Cat People [Soundtrack]
On this CD:
Cat People, film score
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
Bedlam, film score Main Title
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
Bedlam, film score The Quaker
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
Bedlam, film score Nell's Escape
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
Bedlam, film score End Title
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
The Seventh Victim, film score
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
Conducted by
William T. Stromberg
The Body Snatcher, film score
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
with
Maria Knapkova
Conducted by
William T. Stromberg
I Walked With A Zombie, film score
Composed by
Roy Webb
Performed by
Slovak Radio Symphony Orchestra Bratislava
with
Stanislav Benacka,
Milan Jagelka,
Ondrej Dobo,
Eugen Gaal
Conducted by
William T. Stromberg
Editorial Reviews
From ClassicsToday.com
Nine times out of ten, when I see a 1940s or '50s movie and can't place the music (is it Steiner? maybe Victor Young?), the answering credit on the screen will proclaim: Roy Webb. This self-effacing composer produced some 300 Hollywood scores yet is the man least remembered when one is talking about film music. William T. Stromberg and John Morgan, who helm 90 percent of Marco Polo's film music series, have tried to set that right with this release, which features suites from the moody horror films associated with producer Val Lewton. The music is barely noticeable when you watch the movies, partly because of the noisy optical tracks, which swallow woodwind solos like a frog gulps mayflies; but also because these scores don't call attention to themselves owing to their effectiveness at complementing the movie they accompany. In his excellent notes, which really amount to an extended essay, Scott MacQueen points out that Webb was the very best composer at writing music that could accompany dialogue without obscuring it. Taking the scores out of the movie and putting them in the studio and on CD allows us to discover some positively rhapsodic melodies and some genuinely scary stuff, too, all of it totally effective. This is music of very high quality, and it is played to a turn by the excellent orchestra. Stromberg unerringly guides the players in the right direction to produce readings that seem entirely idiomatic and definitive. The recorded sound is about as good as one could ask for.
Cat People,Eugen Gaal,Milan Jagelka,Ondrej Dobo,Stanislav Benacka,Roy Webb,William T. Stromberg,Slovak Radio Symphony Orchestra Bratislava,Maria Knapkova,Marco Polo,Classical Music,Classical Soundtrack/Score,Film,Film Music,Original Score,Pop,Soundtracks & Film Scores
Cat People [Soundtrack]
Average customer rating:
- One of my most favorite dark and disturbing soundtracks
- An underappreciated gem...
- Forgettable
- An Excellent Find!
- MEOW
|
Cat People: Original Soundtrack
Giorgio Moroder
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
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- Cat People
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ASIN: B000002NYE
Release Date: 1992-11-24 |
Tracks:
- Cat People - David Bowie
- The Autopsy
- Irena's Theme
- Night Rabbit
- Leopard Tree Dream
- Paul's Theme (Jogging Chase)
- The Myth
- To The Bridge
- Transformation Seduction
- Bring The Prod
Customer Reviews:
One of my most favorite dark and disturbing soundtracks.......2006-04-12
This album, and "Midnight Express" are Giorgio Moroder's best dark and moody soundtrack albums. You'd never know that he was such an influence to "disco" and general pop music in the 1970's and 1980's.
There are two different worlds to the sound of Giorgio Moroder. This dark soundtrack music, and also, he's ventured into the world of 80's pop music. He's produced many pop singles for various artists, such as Donna Summer, Blondie, Limahl, Berlin, Irene Cara, Bonnie Tyler, etc.
In the 1980's, I took to liking Donna Summer's 70's hits a bit more, only because I discovered that Giorgio Moroder was her founder and producer. Donna Summer herself, is nothing really extraordinary. She's a vocalist really no better than Whitney Houston or even Mariah Carey. She can only wish she was as talented as Shirley Bassey, Madonna, Celine Dion, or even Chaya Pitcher (Christian vocalist). My personal favorites are still Brenda Lee, Nancy Sinatra, and Cyndi Lauper.
What made Donna Summer great was the music behind her, the work of Giorgio Moroder and Pete Bellotte. This really came to light when I finally heard the album version of "Love To Love You Baby", and then I heard a nearly 16 minute, 12" version of "I Feel Love". Giorgio Moroder's music is what really matters here. Donna was only a voice over the music. Any female could have been chosen to sing over Giorgio Moroder's music, and the impact would have been the same.
