O [Soundtrack]
Editorial Reviews
Amazon.com
O: Music Inspired by the Motion Picture is a bubblegum-sweet collection of tunes that explore the ins and outs of young love--lust at first sight, hooking up, and the cycle's almost inevitably heartbreaking conclusion. All of this is very fitting subject matter for an album tied into a film that reinterprets Shakespeare's Othello for today's fickle teen set. The opening track, "O (Hatin' On You & Me)," is a languid slow jam elevated by Meko's crisp delivery; it effectively spells out the film's main story line. After that, however, it's all about Kurupt, whose three songs dominate the proceedings. His first offering, "Freak It Out," includes the always-amped Noreaga's trademark freestyle rantings over a hyped-up battle beat. Reuniting with partner Daz Dillinger, Kurupt drops some of his classic rump-shakin' G-Funk style on "Who Ride Wit Us." His final cut, "We Ridaz," featuring Roscoe, is a somber ghetto anthem that neatly mirrors the movie's theme of passion and betrayal. --Rebecca Levine
O,Various Artists,Antra,Pop,Soundtrack,Soundtracks & Film Scores,West Coast Rap
O [Soundtrack]
Average customer rating:
- O Brother, Where Art Thou?
- MORE OF AN IMPULSE PURCHASE FOR ME
- A real cheer-me-up CD
- Great Listening
- For everyone who loved the movie
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O Brother, Where Art Thou?
Various Artists - Soundtrack
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD
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- O Brother, Where Art Thou?
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ASIN: B00004XQ83
Release Date: 2000-12-05 |
Tracks:
- Po Lazarus - J. Carter & Prisoners
- Big Rock Candy Mountain - Harry McLintock
- You Are My Sunshine - Norman Blake
- Down In The River To Pray - Alison Krauss
- I Am A Man Of Constant Sorrow - The Soggy Bottom Boys featuring Dan Tyminski
- Hard Time Killing Floor Blues - Chris Thomas King
- Man Of Constant Sorrow (Instrumental) - Norman Blake
- Keep On The Sunny Side - The Whites
- I'll Fly Away - Gillian Welch & Alison Krauss
- Didn't Leave Nobody But The Baby - Gillian Welch, Alison Krauss & Emmylou Harris
- In The Highways - The Peasall Sisters
- I Am Weary - The Cox Family
- I Am A Man Of Constant Sorrow (Instrumental) - John Hartford
- O Death - Ralph Stanley
- In The Jailhouse Now - The Soggy Bottom Boys featuring Tim Blake Nelson
- I Am A Man Of Constant Sorrow (With band) - The Soggy Bottom Boys featuring Dan Tyminski
- Indian War Whoop (Instrumental) - John Hartford
- Lonesome Valley - The Fairfield Four
- Angel Band - The Stanley Brothers
Amazon.com's Best of 2001
The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese
Customer Reviews:
O Brother, Where Art Thou?.......2007-05-28
My 1-year old grandson goes to sleep listening to some of the songs on the album, unless he is bouncing up and down to the faster numbers. I have therefore listened to the songs many, many times, and enjoy them every time. They are easy to listen to, to sing along with and to rock the baby with!
MORE OF AN IMPULSE PURCHASE FOR ME.......2007-05-26
I regretted buying this after listening to it once. I haven't listened to it since and that's about three months ago. Simply put, without the movie to provide a context, the music itself doesn't sell itself. There are four cuts of 'I'm a Man of Constant Sorrow", two by the same artists which goes a long way to proving my point. I haven't seen the movie in a few years and I'm sure there's a logical reason for the song being repeated in the soundtrack that many times, but I can't remember what it is. Sometimes I like roots music with clear acoustic instrumental sounds and soulful voices. But as for an introduction to this type of music for a general listener, this is not the CD to get. It's mostly for the already converted.
A real cheer-me-up CD.......2007-05-22
Couldn't feel bad while listening to this soundtrack - skipped over the serious stuff and just played "Happy"!!
Great Listening.......2007-05-12
What a wonderful alternative to todays so called music. I never tire of the great variety of down home melodies.
For everyone who loved the movie.......2007-05-12
Oh Brother if you liked the movie you will love this CD, a great blend of poignant, funny and foot-tapping music.
