot about New York, the second is more an electronic album. Sound of Silver sounds to me like an electronic album about New York.
Great album, very diverse, has its mellow moments (NY I love you) and a superdance tune (North American Scum).
Also a nice crossover album, people who only listen to electronic music will enjoy it and indie fans will as well.
Average customer rating:
- a classic......
- Sound of Music--Still Great
- Sound of Music
- I love The Sound of Music!
- Loved it so much, we bought it twice.
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The Sound of Music (1965 Film Soundtrack - 40th Anniversary Special Edition)
Julie Andrews , Rodgers & Hammerstein , Marni Nixon , The Sound Of Music (Related Recordings) , and Irwin Kostal
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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Similar Items:
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ASIN: B000BFNZAQ
Release Date: 2005-11-08 |
Tracks:
- Prelude And The Sound Of Music
- Overture And Preludium (Dixit Dominus)
- Morning Hymn And Alleluia
- maria
- I Have Confidence
- Sixteen Going On Seventeen
- My Favorite Things
- Do-Re-Mi
- The Sound Of Music
- The Lonely Goatherd
- Edelweiss
- Laendler
- So Long, Farewell
- Ent'acte
- Climb Ev'ry Mountain
- My Favorite Things
- Something Good
- Processional And Maria (The Wedding)
- Sixteen Going On Seventeen (Reprise)
- Do-Re-Mi (Reprise)
- Edelweiss (Reprise)
- So Long, Farewell (Reprise)
- Climb Ev'ry Mountain (Reprise)
- Finale
- Robert Wise Interview
- Richard Rodgers Interview
- Charmian Carr Interview
Customer Reviews:
a classic.............2007-05-17
I can still remember the first time I heard this soundtrack. It was on my family's turntable. We happened to own the original vinyl addition. THE SOUND OF MUSIC (AKA THE SOUND OF MUSIC, in the words of Christopher Plummer who was Captain Von Trapp, in the film) is a classic musical that has really spanned the generations of young and old viewers, for (more than) four decades. For starters, the music is catchy ("The Sound of Music," "These Are A Few of My Favorite Things," and "Edelweiss," as just a few examples). Secondly, this cast was just great! Though, I have a personal preference toward the original cast, with Mary Martin and Theodore Bikel. Nonetheless, Julie Andrews is great here. What a beautiful soprano voice.
This edition features bonus transfers of interviews with those involved in bringing THE SOUND OF MUSIC to the screen. What's more, this is the complete soundtrack (instrumental and music featuring vocals is included here). Definitely a "must buy" for true fans.
Sound of Music--Still Great.......2007-05-13
I loved the music when it came on the big screen. I loved it on LP and cassette. Now, I love it even more on CD. The joy I get from listening to it while driving is wonderful. It sends me back to fond family memories. This is a must have.
Sound of Music.......2007-05-07
The CD of the soundtrack of Sound of Music came in good shape and in good time.
I love The Sound of Music!.......2007-04-14
I love this movie so much, it's my favorite! So I recently bought this cd. Wow! If you love the movie, you'll love the cd. The cd has every song from the flic and is so clear. Listening to the songs make me want to watch the movie all over again for the trillionth time. You'll be able to picture every scene listening to this cd. Also, if your stuck in traffic and need a pick me up, play this cd. You'll wake up from your drowsy drive and entertain yourself cause you can actually sing along to a song and know the words, while the movie is replaying in your head.
Loved it so much, we bought it twice........2007-04-11
You know all of these songs and Julie Andrews is at her best. This is a great soundtrack, and the disc got a ton of play in my family. On a vacation trip to California the disc accidentally got left behind in the rental car. After 6 months of the kids asking for me to replace the disc, I finally bought it again. The disc is in heavy rotation, to borrow a term from radio programming, and everyone's enjoying it again.