Check out some of the other works of Giorgio Moroder. He was creating some intense trance dance music even in the 1970's. "Love To Love You Baby" on Donna's first album, is almost 17 minutes long. It should have stopped at 13:03 because it really did end quite nicely right there. The remaining nearly 4 minutes really is only a repeat of the beginning of the song that eventually fades out. It's actually annoying that the song does that, but I believe that was done only to make Side Two of her album equal in length to her Side One. It was just extended as filler. But anyway, listen to the main 13 minutes of that song. Giorgio Moroder was quite the innovator of a new sound that is still considered "cutting edge", even today.
In 1982, I found a 12" single of Donna Summer's "I Feel Love". This is a Giorgio Moroder "tour de force" on electronics and trance music. I don't know of any CD that has this 16-minute version but it is one of the greatest examples of Giorgio Moroder giving his all. I've had this 12" single for nearly 25 years now. It's in my attic, somewhere. I've recorded it onto Reel-to-Reel tape back in the 1980's when I had a record player. I hope it'll be on CD someday.
Plus, I believe Giorgio Moroder did all the remixing of Donna's Summer's 1979 album "On The Radio - Greatest Hits - Volumes I & II." The way he made everything gel together was great. Giorgio Moroder continued to prove his predominate role in Donna Summer's career.
And also, Giorgio Moroder does have this dark side, away from disco and trance. He's done some movie various movie soundtracks. Apart from "Cat People" and "Midnight Express", he's also produced the music for "Flashdance", "American Gigolo", "Scarface", "Electric Dreams", "The Never Ending Story", "Top Gun", and probably others. Giorgio Moroder also launched the career of Irene Cara, but she didn't go the distance that Donna Summer did.
Donna Summer continued to release hit singles throughout the 1980's without Giorgio Moroder. Would she really have gone anywhere if her name weren't already known? I mean, in the 1970's they called her the "Queen of Disco". But, she was only a voice to the Disco. Any female vocalist would have been called the "Queen of Disco", if Giorgio Moroder was the music behind her. Now Donna Summer has probably become a small venue coffee house performer. I guess that was bound to happen. I'd probably pay 10 dollars to see her. Well, maybe eight dollars max. No.....maybe seven.
An underappreciated gem..........2005-09-25
I remember the movie for its titillating aspect. The idea of the film was better than the film. What stood out was the haunting score. I mixed the music from this film with Risky Business onto a mix-tape called 'Risky Cat Business People' which was wonderfully midnightesque.
The legendary Giorgio Moroder scored this one and it sounds much different than his frequent association with a 'disco' sound. This stuff undoubtedly dates to the 80s but it is quite, if I dare say, sexual in spots, not in a cheesy porno kind of way but in the best of the 80s synthesizer sounds. Kind of spooky, kind of dreamy and quite captivating.
David Bowie's opening track, the original version which was speeded up on his Let's Dance album, is amazing. It's worth it for that track alone.
My only complaint is the length of the album. Some of the songs are short, as is the overall length of the album itself. But it's still wonderfully moody, sonic ear candy.
Forgettable.......2005-01-12
The hit title song is the only track with proper vocals on this album, with lyrics written and sung by David Bowie. The Autopsy is a short interlude, Irena's Theme is a long, slow piece, Night Rabbit is an atmospheric excursion with eerie feel and Leopard Tree Dream is a mid tempo number. The pace picks up for Paul's Theme (Jogging Chase), where Giorgio Moroder's characteristic electrobeat first surfaces on this album. The Myth is slow and evocative with a bit of humming by Bowie, whilst To The Bridge is another slow interlude. Transformation Seduction is a fairly interesting uptempo piece and the album concludes with Bring The Prod, a short moody track leading up to a crescendo. Fans of Giorgio Moroder beware! Cat People is nothing like his amazing disco albums From Here To Eternity or E = MC2. It might work well as a soundtrack but offers little in the way of listening pleasure and is in fact quite forgettable.
An Excellent Find!.......2004-09-01
I am happy to find this Cd - AND very happy with it!
MEOW.......2003-04-23
I never understood why David Bowie reworked "Putting Out the Fire" for his single version. This original is awesome, and a hundred times better than the "juiced up" version. The intro, coupled with the sultry jungle drums, Bowie's evocative vocals, makes for one of the best movie themes in the past thirty years. Strangely enough, it was ignored at the Oscars, and just goes to show how much the academy has changed in including "pop" in its awards. However, I bought this CD mainly to get this excellent version of the title theme, and it's worth the price just to hear that version again. Moroder, who rose to fame with Donna Summer and "Midnight Express" captured the eerie sexuality of Paul Schrader's enigmatic film, and listening to the soundtrack conjures up images I thought I had long forgotten.
