La Pucelle [Import]

la pucelle [import]

Track Listings

1. Japanese Title

2. Japanese Title

3. Grand Paprika

4. Great Wilder

5. Solitaire

6. Magical Holic

7. Old Sweet Melody

8. Japanese Title

9. Fears For Tears

10. Crazy Pianist

11. Creamy Dreamer

12. Fathima

13. Japanese Title

14. Miracle Attack

15. God Bless Prier!

16. Japanese Title

La Pucelle,Game Music,Scitron,Soundtracks

La Pucelle [Import]

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La Vie en Rose

La Vie en Rose: La Mome

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Voice of the Sparrow: The Very Best of Edith Piaf
Edith Piaf: 30th Anniversaire
Edith Piaf: Her Greatest Recordings 1935-1943
Eternelle: The Best Of
Once

ASIN: B000MEYIBG
Release Date: 2007-05-22

Tracks:

Heaven Have A Mercy
Milord
Rien De Rien
La Foule
Cri Du Coeur
La Vie En Rose (English version)
Padam Padam
Mon Dieu
L'Hymne A L'Amour
Mon Manege A Moi
Non, Je Ne Regrette Rien
L'Eveil
Mon Legionnaire (piano solo)
Lisieux
La Mort De Leplee ("Mon Legionnaire")
Apparition
L'ABC
L'Arrestation ("Mon Legionnaire")
L'Idylle
Derniere Nuit
Mon Homme (interpreted by Jil Aigrot)
Les Momes De La Cloche (interpreted by Jil Aigrot)
Les Hiboux (interpreted by Jil Aigrot)
Fascination (interpreted by Maya Barsoni)
Il M'a Vue Nue (interpreted by Mistinguett)
La Poupee
Vie En Rose (accordeon)

Amazon.com

As befits the soundtrack of a music biopic, most of the heavy lifting here is done by the movie's subject: iconic French singer Edith Piaf. She was the Gallic Judy Garland, a natural performer who overcame one personal tragedy after another and was never more alive than on stage, forging an uncommon bond with both material and audience. Since actress Marion Cotillard lip-synchs in the film, the first 11 tracks on the CD are by Piaf herself, and give a good overview of her biggest hits (though we get the English version of the title track) and her feverish, ultra-dramatic style. But Piaf wasn't only a tragedienne of song: Her lighter side is represented by "Rien de Rien" and "Mon Manège à Moi," which she infuses with wonderful flair. Tracks 12-20 are made up of Christopher Gunning's richly symphonic original score (check out "La Mort de Leplée"). The last third of the album offers Piaf without Piaf, with contemporary singers Jil Aigrot and Maya Barsoni performing her songs (apparently because the originals' poor sound quality meant they would have stuck out in the movie). Watch out, however, for Mistinguett's hilarious "Il m'a vu nue," a slice of French music-hall history preserved in amber. --Elisabeth Vincentelli

Album Description

Official motion picture soundtrack to the film La Vie En Rose, the dramatic real-life story of French chanteuse Edith Piaf, starring Marion Cotillard and Gerard Depardieu. This release contains 27 tracks featuring 11 of Piaf's most popular songs remastered including "La Vie En Rose", "Hymne A L'amour" "Milord" and "Non, Je Ne Regrette Rien", plus the original score by Christopher Gunning.

Customer Reviews:

La Vie en Rose.......2007-07-06

The soundtrack to the movie by the same title is excellent. The restoration was superb. The voice of Edith Piaf is masterful.

Average customer rating:

Fantastic discovery!
Fantastic
AH! SHE OUT DID HERSELF!
Wow! I know I'm late but this album is excellent!
Wow

I'm Not Dead
Pink
Manufacturer: La Face
ProductGroup: Music
Binding: Audio CD

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Missundaztood
Taking The Long Way
The Dutchess
The Sweet Escape
Loose

ASIN: B000EGCITG
Release Date: 2006-04-04

Tracks:

Stupid Girls
Who Knew
Long Way To Happy
Nobody Knows
Dear Mr. President (Featuring Indigo Girls)
I'm Not Dead
'Cuz I Can
Leave Me Alone (I'm Lonely)
U + Ur Hand
Runaway
The One That Got Away
I Got Money Now
Conversations With My 13 Year Old Self
I Have Seen The Rain (Featuring James T. Moore)

