After the Ball [Soundtrack]

after the ball [soundtrack]

On this CD:

After the Ball, operetta
Composed by Sir Noel Coward
with Vanessa Lee, Mary Ellis, Graham Payn
Conducted by Philip Martell

Sigh no more Matelot
Composed by Sir Noel Coward
Performed by Mantovani and His Orchestra
with Graham Payn

Sigh no more Sigh No More
Composed by Sir Noel Coward
Performed by Mantovani and His Orchestra
with Graham Payn

Pacific 1860, musical Dear Madame Salvador / My Horse Has Cast a Shoe
Composed by Sir Noel Coward
Performed by Mantovani Orchestra
with Graham Payn, Mary Martin
Conducted by Mantovani and His Orchestra

Pacific 1860, musical Bright Was the Day
Composed by Sir Noel Coward
Performed by Mantovani Orchestra
with Graham Payn, Mary Martin
Conducted by Mantovani and His Orchestra

Pacific 1860, musical Fumfumbolo
Composed by Sir Noel Coward
Performed by Mantovani Orchestra
with Graham Payn
Conducted by Mantovani and His Orchestra

Ace of Clubs, musical play In a Boat on a Lake with My Darling
Composed by Sir Noel Coward
with Graham Payn

Gay's the Word, musical Finder, Please Return
Composed by Ivor Novello
with Vanessa Lee
Conducted by Frank Cordell

Gay's the Word, musical On Such a Night
Composed by Ivor Novello
with Vanessa Lee
Conducted by Frank Cordell

After the Ball,Sir Noel Coward,Ivor Novello,Frank Cordell,Mantovani and His Orchestra,Philip Martell,Mantovani Orchestra,Graham Payn,Mary Ellis,Mary Martin,Vanessa Lee,Sepia Recordings,Cast Recordings,Music Theater,Musical Theater,Pop,Soundtracks,Soundtracks & Film Scores,Vocal,Vocal Music

After the Ball [Soundtrack]

Average customer rating:

Mrs Henderson Presents
Absolutely infectious!!!
A Creation and Recreation of Nostalgia
Mrs. Henderson Presents
Upbeat and Fun!

Mrs. Henderson Presents

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Mrs. Henderson Presents (Widescreen Edition)
Casanova
From Now On
Ladies in Lavender
Good Night, And Good Luck

ASIN: B000CC3SDC
Release Date: 2006-01-03

Tracks:

Overture
Bored with Widowhood
Letting in the Sunshine
Revuedeville
Persuading Tommy
Sweet Inspiration
Vivian Van Damm
Goody Goody
After the Ball
Shilling for the Hour
Joyride
Fall of France: La Marseillaise
Blitz: Bombing/The Grecian Frieze/Defiance
Babies of the Blitz
Blue Nightfall
Girl in the Fan
All the Things You Are
Elegy
Sails of the Windmill
Girl in the Little Green Hat

Customer Reviews:

Mrs Henderson Presents.......2007-05-16

A very enjoyable and at times funny movie. Judi Dench gives one of her best perfomances with excellent support from the other cast members. This is a movie one could watch several times and never tire of it. AAA+++

Absolutely infectious!!!.......2007-03-28

From start to finish, MRS. HENDERSON PRESENTS is the finest collection of solid standards and George Fenton's own recreated time-period evocations,fully fleshed and skillfully performed and recorded.The talents of singer Will Young will not go unnoticed, especially in his heartbreaking rendition of ALL THE THINGS YOU ARE.Your toes will be tapping,your lips will be smiling and you will be glad that this soundtrack and wonderful film are yours!You will be transported to WW2 England and you will be humming these tunes day and night.

A Creation and Recreation of Nostalgia.......2006-04-23

George Fenton has put together a musical score for the completely delightful MRS. HENDERSON PRESENTS that is a combination of original music deeply influenced by the time of the film (London during WW II) and some of the best 'old favorite songs' from that time. In the film the music is always present, whether in the performances on the Windmill Theater stage or in the lyricism of the acting by Judi Dench, Bob Hoskins and crew.

