Histoire d'O/Histoire D'O N.2

Track Listings

1. Histoire D O

2. O Et La Rencontre

3. O Et Le Chateau De Roissy

4. O Et L Amour A Trois

5. O Apres

6. O She S A Lady

7. Tout Cele Est Pour Toi

8. O Avec Pierre

9. O Et Sir Stephen

10. O Et La Photo Of Jacqueli

11. O Comme Alice

12. O Et La Valse Du Gramopho

13. O Et L Amour D Yvan

14. O Comme Histoire D O

15. Never Will You Know

16. Love In 45 Seconds

17. Statues Of The Night

18. Parade Of Masks

19. Married Love

20. Madame Pembroke S Gigolo

See all 27 tracks on this disc

Editorial Reviews
Product Description
Director: Just Jaeckin (Erotic). Two Soundtracks on One CD.

Histoire d'O/Histoire D'O N.2,Pierre Bachelet,Stanley Myers,Cam,Film Music,France,French Pop,Soundtrack,Soundtracks

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Essential for the chansom junkie. Buy It. Almost completely wonderful Indisputable Gallic flair Idiomatic, fresh, cleanly recorded the best songs ever ruined by uneven performing

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tartini | Tartini, Giuseppe | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Classical | Box Sets | Stores | Music Similar Items: Debussy - Mélodies / Ameling · Mesplé · Command · Souzay · von Stade · Baldwin Fauré - Mélodies / Souzay · Ameling · Baldwin A French Song Companion Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles The Songs of Henri Duparc ASIN: B000002S31 Release Date: 1992-01-23

Tracks:

1. LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
2. LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
3. LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
4. LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
5. LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
6. LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
7. COCARDES: I - Miel De Narbonne
8. COCARDES: II - Bonne D'enfant
9. COCARDES: III - Enfant De Troupe
10. 5 POEMES DE RONSARD: I - Attributs
11. 5 POEMES DE RONSARD: II - Le Tombeau
12. 5 POEMES DE RONSARD: III - Ballet
13. 5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
14. 5 POEMES DE RONSARD: V - A Son Page
15. CHANSONS GAILLARDES: I - La Maitresse Volage
16. CHANSONS GAILLARDES: II - Chanson A Boire
17. CHANSONS GAILLARDES: III - Madrigal
18. CHANSONS GAILLARDES: IV - Invocation Aux Parques
19. CHANSONS GAILLARDES: V - Couplets Bachiques
20. CHANSONS GAILLARDES: VI - L'offrande
21. CHANSONS GAILLARDES: VII - La Belle Jeunesse
22. CHANSONS GAILLARDES: VIII - Serenade
23. AIRS CHANTES: I - Air Romantique
24. AIRS CHANTES: II - Air Champetre
25. AIRS CHANTES: III - Air Grave
26. AIRS CHANTES: IV - Air Vif
27. Epitaphe
28. 3 POEMES DE LOUISE LALANNE: I - Le Present
29. 3 POEMES DE LOUISE LALANNE: II - Chanson
30. 3 POEMES DE LOUISE LALANNE: III - Hier
31. 4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
32. 4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
33. 4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
34. 4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
35. 5 POEMES DE MAX JACOB: I - Chanson Bretonne
36. 5 POEMES DE MAX JACOB: II - Cimetiere
37. 5 POEMES DE MAX JACOB: III - La Petite Servante
38. 5 POEMES DE MAX JACOB: IV - Berceuse
39. 5 POEMES DE MAX JACOB: V - Souric Et Mouric
40. 8 CHANSONS POLONAISES: I - La Couronne
41. 8 CHANSONS POLONAISES: II - Le Depart
42. 8 CHANSONS POLONAISES: III - Les Gars Polonais
43. 8 CHANSONS POLONAISES: IV - Le Dernier Mazour
44. 8 CHANSONS POLONAISES: V - L'adieu
45. 8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
46. 8 CHANSONS POLONAISES: VII - La Vistule
47. 8 CHANSONS POLONAISES: VIII - Le Lac

Tracks:

1. 5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
2. 5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
3. 5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
4. 5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
5. 5 POEMES DE PAUL ELUARD: V - Amoureuses
6. A Sa Guitare
7. TEL JOUR, TELLE NUIT: I - Bonne Journee
8. TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
9. TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
10. TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
11. TEL JOUR, TELLE NUIT: V - A Toutes Brides
12. TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
13. TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
14. TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
15. TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
16. 3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
17. 3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
18. 3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
19. 2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
20. 2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
21. MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
22. MIROIRS BRULANTS: II - Je Nommerai Ton Front
23. Le Portrait
24. La Grenouillere
25. Priez Pour Paix
26. Ce Doux Petit Visage
27. Bleuet
28. FIANCAILLES POUR RIRE: I - La Dame D'andre
29. FIANCAILLES POUR RIRE: II - Dans L'herbe
30. FIANCAILLES POUR RIRE: III - Il Vole
31. FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
32. FIANCAILLES POUR RIRE: V - Violon
33. FIANCAILLES POUR RIRE: VI - Fleurs

Tracks:

1. BANALITES: I - Chanson D'orkenise
2. BANALITES: II - Hotel
3. BANALITES: III - Fagnes De Wallonie
4. BANALITES: IV - Voyage A Paris
5. BANALITES: V - Sanglots
6. CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
7. CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
8. CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
9. CHANSONS VILLAGEOISES: IV - Le Mendiant
10. CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
11. CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
12. METAMORPHOSES: I - Reine Des Mouettes
13. METAMORPHOSES: II - C'est Ainsi Que Tu Es
14. METAMORPHOSES: III - Paganini
15. 2 POEMES DE LOUIS ARAGON: I - C
16. 2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
17. 2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
18. 2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
19. 2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
20. 2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
21. Paul Et Virginie
22. Mais Mourir
23. Hymne
24. 3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
25. 3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
26. 3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
27. Le Disparu
28. Main Dominee Par Le Coeur
29. CALLIGRAMMES: I - L'espionne
30. CALLIGRAMMES: II - Mutation
31. CALLIGRAMMES: III - Vers Le Sud
32. CALLIGRAMMES: IV - Il Pleut
33. CALLIGRAMMES: V - La Grace Exilee
34. CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
35. CALLIGRAMMES: VII - Voyage

Tracks:

1. Mazurka
2. LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
3. LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
4. LA FRAICHEUR ET LE FEU: III - Tout Disparut...
5. LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
6. LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
7. LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
8. LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
9. PARISIANA: Le Joueur De Bugle
10. PARISIANA: Vous N'ecrivez Plus?
11. Rosemonde
12. LE TRAVAIL DU PEINTRE: I - Pablo Picasso
13. LE TRAVAIL DU PEINTRE: II - Marc Chagall
14. LE TRAVAIL DU PEINTRE: III - Georges Braque
15. LE TRAVAIL DU PEINTRE: IV - Juan Gris
16. LE TRAVAIL DU PEINTRE: V - Paul Klee
17. LE TRAVAIL DU PEINTRE: VI - Joan Miro
18. LE TRAVAIL DU PEINTRE: VII - Jacques Villon
19. La Souris
20. Nuage
21. Dernier Poeme
22. Une Chanson De Porcelaine
23. LA COURTE PAILLE: I - Le Sommeil
24. LA COURTE PAILLE: II - Quelle Aventure!
25. LA COURTE PAILLE: III - La Reine De Coeur
26. LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
27. LA COURTE PAILLE: V - Les Anges Musiciens
28. LA COURTE PAILLE: VI - Le Carafon
29. LA COURTE PAILLE: VII - Lune D'avril
30. Toreador
31. 4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
32. 4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
33. 4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
34. 4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
35. Fancy
36. Colloque

Customer Reviews:

Essential for the chansom junkie. Buy It........2006-10-25

Almost completely wonderful.......2005-04-29

Indisputable Gallic flair.......2004-06-06

Idiomatic, fresh, cleanly recorded.......2001-05-12

the best songs ever ruined by uneven performing.......2001-05-05

Average customer rating: Not a flawless version, but one to be REALLY loved The best of a mediocre-to-bad lot Hoffman contines to elude the recording world Excellent but not definitive O Dieu, de quelle ivresse embrasse-tu mon âme?

Offenbach - Les Contes d'Hoffmann / Alagna, van Dam, Dessay, Vaduva, Jo, Lascarro, Dubosc, Ragon, Sénéchal, Bacquier, Lamprecht, Nagano Jacques Offenbach , Roberto Alagna , Natalie Dessay , Kent Nagano , Choeur et Orchestre de l'Opéra National de Lyon , Leontina Vaduva , Sumi Jo , José van Dam , Catherine Dubosc , Gilles Ragon , Gabriel Bacquier , Doris Lamprecht , and Juanita Lascarro Manufacturer: Erato ProductGroup: Music Binding: Audio CD All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Alagna, Roberto | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: Donizetti: Lucie de Lammermoor; Natalie Dessay, Roberto Alagna Russian Album ASIN: B000005E4D Release Date: 1996-10-29

Tracks:

1. Les Contes D' Hoffmann: Prelude - Kent Nagano
2. Les Contes D' Hoffmann: Act 1, Scene 1: Glou! Glou! - Kent Nagano
3. Les Contes D' Hoffmann: Couplets de la muse: La verite, dit-on, sortait d'un puits - Kent Nagano
4. Les Contes D' Hoffmann: Elle est sur la scene, un peuple l'acclame - La Muse - Kent Nagano
5. Les Contes D' Hoffmann: Scene 2: Le conseiller Lindorf, morbleu! - Lindorf, Andres - Kent Nagano
6. Les Contes D' Hoffmann: Scene 3: Vayons? Pour Hoffmann! - Kent Nagano
7. Les Contes D' Hoffmann: Couplets: Dans les roles d'amoureux - Kent Nagano
8. Les Contes D' Hoffmann: Deux heures devant moi - Scene 4: Vite, vite, qu'on se remue! - Lindorf, Luther - Kent Nagano
9. Les Contes D' Hoffmann: Scene 5: Choeur des Etudiants - Drig, drig - Kent Nagano
10. Les Contes D' Hoffmann: Vrai Dieu! Mes amis - Kent Nagano
11. Les Contes D' Hoffmann: Eh! Luther! Ma grosse tonne - Lindorf, Luther, Nathanael, Hermann, Wolfram, Wilhelm - Kent Nagano
12. Les Contes D' Hoffmann: Scene 6: Bonjour, amis! - Kent Nagano
13. Les Contes D' Hoffmann: Couplets and Andante: Va pour Kleinzach! - Kent Nagano
14. Les Contes D' Hoffmann: Peuh! Cette biere est detestable! - Kent Nagano
15. Les Contes D' Hoffmann: Duo: Et par ou votre Diablerie - Kent Nagano
16. Les Contes D' Hoffmann: Simple echange de politesse - Kent Nagano
17. Les Contes D' Hoffmann: Je vous dis, moi - Kent Nagano
18. Les Contes D' Hoffmann: Ma maitresse? - Kent Nagano
19. Les Contes D' Hoffmann: Final: Messieurs, on va lever le rideau! - Hoffmann, Nicklausse, Lindorf, Luther, Nathanael, Hermann, Wolfram, Wilhelm - Kent Nagano
20. Les Contes D' Hoffmann: Act 2: Entracte - Kent Nagano
21. Les Contes D' Hoffmann: Scene 1: La! Dors en paix - Spalanzani - Scene 2: Ah! Bonjour! Enchacte! - Spalanzani, Hoffmann - Scene 3: Fais allumer partout! - Spalanzani, Cochenille - Kent Nagano
22. Les Contes D' Hoffmann: Scene 4: Allons! Courage et confiance! - Kent Nagano
23. Les Contes D' Hoffmann: Pardieu! J'etais bien sur - Kent Nagano
24. Les Contes D' Hoffmann: Couplets: Une poupee aux yeux d'email - Nicklausse, Hoffmann - Kent Nagano
25. Les Contes D' Hoffmann: Scene 5: C'est moi, Coppelius! - Kent Nagano
26. Les Contes D' Hoffmann: Je me nomme Coppelius - Kent Nagano
27. Les Contes D' Hoffmann: J'ai deux jeux, de beaux yeux - Kent Nagano
28. Les Contes D' Hoffmann: Serviteur - Kent Nagano
29. Les Contes D' Hoffmann: Ah! Ange du ciel, est-ce bien toi? - Nicklausse, Hoffmann, Coppelius - Kent Nagano
30. Les Contes D' Hoffmann: Scene 6: Hein! Vous! - Hoffmann, Coppelius, Spalanzani - Kent Nagano
31. Les Contes D' Hoffmann: Scene 7: Choeur des Invites: Non aucun hote vraiment - Kent Nagano
32. Les Contes D' Hoffmann: Vous serez satisfaits, messieurs - Hoffmann, Spalanzani, Nicklausse - Kent Nagano
33. Les Contes D' Hoffmann: Scene 8: Mesdames et Messieurs - Kent Nagano
34. Les Contes D' Hoffmann: Mesdames et Meisseurs, fiere de vos bravos - Kent Nagano
35. Les Contes D' Hoffmann: Air: Les oiseaux dans la charmille - Kent Nagano
36. Les Contes D' Hoffmann: Ah! Mon ami! Quel accent! - Hoffmann, Spalanzani, Nicklausse, Olympia, Cochenille - Kent Nagano
37. Les Contes D' Hoffmann: Scene 9: Ils se sont eloignes! Enfin! - Kent Nagano
38. Les Contes D' Hoffmann: Ah! Vivre deux! - Kent Nagano
39. Les Contes D' Hoffmann: Tu me fuis? - Hoffmann, Olympia - Scene 10: Eh! morbleu! modere ton zele! - Hoffmann, Nicklausse - Kent Nagano
40. Les Contes D' Hoffmann: Scene 11: Voleur! Brigand! Quelle deroute! - Coppelius - Kent Nagano
41. Les Contes D' Hoffmann: Scene 12: En place les danseurs - Kent Nagano
42. Les Contes D' Hoffmann: Voila! Assez, assez, ma fille - Kent Nagano
43. Les Contes D' Hoffmann: Ah! Quoi? L'homme aux lunettes, la! - Spalanzani, Cochenille, Hoffmann, Olympia, Nicklausse, Coppelius - Kent Nagano