Amazon.com

Some music is celebrated for its elegant subtlety; Pink's slams you over the head. Four albums in, she's not changing her formula. I'm Not Dead touches on bulimia ("Stupid Girls"), war-mongering politicians ("Dear Mr. President"), teen angst ("Conversations With My 13 Year Old Self," "Runaway"), overheated pickup artists ("U + Ur Hand"), and gross materialism ("I Got Money Now"). None of it, in other words, is for featherweight listeners. Then again, none of it suits eggheaded college tastemakers either. Where this translates, then, is with those willing to man up and embrace what makes Pink Pink: her spellbinding ability to render rebelliousness in all the many colors of the rainbow. Neil Young-inspired acoustic guitar is sketched into "The One That Got Away," but it's just as quickly scribbled over by Joan Jett-style ranting (on "Long Way to Happy") and Janis Joplin/Joss Stone-fueled howling (on "Who Knew"). Even R&B gets its turn ("I Got Money Now"). The album also includes appearances from the Indigo Girls, who duet on "Dear Mr. President," and Pink's father, who joins for the hidden track "I Have Seen The Rain." Pink pulls all of this off, and probably without even breathing hard. She's not dead. --Tammy La Gorce

More from Pink

Missundaztood

Can't Take Me Home

Try This

Customer Reviews:

Fantastic discovery!.......2007-06-28

I never was a fan of hip hop/dance/rap music, so I never really paid attention to Pink. I'll be the first to admit that was a big mistake. I heard "Who Knew" on the radio and was absolutely bowled over! I immediately went out and bought the album based on that one song. Turns out the album is full of fantastic musical gems. I didn't realize she changed her style to more of a rock/pop style. "Stupid Girls" is a great social statement (and totally made me think of Paris Hilton). "Who Knew" is one of my favorite songs of all times. "Long Way to Happy" is so catchy and awesome, it's my 2nd fave on the album. "Nobody Knows", "Dear Mr. President" and "I Got Money Now" are all great slowed down songs. I almost cried the first time I heard "Dear Mr. President". Extremely political and so very true, beautifully sung and deserves a lot of attention. "U + Ur Hand" and "Leave me Alone" are fun and full of attitude.

I'd like to add that not only is this album awesome, but I finally found out that Pink is an incredible vocalist and performer. Based on that, I ended up buying Misunduztood and there are several songs on that album I loved as well. I just wish I had noticed Pink long before this! Buy the album, you won't be disappointed!

Fantastic.......2007-06-10

Great album! Pink has really shown some great range! This cd is way beyond some "Stupid Girls".

AH! SHE OUT DID HERSELF!.......2007-06-06

EXCELLENT. EXCELLENT. EXCELLENT. A PINK MUST HAVE.

Intelligent, thoughtful, inspiring!

Wow! I know I'm late but this album is excellent!.......2007-06-05

"Stupid Girls" and "U + Ur Hand" got the attention but "Who Knew" and "Nobody Knows" really are great standouts as well. Pink has great vocals and she's versatile (her acoustic songs sound great as her pop/rock songs). Pink is really talented and I'm really late in finding this out. But I will be checking out her "artistic" debut "M!ssundaztood" (her proper debut was "Can't Take Me Home"). The best thing about this album is that it has personality. I know that sounds silly but what I mean it's fleshed out. It's probably the most entertaining album I've heard all year.

Wow.......2007-05-31

Don't be put off by the explicit rating, and don't buy it from Amazon despite the great price. You owe it to yourself to go to the store and buy this album right now. Pink finally deserves to be lauded as an artist.

Average customer rating:

Beverly Sills - The Best
Beverly Sills' highs are breathtaking!
THE 2005 OPERA CD OF THE YEAR
EMI Does It Again: Beverly Sills - A Tribute
Glad To Be The First Review- Beverly Sills Treasury Of Arias

The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Great Recordings
Art of Beverly
Beverly Sills: Made in America
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato

ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.

Average customer rating:

Bias I Confess
An Italianized Englishman...
Romancing the listeners
Amazing!!!
Andrea in the 90's

Romanza
Andrea Bocelli
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Andrea Bocelli - Amore
Sogno
Andrea
Cieli di Toscana
Time to Say Goodbye

ASIN: B0000041OG
Release Date: 1997-09-23

Tracks:

Con Te Partiro
Vivere
Per Amore
Il Mare Calmo Della Sera
Caruso
Macchine Da Guerra
Le Tue Parole
Vivo Per Lei
Romanza
La Luna Che Non C'e
Rapsodia
Voglio Restare Cosi
E Chiove
Miserere-Live
Time To Say Goodbye (Con Te Partiro) - A Tribute To Henri Maske

Amazon.com essential recording

From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett

Customer Reviews:

Bias I Confess.......2007-07-06

I confess to loving Italian music and opera in addition to Rock & Roll, Country and music in general.