Average customer rating:
- Fabulous CD
- Great
- The Departed
- great soundtrack
- Buy this cd
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The Departed
Soundtrack
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B000J3FBVG
Release Date: 2006-11-07 |
Tracks:
- Let It Loose - The Rolling Stones
- Comfortably Numb - Rogers Waters feat. Van Morrison & The Band
- Sail On, Sailor - The Beach Boys
- Sweet Dreams - Roy Buchanan
- One Way Out - The Allman Brothers Band
- Baby Blue - Badfinger
- I'm Shipping Up To Boston - Dropkick Murphys
- Nobody But Me - The Human Beinz
- Tweedle Dee - LaVern Baker
- Sweet Dreams (Of You) - Patsy Cline
- The Departed Tango - Howard Shore Featuring Marc Ribot (dobro) and
- Beacon Hill - Howard Shore Performed by Sharon Isbin
Amazon.com
With Goodfellas, Martin Scorsese completely reinvented the way popular songs--instead of a made-to-measure score--can be used all the way through a movie to emphasize mood and action. He continues in that vein for The Departed, whose soundtrack is full of tunes by classic acts. If a theme emerges, it's great guitar work: on Pink Floyd's "Comfortably Numb," on the Allman Brothers' "One Way Out," on Badfinger's "Baby Blue," and on Roy Buchanan's "Sweet Dreams." (Even the two selections from Howard Shore's score highlight that approach, with performances by Marc Ribot and Larry Saltzman on "The Departed Tango" and by Sharon Isbin on "Beacon Hill.") A couple of numbers also deliver slight twists: the version of Pink Floyd's "Comfortably Numb" is the live one from 1990, when it was performed with Van Morrison and the Band; and the Beach Boys' obscure 1972 song "Sail On, Sailor" isn't sung by its cowriter Brian Wilson. Thankfully, LaVern Baker and Patsy Cline help offset a very white, very male, very classic-rock selection. While it looks as if Scorsese stopped listening to music sometime around 1975, Beantown's Dropkick Murphys do contribute "I'm Shipping Up to Boston," a nod to the movie's setting. --Elisabeth Vincentelli
Album Description
The Departed has been hailed as director Martin Scorsese's most powerful film since Goodfellas. With critical acclaim, major stars and all the punch of an explosive crime drama, The Departed is set to be a box-office smash. The soundtrack album features songs from all-time greats The Rolling Stones, The Beach Boys, The Allman Brothers Band, Roy Buchanan and Badfinger along with a collaboration between Pink Floyd's Roger Waters, Van Morrison, and The Band. Add cult faves The Human Beinz, current South Boston punkers Dropkick Murphys, an R&B gem from LaVern Baker, a country- pop selection from the immortal Patsy Cline, and a pair of selections from Grammy® Award-winning score composer Howard Shore and The Departed's soundtrack album promises to be as widely popular as the film.
Customer Reviews:
Fabulous CD.......2007-06-27
I loved the movie and I love the soundtrack. I play it all the time.
Great.......2007-06-27
I really enjoy the Departed soundtrack it is a great mix of varying songs from all eras, and of course it came from a great movie.
The Departed.......2007-06-26
The soundtrack for the movie was so wonderful I knew I wanted it for my collection. Although the CD does not contain all the songs in the film, there are enough to make this one of a kind collection worth having.
great soundtrack.......2007-05-19
I loved the variety of music on the "Departed" soundtrack. From Roy Buchnanan to Patsy Cline's version of "Sweet Dreams", Pink Floyd, The Allman Brothers, and The Stones! As a musician, I can confidently state that this soundtrack is about good music.
Buy this cd.......2007-05-18
A simple review that can be summed up as "buy this cd". Loved it from start to finish. You won't be disappointed.
Average customer rating:
- Farrar bares his influences.
- Appalling
- Good album, but buy it on ITunes
- A Beautiful Progression for Jay Farrar
- Strong diverse outing for Jay & Co.
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The Search
Son Volt
Manufacturer: Transmit Sound/Legacy
ProductGroup: Music
Binding: Audio CD
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ASIN: B000MNOXXA
Release Date: 2007-03-06 |
Tracks:
- Slow Hearse
- The Picture
- Action
- Underground Dream
- Circadian Rhythm
- Beacon Soul
- The Search
- Adrenaline And Heresy
- Satellite
- Automatic Society
- Methamphetamine
- L Train
- Highways And Cigarettes
- Phosphate Skin
Amazon.com
Five albums into Son Volt's career--and a pair into the band's rebirth following leader Jay Farrar's several solo ventures--it's time to bury the encumbering "alt-country" moniker that has dogged Farrar since his days in the genre-setting Uncle Tupelo. While the inexhaustible songwriter relied on guitars to drive 2005's rock-heavy Okemah and the Melody of Riot, Son Volt amends its familiar arrangements on The Search, balancing the instrumentation with piano, organ, and dabbles in a horn section. "Feels like drivin' 'round in a slow hearse," Farrar pleads over repetitive piano and East Indian guitar loops in "Slow Hearse." It's a pensive opener that suggests something is askew, but the horns that kick off "The Picture" literally scream it from the Stax vaults. Farrar dives in and out of genres, tingling the ivories to add subtle alterations to both the gorgeous "Underground Dream" and Imagine-like "Adrenaline and Heresy," turning his band into Gang of Four for the 134-second rocker "Satellite" and singing alongside Shannon McNally on the soulful "Highways and Cigarettes." While it may be impossible for this Son Volt to ever reach the pinnacle of their 1995 debut, no one can accuse Jay Farrar of going through the motions. --Scott Holter
Customer Reviews:
Farrar bares his influences........2007-07-10
After listening to the first 5 songs I was hailing this as his masterwork.When I listened to the whole album I was convinced it was the best complete album I have heard in 20 years.It stayed in my cd player 3 days.The only reason I took it out was to loan it to a friend.It seems to me Jay let some of his influences peek out.The 1st song sounds like a Beatles song.The second song sounds like a Van Morrison tune.The third song sounds like a Led Zeppelin song.The fourth and my favorite has lush backgrounds that remind me of those great Moody Blues songs with mellotron layering.Every song is a treat on this one.Buy it.