Tracks:

1. Les Contes d'Hoffmann: Act 3: Entracte - Jacques Offenbach
2. Les Contes d'Hoffmann: Scene 1: Elle a fui, la tourterelle - Antonia - Jacques Offenbach
3. Les Contes d'Hoffmann: Scene 2: Malheureuse enfant! - Crespel, Antonia - Scene 3: Desespoir! Tout a l'heure, encore! - Crespel - Scene 4: Frantz! n'ouvre a personne! - Crespel, Frantz - Jacques Offenbach
4. Les Contes d'Hoffmann: Scene 5: Jour et nuit je me mets en quatre - Frantz - Jacques Offenbach
5. Les Contes d'Hoffmann: Scene 6: Frantz, c'est ici! - Hoffmann, Frantz - Jacques Offenbach
6. Les Contes d'Hoffmann: Scene 7: Enfin je vais savoir pourquoi - Jacques Offenbach
7. Les Contes d'Hoffmann: Romance: Vois sous l'archet fremissant - Jacques Offenbach
8. Les Contes d'Hoffmann: C'est une chanson d'amour - Hoffmann, Antonia, Nicklausse - Jacques Offenbach
9. Les Contes d'Hoffmann: Scene 8: Ah! Je le savais bien - Jacques Offenbach
10. Les Contes d'Hoffmann: Ah! J'ai le bonheur dans l'ame - Jacques Offenbach
11. Les Contes d'Hoffmann: Pourtant, o ma fiancee - Jacques Offenbach
12. Les Contes d'Hoffmann: Viens la comme autrefois - Jacques Offenbach
13. Les Contes d'Hoffmann: Qu'as-tu donc? - Antonia, Hoffmann - Scene 9: Rien! J'ai cru qu'Hoffmann etait ici! - Hoffmann, Crespel, Frantz, Miracle - Jacques Offenbach
14. Les Contes d'Hoffmann: Scene 10: Pour conjurer la danger - Jacques Offenbach
15. Les Contes d'Hoffmann: Allons, parle! et sois bref! - Jacques Offenbach
16. Les Contes d'Hoffmann: J'ai la certains flacons - Miracle, Crespel, Hoffmann, Antonia - Jacques Offenbach
17. Les Contes d'Hoffmann: Scene 11: Ne plus chanter - Hoffmann, Antonia - Jacques Offenbach
18. Les Contes d'Hoffmann: Scene 12: Tu ne chanteras plus? - Jacques Offenbach
19. Les Contes d'Hoffmann: Ah! Quelle est cette voix? - Jacques Offenbach
20. Les Contes d'Hoffmann: Ta mere, oses-tu l'interroger? - Jacques Offenbach
21. Les Contes d'Hoffmann: Non! Assez! - Jacques Offenbach
22. Les Contes d'Hoffmann: Ja cede au transport qui m'enivre! - Miracle, Antonia, La Voix - Jacques Offenbach
23. Les Contes d'Hoffmann: Scene 13: Mon enfant, ma fille! - Crespel, Antonia, Hoffmann, Nicklausse, Miracle - Jacques Offenbach

Tracks:

1. Les Contes d'Hoffmann: Act IV: Entracte - Jacques Offenbach
2. Les Contes d'Hoffmann: Scene 1: Messieurs, silence! - Jacques Offenbach
3. Les Contes d'Hoffmann: Recit et Chant bachique: Et moi, ce n'est pas la - Jacques Offenbach
4. Les Contes d'Hoffmann: Amis, l'amour tendre et reveur - Hoffmann, Nicklausse, Giulietta - Jacques Offenbach
5. Les Contes d'Hoffmann: Scene 2: Je vois qu'on est en fete! - Schlemil, Giulietta, Pitchinaccio, Hoffmann - Scene 3: Au premier reve je t'enleve - Nicklausse, Hoffmann - Jacques Offenbach
6. Les Contes d'Hoffmann: Scene 4: Tourne, tourne, miroir - Dapertutto - Jacques Offenbach
7. Les Contes d'Hoffmann: Scene 5: Cher ange! - Dapertutto, Giulietta - Jacques Offenbach
8. Les Contes d'Hoffmann: Scene 6: Melodrame: Vivat! J'ai tout gagne! - Giulietta, Schlemil, Dapertutto - Jacques Offenbach
9. Les Contes d'Hoffmann: Scene 7: Giulietta, palsembleu! - Jacques Offenbach
10. Les Contes d'Hoffmann: Air de Giulietta: Vous ne jouez pas? - Jacques Offenbach
11. Les Contes d'Hoffmann: Que dit-elle? - Jacques Offenbach
12. Les Contes d'Hoffmann: Giulietta, je vous jure! - Jacques Offenbach
13. Les Contes d'Hoffmann: Oui, fut-ce au prix de ma vie - Jacques Offenbach
14. Les Contes d'Hoffmann: Sextuor and Choeur: Helas! Je vais encore la suivre - Jacques Offenbach
15. Les Contes d'Hoffmann: Morbleu! - Jacques Offenbach
16. Les Contes d'Hoffmann: Il a ma cle - Jacques Offenbach
17. Les Contes d'Hoffmann: Scene 1: Ton ami dit vrai! - Jacques Offenbach
18. Les Contes d'Hoffmann: Romance: O Dieu, de quelle ivresse - Jacques Offenbach
19. Les Contes d'Hoffmann: Jusque-la, cependant - Jacques Offenbach
20. Les Contes d'Hoffmann: Si ta presence m'est ravie - Jacques Offenbach
21. Les Contes d'Hoffmann: Ah! Tu m'as defiee - Giulietta, Hoffmann, Dapertutto, Pitchinaccio - Jacques Offenbach
22. Les Contes d'Hoffmann: Scene 2: Alerte, Hoffmann! - Jacques Offenbach
23. Les Contes d'Hoffmann: Voyez! Il n'a plus le moindre reflet! - Jacques Offenbach
24. Les Contes d'Hoffmann: Je n'aime pas qu'on me defie! - Jacques Offenbach
25. Les Contes d'Hoffmann: Ainsi, tu mentais! - Nicklausse, Hoffmann, Dapertutto, Pitchinaccio, Giulietta - Jacques Offenbach
26. Les Contes d'Hoffmann: Act V: Entracte - Jacques Offenbach
27. Les Contes d'Hoffmann: Scene 1: Choeur: Folie! Oublie tes douleurs - Jacques Offenbach
28. Les Contes d'Hoffmann: Voila quelle fut l'histoire - Jacques Offenbach
29. Les Contes d'Hoffmann: Choeur des Esprits et des Etudiants: Glou! Glou! - Hoffmann, Luther, Lindorf, Nathanael, Nicklausse - Jacques Offenbach
30. Les Contes d'Hoffmann: Scene 2: Stella, Stella! - Jacques Offenbach
31. Les Contes d'Hoffmann: Couplet: Pour le coeur de Phrygne - Jacques Offenbach
32. Les Contes d'Hoffmann: Denouement: Hola! Quelqu'un de fort pour emporter Hoffmann! - Jacques Offenbach
33. Les Contes d'Hoffmann: Ingrat! Et moi? - Jacques Offenbach
34. Les Contes d'Hoffmann: Adieu! Je t'abandonne - Andres, Hoffmann, Nicklausse, Stella, La Muse, Lindorf - Jacques Offenbach

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Customer Reviews:

Not a flawless version, but one to be REALLY loved.......2006-05-09

The best of a mediocre-to-bad lot.......2003-10-30

Now that musicologists have finished playing with the Mahler 10th Symphony (which ended rather well) and the Beethoven 10th (which ended rather badly), they have been taking a whack at "Hoffmann," rushing to revise music the composer never sanctioned and adding music found in buckets and boxes long after his death. My personal feeling was, if it ain't broke, don't fix it: you're not Offenbach, and to speak for him requires a tremendous amount of chutzpah. And a lot of the revisions, to my ear, simply do not work well, such as turning Giulietta into a coloratura soprano, spinning out an aria that ends much like Olympia's doll song as on this recording.

I'm also not fond of switching the Antonia and Giulietta acts from their traditional positions for both dramatic and musical reasons. To begin with, having the "tales" end with Antonia gives Hoffmann's character a certain sense of redemption that simply isn't there the other way. Also, the Giulietta act is musically the weakest: as primiarily an operetta composer, Offenbach simply had a hard time creating music for this act which is darker and more tensely dramatic than anything else in the work. The superp trio that climaxes the Antonia act, on the other hand, is one of the most brilliant and transcendent things he wrote.

That being said, there is much to admire in this set. Kent Nagano conducts briskly, which is his wont, thereby tying together the music in a cohesive and satisfying way where others (particularly Cluytens and Cambreling) sound slow and rambling. On the other hand, his chorus of the spirits, though light and brisk, just misses the rapt, enchanting sound achieved by Bonynge; and though it was probably Offenbach's intent to have only a few strings play the violin motif in the Antonia trio, they sound too thin, not sweeping or driven enough, for the dramatic situation. Nagano also conducts the famed "Barcarolle" at a shade-too-fast tempo, thus robbing the music of its mysterious charm (even Arthur Fiedler made a better recording of the instrumental version). These moments point to a lack of "theatricality" in Nagano's conducting style that Bonynge, Rudel and even Beecham managed to capture.

Alagna is not as suavely beautiful or haunting in the role as Robert Rounseville or Stuart Burrows were. This is something of an abrupt, nervous reading, though if one knows something about E.T.A. Hoffmann and his tales it is perfectly in keeping with his character. (I have yet, however, to see ANY tenor perform the role made up to LOOK like Hoffmann, a scrawny little man with a square jaw, popping eyes and a shock of unruly, frizzy hair. I guess no tenor really wants to look like that!)

This is unquestionably the finest performance Dessay has ever recorded: her voice is brilliant, in focus, on pitch and wonderfully secure. Only Bond in the Beecham performance and Sutherland come close, though I personally feel that Sutherland was funnier in the role. She had a real flair for comedy, whereas she did not possess enough personal warmth for Antonia or Giulietta.

The Sutherland recording also had the best "villains" in Gabriel Bacquier in his prime, but to my ears Van Dam is an excellent second. (Treigle, in the Sills set, was good but not great, his somewhat gruff voice rather overwhelimg the roles with too much histrionics.)

Vaduva has a pretty tone but your typical "Slavic wobble," more noticeable in the early and late parts of her act. For some reason, the voice is better focused in the middle sections, but she does not efface memories of de los Angeles who was the best Antonia ever.

Jo is surprisingly good as Giulietta: though her voice is even smaller than Dessay's, it had a fuller lyric sound in the mid-range which captured well on records. (I have beel told that her "live" career is just about over on stage as the voice is too small to carry in most modern theaters.) I liked Margherita Grandi in the old Beecham film, but a chesty, spinto Giulietta is apparently persona non grata in the new Michael Kaye edition of the work.

Dubosc is a good Nicklausse, though I preferred Tourangeau and the singer (I forget her name) from the Beecham film. Bacquier, with far less voice, is still predictably good as Crespel; the timeless Senechal is a classic Spalanzani; Ragon is an excellent Cochenille, not so memorable as Franz. (I miss Andrea Velis, the old Met comp, who was brilliant in these roles but was never recorded in them.) The other small roles range from excellent (Tezier as Schlemil) to poor (Juanita Lascarre as Stella).