Fenton includes such terrific oldies as Johnny Mercer's 'Goody Goody', Charles Harris' 'After the Ball', Noel Gay's 'Letting in the Sunshine', Frank Loesser's 'Blue Nightfall', and Jerome Kern's 'All the things you are'. He segues these pieces with his own fine orchestrations and the result is a score that not only enhances the mood of the film, but one that stands alone as a recording. The various performers include Camille O'Sullivan, Charlene Ford, Ciaran Connolly, Elise Audeyev, Frances Garvey, Frank Lawson, Joseph McMurray, Kate Power, Matthew Hart, Melody Squire, Rachel Lawrence, Sir Thomas Allen!, Sophie Brown, The O'Brien Sisters, Vanessa Barmby, Vicki Davids, and Victoria Hay.

This is a recording to conjure up memories not only of a successful film but also of a time when music conveyed a lot of emotion during times of stress. Highly recommended. Grady Harp, April 06

Mrs. Henderson Presents.......2006-03-24

Met ALL my expectations, having seen/loved the film - especially the orchestration, arrangements, and vocals. Sound quality superb.
I've played this CD for others - of all age groups - all agree it's a defininte winner.

Upbeat and Fun!.......2006-03-22

Love this CD for the nostalgia! My favorite track is "All the Things You Are" by J.Kern and O.Hammerstein. This year's Oscar telecast produced a montage of film clips to this track including the last scene from "Mrs. Henderson Presents" and it was so emotion granting as is the song. Many of the other songs are from a time period right before WWII, but they are just fun and upbeat -- it was the depression, people needed to be uplifted with such such songs as "Letting in the Sunshine" and "Goody Goody." Judi Dench was asked by someone in the bleachers at the Oscars how it felt to be nominated this year for Mrs. Henderson, and she answered back, "just listen to the soundtrack darling!" How great is that???!!!!

Hazel Flagg (1953 Original Broadway Cast)

Average customer rating:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . .

Hazel Flagg (1953 Original Broadway Cast)

Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007ULKSY
Release Date: 2004-09-27

Tracks:

Overture - Orchestra
A Little More Heart - Benay Venuta
The World Is Beautiful Today - Helen Gallagher
The Rutland Bounce - Jule Styne
I'm Glad I'm Leaving - Helen Gallagher
Hello, Hazel - Benay Venuta
Every Street's A Boulevard In Old New York - Jack Whiting
How Do You Speak To An Angel? - John Howard
Autograph Chant - Chorus
I Feel Like I'm Gonna Live Forever - Helen Gallagher
You're Gonna Dance With Me, Willie - Helen Gallagher
Who Is The Bravest? - Male Chorus
Salomee - Dean Campbell
Everybody Loves To Take A Bow - Jack Whiting
Laura De Maupassant - Helen Gallagher
Finale - The Entire Company
Bonus Track: How Do You Speak To An Angel? - Eddie Fisher
Bonus Track: I Feel Like I'm Gonna Live Forever - Sunny Gale
Bonus Track: Salomee - Dinah Shore
Bonus Track: I Feel Like I'm Gonna Live Forever - Guy Lombardo & His Royal Canadians
Bonus Track: Hello My Baby - Benay Venuta
Bonus Track: When Frances Dances With Me - Benay Venuta
Bonus Track: Waltz Me Around Again Willie - Benay Venuta
Bonus Track: Come Josephine In My Flying Machine - Benay Venuta
Bonus Track: Rings On My Fingers - Benay Venuta
Bonus Track: After The Ball - Benay Venuta

Customer Reviews:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . ........2007-06-20

HAZEL FLAGG is a curious animal. The show, ' . . . a satire on the manipulation of people, especially the general public," is based on Ben Hecht's screenplay for the 1937 Carole Lombard/Frederick March vehicle, "Nothing Sacred," itself based on a story by James Street. Hecht is also responsible for the musical's book, with lyrics by Bob Hilliard. Jule Styne, fresh from the success of HIGH BUTTON SHOES and GENTLEMEN PREFER BLONDES, not only wrote the music but acted as the show's producer as well.