There's no putting out the fire on this title track!
HIGHLY RECOMMENDED.
Average customer rating:
- Roy
- This Webb has snared me.
- Another classic re-recording
- New Webb disc a Revelation
- Spooky and lovely film music from the film noir past
|
Cat People
Slovak Radio Symphony Orchestra , and William T. Stromberg
Manufacturer: Marco Polo
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004TQP2
Release Date: 2000-06-13 |
Tracks:
- Cat People: Main Title
- Cat People: Irena
- Cat People: The Cat People
- Cat People: Irena And Oliver
- Cat People: Need For Help
- Cat People: The Evil Call
- Cat People: The Aftermath
- Cat People: Dream Sequence
- Cat People: Too Late
- Cat People: Horror Sequence
- Cat People: Dr. Judd Murdered
- Cat People: End Title
- Bedlam: Main Title
- Bedlam: The Quaker
- Bedlam: Nell's Escape
- Bedlam: End Title
- The Seventh Victim: Main Title
- The Seventh Victim: Principal's Office
- The Seventh Victim: Mary Sees Jacqueline
- The Seventh Victim: Jacqueline Is Found
- The Seventh Victim: Jacqueline
- The Seventh Victim: The Pallidists' Trial
- The Seventh Victim: The Chase
- The Seventh Victim: Desirous Of Death
- The Seventh Victim: Love Scene
- The Seventh Victim: End Title
- The Body Snatcher: Main Title
- The Body Snatcher: Edinburgh
- The Body Snatcher: The First Body
- The Body Snatcher: Finale
- I Walked With A Zombie: Main Title
- I Walked With A Zombie: Chant
- I Walked With A Zombie: Fort Holland
- I Walked With A Zombie: Zombie
- I Walked With A Zombie: Dr. Maxwell
- I Walked With A Zombie: End Title
Customer Reviews:
Roy.......2007-04-17
Roy Webb was good. Never got the credit deserved. Outstanding recording. They do it again!
This Webb has snared me........2002-06-10
Much of this music is of classic-operatic quality. Notably, the overture to The Seventh Victim is really dynamic; it makes creative use of the RKO call-signal as a launch-pad to segue into the main theme, and never lets up.
Cat People-The Aftermath is also very moving, reminiscent of the best work of Prokofiev and Shostakovich (who also wrote movie-music).
A good introduction to the genre of popular film scores for those who prefer classics. Those who enjoy this should check out Sondheim's Sweeney Todd.
Another classic re-recording.......2000-11-01
The film music of Webb, a sort of budget (non-pejorative sense) Max Steiner, furthers Marco Polo's solid record for crackerjack re-recordings of classic and undervalued film music. The album's namesake, with its lyrical themes (including a traditional lullaby culled from Igor Stravinsky's "Berceuse du Chat") and sentimentality, is great music, though as a horror score its naiveté dulls the thunder and lightening. The other scores -- "Bedlam", "The Seventh Victim", "The Body Snatcher", and "I Walked With a Zombie" seem more assured. I do wonder when the hired vocalists will match the quality of the instrumental performances, but this is a minuscule puzzle, though increasingly annoying.
New Webb disc a Revelation.......2000-06-27
Of all the film music discs produced by Marco Polo and conducted by William Stromberg, this is, in my opinion, the most important. I am aware of only one other disc devoted to the music of Roy Webb and that was a release of original soundtracks on the Silva Screen label (CNS 5008). It is an essential buy but it contains only one extended suite (the marvelous Curse of the Cat People). Most of the cues last only a couple of minutes and offer a mere sampling of the work Webb was doing at RKO during the 1940s. The sound of these recordings is in mono but is excellent nonetheless. Aside from the Silva disc and a couple of re-recorded suites (Notorious on Varese Sarabande and The Seventh Victim on a long-out-of-print Decca album entitled Satan Superstar!), Webb's music has been largely ignored. Why this is may have to do with the nature of Webb's scoring which is unusually restrained when compared with that of his contemporaries. I've often noticed how a Webb score lurks in the background--an ominous presence more felt than heard.