An ideal modern "Hoffmann" would have Elisabeth Vidal as Olympia, Hong as Antonia, Fleming as Giulietta, Alvarez as Hoffmann, Rene Pape as the three villains, and someone like Pappano or Plasson conducting.....but we can dream all we want. The era of complete opera recordings, according to many inside sources, is over as we know it--even the Bobby & Angela act is being shelved--so we must pick from what we have, and this is simply the finest over all "Hoffmann" on record, with Bonynge's being a good second choice, though I do not like Domingo's hard-voiced, beefy Hoffmann.

Hoffman contines to elude the recording world.......2001-10-03

I prefer Domingo's more passionate Hoffman to Alagna's workmanlike effort, which is still quite fine.

On the other hand, having different female vocalists, as this recording does is preferable to my ear than having the same throughout as the Domingo/Sutherland recording does. The three female leads here range from good (Dessay) to excellent (Jo). Having heard Sumi Jo sing Olympia on record and in person, I find it hard to enjoy Dessay's quite as much. Jo is here as Antonia however.

No single recording of Hoffman is clearly preferable and listening to each is recommended. In the meanwhile, there is still an opening here for a more fully satisying Hoffman.

Excellent but not definitive.......2001-04-20

First, the good points. Listening to this recording one definitely thinks of the opera's characters rather than the artists portraying them.... I find Alagna's voice quite beautiful on this recording and feel that he portrays the character of Hoffmann with spectacular success....

Van Dam is one of the recording's great assets as the villains. The three main heroines are each memorable(.).......(Jo's) interpretation of Giulietta's long-lost coloratura aria is spectacular and features a spine-chilling moment in her climactic cadenza ...she sings a rising series of notes almost identical to one sung by Dessay as Olympia in Act II, emphasizing the connection of the heroines. ...Lascarro does a very good job in the small role of Stella (....Dubosc is excellent as the Muse and Nicklausse, giving a truly memorable performance of nearly the entire role. Unfortunately, Nicklausse's Antonia-act aria, arguably the artistic and emotional heart of the entire opera ...,seems somehow disappointing on this recording. Dubosc's voice does not cut through the orchestra as it should when she sings in her lower register, and as a result the aria fails to have the cathartic impact on me that it has when I have heard it in Metropolitan Opera broadcasts. .... Ragon gives an excellent, highly memorable performance in the four "grotesque" roles.

Now I may turn to the disappointing features of this recording. ....(T)his recording contains no extra-musical sound effects whatsoever. To a certain extent this is a valid approach to recording an opera. The problem is that "Hoffmann" contains an unusually high number of passages which were composed with the extra-musical sounds that would be heard from the stage in mind and which lack some of their intended impact without sound effects. The effectiveness of the students' drinking song is reduced when we don't hear them banging their glasses together and on the tables, and without the winding-up sound the pauses in Olympia's song when she runs down make less sense. We also should hear Coppelius smashing Olympia, Hoffmann and Schlemil moving around heavily as they duel, the death-gasp of another character who dies in the new ending of the Giulietta act (I won't spoil the unfamiliar twists of plot here), and various other sound effects which would add to the drama of the story. Moreover, Van Dam's villains never laugh except when their laughter is notated in the score, even though the libretto specifies some additional evil laughs, notably the one as Dr. Miracle disappears and Antonia falls dying at the end of the trio for Miracle, Antonia and the voice of Antonia's mother.

One of the main problems with the recording is that Van Dam, Ragon and Dubosc are the only performers to play multiple roles. Not only are the heroines played by four different sopranos, but none of the artists who play Luther and the students reappear in other roles in the acts devoted to Hoffmann's three stories. All of this goes against what are presumed to be Offenbach's wishes for his opera, despite the fact that this is a recording of Kaye's critical edition (in its "grand opera" version). Moreover, this recording was, unfortunately, made before Offenbach's own finished finale for the Giulietta act, written very shortly before his death, became available for inclusion in Kaye's edition. ....

Finally, it seems bizarre that the aria "Scintille, diamant," which has been one of the most popular numbers in the opera for a long time, is not included on this recording. ....

Despite these flaws, this recording is recommended. It is extremely enjoyable and represents the totality of Offenbach's intentions for "Hoffmann" more fully than any other recording currently available. One hopes that a new recording of Kaye's edition, with the definitive ending for the Giulietta act and with a single soprano playing all four heroines, will be made in the not-too-distant future.

O Dieu, de quelle ivresse embrasse-tu mon âme?.......1999-11-21

This recording is undoubtedly one of the two benchmark recordings of this opera, the other one being the classic Sutherland/Domingo/Bonynge set. It is the most complete set with the "newly-discovered" Giuletta ending, and even includes the terrific but apocryphal sextet that is missing in the Bonynge recording. Alagna is the true star here, reflecting the spirit of Hoffmann throughout the opera, and singing in a very ideomatic French (unlike Domingo). The four heroines are marvellous, even though I prefer a single soprano singing all the four roles. Van Dam is great as the four villians, but he could have been more sinister in the trio in the Antonia act. Nagano is fine, but has some problems with the tempi at times.

Average customer rating: At least it's Poulenc

Voyage à Paris: Songs of Francis Poulenc Manufacturer: Arabesque Recordings ProductGroup: Music Binding: Audio CD All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B00000AFJM Release Date: 1998-08-25

Tracks:

1. A Sa Guitare
2. Ce Doux Petit Visage Benalites
3. I. Chanson D'Orkenise
4. II. Hotel
5. III. Fagnes De Wallonie
6. IV. Voyage A Paris
7. V. Sanglots
8. Deux Poemes De Guillaume Apollinaire: I. Montparnasse
9. Deux Poemes De Guillaume Apollinaire: II. Hyde Park
10. Rodeuse Au Front De Verre
11. QUATRE CHANSONS POUR ENFANTS: I. La Tragique Histoire Du Petit Rene
12. QUATRE CHANSONS POUR ENFANTS: II. Nous Voulons Une Petite Soeur
13. QUATRE CHANSONS POUR ENFANTS: III. Le Petit Garcon Trop Bien Portant
14. QUATRE CHANSONS POUR ENFANTS: IV. Monsieur Sans-Souci (Il Fait Tout Lui-Meme)
15. Fancy
16. Deux Poemes de Louis Aragon: I. C
17. II. Fetes Galantes
18. Bleuet
19. Le Disparu
20. Priez Pour Paix
21. Nos Souvenirs Qui Chantent
22. Une Chanson De Porcelaine
23. Tel jour telle nuit: I. Bonne Journee
24. Tel jour telle nuit: II. Une Ruine Coquille Vide
25. Tel jour telle nuit: III. Le Front Comme Un Drapeau Perdu
26. Tel jour telle nuit: IV. Une Roulotte Couverte En Tuiles
27. Tel jour telle nuit: V. A Toutes Brides
28. Tel jour telle nuit: VI. Une Herbe Pauvre
29. Tel jour telle nuit: VII. Je N'Ai Envie Que De T'Aimer
30. Tel jour telle nuit: VIII. Figure De Force Brulante Et Farouche
31. Tel jour telle nuit: IX. Nous Avons Fait La Nuit

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Customer Reviews:

At least it's Poulenc.......2003-05-14

Average customer rating: not your average soft porn flick music Bachelet is amazing!