Average customer rating:
- Good companion for Battlestar Fans
- Captures the feel of the show
- Awesome Soundtrack
- BSG
- Agree with everyone else
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Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009Q0F5U
Release Date: 2005-06-21 |
Tracks:
- Prologue
- Main Title (US Version)
- Helo Chase
- The Olympic Carrier
- Helo Rescued
- A Good Lighter
- The Thousandth Landing
- Two Funerals
- Starbuck Takes On All Eight
- Forgiven
- The Card Game
- Starbuck On The Red Moon
- Helo In the Warehouse
- Baltar Speaks With Adama
- Two Boomers
- Battlestar Operatica
- The Dinner Party
- Battlestar Muzaktica
- Baltar Panics
- Boomer Flees
- Flesh And Bone
- Battle On The Asteroid
- Wander My Friends
- Passacaglia
- Kobol's Last Gleaming
- Destiny
- The Shape Of Things To Come
- Bloodshed
- Re-Cap
- Main Title (UK Version)
Album Description
Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.
Customer Reviews:
Good companion for Battlestar Fans.......2007-05-07
If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.
Captures the feel of the show.......2007-04-11
Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!
Awesome Soundtrack.......2007-04-11
If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!
BSG.......2007-04-10
Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.
Agree with everyone else.......2007-03-28
There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.
Average customer rating:
- good memories for me and fun "new" songs for my children
- memories
- TV Theme Songs
- TV themes
- Deja Vu
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TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006EXIL
Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.
Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.
memories.......2007-02-22
This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended
TV Theme Songs.......2007-01-13
This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.
TV themes.......2006-07-05
Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.
Deja Vu.......2006-02-17
Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!
Average customer rating:
- His Halloween!!!
- DIFFERENT
- It's simply the best!
- best 2-pack i've bought in a while
- A review
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Tim Burton's The Nightmare Before Christmas
Danny Elfman , Marilyn Manson , Panic!@ the Disco , Fiona Apple , Fall Out Boy , Paul Reubens , Catherine O' Hara , Citizens of Halloween , and Patrick Stewert
Manufacturer: Disney
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Binding: Audio CD
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ASIN: B000IFRQHC
Release Date: 2006-10-24 |
Tracks:
- Overture
- Opening
- This Is Halloween
- Jack's Lament
- Doctor Finklestein/ In the Forest
- What's This?
- Town Meeting Song
- Jack and Sally Montage
- Jack's Obsession
- Kidnap the Sandy Claws
- Making Christmas
- Nabbed
- Oogie Boogie's Songs
- Sally's Song
- Christmas Even Montage
- Poor Jack
- To the Rescue
- Finale/ Reprise
- Closing
- End Title
Tracks:
- This Is Halloween - Marilyn Manson
- Sally's Song - Fiona Apple
- What's This? - Fall Out Boy
- Kidnap the Sandy Claws - She Wants Revenge
- This Is Halloween - Panic! At the Disco
- Making Christmas (Demo) - Danny Elfman
- Oogie Boogie's Song (Demo) - Danny Elfman
- This Is Halloween (Demo) - Danny Elfman
- Kidnap the Sandy Claws (Demo) - Danny Elfman
Amazon.com
Not only is The Nightmare Before Christmas one of the best musicals of the past two decades; it may well be Danny Elfman's masterpiece, successfully integrating his main influences (from Cab Calloway to Nino Rota) into a fantastic whole. The first disc of this reissue features the original soundtrack, its songs still teetering between dark humor and poetic flights of fancy; this so-called kids' music is at least as sophisticated and skilled as anything you're likely to hear on Broadway. The second disc includes demo versions of four songs on which Elfman plays and sings everything, and five new covers of some of Nightmare's best-loved songs. Marilyn Manson successfully applies his spooky Weimar-circus style on "This Is Halloween" while Panic! At the Disco's lushly orchestrated take on the same tune is closer to the original. Fiona Apple's poignant "Sally's Song" is enhanced by very nice string charts, and She Wants Revenge does a disco take on "Kidnap the Sandy Claws." Best perhaps is Fall Out Boy's cover of "What's This?" which sounds like an unexpected cross between the Beach Boys and Queen. A highly recommended set. --Elisabeth Vincentelli
Customer Reviews:
His Halloween!!!.......2007-06-20
Well, disc 1 is Danny Elfman's classic soundtrack to the film that is of course great (goes without saying). Disc 2, to mu pleasent surprise was pretty cool as well. Marilyn Manson's cover of "This Is Halloween" is absolutely amazing!!!!!!!!!!!!!!!! IMO, it's not only the best track on the album, but it is one of the best cover songs ever recorded in the history of history. I was almost certain that he would have messed that song up...but he really does an amzing job. Even if you hate Manson, ..you won't hate this song. As for the other covers, I liked Fiona Apple's cover of "Sally's Song", and I thought the She Wants Revenge cover of "Kidnap The Santy Claws" was a good eightees style presentation, kinda Depeche Mode-eske. The other bands on the disc all did an ok job, but it's really all about the Manson cover when it's all said and done.