Appalling.......2007-06-27
Dull, trite (especially the hard-hitting commentary on the depredations of Chimpy McBushhitlerburton and his Cheneyboy puppetmasters) and did I say dull, and distinguished by an utter absence of melody, inventiveness, or anything that makes music fun to listen to?
It's been ntoed that there's a Farrar camp and a Tweedy camp. I never cared much for Tweedy - but you gotta admit, the guy does try to push the envelope and consistently sets what we capitalists call "stretch targets." Not so Jay, who since the brilliance of Trace seems resolved to produce the same lame album over and over again. That his fans find some deep aesthetic purpose therein speaks less of their delusion than how great a record Trace was: certainly someone who threw this thinderbolt can make lightening strike at least once more time. But it's not to be, and will never. Proof? Quick, hum something from Straightaways or Wide String Tremolo. Or Sebastopol. That's right, you can't, can you? Nor would you want to, if you could. Or nor could you, if you wanted: there's nothing hummable.
Alas, it ain't to be. Jay had one good record in him, that was Trace, and we shall never see its like again. I am starting to believe that his "brilliance" in Tupelo was the result of good old capitalism competitoin with Tweedy, who modest though his talent may be, does make excellent use of it. Jay, unmoored from his old Belleville pal, reveals himself as a lazy, pompus slacker, the sort of boring nut you see journaling in independent coffee houses with a copy of some Said or Chomsky trash under his elbow. The brilliance of Trace, in retrospect, is starting to strike me as dervived less from a spark of the divine within Farrar than the principle that if a monkey sits at a typewriter long enough, he'll produce Shakespeare. By some weird change of evolution and chance, it happened early for Farrar.
Two stars because no mmatter how wretched Jay is, at least he's not Ryan Adams.
Good album, but buy it on ITunes.......2007-06-18
The I Tunes version has bonus tracks bundled into the album price. Two of those bonus tracks - Bicycle Hotel and Carnival Blues - are as good as anything Jay has ever written.
Jay's Gob Iron album, released a few months earlier, is slightly better than The Search.
A Beautiful Progression for Jay Farrar.......2007-05-25
I always suspected that Jay Farrar had a masterpiece in him, but the ever-diminishing payoff I experienced with most Son Volt releases left me feeling less and less certain of my conviction. After listening to "The Search" for two solid weeks, I'm fairly convinced that this is the miracle I've been hoping for. As is usual for a Son Volt record, I required multiple listens before the songs began to sink in, but like a cautious friend, the underlying logic of "The Search" slowly started to reveal itself. This album is deeper than most, so it justifies a lot of playtime, and the more I listened, the more I realized that this is a disk you can keep in your player for a few weeks without growing tired of it, or restless.
As a lyricist, Farrar was never one to reveal himself recklessly, but I notice a few shifts in his methods here that aid in conveying his expressive side. First, the lyrics are more poetic than usual, which does not necessarily mean that they are opaque. Depending on the song, Farrar's words veer from the oblique to the direct and literal. For example, on "Action," he sings, "Break up the old drug pound story, Tortured soul wears an ego sleeve. Heavy hearts and heavy hitters, Bards disease finds the killing floor." These words might not ever mean anything literal to me, but they conjure up rich imagery, while the melody deepens their impact. Elsewhere, on "Adrenaline and Heresy," Farrar sings "She said I still love you, I don't know if I want to spend the rest of my time with you," which is as direct a statement as can be made about a failing relationship. Farrar sings these words with a striking sense of resignation that resounds long after the song ends. "Highways and Cigarettes" is also full of literal imagery ("Best to clear the mind with a Mexicali radio station. Keep an eye out for the border patrol, checking for drugs and so called aliens." He's still very self-serious, but the wordy phraseology and energized interplay of the new band adds an element of fun that had been lacking on previous Son Volt projects.