Histoire d'O/Histoire D'O N.2 Pierre Bachelet , and Stanley Myers Manufacturer: Cam ProductGroup: Music Binding: Audio CD France | Continental Europe | Europe | International | Styles | Music Italy | Continental Europe | Europe | International | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music French Pop | Euro Pop | Pop | Styles | Music Soundtracks | Imports | Stores | Music ASIN: B00000IK7N Release Date: 1999-02-25

Tracks:

1. Histoire D O
2. O Et La Rencontre
3. O Et Le Chateau De Roissy
4. O Et L Amour A Trois
5. O Apres
6. O She S A Lady
7. Tout Cele Est Pour Toi
8. O Avec Pierre
9. O Et Sir Stephen
10. O Et La Photo Of Jacqueli
11. O Comme Alice
12. O Et La Valse Du Gramopho
13. O Et L Amour D Yvan
14. O Comme Histoire D O
15. Never Will You Know
16. Love In 45 Seconds
17. Statues Of The Night
18. Parade Of Masks
19. Married Love
20. Madame Pembroke S Gigolo
21. Young O
22. Ouverture To A Party
23. World Of O
24. Initiation Of Carole
25. Deviation
26. Triumph Of O
27. O S Theme

Album Details

Customer Reviews:

not your average soft porn flick music.......2007-06-18

Bachelet is amazing!.......2004-07-04

Average customer rating: Fabulous!

The Prima Voce Treasury of Opera, Vol. 2 Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music Lalo, Edouard | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Ladino | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music Similar Items: Prima Voce Treasury of Opera, Vol. 1 The Golden Age of Singing, Vol. 4; 1930-1950 The Golden Age of Singing: Vol. 3 1920-1930 The Golden Age of Singing, Volume One 1900 - 1910 Golden Age of Singing Vol.2 (1910-20) ASIN: B00004Z3J5 Release Date: 2000-11-28

Tracks:

1. Manon Lescaut: C'est L'Histoire Amoreuse (L'Eclat De Rire) - Amelita Galli-Curci
2. Manon Lescaut: Donna Non Vidi Mai - Beniamino Gigli
3. Manon Lescaut: In Quelle Trine Morbide - Rosa Ponselle
4. Martha: M'Appari Tutto Amor - Tito Schipa
5. May Night: How Quiet Here...Sleep, My Beauty - Boris Slovtsov
6. Mefistofele: L'Altra Notte In Fondo Al Mare - Claudia Muzio
7. Mefistofele: Giunto Sul Passo Estremo - Beniamino Gigli
8. Die Meistersinger: Morgenlich Leuchtend Im Rosigen Schein - Lauritz Melchior
9. Mignon: Connais-Tu Le Pays? - Conchita Supervia
10. Mignon: Addio, Mignon - Tito Schipa
11. Mignon: Io Son Titania - Luisa Tetrazzini
12. Mignon: De Son Coeur J'ai Calme (Berceuse) - Ezio Pinza
13. Mireille: O Legere Hirondelle - Frieda Hempel
14. Norma: Sediziose Voci...Casta Diva - Rosa Ponselle
15. Le Nozze Di Figaro: Se Vuol Ballare - Giuseppe De Luca
16. Le Nozze Di Figaro: No So Piu - Conchita Supervia
17. Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann

Tracks:

1. Der Opernball: Im Chambe Separee - Herbert Ernst Groh
2. Otello: Ora E Per Sempre Addio - Enrico Caruso
3. Otello: E Qual Certezza Sognate...Era La Notte - Lawrence Tibbett
4. Otello: Ave Maria - Eide Norena
5. Pagliacci: Si Puo? - Lawrence Tibbett
6. Pagliacci: Recitar...Vesti La Giubba - Beniamino Gigli
7. Pagliacci: Serenata D'Arlecchino - Tito Schipa
8. I Pescatori Di Perle: Del Tempio Al Limitar - Beniamino Gigli/Giuseppe De Luca
9. I Pescatori Di Perle: Mi Par D'Udir Ancora - Beniamino Gigli
10. La Perichole: Tu N'Es Pas Beau - Maggie Teyte
11. La Perle Du Bresil: Charmant Oiseau - Amelita Galli-Curci/Clement Barone
12. Porgy And Bess: Summertime - Helen Jepson
13. Porgy And Bess: Where Is My Bess? - Lawrence Tibbett
14. Le Postillon De Lonjumeau: Mes Amis, Ecoutez - Helge Roswaenge/Berlin State Opera Chor
15. Prince Igor: Galitzky's Song - Feodor Chaliapin
16. Prince Igor: Jaroslavna's Aria - Nina Koshetz

Tracks:

1. I Puritani: A Te O Cara - Giacomo Lauri-Volpi
2. I Puritani: Qui La Voce Sua Soave - Amelita Galli-Curci
3. Rienzi: Allmacht' Ger Vater, Blick' Herab - Lauritz Melchior
4. Rigoletto: Questa A Quella - John McCormack
5. Rigoletto: Caro Nome - Amelita Galli-Curci
6. Rigoletto: Ella Mi Fu Rapita...Parmi Veder Le Lagrime - Enrico Caruso
7. Rigoletto: Povero Rigoletto...Cortigiani, Vil Razza Dannata - Giuseppe De Luca/Grace AnthonyMetropolitan Opera House Chor
8. Rigoletto: La Donna E Mobile - Jussi Bjorling
9. Rinaldo: Lascia Ch'io Pianga - Ernestine Schumann-Heink
10. Risurrezione: Dieu De Grace - Mary Garden
11. Le Roi D'Ys: Vainement Ma Bien Aimee - Beniamino Gigli
12. Romeo Et Juliette: Je Veux Vivre Dans Ce Reve - Yevgeniya Bronskaya
13. Romeo Et Juliette: Cavatina...Ah! Leve-Toi Soleil - Dmitri Smirnov
14. Der Rosenkavalier: Ist Ein Traum, Kann Nicht Wirklich Sein - Erna Berger/Tiana Lemnitz