DIFFERENT.......2007-03-26
THIS SOUNDTRACK'S PERFECT IF YOU'RE INTO ANIMATED MOVIES AND MUSIC!MANSON DOES AN EXCELLENT JOB ON HIS SONG: THIS IS HALLOWEEN! HIS VOICE HAS SO MANY DIMENSIONS IN THIS SONG.HIS MUSIC IS PERFECT WITH THE TITLE.
It's simply the best!.......2007-02-15
Both versions of "What's this?" are great! Danny Elfman had already conquered my admiration and respect with Batman's and The Corpse Bride's soundtrack, but The Nightmare Before Christmas is my number 1 for a bunch of reasons: the interpretations are awesome and the new versions in the second CD have profoundly delighted me. If you're an Elfman's fan, you won't be disappointed!
best 2-pack i've bought in a while.......2007-02-09
i will admit, i have been and will be a manson fanatic for a number of years. Nightmare before Christmas has also been on a consistent highnote for me even as a little kid when we got on VHS. so when i heard Danny Elfman on the radio talking about this thing a few weeks before it came out, i heard "marilyn manson will be doing a cover of "this is halloween", my heart jumped and i almost veered of the I-15. i bought two copies of it, one for myself and one for a friend who i knew would also appreciate it for the Panic! cover.
i will also admit i bought this cd without any hesitation, and only for that one song, and i must say it hit it right on the money. Marilyn Manson in my mind is the master of taking good, popular songs, and twisting them into something unique and that makes a statement (hearing him sing "boys and girls of every age, wouldn't you like to see something strange?" is rather convienient).
i also enjoyed the rest of the cds with more or less the same appreciation.
my only gripe with this cd is She Wants Revenges version of Kidnap The Sandy Claws. that was something i was looking forward to, and the signers monotone singing does little to honor the song. the background tune hardly resembles the melody it was taken from. in that song there were 3 distinctive voices, with SWR, you got one unchanging voice with no emotion. hell Beastie Boys coulda done a better job on this song.
A review.......2007-01-20
Seeing as I am an impulse buyer as well as a fan of this movie, I wasn't surprised to wake up one morning and find the package for this sitting on my doorstep. I listened to the second disc first and decided that it was OK. After reading some of the other reveiws I came to agree with some but disagree with others. Everyone has been saying that the Manson version of "This Is Halloween" was the best because it was scary and the Panic! version of said song sucked becuase it was too carnical like. If any of you remember the movie, the original song wasn't meant to be scary, but celebratory. I think Panic! captured that feeling best. Fiona Apple's song was beautiful, but I found that She Wants REvenge missed the mark a little. It had a good beat, yes, but it was too monotone for my taste. Fall Out Boy's cover is a kepper and has made it's way to my most played list. The demos are great, thought the demo of Kidnap the Sandy Claws kinda freaks me out when I remember that it's one guy doing three voices.
Average customer rating:
- Ladies in Lavender Soundtrack
- Ladies in Lavendar - Movie Soundtrack
- Ladies In Lavender CD
- LADIES in LAVENDER
- Loved the Movie and Love the Soundtrack
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Ladies in Lavender
Nigel Hess , and Joshua Bell
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B00080EUNA
Release Date: 2005-04-26 |
Tracks:
- Ladies In Lavender
- Olga
- Teaching Andrea
- Fantasy For Violin And Orchestra
- Meditation From Thais
- Our Secret
- On The Beach
- Introduction And Tarantella Op. 43
- The Letter
- Zabawa Weselna (Polish Dance)
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- Potatoes
- The Girl With The Flaxen Hair
- A Broken Heart
- Two Sisters
- The Carnival Of Venice
Amazon.com
The screenwriting/directing debut of veteran British stage and screen actor Charles Dance tells of a pair of Cornish spinsters (Judi Dench and Maggie Smith) who discover a charismatic young Polish violin virtuoso castaway (Daniel Bruhl) on the beach below their home. The tale leads inexorably to tender romantic conflicts and a warm concert house finale. Composer Nigel Hess masterfully utilizes his background as Music Director and House Composer for the Royal Shakespeare Company to conjure a score that evokes its quiet, emotional dignity via neo-classical orchestral arrangements that feature real life young virtuoso Joshua Bell on solo violin. Hess' intimate original compositions form a virtually seamless tapestry with the story's requisite classical repertory choices, which range from Massenet and Debussy to Bell's delightful variations on Paganini's "The Carnival of Venice." --Jerry McCulley
Customer Reviews:
Ladies in Lavender Soundtrack.......2007-05-13
I love this CD. The music carries you away and it is wonderful to go to sleep by. It was such a great movie and the music is delicious.