HAZEL's disappointing 190 performances (compared to over 700 for each of the previous shows) can be blamed on that old Broadway bugaboo: bad book. "The show did lose something in its transformation to a musical. The songs and dances tended to drag what was originally a fast moving story and, as many other show writers have found, satire is something that rarely works as a musical. Ben Hecht, who was successful as a playwright, was not at ease with a libretto and the inexperienced producer should have recognised this and brought in help. Even so, Jule Styne's score, whilst not quite top notch Styne, does include the enchanting 'How Do You Speak to an Angel?' and the popular 'Every Street's a Boulevard in Old New York." (from the liner notes by Rexton S. Bunnett)

Marc Miller, writing in "The TheaterMania Guide to Musical Theater Recordings," says HAZEL FLAGG was " . . . intended as Helen Gallagher's stepping-stone to stardom in the title role of a Vermont lass who's thought to be dying of radium poisoning and is transported to New York by EVERYWHERE magazine for a supposed last fling. (Guess what happens to her prognosis.) Gallagher works very hard here, and her contralto belt is strong and secure. She's supported by such Broadway reliables as Benay Venuta, Jack Whiting, . . . and Thomas Mitchell (who doesn't sing a note but took home a Best Musical Tony anyway). . . . the show does sport amusingly elaborate vocal arrangements by Hugh Martin."

The score is not nearly as dull as Mr. Miller would like us to believe. In addition to "Angel" and "Every Street," the score includes "I Feel Like I'm Gonna Live Forever," "You're Gonna Dance with Me, Willie," and the rather bizarre "Laura de Maupassant," all delivered in fine style by Ms. Gallagher. And "Salomee," here sung by Dean Campbell, became a minor hit for Dinah Shore.

The CD is blessed with a bunch of fun bonus tracks: a young, in-wonderful-voiced Eddie Fisher singing "How Do You Speak to an Angel?", Dinah Shore's recording of "Salomee," Guy Lombardo and the Royal Canadians performing "I Feel Like I'm Gonna Live Forever," and six tracks by Ms. Venuta, including "When Frances Dances with Me" and "Waltz Me Around Again, Willie" ("Willie Fitzgibbons who used to sell ribbons/and stood up all day on his feet/Grew very spooney on Madeline Mooney,/Who'd rather be dancing than eat./Each evening she'd tag him, to some dance hall drag him,/And when the band started to play,/She'd up like a silly and grab tired Willie,/Steer him on the floor and she'd say,/Waltz me around again, Willie . . . " What fun. The bonus songs alone are worth the price of admission.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn

Average customer rating:

An American Treasure
DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
An American tragedy....
Gorgeous!
Defective disc.

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Average customer rating:

Fabulous
Dream Come True
IT DESERVES 6 STARS
Show Boat

Show Boat (1988 Studio Cast Highlights)
Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Frederica von Stade , John McGlinn , and London Sinfonietta
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
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ASIN: B000002RR9
Release Date: 1990-05-08

Tracks:

Show Boat: Overture
Show Boat: Cotton Blossom
Show Boat: Where's The Mate For Me?/Make Believe
Show Boat: Ol' Man River
Show Boat: Can't Help Lovin' Dat Man
Show Boat: Life On The Wicked Stage
Show Boat: Till Good Luck Comes My Way
Show Boat: I Might Fall Back On You
Show Boat: Queenie's Ballyhoo
Show Boat: You Are Love
Show Boat: Finale Act One
Show Boat: At The Fair
Show Boat: Why Do I Love You?
Show Boat: Bill
Show Boat: Goodbye, My Lady Love
Show Boat: After The Ball
Show Boat: Hey, Feller!
Show Boat: Finale Ultimo