These words might not resound on the page, but "The Search" benefits immensely from Farrar's melodic sense, which appears to have grown suddenly, and significantly. He is no longer limited by the ideas on his palette, and all sorts of textures help the listener to retain interest. A horn section spices up the high-energy romp of `The Picture," while tasteful keyboards add flavor throughout. Interestingly, there also seems to be an abundance of backward-looped guitars to add a spooky, otherworldly feel to songs such as "Slow Hearse" and "Phosphate Skin." It may take some patience to realize it for yourself, but "The Search" is a beautifully constructed work and I'm finally able to say with some certainty that Jay Farrar and Son Volt have created a minor masterpiece. A Tom Ryan
Strong diverse outing for Jay & Co........2007-05-01
I wasn't exactly sure what to expect with this album, with the pre-release reports that Son Volt was moving in a new direction, adding new instrumentation. Would it be some weird new experimental, unlistenable thing?
After listening for myself, I'd have to to call the new direction more of an enhancement than a departure. The traditional elements of a Son Volt record are still here -- great songs and melodies, sorrowful pedal-steel guitar, some inscrutable social commentary lyrics, and a solid dose of Americana.
But this record is somehow more than other SV albums. It has diverse sounds that we haven't heard on SV songs before, like horns and piano, that blend very nicely with their sound. There are rocking tracks, slow burn tracks, and moody introspective tracks. Every song on this record is strong, which is a lot more than I can say for "Okemah". This is an excellent record from start to finish.
Average customer rating:
- Ah, complete control over vibrational radiance.
- Steve Vai and an Orchestra, pure magic.
- Simply Sublime.
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Sound Theories I and II
Steve Vai
Manufacturer: Red Int / Red Ink
ProductGroup: Music
Binding: Audio CD
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ASIN: B000QFCCV4
Release Date: 2007-06-26 |
Tracks:
- Kill the Guy With the Ball
- The God Eaters
- The Murder Prologue
- The Murder
- Gentle Ways
- Answers
- I'm Becoming
- Salamanders In the Sun
- Liberty
- The Attitude Song
- For the Love Of God
Tracks:
- Shadows And...
- Sparks
- Frangelica Pt.I
- Frangelica Pt.II
- Helios And Vesta
- Bledsoe Bluvd
Customer Reviews:
Ah, complete control over vibrational radiance........2007-07-01
It wouldn't be accurate to call this a live album. It's really more like an album that was recorded (mostly) in front of a live audience and HEAVILY edited. It sounds like a live album, though. Basically, Steve Vai has taken seven complete performances and, for each section, phrase, or sometimes even single note of all seventeen songs, chosen the most perfect of the seven. He then pasted all of these most favorable parts together to make one perfect whole. This is especially remarkable considering that Steve had to deal with the different sound ambiences of different venues.
In the liner notes, Steve writes that the two-part piece "Frangelica" has hundreds of edits, while other tracks (he doesn't specify which ones) have very few. It's fascinating reading how he carefully listened to each note of each instrument and replaced any less-desirable notes with notes from other performances or even from other sections of music. In some cases, when no "right notes" (defined by Steve as notes that were played with the correct pitch, phrase, confidence, and attitude) were available, he would try to "re-fabricate" the notes in the studio or take them out altogether. Only perfection is heard on this album!
I know it's an overused word, but Vol. I (entitled "The Aching Hunger") is brilliant! Each track on this disc showcases Steve's exceptional guitar work in completely refreshing ways. The old songs, with the backing of the Holland Metropole Orkest, often seem entirely new. There's a lot of newly composed material on this disc, too... all of it beautiful. The highlight here, in my opinion, is the perfectly arranged "Salamanders in the Sun," originally from the album Flex-Able.
Steve, as a guitarist, gives the impression that he has the ability to translate through his guitar absolutely anything that enters his head. It's always been amazing to hear Steve perform his most complex passages note-for-note, accurately and exactly as intended. With these new versions of the songs, we hear other instruments keep up with him note-for-note, as well. Even knowing that these performances have been highly edited, it's evident that Steve and the orchestra played amazingly tight together!
Personally, Vol. II (entitled "Shadows and Sparks") isn't nearly as accessible for me. It's without Steve's true expressive voice, his guitar, and frankly the compositions here aren't quite as brilliant (they are still very good, though). It's interesting and different and incredibly complex.
In addition to traditional orchestral instruments, there is often more eccentric instrumentation used. Saxophone, Moog synthesizer, electric guitar (not played by Steve), bass guitar, what sounds like at least one drum set, and even a referee-type whistle are commonly heard. This makes the Holland Metropole Orkest able to have a chameleon-like sound. It often resembles a traditional symphony orchestra, but sometimes it sounds more like a marching band or big band or, quite often, a jazz fusion group. Rarely does it sound like any one thing for too long, which keeps it interesting.
A few of the melodies on disc two are familiar ("Shadows and..." contains allusions to "Whispering a Prayer" and an excerpt from "Bangkok," for example) and some of the melodies are subtle and inspired, but some of the melodies don't make sense for me, musically. Some individual sections of compositions seem too different from one another or seem to exist without real purpose or are never really given a chance to develop. Many of the odd time and key signatures are overwhelming. I don't possess the musical understanding that is needed to appreciate exactly what Steve is doing.