This music is good when you want to relax or have a lady over 40 you want to entertain.

An Italianized Englishman..........2007-06-01

Is the Devil incarnate." (Inglese italianato e un diavolo incarnate) Or so I've heard. I suppose the author (I read it in a copy of Machiavelli's The Prince) could be forgiven for not having heard Don Bocelli and Donna Brightman sing "Con Te Partiro" - can we now say Inglese italianata e un angelo incarnate?

The rest of the album is a collection of ballads, most of which suffer from weak or clashing instrumentals. An exception is "Macchine Da Guerra" which has a pleasant and comparatively strong piano accompaniment.

I'd like to thank Kenny McCormick of South Park, CO for turning me on to Don Bocelli.

Romancing the listeners.......2007-05-30

What a voice, it soars with the arias and bops with the more contemporary. Especially love the song about Caruso. Andrea is un cantante bello, un uomo bello! Turn this one up with the top down and let it sing you home.

Amazing!!!.......2007-05-18

I bought this cd again after losing my original copy that I bought the year it was released. Out of all my Bocelli cds this is my favorite. It has a good mix of classic opera with popera and really shows his abilities. I have used this cd to turn people on to opera and popera, and the results have been incredible! Once you hear him, you cannot deny his talent and passion. Simply AMAZING!!!

Andrea in the 90's.......2007-04-20

Andrea is incredible.His romantic poetry with music is unparalleled.The only downside to this album is the inescapable 90's feel.If you don't mind it,then buy this album.If you do,then buy 'Time To Say Goodbye'off iTunes and get Sogno,Andrea,or Cieli di Toscana.

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Average customer rating:

The End of the Big Voice?
Fla Gator Lady
20 Great Tenor Arias
Plesantly surprised...
Absolutely Agree About Corelli

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Most Famous Opera Duets
The Most Famous Opera Arias
The #1 Opera Album
The Best of Italian Opera
The Ultimate Puccini Collection

ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

La Boheme: Che gelida manina
Manon Lescaut: Donna non vidi mai
Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
Luisa Miller: O! fede negar potessi .. Quando le sere al placido
La Traviata: Lunge da lei ... De' miei bollenti spiriti
Martha: M'appari
Giordano: Amor ti vieta
L'Africaine: Mi batte il cuor .. O paradiso
La Favorita: Favorita del re . . . Spirto gentil
Werther: 'Pourquoi me reveiller'
Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
Les Contes d'Hoffmann: O Dieu! De quelle ivresse
TOSCA: E lucevan le stelle
Pagliacci: Recitar! ... Vesti la giubba
Il Trovatore: Di quella pira
Aida: Se quel guerrier .. Celeste Aida
TOSCA: Recondita armonia
L'Elisir d'Amore: Una furtiva lagrima
La Gioconda: Cielo e mar!
Turandot: Nessun dorma

Customer Reviews:

The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!

Average customer rating:

RIP, BEVERLY SILLS 1929-2007
Brava Sills!
Sills fits my bill
The Great American Soprano
My Favorite Woman

The Great Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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The Very Best of Beverly Sills
Art of Beverly
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Beverly Sills: Made in America

ASIN: B0001Y4JG6
Release Date: 2004-05-11

Tracks:

Son Vergin Vezzosa - Paul Plishka
Eccomi... Oh! Quante Volte
Mira, O Norma
Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
Contro Un Cor Che Accende Amore - Nicolai Gedda
Che M'apporti? - Ambrosian Opera Chorus
Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
Vorrei Spiegarvi, Oh Dio, K.418
Amor, Op.68 No.5

Tracks:

Martern Aller Arten
E Strano! E Strano!
Ah, Fors'e Lui
Follie! Follie!
Sempre Libera
Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
Robert, Toi Que J'aime
Tu Ne Chanteras Plus?
Chere Enfant Que J'appele
Meine, Lippen, Die Kusen So Heiss
Wien, Wien, Nur Du Allein
Always Through The Changing

Customer Reviews:

RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.