What happens when you pull this music away from its source and bring it out into the light? To me the result is a revelation. Far from being just a series of chromatic chords and orchestral effects, Webb's music is multi-layered; relying on complex counterpoint, impressionist-like harmonies and thoroughly-worked thematic development for its effect. He's been described as a composer ahead of his time and I can understand why. His methods of scoring resemble those more commonly used in the 1950s and 60s when composers such as North, Friedhofer, Bernstein and Goldsmith were paring down the rhetoric and bombast that had afflicted so many scores during Hollywood's "Golden Age". Webb seems to have led the way in this regard and its sad that he has lingered in near obscurity for so long.
I should have known that John Morgan and Bill Stromberg would come to them rescue. They have similarly served other underrated composers such as H.J. Salter, Frank Skinner and Hugo Friedhofer and their discs devoted to these composers have been the highlights of the Marco Polo series. This new Webb disc is now my absolute favorite. Aside from the fact that the music is extraordinarily good, I also feel this disc features Bill Stromberg's very best and most sensitive conducting captured in sound that is superior to other issues in this series. That may be the result of a change of recording venues for this disc, along with the brilliant new recording of mystery and horror scores by Salter and Skinner, was recorded using the Slovak Radio Symphony Orchestra rather than the usual Moscow Symphony Orchestra. The war in Serbia evidently made it impossible for Morgan and Stromberg to get to Moscow at the time these recordings were made. I was initially disappointed when I learned that Marco Polo had chosen Bratislava and the Slovak Radio Symphony Orchestra because I haven't been too impressed with that orchestra's playing on other Marco Polo discs - especially those conducted by Adriano. Here they sound completely in sync with Webb's idiom. I can only guess that the combination of the music and Stromberg's inspired musical leadership drew from them their very best playing.
As is usually the case with these old scores, Morgan had to rely on piano reductions and his extraordinary ears to reconstruct the music. Webb's scoring is much more subtle and chamber-like and Morgan has resisted the temptation to beef it up. There were only a few places where I felt a fuller string sound would have helped such as in the main titles for Bedlam and The Seventh Victim, otherwise the reconstructions sound note perfect to my ears. Morgan had literally hundreds of Webb scores to chose from when compiling this disc but he selected a few that Webb wrote for RKO producer Val Lewton. It was the perfect choice. The Lewton/Webb partnership is one of the less lauded but most significant in the history of film. Lewton's films are frequently described as psychological horror films and almost all contain a "walk" or long stretch during which one of the characters travels through some ominous landscape to escape danger or resolve a conflict. The most famous example may be the walk through the sugar canes in I Walked With A Zombie or little Teresa's evening journey to buy flour in The Leopard Man. These segments are devoid of dialogue. A less sophisticated composer may have papered such delicate scenes with layers of music but not Roy Webb. His scoring, when it's used, is subtly integrated into all the other elements of the scene in a way uncommon with film scoring during that time. Lewton was extremely fortunate to have had access to a composer whose understated style so beautifully reflected his own.
This disc contains extended suites from Cat People and The Seventh Victim and shorter suites from Bedlam, The Body Snatcher and I Walked With A Zombie. It's a generously filled disc (70 minutes) and Morgan has done his usual masterful job in putting the suites together. I'm especially pleased that he has given us so much of the score for The Seventh Victim. It is an absolute masterpiece and the highlight of this disc. The film itself is Lewton's darkest and Webb's score is mesmerizing in the way that it is manages to be both eerily beautiful and deeply unsettling. Listen to the cues "The Palladists' Trial", "The Chase" and "Desirous of Death" and you'll hear Webb's art at its absolute zenith. His use of instrumental color is as original as Bernard Herrmann's but a good deal more subtle. His use of whirling counterpoint disturbed by occasional flashes of harsh dissonance is typical as is the emphasis on harmony and instrumental sonority. In this regard, Webb's music sounds very impressionistic but he is more of the English than French school, I believe. Webb's music does at times remind me of the music of Arnold Bax, Frank Bridge and John Ireland and I like to think that hearing these scores gives us some idea of what those masters might have written if they had ever composed music for a horror film.
My only complaint about this Seventh Victim suite is that it omits the tender music for the scene where Jason and Mary view the search light outside his apartment window. It was included in Christopher Palmer's much briefer suite recorded by Stanley Black but that recording is long out of print. I suspect there was enough time available to include it here but its absence is sorely felt.