Even if there are perhaps some shortcomings, I find disc two to still be a true wonder to listen to. Although it doesn't contain his guitar playing, it still contains Steve's magic. The standout track for me is "Frangelica Pt. II," one of the more accessible tracks on Vol. II.
There is an undeniable attraction to the music on both of these discs that has made me want to listen to them over and over. The title of this review is a phrase Steve used in the liner notes to describe the ability of a composer to "capture, and make real, the audio vision of their mind's eye." There's no doubt that Steve has captured something intangible and made it quite real. It's the ethereal magnetism of his music. Very few artists today are capable of this. It would probably be fair to say that not even all of Steve's releases have it, but Sound Theories most certainly does. It contains music with so many layers, so much depth, and Steve has so much passion for what he plays and creates, that undoubtedly both discs in this set will be spinning in cd players... and spinning heads... for years to come.
Steve Vai and an Orchestra, pure magic........2007-06-28
Sound Theories Vol 1 & 2", a double-live CD capturing legendary guitarist Steve Vai's electrifying collaboration with the Netherlands Metropole Orchestra. The two-disc set spotlights rare material pulled from five European performances, a studio session and a soundcheck rehearsal recording, all of which took place between mid-2004 and 2005.
"Volume 1" features Steve Vai playing guitar with the Orchestra, which has earned worldwide acclaim.
What he does on CD 1 is take those performances and blends them together so it sounds as though it was all 1 show. Truly amazing.
Steve Vai never disappoints.
Together Steve and the Orchestra they bring new life to both
existing and never-before-heard Steve Vai songs.
Highlights on disc 1 are
"For the Love of God", "Liberty", "The Murder", "Attitude Song", "Salamanders in the Sun".
That's not to say the rest aren't as good as those, they are but I feel that these are the songs that are just a bit above the rest and will be the ones you'll remember most.
"Volume 2" features the Orchestra by it self performing songs written and composed by Steve Vai.
Listening to CD 2 it sounds as though he's playing along with the Orchestra, but he's not.
Highlights on CD 2 are
Well CD 2 is the highlight as the whole disc is just that good.
So there you have it.
The question is should you buy it or not.
I say this is an album that Steve Vai fans and rock music fans and even some of you metal heads out there can agree on that is worth buying.
Simply Sublime........2007-06-26
Absolutely amazing! Vai's compositions sound so full and lush with the orchestra. Steve's attention to detail in the audio editing, is a lesson worth aspiring to also. The guitar playing is faultless - as you'd expect from any Vai release.
Go buy it know you knuckleheads! Or I'll hunt you down...
Average customer rating:
- Pulitzer Prize Winning Album!
- Switching Instruments
- Not a Coleman fan after all.
- Just Beautiful
- A vital force in jazz
|
Sound Grammar
Ornette Coleman
Manufacturer: Sound Grammar
ProductGroup: Music
Binding: Audio CD
Avant Garde & Free Jazz
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ASIN: B000GFRE76
Release Date: 2006-09-12 |
Tracks:
- Jordan (after introducing the band members)
- Sleep Talking
- Turnaround
- Matador
- Waiting for You
- Call to Duty
- Once Only
- SONGX
Amazon.com
When so much jazz is recycled or reissued, a new Ornette Coleman album is cause for celebration. But Sound Grammar, the free-jazz legend's first release in a decade, is special even by his lofty standards. Coleman was 75 when this live-in-Italy set was recorded in 2005. But he sounds pluckier than he has in years. Pared down to its eloquent basics, the music has a rare combination of beauty, power, lift, and melodic immediacy. With two bassists providing contrasting textures and internal drama--Greg Cohen plucks his acoustic instrument while Tony Falanga bows his--Ornette plays with his usual songful brilliance on alto saxophone and also sounds great on trumpet, a secondary instrument on which he usually demonstrates yeoman skills. (He also dabbles on violin.) Sound Grammar could be better engineered--the astute catchall drumming of Ornette's son Denardo Coleman is too far back in the mix and the basses frequently don't have enough presence. But this album stands with Ornette's best. Two of the songs, "Turnaround" and "Song X," are remakes; the rest of the material is just as good. --Lloyd Sachs
Customer Reviews:
Pulitzer Prize Winning Album!.......2007-04-18
It was announced today that this album won the Pulitzer Prize for music. Congratulations Mr. Coleman!