Amazon.com

This one-disc reduction of John McGlinn's monumental three-CD version of Show Boat provides 75 minutes of highlights in a package dubbed the "Broadway Show Album." McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including the original orchestrations, and conducts a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly-wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." John McGlinn's full version is a staggering achievement and a recording for the ages, but this single disc is also splendid listening. --David Horiuchi

Customer Reviews:

Fabulous.......2002-10-03

Let me start off by saying that my first experiences with Show Boat came through the splendid 1951 MGM movie version. Having never seen Show Boat performed live on stage, this CD pretty much brings the live experience home (and note I said 'this' CD; the full 3-disc set would be just short of actually being front row center). The immortal Kern/Hammerstein score is one of my favorites (right up there with My Fair Lady, The Sound of Music, Annie Get Your Gun, and Brigadoon) and is definately one of the greatest ever written for the musical theater.

Since Show Boat does not have an official original cast album, I suppose that this one suffices quite well. All original orchestrations are used here and the music is as it was on opening night in 1927. This is the most complete version available (whether you go with the full set or just this disc). The 1946 revival cast album is the oldest 'complete' album and is nice when paired with this disc to give one a sense of how Show Boat sounded in the early days.

I really didn't care much for this CD at first, but after listening to it a couple more times, I like it better and better each time. McGlinn certainly did right by this one! I'm not too familiar with most of the cast (save for Frederica Von Stade and Paige O'Hara), but they're all great. You'd think that this is a recording of a live performance, not just a studio album. Fantastic singing is had thoughout. McGlinn also did a great job with Brigadoon 3 years later, and did he not have a similar effort with Annie Get Your Gun as well?

I still think that the MGM movie version and its soundtrack album are the best but this rendition is definately not bad! Highly recommended. But if you can, pick up a copy of the movie soundtrack or of the 1946 revival album for comparison.

Dream Come True.......2002-08-22

First, "Showboat" is my all time favorite Musical, from the '40's and '50's when my mother took us to the movies every Sunday. I have video tapes of the 1951 MGM version with Howard Keel and Kathyrn Grayson, as well as the earlier movie version. A few years ago, I saw a TV special on the making of the three Disc complete remake of Showboat, true to the original score. I tried to get a cy of it but no local store could help me. Then through the magic of computers and AMAZON.com, I obtained the three disc set plus this single CD, which I treasure. This one is the best, without doubt. Now I have the complete version of songs and music I only vaguely remembered from the TV special. I wish someone would make a movie just like this version so I could have it on DVD. The whole cast and orchestra are awesome, especially Frederica von Stade. I have since bought other CDs of her work. Buy the three disc set if you can afford it, it has a thick booklet with the actual score and dialogue. But if you cannot, buy this CD. This is the ultimate, the prototype Broadway musical.

IT DESERVES 6 STARS.......2001-06-29

I can't thank enough all the people responsable for this terrific revival cast album.Here is a perfect example of how you should do a classic show and maintain the original intentions of the writer and the composer.If they were alive,JEROME KERN and OSCAR HAMMERSTEIN would have been proud of the way their masterpiece have survived them.It is impossible to imagine a better version of the show;this is the definitive one.It's funny when you think of it,most people know the songs by heart,yet it seems that we rediscover the show with this version.Suddently ,we are in 1927 and mister ZIEGFELD is scared like hell that he will loose a lot of money with this;but that's strangely the situation in which the modern AMERICAN musical was born.

Show Boat.......2000-09-10

I really like this recording! The voices are really great. I especially liked "Can't Help Lovin' Dat Man." I would recommend this CD to everyone who likes the show and musical theatre.