Tracks:

1. Sadko: Chanson Hindoue - Beniamino Gigli
2. Sadko: Berceuse - Nina Koshetz
3. Samson Et Dalila: Printemps Qui Commence - Conchita Supervia
4. Samson Et Dalila: Mon Coeur S'Ouvre A Ta Voix - Marian Anderson
5. Lo Schiavo: Quando Nacesti Tu - Giacomo Lauri-Volpi
6. Semele: O Sleep, Why Dost Thou Leave Me? - John McCormack
7. Simon Boccanegra: A Te L'Estremo Addio...Il Lacerato Spirito - Alexander Kipnis
8. The Snow Maiden: Full Of Wonders - Boris Slovstov
9. La Sonnambula: Ah, Non Credea Mirarti - Claudia Muzio
10. La Sonnambula: Ah! Non Giunge - Liusa Tetrazzini
11. Tannhauser: Dir Tone Lob - Lauritz Melchior
12. Tannhauser: Dich Teure Halle - Tiana Lemnitz
13. Tannhauser: Allmacht'ge Jungfrau (Elisabeth's Prayer) - Kirsten Flagstad
14. Tannhauser: O Du Mein Holder Abendstern - Marcel Journet
15. Tosca: Recondita Armonia - Giovanni Martinelli
16. Tosca: Vissi D'Arte - Geraldine Farrar
17. Tosca: E Lucevan La Stelle - Jussi Bjorling

Tracks:

1. Die Tote Stadt: Gluck, Das Mir Verblieb - Richard Tauber/Lotte Lehmann
2. La Traviata: Ah! Fors E Lui...Sempre Libera - Luisa Tetrazzini
3. La Traviata: De' Miei Bollenti Spiriti - John McCormack
4. La Traviata: Addio Del Passato - Luisa Tetrazzini
5. La Traviata: Parigi O Cara - John McCormack/Lucrezia Bori
6. Tristan Un Isolde: Liebestod - Frida Leider
7. Il Trovatore: Tacea La Notte Placida - Rosa Ponselle
8. Il Trovatore: Il Balen Del Suo Sorriso - Heinrich Schlusnus
9. Il Trovatore: Di Quella Pira - Giovanni Martinelli
10. The Tsar's Bride: Liuba's Air - Alma Gluck
11. Turandot: Signore, Ascolta - Lotte Schone
12. Turandot: Nessun Dorma - Giacomo Lauri-Volpi
13. La Vestale: O Nume Tutelar - Rosa Ponselle
14. Die Walkure: Du Bist Der Lenz - Kirsten Flagstad
15. Die Walkure: Wintersturme Wichen Dem Wonne Mond - Lauritz Melchior
16. Werther: Va! Laisse Couler Mes Larmes - Ninon Vallin
17. Werther: Ah! Non Mi Ridestar - Tito Schipa
18. Die Zauberflote: Der Vogelfanger Bin Ich Ja - Gerhard Husch
19. Die Zauberflote: Dies Bildnis Ist Bezaubernd Schon - Richard Tauber
20. Die Zauberflote: Der Holle Rache - Erna Berger
21. Die Zauberflote: Ach, Ich Fuhl's - Tiana Lemnitz

Customer Reviews:

Fabulous!.......2001-03-11

Average customer rating: Not what I expected

Mega Cinema Manufacturer: Wagram Records ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Rota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soul | R&B | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music R&B & Soul | Box Sets | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Set | Dance General | Dance & DJ | Today's Deals in Music | Formats | Music All Bargain Titles | Dance General | Dance & DJ | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music ASIN: B00004U2SY Release Date: 2001-07-24

Tracks:

1. Tous Les Matins du Monde: Marche Pour la Cmones des Turcs - Jordi Savall
2. Seven: Suite N 3 - Aria - Orchestre Pro Arte de Munich
3. Farinelli: Lascia Chi'io Pianga - Christophe Rousset
4. Independence Day: End Title Suite - City of Prague Philharmonic Orchestra
5. Microcosmos: l'Amour des Escargots - Bruno Coulais
6. Star Wars: Main Title - City of Prague Philharmonic Orchestra
7. Colonel Chabert: Marchie Napolienne - Garde Rblicaine
8. Tueurs Nes: Une Nuit Sur le Mont Chauve - Orchestre Philarmonique de Mexico
9. Acteurs: Grique de Fin - Martial Solal
10. Fugitif: It's Over - Philarmonia Orchestra
11. Presume Innocent: End Titles - City of Prague Philharmonic Orchestra
12. Patient Anglais: Theme - City of Prague Philharmonic Orchestra
13. Batman: Theme - City of Prague Philharmonic Orchestra
14. Ne un 4 Juillet: End Credits - City of Prague Philharmonic Orchestra
15. Liste de Schindler: Theme - City of Prague Philharmonic Orchestra
16. Frankie et Johnny: Clair de Lune - France Clidat
17. Itineraire d'Un Enfant Gate: Symphonie Pour un Enfant Gat - Francis Lai
18. Jurassic Park: Theme - City of Prague Philharmonic Orchestra
19. Superman: Main Theme - City of Prague Philharmonic Orchestra
20. Tout Ca Pour Ca: Instrumental - Francis Lai
21. Incorruptibles: Paillasse: Acte 1 - Orchestre Philharmonique des Pay de Loire
22. Pour Toutes: Instrumental - Francis Lai
23. Hussard Sur le Toit: Grique Fin - Orchestre National de France
24. JFK: End Titles - City of Prague Philharmonic Orchestra
25. Danse Avec Les Loups: The John Dunbar Theme - City of Prague Philharmonic Orchestra

Tracks:

1. Visiteurs: Ene Volare - Eric Levi, Guy Protheroe
2. Bronzes Font du Ski: Les BronzFont du Ski - Pierre Bachelet
3. Cite de la Peur: La Carioca - Alain Chabat, Grd Darmon
4. Gendarme de Saint-Tropez: La Marche des Gendarmes
5. Pere Noel Est une Ordure: Destin- Guy Marchand
6. Diner de Cons: Diner de Cons [Version Orchestrale] - Vladimir Cosma
7. Vous N'Aurez Pas l'Alsace et la Lorraine: Chanson du Chevalier Blanc - Vladimir Cosma
8. Dieux Sont Tombes Sur la Tete: La Musique des Dieux - Londone Studio Ensemble
9. Didier: Grique Dt - Philippe Chancy
10. Mars Attacks: Introduction and Main Title - City of Prague Philharmonic Orchestra
11. Panthere Rose: Pink Panther Theme - Henry Mancini & His Orchestra
12. Grand Blond Avec une Chaussure Noire: Sirba - Vladimir Cosma, Zamfir
13. Aventures de Rabbi Jacob: Thme Principal - Vladimir Cosma
14. Sous-Douse en Vacances: Les Retrouvailles des Sous-Dou- Vladimir Cosma
15. Chevre: La Cabra - Vladimir Cosma
16. Temps Modernes: Titine - Michel Villard & His Orchestra
17. As des as: l'As des As - Vladimir Cosma
18. Ripoux: Instrumental - Francis Lai
19. Lucky Luke: I'm a Poor Lonesome Cow-Boy - Pat Woods et Choerus
20. Aile Ou la Cuisse: l'Aile Ou la Cuisse - Vladimir Cosma
21. Comperes: Les Comps - Vladimir Cosma
22. Feux de la Rampe: Deux Petits Chaussons - Orchestre de Michel Villard
23. Moutarde Me Monte au Nez: Grique - Vladimir Cosma
24. Gloire de Mon Pere: La Gloire de Mon P - Vladimir Cosma
25. Lumieres de la Ville: La Violetera - Michel Villard & His Orchestra

Tracks:

1. Let's Stay Together [From Pulp Fiction] - Al Green
2. Subway: It's Only Mystery - Arthur Simms
3. Emmanuelle: Emmanuelle - Pierre Bachelet
4. Bagdad Cafe: Calling You - Jevetta Steele
5. Jules et Jim: Le Tourbillon - Jeanne Moreau
6. Boom: Reality - Richard Sanderson
7. Coup de Foudre a Nothing Hill: How Can You Mend a Broken Heart - Al Green
8. Bon et Les Mechants: La Balade du Bon et des Mants - Jacques Dutronc,
9. Macadam Cowboy: Everybody's Talkin' - Harry Nilsson, Adam Nisson
10. Bamba: La Bamba - Ritchie Valens
11. 4 Mariages et un Enterrement: Chapel of Love - The Dixie Cups
12. Jackie Brown: Across 110th Street - Bobby Womack, Bobby Womack
13. Platoon: When a Man Loves a Woman - Percy Sledge
14. Etudiante: You Call It Love - Karoline Kluger
15. Et Dieu Crea la Femme: Dis-Moi Quelque Chose de Gentil [Version Chant- Andre Hornez, Paul Misraki
16. Dans la Peau d'Un Flic: Bensonhurst Blues - Oscar Benton Blues Band
17. Boogie Nights: Fly Robin Fly - Silver Convention
18. Belle Histoire: Les Abeilles d'Israel - Marie-Sophie L., Philippe Servain
19. Stand by Me - Ben E. King
20. Superfly [Superfly Express] - Curtis Mayfield
21. Flashdance...What a Feeling - Irene Cara
22. Let Hommes Preferent Les Blondes: Diamonds Are a GRLS Best Friend - Marilyn Monroe
23. Subway: Guns and People - Eric Serra
24. Boum 2: Your Eyes - Cook Da Books
25. Homme et une Femme: Un Homme et une Femme - Nicole Croisille, Francis Lar

Tracks:

1. Diva: La Wally - Wilhelmenia Wiggins Fernandez, l'Orchestre Symphonique de Londers
2. James Bond (Main Theme) - City of Prague Philharmonic Orchestra
3. Orange Mecanique Symphonie N 9 - Presto: Allegro Assai: Hymne ... [E - Choeurs et Orchestre Philarmonique de Mexico
4. E.T. (Flying Theme) - City of Prague Philharmonic Orchestra
5. Dolce Vita: La Dolce Vita - Nino Rota
6. Voyage au Bout de l'Enfer: Cavatina - John Williams
7. Bilitis: Instrumental - Francis Lai
8. Strada: La Strada - Nino Rota
9. 2001 Odyssee de l'Espace: La Pie Voleuse - Kurt et l'Orchestre d'Etat du Palatinat Rhenan Redel
10. Apocalypse Now: La Chevauchdes Walkyries - Orchestre Symphonique de Radio
11. Dents de la Mer: Main Title - City of Prague Philharmonic Orchestra
12. 8 1/2: Le Notti Di Cabiria - Nino Rota
13. Out of Africa: Concerto Pour Clarinette K. 622 - Adagio
14. Aventuries de l'Arche Perdue: March - City of Prague Philharmonic Orchestra
15. Psychose: Suite - City of Prague Philharmonic Orchestra
16. Rencontre du 3e Type: The Conversation Begins - City of Prague Philharmonic Orchestra
17. Mariee Etait en Noir: Concerto Pour Mandoline - Allegro - Ensemble Instrumental de Grenoble
18. Barry Lindon: Sarabande Pour Cordes et Basse Continue - Ensemble Instrumental de France
19. Parrain: Love Theme
20. Alamo: Ouveture - City of Prague Philharmonic Orchestra
21. Casablanca: Suite - Westminster Philharmonic Orchestra & Choir
22. Excalibur: Carmina Burana - O Fortuna - Orchestre Philarmonique de Sofia
23. Jour le Plus Long: March - City of Prague Philharmonic Orchestra
24. Lawrence d'Arabie: Suite - Philarmonic Orchestra
25. Mort a Venise: Symphonie N 5 - Adagietto - Orchestre National de Bordeaux-Aquitaine

Album Details

Customer Reviews:

Not what I expected.......2000-09-30

Music:

1. Hoagy Carmichael Suite/Victor Schertzinger Suite
2. How the Grinch Stole Christmas (1966 TV Movie) / Horton Hears A Who (1970 TV Movie) [Soundtrack]
3. I Shot Andy Warhol: Music From And Inspired By The Motion Picture [Soundtrack]
4. It's A Wonderful Life: The Record (1946 Film) [Soundtrack]
5. Jackass: The Movie (Bonus DVD) [Explicit Lyrics]
6. James & The Giant Peach [Soundtrack]
7. Jeux d'Enfants [Soundtrack] [Import]
8. La Fillette Révolutionnaire Utena: Virtual Star Embryology [Soundtrack]
9. Laputa: Castle in the Sky Soundtrack [Import]
10. Lawrence Of Arabia: Original Soundtrack Recording - Newly Restored Edition [Soundtrack]

Music

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