We do get a lengthy suite from Cat People and that music has its moments of menace but the overall tone is tragic for it expresses the conflicted emotions of the film's protagonist, the haunted Irena, so beautifully played by the great Simone Simon. Also beautiful is the score for I Walked With A Zombie. Morgan assembled a small chorus of basses for the "Zombie Chant" and their inclusion is indicative of the care and attention given to recreating these scores for recording. They've also included the street beggar's ballad from The Body Snatcher sung by Maria Knapkova. Her diction is a little awkward but she captures the spirit of the song and it adds immensely to the suite. I hope Morgan and Stromberg can be convinced to give us the complete score to The Body Snatcher for it is another masterwork and there is much great music not included in this suite. I would recommend Webb's score for Curse of The Cat People as a companion. I'd love to hear what Morgan and Stromberg would do with that gorgeous music.
The Slovak orchestra plays these scores with tremendous sensitivity. Bill Stromberg captures the atmosphere and mood of the music without allowing it to become staid or monotonous. He has really developed into a fine conductor and I'm delighted to see him branching out into recording concert music as well. I can't imagine his performances of this music ever being bettered and I suspect Roy Webb would have been thrilled if he had lived long enough to hear it. I hope having more of his music available will bring about a renewed interest in his music for he was one of the greatest and most original practitioner in his field. This disc receives my highest possible recommendation.
Spooky and lovely film music from the film noir past.......2000-06-20
Having treated us to three CDs featuring the horror film scores of Salter, Skinner and Dessau, Marco Polo now re-introduces us to the scores of Roy Webb's
(8.225125): "Cat people," "Bedlam," "The Body Snatcher," "The 7th Victim," and "I Walked With a Zombie." I have stopped in many cases complaining about film scores without the visuals which they were meant to complement. Let us say that if a listener has no knowledge of the film and can enjoy the bits and pieces of the soundtrack music purely on its own merits as a series of little tone poems, then the recording has succeeded. Period.
This offering, played by the Slovak Radio Symphony Orchestra under William T. Stromberg, fits the bill very nicely. Of course, it helps if you recall the films--and perhaps recall how we paid so little attention to the music (except during the opening and closing credits, if then)--from which recollections you can judge how beautifully apt most of these selections are.
The booklet is especially informative and nicely illustrated. Much recommended.
Average customer rating:
- A bargain collection of showtunes
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Golden Greats: Greatest Broadway Hits
Manufacturer: Golden Greats
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ASIN: B00005USEJ
Release Date: 2002-02-26 |
Tracks:
- Ouverture - Orchestra
- Something Wonderfull - Dorothy Sarnoff
- Doin' What Comes Natur'lly - Ethel Merman
- Life Upon the Wicked Stage - Colette Lyons
- So in Love - Patricia Morison
- You'll Never Walk Alone - Jan Clayton, Christine Johnson
- Bill - Carol Bruce
- Hello, Young Lovers - Gertrude Lawrence
- Bloody Mary - Male Chorus
- I Can't Say No - Celeste Holm
- This Was a Real Nice Clambake - Jan Clayton,
- Oklahoma! - Alfred Drake
- Sue Me - Vivian Blaine, Sam Levene
- Woman Is a Sometime Thing - Edward Matthews
- Some Enchanted Evening - Ezio Pinza,
- I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
- Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
- It Ain't Necessarily So - Lawrence Tibbett
- Make Believe - Jan Clayton
- Wonderful Guy - Mary Martin
- They Say It's Wonderful - Ethel Merman
- When the Children Are Asleep - Jean Darling, Eric Mattson
- More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
- Puzzlement - Yul Brynner
- I Got Lost in His Arms - Ethel Merman
Tracks:
- Overture...Summertime - Anne Brown
- Why Can't You Behave? - Lisa Kirk, Harold Lang