Sunset Boulevard: The Classic Film Scores of Franz Waxman

Average customer rating:

waxman is the man!
Nostalgia and then some
Franz Waxman Tribute
Wonderful compilation of vintage Waxman
Franz Waxman's Music is Magic

Sunset Boulevard: The Classic Film Scores of Franz Waxman

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Laura/The Bad & The Beautiful/Forever Amber

ASIN: B000003EMA
Release Date: 1991-06-11

Tracks:

Prince Valiant
A Place In The Sun
The Bride Of Frankenstein
Sunset Boulevard
Old Acquaintance
Rebecca
The Philadelphia Story
Taras Bulba

Customer Reviews:

waxman is the man!.......2007-05-10

i love waxman's music. i think of his work in the same way i think of kurt weill's music. the melodies are so rich, so complex and the harmonies stir the soul. the diversity of musical genres both covered was also wide and rich.

but as much as love the gerhardt/rca recordings, i am not fond of the selection of works chosen to respresent waxman. it is good to know that there are many other cds of waxman's work out on the market to be found and appreciated.

but i do like the 'elegy for strings' from old acquaintance, the ' a place in the sun' suite and 'sunset boulevard'.

Nostalgia and then some.......2006-02-20

Many times the score makes the movie. In this case Franz Waxman Film Scores contributed well. However as a stand alone collection this really does not have a place other than a once in a while listen to remember the particular movies.

Each piece is preformed well by the National Philharmonic Orchestra. However I do not see situation for listening to this album. It does not make good driving musing or reading music, or just sitting and listening to music. This does have a place if you are collecting various composers' works.

The list includes:
Prince Valiant (1954)
A Place in the Sun (1951)
The Bride of Frankenstein (1935)
Sunset Boulevard (1950)
Old Acquaintance (1943)
Rebecca (1940)
The Philadelphia Story (1940)
Taras Bulba (1962)

Many of the scores are used again in later movies. You can hear scores of Franz Waxman in about three hundred movies.

Franz Waxman Tribute.......2005-10-12

This CD sounds splendid. It is very rich and moving. A PLACE IN THE SUN is beautiful. REBECCA is very pensive and very much what you may expect in a Hitchcock film. However, the best cut on this CD is from TARAS BULBA. What a piece of music. It is both rousing and inspirational. Outstanding!

Wonderful compilation of vintage Waxman.......2003-04-12

Charles Gerhardt was just the right conductor to revive these classic scores from the prolific film composer, Franz Waxman: His lush, melodramatic interpretations of the music do not fit every genre, but he feels right at home here with the sweeping melodies of the silver screen.

A good selection of Waxman's film music can be found here, including his most acclaimed, Sunset Boulevard. (It certainly has a sparkle that Joel McNeeley's recent rerecording seemed to lack, even if the score is not present here in its entirety.) Other highlights are the stirring themes of Prince Valiant and the eerie and sinister tones of his score for The Bride of Frankenstein. A particular favourite of mine is Rear Window, sadly absent here, though to my knowledge only one recording exists (Lalo Schifrin and the San Diego Pops, Hitchcock: Master of Mayhem): Fans can take solace in the fact that one of the Rear Window tunes appears here in its earlier form as we heard it in A Place in the Sun.

If you are a film music buff, this is definitely worth a place in your collection. Gerhardt captures the essence of Waxman perfectly.

Franz Waxman's Music is Magic.......2001-10-02

This CD is a wonderful place to start your collection of Franz Waxman film music.

Waxman's sense of melodic line and tasteful harmonies are masterful. Of particular note are his suites from Prince Valiant, and The Bride of Frankenstein (also used in the old Flash Gordon serials). Charles Gerhardt does a fine job conducting this wonderful collection of jems.

Princess Nine 2
Average customer rating:
Princess Nine 2

Manufacturer: Anime Trax
ProductGroup: Music
Binding: Audio CD

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Princess Nine

ASIN: B0000A4G8R
Release Date: 2003-09-30

Tracks:

Baseball Field at Dusk
Counteroffensive
Singing and Dancing Baseball Player
Ultimate Manager
Tennis Court of Partings
Princess Theme, Pt. 2 [From Piano Trio in E Flat Major, 2ND Movement]
Challenge [Suspense 1]
Little Romance
Pitcher With the Golden Left Arm, Her Name Is Ryo Hayakawa!
Princess' Tears [From Piano Trio in E Flat Major, 2ND Movement]
Catch Ball of Sorrow
Kanako's Theme
Koshien Theme
Battered Pitcher
Each Girl's Feelings
Girl Strategm (Hikaru's Theme)
Intensive Training at Dawn
Flaming Magic Ball, The Lightning Ball!
Mother and Daughter (Shino's Theme)
Age of Youth (Passionate Days) [Acoustic]