Switching Instruments.......2007-02-18
Coleman's play on different instruments showed a lot of skill, but the music seemed to lose some of its spontaneity in the process. The jazz represented to me a kind of neo-be-bop that lacked lyrical luster and moving harmonies.
jwc
Not a Coleman fan after all........2007-02-02
Thought Coleman was a different type of jazz musician than he is. If you want melody and mellow, forget Coleman. If you like dissonance, try him
Just Beautiful.......2006-12-02
The return of acoustic Ornette Coleman, beautifully recorded, a wonderfully intuitive and interactive band, and the leader playing as sweetly as he ever has in his life. This is my favorite album of Ornette's since
Song X and a reminder that the jazz greats just get better and better as they age.
A vital force in jazz.......2006-10-18
Of the few remaining legends in jazz, Ornette Coleman is the only one that doesn't record fairly often. Sonny Rollins had long running deal with Milestone before starting his own label, and Ornette has followed that route in starting his own imprint and releasing Sound Grammar, his first album in nine years and a recording of a concert from Germany in 2005 where he performed on alto saxophone, violin and trumpet with his son Denardo Coleman on drums, Gregory Cohen on bass, and Tony Falanga on bass. The music is classic Coleman with sweeping joyful arcs of alto on some reinterpretations of classics and a few new compositions.
"Jordan" leads things off with a choppy start-stop feel with Ornette improvising over bowed and plucked bass. There's an interlude where the two basses improvise together before Coleman contributes a few trumpet blasts. "Sleep Talking" begins with mournful bowed bass with some light alto sax comments. A bass duet over drums contributes a very open sound to the music. "Turnaround" has an almost "Saints Go Marching In" fell to the melody. Ornette has a gently sweeping solo over a bed of bass and drums. The group gets a beautifully unique sound with Ornette's keening alto and two basses. "Matador" takes things on a faster pace with some jaunty, smiling alto before two basses, both plucked, duke it out before Ornette sweeps back in and takes everybody out.
Both "Waiting" and "Once Only" convey a deep sense of plaintive loss and yearning with Coleman's saxophone nearly crying the blues in these deeply emotional performances. Contrasting those performances are a couple of free up-tempo numbers, "A Call To Duty" and Song X." The first is a fast paced, full throttle improvisation with ominous bass and drums keeping a wicked beat while Ornette contributes some slurred trumpet and sharp alto saxophone. Finally "Song X" ends the concert on a very high note with some daredevil heart-stopping alto improvisation over frantic basses and drums. Denardo Coleman gets his lone drum solo and there a cool bass duet interlude, but the moment belongs to the leader who is absolutely on fire. This is an endlessly exciting and powerful disc proving that Ornette Coleman is still a vital force in jazz. Very highly recommended.
Average customer rating:
- Sousa's marches
- OK, But Not As Good As the Original
- Sousa Marches, MC Band
- This is so great!
- A Great Sousa Collection
|
Sousa's Greatest Hits
John Philip Sousa , and United States Marine Band
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD
All Works by Sousa
| Sousa, John Philip
| ( S )
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Marches
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ASIN: B0000296U6
Release Date: 1999-09-07 |
Tracks:
- The Stars And Stripes Forever
- The Bride Elect
- Semper Fidelis
- King Cotton
- Sound Off
- The Washington Post
- The Gladiator
- National Fencibles
- Jack Tar
- The Thunderer
- Sabre And Spurs
- The Royal Welsh Fusiliers
- El Capitan
- The Gridiron Club
- Manhattan Beach
- Man Behind The Gun
- The Invincible Eagle
- The Gallant Seventh
Customer Reviews:
Sousa's marches.......2007-06-28
Excellent CD! I'm happy with the speed in which it arrived at our home.
OK, But Not As Good As the Original.......2006-08-12
It's OK, but doesn't have the quality of Sousa's original songs which were also played by a United States Marine Band.
Sousa Marches, MC Band.......2006-08-04
I was totally happy with the CD. It was everything I expected it to be. Thanks Much
This is so great!.......2005-03-27
This music speaks to my inner being, my father was a Marine with the ETC, and it was not an easy time. Music like this helped him think about how the best things in life are two doors down on the left, just a shade away from peace. I love this music, track 13 speaks to me so much that I am not sure if I have the time to listen as much as I want to! Such great music!
A Great Sousa Collection.......2004-12-15
These recordings seem to date from the 1960s and reflect a style of play that is impossible to find today. Some people might consider the sound to be too bright, the entrances too aggressive. But I think this is more authentic for Sousa than what one generally hears today. Sousa himself is known to have preferred "enthusiastic" entrances from his players, to have favored an "orchestral" sonority for his band and to have played his marches in strict tempo with no ritards or tempo changes. That is what you have on this disc, which features the Marine Band under Lt. Col. Albert Schoepper, who also conducts on Volume 3 of Altissimo's Sousa Original series.
Average customer rating:
- M. Gibbon "book maven"
- very nice..