Average customer rating:

Latest album is much better
understood and admired
One of my favorite albums of all time. She is an amazing songwriter.
out of the gate and running hard
Pink

Missundaztood
Pink
Manufacturer: La Face
ProductGroup: Music
Binding: Audio CD

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I'm Not Dead
Can't Take Me Home
Try This
Stripped
Try This [Limited Edition w/ Bonus DVD]

ASIN: B00005RFAI
Release Date: 2001-11-20

Tracks:

M!ssundaztood
Don't Let Me Get Me
Just Like A Pill
Get The Party Started
Respect
18 Wheeler
Family Portrait
Misery (w/Steven Tyler)
Dear Diary
Eventually
Lonely Girl (w/Linda Perry)
Numb
Gone To California
My Vietnam

Amazon.com

There's a rule in commercial pop: don't bite the hand that feeds you. Translation? If you're getting love on TRL, it's best leaving well enough alone and tinkering only slightly with the sound that pays your bills. So you have to give Pink a whole heap of credit. The Philly-raised songbird may have made her rep with infectious and rugged pop-R&B hits like "There You Go" and the remake of "Lady Marmalade," but like the fuchsia coif she once sported, that sound is gone. In its place is a more driving alt-rock attack, liberally laced with some late-night blues and heartfelt lyrics that, while they sometimes come off like diary entries (the simplistic bon mot "Your pain is painful" in "Family Portrait"), are clearly Pink's thoughts, as opposed to words someone put in her mouth. Helping Pink express her inner Alanis are Dallas Austin, who produced the insistent rocker "18 Wheeler," and former 4 Non Blonde Linda Perry, who Pink has resurrected from one-hit-wonder status. Mixing up thumping beats, ("Get the Party Started"), with folksy confessionals, Pink's potent vocals and her honest determination make this a risk worth hearing. --Amy Linden

Album Description

Asian exclusive limited edition pressing of her sophomore album includes one bonus track, 'Catch 22', along with a bonus CD sized spiral bound 40 page 'Dear Diary' note pad that's housed together with the CD in a special slipcase. Enhanced with photo ogallery and lyrics page. 15 tracks in all. 2002.

Album Details

Features a Track Not on the USA Version, 'catch 22.'

Customer Reviews:

Latest album is much better.......2007-06-28

I LOVE Pink!! The first album I bought was the latest one - "I'm Not Dead", and I love it. So I decided to investigate her earlier work. While I am glad I have "Missundaztood", I didn't find it as compelling as her latest work. Good to see where she has come from though.

understood and admired.......2007-06-12

what a sharp lady...love her latest cd...so thought I'd give her older, breakthrough cd a try...great sound. fresh and original collection. smart, sassy, interesting, sophisticated but fun. love the lyrics. love the variety of different musical styles. pink is cool, and honest and real. and she makes fantastic, memorable tunes....already a classic

One of my favorite albums of all time. She is an amazing songwriter. .......2007-03-26

Not only is Pink an amazing singer, but her lyrics are soo deep and personal. I love people who write about the sad times because a lot of people needs to hear something they can relate to. Family Potrait speaks to a lot of people, including my brother, who overhead the song and keeps requesting me to replay track 7. The whole album is a work of art so it's hard to choose, but if I had to choose, my favorites are Don't let me get me, Just Like a Pill, Family Potrait and Lonely Girl. Pink's voice is soo raw and real that you can actually feel the pain in her voice. Once you listen to this album, you will want hear more. So I will go ahead and let you know that her third album is Try This and her fourth, which is her best thus far is "I'm Not Dead". So please give this album a chance. Pink is a real artist and she will be around for a long time because she is true to herself.

out of the gate and running hard.......2007-03-26

This is Pink's first album to my knowledge. It has some raw studio tape footage that is cute and rough. I loved it. The segments give a good hint of what this ballsy little girl is about, and a preview of the bold, strong woman she became. She has fun with this release and you get to hear it. It is cool to listen to the inside track banter between Pink and the recording engineer. She is a force to be reckoned with; and a sweet lady all in one.

Pink.......2006-12-31

I kind of like this CD. I don't listen to it as much anymore for some reason, but I think I'm overdue to listen to it again. One of my favorite songs on this album is "respect" which talks about how girls should act around guys and how they should not let boys push them around any time the boy thinks it's convenient for them "no freebies in the limosouine that's not what it's about. let 'em know just what to do give it up he won't call you respect is just a minimum, go on girl and get you some" Another song about not letting men push girls around that I really like is "can't get me down". Which talks about getting ready to face the day and anything that might come one's way. I love encouraging songs like that... they really help you face your problems in life. I don't like to many of the songs on here because of the swearing content but I do listen to "Mizundastood" constantly. She only says one swear word in the song but I don't mind. Otherwise I avoid songs on here that have swearing on them. I like this CD otherwise... but if you're under sixteen, I wouldn't recommend it because of the swearing. I forgot to add that another one of my favorite songs is "Don't Let Me Get Me".