Ladies in Lavendar - Movie Soundtrack.......2007-03-29
The violin music is wonderful! I knew I wanted a copy of this soundrack when I saw the movie on DVD. Joshua Bell in a wonderful artist.
Ladies In Lavender CD.......2007-03-19
The film "Ladies In Lavender" is touching and a tear jerker, but, so well done. Having the film on DVD was not enough, I needed to have the CD to play when I am driving. The violin virtuosity of Joshua Bell is magnificient and so pleasing to hear when relaxation is desired.
LADIES in LAVENDER.......2007-02-19
This is the most amazing and beautiful CD I've heard in a long time. Joshua Bell excells on his violin with this touching and haunting music. I listen to it often.
Sarah
Loved the Movie and Love the Soundtrack.......2007-02-16
Saw the movie recently and loved it. Loved the music even more. That's why I bought the CD and am just thrilled with it.
Average customer rating:
- Marvelous
- music
- Interesting
- Should have won an Academy Award!!!
- Just Plain Fun
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Everything Is Illuminated
Manufacturer: Tvt
ProductGroup: Music
Binding: Audio CD
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ASIN: B000AYEIMW
Release Date: 2005-09-06 |
Tracks:
- Paul Cantelon--Odessa Medley
- Leningrad--Zvezda Rok-N-Rolla
- Csokolom--Amari Szi Amari
- Leningrad--Dikiy Muzhchina
- Paul Cantelon--Prologue/Babushka
- Paul Cantelon--Little Jonathan/The Wall
- Gogol Bordello--Bublitschki
- The Con Artists feat. Peter Miser Ya-takoy
- Leningrad--Malen'kiy Mal'chik
- Tin Hat Trio--Fear of the South
- Paul Cantelon--River Of Collections
- Paul Cantelon--Tank Graveyard/Valse de Suzana/Dee-yed
- Paul Cantelon--Sunflowers
- Paul Cantelon--War Is Love/eta-Ya
- Paul Cantelon--Trachimbrod/Ressurection/Requiem
- Paul Cantelon--Inside-Out
- Gogol Bordello Start Wearing Purple
Album Description
"Everything Is Illuminated" is the directorial debut of actor Liev Schrieber and an adaptation of Jonathan Safran Foer's best-selling novel. A blend of high comedy and great tragedy, the film tells the story of a young American man, played by Elijah Wood (The Lord of The Rings trilogy), who journeys to the Ukraine to find the woman whom he believes saved his grandfather from the Nazis all those years ago.
The soundtrack features two new songs from high energy New York City based gypsy punks Gogol Bordello, including one track not on their current cd. (Note: Gogol Bordello's lead singer plays a role in "Everything Is Illuminated"). Also included are gypsy folk songs from Russia and the Ukraine by Leningrad, Arkadie Severmie, Csokolom and Tin Hat Trio. And finally, Paul Cantelon's ethnic score ties together this nicely cohesive soundtrack.
Customer Reviews:
Marvelous.......2007-06-13
This is an amazing soundtrack that highlights the two prevalent emotions in the film: hilarity and tragedy. Paul Cantelon deftly mixes an Eastern European feel with pure, gorgeous soundtrack music. Along for the ride are songs by genuinely fun and original bands. I never get tired of it. Sometimes, indeed, there are tracks I can't listen to simply because they're too sad - but then I switch to the upbeat, funny tunes, which always manage to entertain.
1. Odessa Medley: 9/10 - Enjoyable, with fun instruments. It builds up into an intricate array of instruments and melodies, and really picks up at the end, tempting you to let it sweep you along into the movie's crazy world. A great overture to the movie.
2. Leningrad, Zvezda Rok-N-Rolla: 8/10 - Oh, the drama! Leningrad is a Russian band. All of their songs on this album are crazy and fun and fit the craziness of the movie to a T. The horns are wonderful.
3. Csokolom, Amari Szi Amari: 10/10 - Superbly catchy, with that quirky, old feel dominant in the film, this song is a laidback sort of fun. It's the only song on the album not in Ukrainian, Russian, or English: it's Hungarian. This doesn't matter, however, because it fits so perfectly with the feel of the movie.
4. Leningrad, Dikiy Muzhchina: 10/10 - I LOVE this song. It's one my favorites here. The title means "Wild Man" in Russian, and it is definitely a very wild and (dare I say it again?) fun song. The lyrics really are just plain fun to sing along to, even if you don't speak Russian. You can practically feel the energy. In fact, I just now started to sing to it again...
5. Prologue/Babushka: 9.5/10 - This is where a darker mood begins to edge in. It sinks into a waltz that is more bittersweet than tragic, and then slows down to make way for a sweeping, haunting tune. Lovely.