- Sound Medicine: Music for Healing
- Great meditation CD
- Sound Medicine: Music for Healing
|
Sound Medicine: Music for Healing
Steven Halpern
Manufacturer: Relaxation
ProductGroup: Music
Binding: Audio CD
Ambient
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ASIN: B00007JGQ6
Release Date: 2003-01-21 |
Tracks:
- Interstellar Light
- Awakening
- Stillpoint
- Jerusalem
- Ascension
- Oneness
- Healing Music #1
- Healing Music #2
Album Description
Music touches our hearts and resonates within our bodies. The right music can truly renew us, helping us to feel relaxed and rejuvenated. Great musicians have always recognized this therapeutic power of music, and researchers are finally proving them right. THE SOUND MEDICINE SERIES features the works of inspired musical pioneers who are exploring music's healing power.
Natural Balance and Harmony Your body is a self-healing instrument. If you give it a chance it will always tend toward homeostasis or healthful balance. Sound healer Steven Halpern uses soothing and free-floating keyboard compositions to draw the body into this state of balance and harmony. Combining artistic inspiration, sensitivity, and sophisticated sound technology, his compositions synchronize the hemispheres of the brain and amplify the production of alpha waves. This natural response is associated with feelings of deep relaxation, contentment, and well-being.
Steven Halpern, Ph.D. stands at the leading edge of the growing public understanding of the relationship between music, body, mind and spirit. An internationally acclaimed composer and recording artist Halpern has produced over sixty recordings and authored several books. His music has been featured on 48 Hours, America's Talking, and in USA Today, The New York Times and Yoga Journal. Halpern's recordings are used in hospitals, healing clinics, and leading spas worldwide.
Music for Healing Mind, Body & Spirit was previously released under the title In the Key of Healing
Customer Reviews:
M. Gibbon "book maven".......2007-05-16
Good sleeping Music. Very calming for the mind. It would go nice with a cup of tea.
very nice.........2007-04-10
This CD was a nice experience. It did seem a little repetative but, all in all, it was good.
Sound Medicine: Music for Healing.......2007-03-20
When you come home at night, weary and bedraggled from yet another hard day at work and a long commute home, put on this cd. it will refresh your spirit and help it heal. :::::smile:::::
Great meditation CD.......2007-03-12
This is my new "go-to" CD for meditation. I'm a fan of vibrational music for meditation, but sometimes the vibrational CD's can get repetitive and boring. This CD has multiple tracks with variety in the music, but with calming vibrationals in the background. Good for meditation, guided imagery, yoga, or great background music for reading.
Sound Medicine: Music for Healing.......2007-01-04
Following a suggestion from Candace B. Pert, Ph.D. found in her book "Molecules of Emotion," I decided to look for a relaxation CD to help me fall asleep. Because I also suffer from migraines, the word "healing" in the title of this CD intrigued me. It's still hard to believe, but for the past three months it puts me to sleep so quickly that I've never heard the end of the CD! And if I should wake up in the middle of the night I just turn it on again and fall right back asleep. Amazing!
Average customer rating:
- Great Instrumental Album
- The Beasties' Best Effort
- Top Shelf
- You will not believe its The Beastie's.
- Impossible to find
|
The In Sound from Way Out!
Beastie Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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East Coast
| Rap & Hip-Hop
| Styles
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| Rap & Hip-Hop
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| Rap & Hip-Hop
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ASIN: B000002TXM
Release Date: 1996-04-02 |
Tracks:
- Groove Holmes
- Sabrosa
- Namaste
- Pow
- Son Of Neckbone
- In 3s
- Eugenes Lament
- Bobo On The Corner
- Shambala
- Lighten Up
- Rickys Theme
- Transition
- Drinkin Wine
Amazon.com essential recording
American bands have never gotten in the habit of their British counterparts, who tend to release lots of extended singles filled out with not-meant-for-prime-time experimentations. If the Beasties had gotten into that habit, this would be their B-side compendium: a dozen instrumental tracks showing off their groovier side, complete with plenty of wah peddle on the guitar and prominence given to frequent Beastie collaborators "Money" Mark Nishita (keyboards) and Eric Bobo (percussion). It's tough to believe that the same band is responsible for this and the Aglio e Olio EP, but it goes a long way in explaining how they've remained viable for so long. --Randy Silver
Customer Reviews:
Great Instrumental Album.......2007-06-04
This is a great chill, party album. A great collection of the Beasties' instrumental tracks taken from previous albums.
The Beasties' Best Effort.......2007-05-28
This CD really showcases the band's talent. An amazing disc from start to finish. Not for you "classic" Beastie Boys fans, as this is an all-instrumental, all-funk CD. It's reminiscent of old Meters. I've yet to turn someone on to this and not have them LOVE it. Boys -- we'd love to see you do more of this amazing stuff!