- Can't Help Lovin' Dat Man - Carol Bruce
- There's No Business Like Show Business - Chorus
- If I Were a Bell - Isabel Bigley
- People Will Say That We're in Love - Alfred Drake, Joan Roberts
- Bess, You Is My Woman Now - Anne Brown
- Luck Be a Lady Tonight - Robert Alda
- Shall I Tell You What I Think of You? - Gertrude Lawrence
- Girl That I Marry - Ray Middleton
- Nobody Else But Me - Jan Clayton
- Carousel Waltz - Orchestra
- Dites-Moi - Barbara Luna
- Ol' Man River - Kenneth Spencer
- Summertime
- Many a New Day - Joan Roberts
- Blow High, Blow Low - Murvyn Vye
- It Takes a Long Pull to Get There - Edward Matthews
- You've Got to Be Carefully Taught - Billy Tabbert
- We Open in Venice - Alfred Drake
- I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
- Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
- I've Never Been in Love Before - Robert Alda
- Tom, Dick or Harry - Lisa Kirk
- I Whistle a Happy Tune - Gertrude Lawrence
Tracks:
- New York, New York - Lynn Murray, Lynn Murray
- Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
- Bewitched, Bothered and Bewildered - Vivienne Segal
- Beat out Dat Rhythm on a Drum - June Hawkins
- How Are Things in Glocca Morra? - Ella Logan
- Old Devil Moon - Ella Logan
- South American Way - Carmen Miranda
- September Song - Walter Huston
- This Is the Army, Mister Jones - Irving Berlin
- Takin' a Chance on Love - Ethel Waters
- My Heart Belongs to Daddy - Mary Martin
- Anything Goes - Jeanne Aubert & The Four Admirals
- You're the Top - Jeanne Aubert & The Four Admirals
- I Get a Kick Out of You - Ethel Merman
- Night and Day - Fred Astaire
- I Got Rhythm - Red Nichols & His Orchestra
- Someone to Watch Over Me - Gertrude Lawrence
- Fascinatin' Rhythm - Adele Astaire, Fred Astaire
- Strike Up the Band - Red Nichols & His Orchestra
- Makin' Whoopee - Eddie Cantor
- Heatwave - Ethel Waters
- Easter Parade - Clifton Webb
- She Didn't Say Yes - Peggy Wood
- I've Told Every Little Star - Mary Ellis
- Johnny One Note - Lynn Murray, Lynn Murray
Album Description
Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.
Album Details
3 CD set
Customer Reviews:
A bargain collection of showtunes.......2005-08-19
This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.
Average customer rating:
- original soundtracks recordings from classic horror
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Legendary Horror Films
Various Artists
Manufacturer: Soundtrack Factory
ProductGroup: Music
Binding: Audio CD
General
| Soundtracks
| Styles
| Music
Similar Items:
- The Bride Of Frankenstein (1993 Rerecording Of 1935 Film Score)
- Monster Music: Film Music Classics
- Universal's Classic Scores of Mystery & Horror
- Frankenstein & Bride of Frankenstein
- Hammer the Studio That Dripped Blood
ASIN: B000067OV1
Release Date: 2004-04-05 |
Tracks:
- Dracula
- King Kong
- Frankenstein
- Bride Of Frankenstein
- She
- House Of Frankenstein
- Wolf Man
- Mummy
- Hunchback Of Notre Dame
- Frankenstein Meets The Wolf Man
- Most Dangerous Game
- Invisible Ghost
- Invisible Man
- Ghost Of Frankenstein
- Cat People
Album Details
Digitally Remastered Original Soundtrack Music from a Host of Horror Classics Like Dracula, the Frankenstein Series, Wolf Man, the Mummy, Hunchback of Notre Dame, the Invisible Man, Cat People, King Kong and More. All the Great Composers of the Genre Are Here as Well: Franz Waxman, Max Steiner, Alfred Newman, Charles Previn and Many More. The Booklet Includes Faithful Reproductions of Original Movie Poster Graphics as Well.
Customer Reviews:
original soundtracks recordings from classic horror.......2007-05-01
If you are a classic horror film buff, like me, you'll love this CD containing ORIGINAL soundtrack recordings from the films. Taken from isolation tracks from the masters ( that means music and sound effects only, no dialogue), this is the only CD I know of that has the music directly from the films, NOT re-recorded! Ok, some tracks definitly show their age, but fascinating to listen to none the less. The wolf man is probably the strongest and most recognizable of the tracks, but once you start listening, all those dark, creepy Saturday nights watching Creature Features will come back to you...wonderful!