6. Little Jonathan/The Wall: 9/10 - Playful, but once more in a bittersweet sort of way. After awhile it switches gears, swooshing up with energy, befores changing back to that haunting feeling of "Babushka" that I like to think of as simply The Past.
7. Gogol Bordello, Bublitschki: 8/10 - Time for some fun again. This instrumental piece by an immensely talented band (actually, Eugene Hutz, who plays Alex, is the lead singer of Gogol Bordello) mixes an irresistible beat with a traditional Slavic sound.
8. The Con Artists, Peter Miser, Ya-takoy: 9/10 - This definitely brings one back to the silliness of Alex in the beginning of the film. With snippets of his unbelievably hilarious dialogue and an urban beat going in the background, you'll be sucked right in.
9. Leningrad, Malen'kiy Mal'chik: 9/10 - Great fun! Leningrad never fails to entertain with this lazy collection of horns and vocals.
10. Tin Hat Trio, Fear of the South: 8/10 - Here's a piece to relax to. It's lighthearted and fresh.
11.Paul Cantelon, River of Collections: 9/10 - With breathy strings, "River of Collections" urges you quietly but with instistence along the river of The Past.
12. Paul Cantelon, Tank Graveyard/Valse de Suzana/Dee-yed: 9.5/10 - Here is the tragedy I've been referring to. It's sad. Almost unbearably so. It sweeps you up in the conflict of the characters, teasing you with peaks at the truth before fading back into the darkness.
13. Paul Cantelon, Sunflowers: 10/10 - Ukrainian, I believe. Haunting, with strong vocals that cast a spell.
14. Paul Cantelon, War Is Love/eta-Ya: 9.5/10 - It begins with lazy simplicity, but toward the end bursts into a powerful and urgent message.
15. Paul Cantelon, Trachimbrod/Ressurection/Requiem: 10/10 - Simply beautiful. About halfway through, the urgency of the previous tracks finally builds up for the climax, whooshing over you bitterly, sadly, and with almost a sense of determination. Again, it's tragic. You don't hear the lightheartedness of previous tracks, but the slight nudging of a past that doesn't want to haunt: it just wants to resolve itself. To exist.
16. Paul Cantelon, Inside-Out: 10/10 - And it does resolve itself. Here is another bittersweet piece. But this time, it carries a touch of enlightenment (illumination?) with it.
17. Gogol Bordello, Start Wearing Purple: 10/10 - This was the absolutely most perfect song the movie could have ended with. It switches the film seamlessly back into that feel of silly hilarity, single-handedly managing to leave the audience uplifted - a sore necessity for such a partly bleak film!
Overall, one of my favorite soundtracks out there. Whether you've seen the (remarkable) movie or not, get this! It is gorgeous, beautiful, fantastic, powerful, uplifting, and itching to tell you something you've known all your life but just can't quite grasp. In short, a brilliant piece of work.
music.......2007-06-02
does anyone know who sings the last song that plays on the movie trailer?
Interesting.......2007-03-18
Elijah Wood was surprising in his portrayal of the main charecter, who is a bit of a "nebish" or dweeb, and a collector of multitudenous often unthinkable items. His search of his family's past which takes him to the Ukraine, and the people he meets are
funny, amusing and often very moving. It's got a shocking thread to it,
but not without humor. I also liked the surprise ending. The music was great!
Should have won an Academy Award!!!.......2007-03-15
Funny, insightful, emotionally a rolling coaster and a must see.
Anita in Albuquerque Nm ....also a collector
Just Plain Fun.......2007-02-02
One of the best soundtracks to any film I've seen recently. Fun, upbeat, and not overpowering in it's slavicness.
Average customer rating:
- Marvelous
- Pretty Good
- the music
- Good incidental music but not great listening music - except the classical pieces
- Great classical music accompanies bland original score
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Master and Commander
Christopher Gordon , and Richard Tognetti
Manufacturer: Decca
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Similar Items:
- Musical Evenings With The Captain
- Musical Evenings With The Captain, Vol. 2
- Master and Commander - The Far Side of the World (Widescreen Edition)
- Musical Evenings in the Captain's Cabin
- A Sea of Words, Third Edition: A Lexicon and Companion to the Complete Seafaring Tales of Patrick O'Brian
ASIN: B0000DG07D
Release Date: 2003-11-11 |
Tracks:
- The Far Side Of The World
- Into The Fog
- Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
- The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum
- Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen
- The Doldrums
- Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
- The Galapagos Listen Listen Listen
- Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
- The Phasmid
- The Battle
- Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
- Full Circle
Product Description
A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.
Customer Reviews:
Marvelous.......2007-02-12
A marvelous collection of compositions which greatly enhanced this fantastic film. This CD is marvelous on its own. It did not leave my CD player for weeks.