Top Shelf.......2006-11-11
Had the 'cassette' wore it out listened to it so much! Never heard anything the Beastie Boys have done that I didn't like. The In Sound from Way Out reminds me of the type of music my father's generation would have enjoyed only with a different beat and different sound. At 50 years old I am very open minded and enjoy an extremely wide-range of music. Please note: This listing is in my wife's name!
You will not believe its The Beastie's........2006-03-18
You will not believe its The Beastie Boys, killer if you like pseudo-jazz / funk stuff, with no lyrics.
Impossible to find.......2006-03-11
Ive asked for this item everywhere and only amazon had it. its great.
Average customer rating:
- Where's Wray?
- The soundtrack is better than the film...
- Still Tarantino's best
- I recommend this soundtrack.
- Really good music
|
Pulp Fiction: Music From The Motion Picture
Various Artists
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
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- Pulp Fiction (Two-Disc Collector's Edition)
ASIN: B000002OTL
Release Date: 1994-09-27 |
Tracks:
- Misirlou - Dick Dale & His Del-Tones
- Royale With Cheese - John Travolta
- Jungle Boogie - Kool & The Gang
- Let's Stay Together - Al Green
- Bustin' Surfboards - The Tornadoes
- Lonesome Town - Ricky Nelson
- Son Of A Preacher Man - Dusty Springfield
- Bullwinkle Part II - The Centurians
- You Never Can Tell - Chuck Berry
- Girl, You'll Be A Woman Soon - Urge Overkill
- If Love Is A Red Dress (Hang Me In Rags) - Maria McKee
- Comanche - The Revels
- Flowers On The Wall - The Statler Brothers
- Personality Goes A Long Way - John Travolta
- Surf Rider - The Lively Ones
- Ezekiel 25:17 - Samuel L. Jackson
Amazon.com
Dick Dale's surf-guitar provided the memorable title theme ("Misirlou"), for Quentin Tarantino's 1994 smash, and although that sound runs throughout the soundtrack (along with bits and pieces of dialog from the movie), this is a pretty eclectic bunch of really terrific songs. I don't know how it all manages to hang together, but it does (you might say the same for the interwoven stories in the movie). Where else are you going to find Chuck Berry, Maria McKee, Al Green, The Statler Brothers, Kool & the Gang, Urge Overkill (singing a Neil Diamond ballad!), Ricky Nelson, Dusty Springfield, and the Tornadoes (among others) one album? McKee's beautiful "If Love is a Red Dress (Hang Me in Rags)" is a standout, partly because it's less familiar. One of the few soundtracks of the '90s that went into the CD player and stayed there for weeks and months thereafter. --Jim Emerson
Album Description
1998 reissue on Simply Vinyl of MCA's smash soundtrack toQuentin Tarantino's 1994 film starring John Travolta, SamuelL. Jackson, Uma Thurman and Bruce Willis. Contains classicslike Urge Overkill's cover of 'Girl, You'll Be A WomanSoon', Dusty Springfield'
Customer Reviews:
Where's Wray?.......2007-04-16
I can't say anything about this soundtrack that hasn't been said a hundred times. The known songs are great and the surf songs are better. I just wonder why Tarantino didn't include Link Wray's "Rumble" that is played in the background during the Jack Rabbit Slims scene. It is such a great song, it would have put this soundtrack over the edge.
The soundtrack is better than the film..........2007-04-03
I like this soundtrack a ton. Surprisingly, despite the fact that I love films, I rarely buy soundtracks. I only buy them if I dig the music. This is one of the few soundtracks I have, and I play it quite a lot. I think Tarantino is an overrated filmmaker, but his choice of music here is excellent. I really like the Chuck Berry song You Never Can Tell, and I really love Miserlou, the theme of Pulp Fiction. Son of a Preacher Man is a bonafide classic, and I dig Jungle Boogie, which is superior to Kool and the Gang's awful Celebration song. This soundtrack is better than the film.
Still Tarantino's best.......2007-03-13
PULP FICTION is a movie replete with coarse language and violence. The soundtrack album accurately reflects that film. In particular, on track #1, Honey Bunny's exclamation prior to "Misrilou" is not for the faint of heart. Be advised that this CD is definitely NOT for the easily-offended.
The PULP FICTION soundtrack is a unique mix of primarily surf music, with a sprinkling of funk, pop and country. If you enjoyed the movie, this album is sure to please. Just don't play it for your grandmother!
TOTAL RUNNING TIME -- 41:28
I recommend this soundtrack........2007-03-09
Even if you aren't a big fan of the movie, the Pulp Fiction soundtrack is a must-have for music lovers of all types. It's especially enjoyable if you like the movie.
Really good music.......2007-02-13
Great songs. Just put this on and you are back in the movie. Good quality recordings as well. Much better than the original in some cases.
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Music
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