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Giant Robo 2

Manufacturer: Anime Trax
ProductGroup: Music
Binding: Audio CD

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Giant Robo

ASIN: B0000A4G9T
Release Date: 2003-09-30

Tracks:

Main Title
Rush! Issei & Youshi
Giant Robo in a Severe Fight
Giant Robo Through an Accident
Secret of Shizuma Drive
Bashtarlle's Recollection
Dr. Shizuma's Compensation
Darkness Covering Beijing Sky- The Human Generator Taisou
Infiltration... Big Fire
Black Ball, Vogler
Day the Earth Stood Still
Inversion! Giant Robot vs. Uranus
Conversation Under the Water
Shizuma's Will- Daisaku's Determination
Episode 2 Ending

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one of Coward's greatest works - finally on CD

After The Ball (Original London Cast) plus Bonus Tracks

Manufacturer: Sepia
ProductGroup: Music
Binding: Audio CD

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See What I Wanna See (2005 Original Off-Broadway Cast)

ASIN: B000786JT6
Release Date: 2005-02-07

Tracks:

Oh, What A Century It's Been - Chorus
I Knew That You Would Be My Love - Peter Graves
Mr. Hopper's Chanty - Graham Payne
Sweet Day - Vanessa Lee
Quartette - Chorus
Creme De La Creme - Chorus
Light Is The Heart - MARY ELLIS
Why Is It The Woman Who Pays - Chorus
London At Night - Chourus
Aria - Vanessa Lee
May I Have The Pleasure - Graham Payn
All My Life Ago - MARY ELLIS
Faraway Land - Graham Payn
Something On A Tray - Irene Brown
Clear Bright Morning - Vanessa Lee
Reprise: London At Night - Chorus
Matelot - Graham Payn
Sigh No More - Graham Payn
Dear Madame Salvador/My Horse Has Cast A Shoe - Mary Martin
Bright Was The Day - Mary Martin
Fumfumbolo - Graham Payn
In A Boat On A Lake With My Darling - Graham Payn
Finder, Please Return - Vanessa Lee
On Such A Night As This - Vanessa Lee

Customer Reviews:

one of Coward's greatest works - finally on CD.......2005-04-26

AFTER THE BALL was one of Noel Coward's most ambitious projects, an operetta version of Oscar Wilde's "Lady Windermere's Fan", with 3 of his favourite artistes in leading roles: Graham Payn, Vanessa Lee and Mary Ellis.

Graham Payn was Coward's real-life companion, who introduced Coward's "Matelot" to great success in London. Mary Ellis and Vanessa Lee were two of the greatest operatic singers of the time and to have Payn, Lee and Ellis here in AFTER THE BALL is a rare treat indeed. The show had a rocky road to the stage and closed after only 188 performances at the Globe Theatre.

The score features some of Coward's most intricate and complex compositions. Vanessa Lee's "Aria" is breathtaking and other highlights include "Light is the Heart", "All My Life Ago", "Mr Hopper's Chanty" and "Bright Clear Morning", though the entire score as a whole is amazing.

Sepia has filled out the disc with other Noel Coward delights including (yes) Graham Payn's rendition of "Matelot", Mary Martin performing "My Horse Has Cast a Shoe" from PACIFIC 1860 and joining Payn for "Bright Was the Day". Vanessa Lee performs two numbers from GAY'S THE WORD - "Finder Please Return" and "On Such a Night as This".

So wonderful that this score has finally been paid it's due.