Pretty Good.......2006-12-14
I purchased this soundtrack because I really enjoyed this music while watching the movie. But I was a little disappointed at the CD. Some soundtracks allow you to follow the entire plot like through the music (such as the Pirates of the Caribbean soundtrack). But this CD doesn't provide that. Several of the songs are recurring in the film but are only played once in the soundtrack. I would have liked the soundtrack to reflect the music for the whole film rather than just excerpts.
I give the music 5 stars and the CD 2-1/2 stars.
the music .......2006-11-10
The music is excellent . Flows well Better than the movie score
Good incidental music but not great listening music - except the classical pieces.......2006-11-09
The soundtrack for Master and Commander contains two distinct types of music. First there is the incidental music for the film. These pieces are heavy on the bass side of the orchestra and are often emphasized with bass drums and tympani. This music is very effective and appropriate for the scenes in the film, and I commend the composers for making a soundtrack that so seemlessly and effortlessly invokes the moods and excitement of the visuals. Unfortunately, these pieces are quite moody and slow moving - great as incidental music but not so interesting to listen to as straight orchestral music.
The second type of music is much more enjoyable to listen to. Those that have seen the film know there are several scenes in which people are playing music - for example, Aubrey and Maturin in the captain's cabin performing a cello-violin duet, or the sailors on deck playing sea shanties on tin whistles. The pieces chosen for the film range from Bach to traditional folk music, and are a welcome addition to the soundtrack. The performances are very good (including a cello solo by Yo Yo Ma), and the recording quality is excellent. Deserving special mention is the Boccherini piece (La Musica Notturna Delle Strada di Madrid), which serves as a second unofficial theme song for the movie. The piece itself is presented in its entirety, and there is a callback to the piece in the incidental music as well, which is a welcome ray of levity in an otherwise oppressive piece.
People purchasing this disc run the real risk of being disappointed - the incidental music works so well in the context of the film that you are likely to think (as I did) that the music is itself worth listening to alone. Unfortunately, I don't find this is the case, but the classical music that is included makes this a soundtrack worth having, especially for the Boccherini piece.
Great classical music accompanies bland original score.......2006-09-27
The original music to this film is dull, repetitive, and only offers the hint of good music at certain points during it's lengthy tracks. But what about all the good music you heard in the film? That was all classical music, which was used in the film incredibly well. There are three tracks in particular that save this album. The piece by Corelli is used as something the captain and doctor play together. It is one of the most beautiful pieces of baroque music of which I am aware. A second piece, Vaughn Williams "Fantasia" is the piece heard when the crewmen have to cut the line that might save their friend who fell overboard. It's a tragic scene and accompanied perfectly by the heart-breakingly glorious piece. The original piece of music is quite a bit longer than the version on the CD, but the original version also tends to drag a little in places. All the best parts are on the version of the piece in the film. The third classical piece from the album that saves it is the cello solo by Bach that plays as a theme for the galapagos islands. This solo is performed perfectly by Yo Yo Ma. These tracks make the album worth purchasing. If you already have them, avoid the album because the rest is not very enjoyable. If you wonder about this one, watch the film and listen for the music. It speaks well for itself in the film.
Average customer rating:
- Enter the Halo universe
- Inspiring and Fun!
- What the Halo 2 soundtrack should have been
- My Halo 2, Vol. 2 Tracks Review.
- Halo 2 vol2
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Halo 2, Vol. 2
Manufacturer: Sumthing Else
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- Halo 2, Vol. 1
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ASIN: B000EZ8ZXK
Release Date: 2006-04-25 |
Tracks:
- Prologue 2:35
- Cairo Suite 9:42
- Mombasa Suite 6:41
- Unyielding 3:04
- Mausoleum Suite 8:10
- Unforgotten 2:09
- Delta Halo Suite 11:26
- Sacred Icon Suite 7:26
- Reclaimer 3:03featuring Steve Vai
- High Charity Suite 8:27
- Finale 3:10
- Epilogue 3:49
Amazon.com
Unlike its predecessor, Halo 2, Vol. 1, this sequel doesn¹t offer any tracks by the likes of Breaking Benjamin or Incubus, though guitarist Steve Vai returns for a hilariously histrionic cameo on "Reclaimer" and Sumthing Else label boss (and Chic leader) Nile Rodgers remains on board as producer. Structuring the CD around a narrative-driven series of multi-part suites (though the track listing identifies the suites themselves and you can¹t go directly to a favorite sub-part), composers Martin O¹Donnell and Michael Salvatori show that when it comes to setting a mood, games composers don't have to fear comparisons with their Hollywood brethren. Things, for instance, get appropriately creepy on the "Destroyer's Provocation" part of "Mausoleum Suite." The main problem is that things sometimes sound too cheaply synthetic, as in "Unyielding." But considering we're dealing with a video game, the irony may not be lost on the fans. --Elisabeth Vincentelli
Album Description
Original Score Composed and Produced By Martin O'Donnell and Michael Salvatori. Album Produced by Nile Rodgers. Executive Producer Sandy Ting.