Average customer rating:

End of the Day
Wonderful!
Over and over and over....
Non-standard CD format
wonderful surprise

Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Voice of the Violin
Ladies in Lavender
Joshua Bell - Gershwin Fantasy
Tchaikovsky: Violin Concerto [Hybrid SACD]
The Red Violin: Original Motion Picture Soundtrack

ASIN: B0000DG06L
Release Date: 2003-10-28

Tracks:

O mio babbino caro (from 'Gianni Schicchi')
The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
Nocturne in C sharp minor (Op Post)
The Swan (from Carnival of the Animals)
Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
Casta Diva (from 'Norma')
Andante from Piano Concerto No. 21 in C Major K. 467
Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
Pur ti Miro (from 'L'incoronazione di Poppea')
Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.

wonderful surprise.......2007-04-13

This recording has quickly become a most favorite cd in my collection. My personal preference had always been for opera and not symphony concert. To hear the violin replace the voice and line of the opera singer (in two of the excerpts) was a wonderful surprise for me, and has enhanced my enjoyment of all of this recording.

Average customer rating:

Pretty darn good
The Opera #1 Opera Album
Excellent assortment
Great Selections
Terrific !

The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Most Famous Opera Duets
The Most Famous Opera Arias
The Best of Italian Opera
The Best Opera Album in the World...Ever!
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000059RXO
Release Date: 2001-02-27

Tracks:

Carmen: Act 1: Prld - LPO/Sir Georg Solti
La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
La Boheme: Che Gelida Manina - Luciano Pavarotti
Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
Fedora: Amor Ti Vieta - Jussi Bjorling
Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
Rigoletto: La Donna E Mobile - Luciano Pavarotti
Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
Tosca: E Lucevan Le Stelle - Placido Domingo
Madama Butterfly: Un Bel Di - Mirella Freni
Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico

Tracks:

Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
Mattinata - Andrea Bocelli
Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
Turandot: Signore, Ascolta! - Montserrat Caballe
Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
Tosca: Vissi D'arte - Kiri Te Kanawa
Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
Rusalka: O Silver Moon - Renee Fleming
La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis

Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Terrific !.......2007-01-10

A diverse album to give you a sprinkle of the various types of 'opera'. Every note is pure and lovely, I listen to it all the time ! Highly recommended for anyone just getting into opera. :}

Average customer rating:

awesome

Class of 3000: Music Volume One

Manufacturer: La Face
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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Zeitgeist

ASIN: B000RB6UY2
Release Date: 2007-07-03

Tracks:

Class of 3000 Theme
Life Without Music
Throwdown
Oh Peanut
We Want Your Soul
Banana Zoo
A Richer Shade Of Blue
Fight The Blob
UFO Ninja
Kim Kam Jam
Luna Love
The Crayon Song
My Mentor
Cool Kitty

Amazon.com

Fall in, funketeers: the first soundtrack to "Class of 3000," the Cartoon Network show executive-produced by Andre 3000 of OutKast, mashes up a melange of beats and styles so beautifully conceived, so inner-city cool, that parents who once grooved to the "Fat Albert" gang will find themselves in thrall (cartoons able to make the grade with school-age kids while putting across a message happen once every 30 years, apparently). Here we have the whole "3000" crew cutting up to Andre, a.k.a. Sunny Bridges', whip-smart concoctions--Li'l D, Kim and Kam, Tamika, Madison, Philly Phil, and Edward trade the spotlight on weird but wickedly fun tracks like "Banana Zoo," "Oh Peanut," and "We Want Your Soul." The messages seep through, but in the end the grooves matter most. Future funkers of America, take note. And tune in immediately. --Tammy La Gorce

Album Description

Class of 3000 is the critically-acclaimed Cartoon Network original series from creator and executive producers Andre "3000" Benjamin and Tom Lynch. Each episode features a new, original song written and performed by Andre "3000" Benjamin accompanied by an animated music video. In addition, Benjamin contributes his visual direction for the series and its original music videos. The Class of 3000: Music From The First Season CD is comprised of 15 songs from the show, performed by the kids/characters in the show, and executive-produced by, who else...Andre Benjamin!

Customer Reviews:

awesome.......2007-07-08

the kids and i are jammin'!! great fun for the whole family... finally something we can all enjoy!

Music:

Music

music