The Ultimate Show Boat, 1928 - 1947 (Original, Revival and Studio Cast Anthology)

Average customer rating:

Jolson is the king of Ol' Man River

The Ultimate Show Boat, 1928 - 1947 (Original, Revival and Studio Cast Anthology)
Various Artists - Soundtracks , Paul Whiteman , Nathaniel Shilkret , Victor Young , Clifford Greenwood , Victor Arden , Lou Bring , Louis Silvers , Artur Rodzinski , Edwin McArthur , Tess Gardella , Bing Crosby , Paul Robeson , Jules Bledsoe , Lambert Murphy , Al Jolson , Elisabeth Welch , Todd Duncan , Jan Clayton , Kenneth Spencer , Irene Dunne , and Helen Morgan
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001ZWD2
Release Date: 1999-10-19

Tracks:

Ol' Man River - Bing Crosby
Make Believe - Bing Crosby
Ol' Man River - Paul Robeson
Selection: Why Do I Love You?/Can't Help Lovin' Dat Man/You Are Love/Make Believe - Olive Kline/Lambert Murphy
Ol' Man River - Al Jolson
Bill - Helen Morgan
Can't Help Lovin' Dat Man - Helen Morgan
Can't Help Lovin' Dat Man - Tess Gardella
Ol' Man River - Jules Bledsoe
After The Ball - Henry Burr
Hello, Ma Baby/Goodbye My Lady Love - Joseph E. Howard
Overture - Brunswick Concert Orchestra/Victor Young
Ol' Man River - Paul Robeson
Bill - Helen Morgan
Can't Help Lovin' Dat Man - Helen Morgan
You Are Love - James Melton
Make-Believe - James Melton
Why Do I Love You? - Countess Olga Albani/Frank Munn
Finale - 'Show Boat' Chorus
Ol' Man River - Paul Robeson
Ah Still Suits Me - Paul Robeson/Elisabeth Welch
Bill - Helen Morgan

Tracks:

Make Believe - Allan Jones
Why Do I Love You? - Allan Jones
Can't Help Lovin' Dat Man - Irene Dunne/Charles Winninger
Show Boat: Scenario - Cleveland Orchestra/Artur Rodzinski
Ol' Man River - Todd Duncan
Overture - 'Show Boat' Orchestra/Edwin McArthur
Cotton Blossom - 'Show Boat' Chorus
Only Make Believe - Charles Fredericks/Jan Clayton
Ol' Man River - Kenneth Spencer
Can't Help Lovin' Dat Man - Carol Bruce/Helen Dowdy/Kenneth Spencer
Life Upon The Wicked Stage - Colette Lyons
You Are Love - Charles Fredericks/Jan Clayton
Why Do I Love You? - Charles Fredericks/Jan Clayton
Bill - Carol Bruce
Nobody Else But Me - Jan Clayton
Ah Still Suits Me - Paul Robeson
Ol' Man River - Paul Robeson

Amazon.com

For hardcore fans of Jerome Kern and Oscar Hammerstein II, the double-CD The Ultimate Showboat will be a ride down memory lane you won't soon forget. Musical reissues rarely get a comprehensive treatment like this collection taken from rare cast recordings, revivals, radio productions, and pop-vocal records (all dating between 1928 and 1947). Obviously, the sound quality on many of the earlier recordings isn't the best, but where else can we hear legendary vocalists such as Paul Robeson, Allan Jones, and Bing Crosby all singing timeless tunes from one of America's great musicals? Rarities abound: the soft voice of Helen Morgan is captured in a rare radio transcription from 1938 singing "Bill," "Show Boat: Scenario" is a composition commissioned from Kern by Artur Roszinksi for the Cleveland Orchestra, and numerous tracks from the 1946 Broadway revival are included. Probably not the first Show Boat you should pick up, but it's a must-have for completists. --Jason Verlinde

Customer Reviews:

Jolson is the king of Ol' Man River.......2005-08-19

This collection includes various renditions of "Ol' Man River" (Spencer, Crosby, Roberson) with Kenneth Spencer displaying the deepest bass, but, as usual, the smooth singing Al Jolson reigns supreme on his version. Another fabulous track is Colette Lyons singing "Life Upon the Wicked Stage". Lyons chills me with her rolling tongue.

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