The Long Awaited Halo 2 Volume Two!!
Customer Reviews:
Enter the Halo universe.......2007-06-11
When I first purchased Halo 2 (The game), I was scared. From the opening guitar solo of Bungie to the rest of the prologue, there was a flurry of emotions running through my body. Scared, excited, curious and most of all nervous. What was I about to get myself into for the rest of the afternoon??
I was nervous and scared at first. How long will I last with the Master Chief before I first get killed by some unsuspecting Grunt around the corner? Or some Elite jumping at me and slashing me with his energy sword? Or some sneaky little jackal sniping me from what seems to be 3 football fields away? This is what I asked myself before I finally came to and began to wail away at the Covenant with my assault rifle. No match for the Chief says I.
So 4 years later I finally get my hands on the "real" Halo 2 soundtrack and man oh man how those emotions I had when playing the game came back to me. I quickly remembered what levels I was at when listening to the different tracks and tried to think of how I was able to keep my sanity from dying and dying over and over again in the game. But I prevailed nonetheless and now eagerly await the arrival of Halo 3 in September.
The soundtrack is great if you're a fan of the Halo games or of this kind of music in general. You can be driving to work or just kicking back in your couch just to chill. It's pretty soothing with it's futuristic space sound. It's the soundtrack to the Halo universe. A Halo universe that exists in all of us.
Inspiring and Fun!.......2007-03-24
Salvatori and O'Donnell have created a memorable and inspiring collection of instrumental melodies in this second compilation of tracks from the Halo 2 video game. Its melodies rival that of its predecessors (Halo and Halo 2, volume 1). Salvatori and O'Donnell capture the emotion and environment of a video game, yet offer a taste of the finely mastered quality you would expect from great composers of memorable movie soundtracks. I only gave this soundtrack 4 stars because I wish some of the movements were longer, as the melodies are so inspiring, yet leave you craving for more. No connoisseur of video games, instrumental music, or movie soundtracks should go without Halo 2, volume 2.
What the Halo 2 soundtrack should have been.......2007-03-23
While I did enjoy the first Halo 2 soundtrack (particularly the Mjolnir Mix of the Halo theme), it lacked most of the major themes from the game. However, this version is almost a scene for scene musical representation of the whole game, and it is perfect. While playing the CD I can picture going through the certain levels and everything that happened in each, right down to the dialog. I only wished they released this one first (with the Mjolnir mixed added, of course) and then release the second one as a follow up album.
My Halo 2, Vol. 2 Tracks Review........2007-01-18
I thought that the music in the CD was awesome. Every time I play it on my MP3 player I can close my eyes and imagine myself actually in the game itself. It was just an all around great CD, I'd recommend it to anyone. Especially a Hard-Core Halo Fan like myself!
Halo 2 vol2.......2007-01-11
I bought this CD for my son, who is 14. He loved it. Most of the music he listens to is video game music.
Average customer rating:
- A Different Interpretation of Cabaret
- Love this album
- Viva La Diva
- Huge Improvement from the Original Score
- Legendary....
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Cabaret: Original Soundtrack Recording (1972 Film)
Fred Ebb
Manufacturer: Hip-O Records
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Binding: Audio CD
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Similar Items:
- Cabaret
- A Chorus Line (1975 Original Broadway Cast)
- Cabaret (Original Broadway Cast)
- My Fair Lady (1956 Original Broadway Cast)
- Camelot (1960 Original Broadway Cast)
ASIN: B000005KOH
Release Date: 1996-11-19 |
Tracks:
- Wilkommen
- Mein Herr
- Maybe This Time
- Money , Money
- Two Ladies
- Sitting Pretty
- Tomorrow Belongs To Me
- Tiller Girls
- Heiraten ( Married )
- If You Could See Her
- Cabaret
- Finale
Amazon.com
Cheated out of playing nightclub canary Sally Bowles on Broadway in director Hal Price's Cabaret, Liza Minnelli nevertheless delivered an Oscar-winning star turn in Bob Fosse's cinematic reinvention of the show (which had the good sense to retain perverse imp Joel Grey from the stage production). Although the 1972 film discarded several songs from the original score, the new ones sound even better: Minnelli's breast-beating "Maybe This Time," the sultry "Mein Herr," and the salaciously satirical "Money, Money." By placing almost all the pertinent musical action on the stage of the decadent Kit Kit Club, the Kurt Weill-like compositional nuances and political underpinnings bask in the spotlight...that is, when Minnelli stops eclipsing it with her no-holds-barred performance. --Kurt B. Reighley
Customer Reviews:
A Different Interpretation of Cabaret.......2006-07-31
It really bothered me that a review below stated that Liza Minnelli wasn't Sally Bowles and that the song "Cabaret" is about Sally being upset that she lost her true love and that its about Sally coming to the realization that she is stuck in the awful cabaret.