Average customer rating:
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Masterpiece: Live From the Great Hall of the People
Manufacturer: Eagle UK
ProductGroup: Music
Binding: Audio CD
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Broadway & Vocalists
| Imports
| Stores
| Music
Soundtracks
| Imports
| Stores
| Music
ASIN: B00005Y6RL
Release Date: 2003-12-16 |
Tracks:
- Jesus Christ Superstar - Tony Vincent
- Don't Cry for Me Argentina - Elaine Paige
- Beautiful Game (Overture) - Andrew Lloyd Webber
- Gethsemane (I Only Want to Say)
- Take That Look Off Your Face
- Jellicle Ball - Andrew Lloyd Webber
- Macavity - The Mystery Cat - Leonie Page,
- Pie Jesu
- Wishing You Were Somehow Here Again
- Masquerade - Andrew Lloyd Webber
- Perfect Year - Elaine Paige,
- As If We Never Said Goodbye - Elaine Paige
- Ni Yong You Wo de Wei Lai (Friends for Life) [From Friends for Life] - Sandy Lam, Elaine Paige, , Tony Vincent
- Music of the Night [Multimedia Track]
- I Don't Know How to Love Him [Multimedia Track] - Sandy Lam
Album Description
Full title - Masterpiece Live From People's Hall, Beijing. Starring Elaine Paige and Kris Phillips with an international cast and sixty-piece orchestra. Includes bonus CD-Rom video footage for 'The Music Of The Night', Kris Phillips & 'I Don't Know How To Love Him' Sandy Lam. Eagle Records. 2002.
Average customer rating:
- More than what's listed by Amazon
- Interesting!
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The Curse of the Cat People: The Film Music of Roy Webb
Roy Webb , and Original Soundtrack
Manufacturer: Silva Screen
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
ASIN: B00000G251
Release Date: 1998-10-06 |
Tracks:
- Overture
- Suite
- Baroque Dance Suite
- Prelude
- Suite
- Main Title
- Suite
- Prelude
- Suite
- Dance Suite
- Suite
- Main Title
- Suite
- Suite
- Amy and Irena
- Old House
Customer Reviews:
More than what's listed by Amazon.......2004-08-20
This is a fantastic collection of film music by Roy Webb. The sources for the CD tracks are actual recordings made by RKO at the time of the isolated music tracks for the films. So, you get the actual music track but no dialog. Great stuff. The list on Amazon is incomplete and therefore doesn't really convey the great variety of scores on this disc.
1. Out of the Past (1947)
2-3. Bedlam (1946)
4. Crossfire (1947)
5. Sinbad the Sailor (1947)
6. Journey Into Fear (1942)
7. Dick Tracy (1945)
8. Mighty Joe Young (1949)
9-10. Notorious (1946)
11. Ghost Ship (1943)
12. They Won't Believe Me (1947)
13. The Locket (1946)
14. Cornered (1945)
15-16. Curse of the Cat People (1944)
Interesting!.......2002-06-11
As i read on an Roy Webb Page yesterday the material on this cd consists of original soundtrack material from the 40s! The qualtity is quite good, in fact as good as possible because some of the material was slightly deteriorated. Alls tracks were digitally cleaned up/remasterd. Nevertheless, you have the original Hollywood Studio Orchestra Sound from the 40s! What can i say more... A must have to lovers of exellent old hollywood film music!!
Average customer rating:
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The Curse of the Cat People: The Film Music of Roy Webb
Roy Webb , and Original Soundtrack
Manufacturer: Cloud Nine / Silva
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
ASIN: B00005YCQ0
Release Date: 1995-07-13 |
Tracks:
- Out Of The Past: Overture
- Bedlam: Suite
- Bedlam: Baroque Dance Suite
- Crossfire: Prelude
- Sinbad The Sailor: Suite
- Journey Into Fear: Main Title
- Dick Tracy: Suite
- Mighty Joe Young: Prelude
- Notorious: Suite
- Notorious: Dance Suite
- The Ghost Ship: Suite
- They Won't Believe Me: Main Title
- The Locket: Suite
- Cornered: Suite
- The Curse Of The Cat People: Amy And Irena
- The Curse Of The Cat People: The Old House
Music:
- Chobits 001 [Soundtrack]
- Christopher Hedge - The New Heroes [Soundtrack]
- Cimarron [Soundtrack]
- Cinema Paradiso: The Classic Film Music Of Ennio Morricone [Soundtrack]
- Close Encounters Of The Third Kind: Original Motion Picture Soundtrack [Soundtrack]
- Conan (1998 Television Series) [Soundtrack]
- Concerto for Saxophone [Live]
- Conquest of the Planet of the Apes/Battle for the Planet of the Apes [Soundtrack]
- Dark Age of Camelot: A Musical Journey Through the Realms of Hibernia, Midgard and Albion [Enhanced] [Soundtrack]
- Down in the Delta: Music from and Inspired by the Miramax Motion Picture [Soundtrack]
Music
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