Well, with all due respect, this is wrong. The reviewer probably got that idea by listening to Natasha Richardson sing "Cabaret" and believed that because Sally is crying, she must realize that she lost everything and that she is stuck in some god awful place. Well, the song "Cabaret" is really about Sally's desperate attempt to convince herself that everything is normal, that everything will remain the same. Sally is in deep denial and believes that her life will always be full of decadence, glitz, parties, and fun even as Germany falls under the control of the Nazi party.
However, one must keep in mind that Liza's Sally Bowles and Natasha Richardson's Sally Bowles are two very different interpretations. Liza was almost a decade younger than Natasha Richardson when she played Sally Bowles (Liza was about 26 and Natasha was about 35 when they tackled the roles of Sally). Because of this Liza's Sally is more young and naive and when she is singing "Cabaret" she honestly does believe that everything will be okay. This does not leave the viewer with a happy feeling as one reviewer said, it leaves us feeling sad and a scared for Sally because we know what the future holds in store for her and for Germany.
However, Natasha Richardson's Sally is older and less naive. Because of this, when she sings "Cabaret" she has to make herself believe in what she is singing. She has to make herself believe that everything will return to normal and that she will continue living the way she does no matter what happens. That's the difference: Liza believes that everything will be okay, while Natasha has to tell herself that everything will be okay, even though deep down she knows that's probably not true.
Love this album.......2006-07-07
Just got a new CD player for car and this is one of the first albums I had to have on CD. Now all I need is "Two Ladies".
Viva La Diva.......2005-05-16
After reading all of the reviews where everyone blasts Liza Minnelli, and how this was a vehicle for her talents...I think they forget that she was originally desired for the role of Sally Bowles in the first place, and was considered too American. Yes, one cannot deny this is Judy Garland's daughter. Every actor/actress has one or two roles that define perfection...and in this case (as much as I hate to admit) this is Liza's. Ripping apart the "love triangle" and comparing it to the broadway musical, you are forgetting to the heart of this production in the first place: the stories written by Christopher Isherwood, and that is exactly what Fosse did in his desire to return to the original inspiration. Sexuality couldn't be mentioned in 1966 as something realistic or even a possibility. But blooming homosexuality/bisexuality was VERY prelevent in Weimar Berlin (it is even alluded to in the silent German classic: Pandora's Box, with Louise Brooks, which has modern cinema's first lesbian and remember, in Frankfurt there was a center for Studies on Human Sexuality that as early as 1925 said that homosexuality was natural...one of the first places to be destroyed by fascism and Hitler) and to me, that is why the story line and these songs work...it is realistic and also very true to Isherwood's stories. So if anything, blame the stage musical for glossing over the truth...not the film. Obvious critics also blast the cutting out of a lot of the original tracks, which again works because the story line has changed. Why include tracks of Sally's landlady singing about her love for a Jewish fruit vendor if it isn't even alluded to in the film?
Every track on this disc, makes you wish you could actually go to a Cabaret and see girls kicking up their heels...like the Cabaret girls did in the film. Joel Grey is priceless as the Emcee, a role he created and played to perfection. He is every bit as sleazy as the character on broadway, and even more so because the performance shows how the rise of nazism affected what was going on inside of the cabaret, and that slimy weasel just smiled and welcomed it into the performances. Both broadway and film versions are perfect in their own right.
One reviewer seems perplexed by the track "Tomorrow Belongs To Me" and where it fits. Hitler youth were groomed as aryan perfection, and the youth encouraged patriotism (be it false or not) amongst the Germans at a time when they were coming out of a depression. It is creepy watching the scene in the film, and even hearing it on the soundtrack, as it does stand out...the youth were persuasive and doing what they had been brainwashed to do: convince and create a hate filled patriotism. What is even creepier, is that "Cabaret" is written by persons of Jewish faith, and modern right wing and nazi/aryan groups have adopted "Tomorrow Belongs To Me" to sing at their rallies, and even skinhead punk bands (such as Skrewdriver) have covered the song as a tribute to their "perfect race", funny how a song that fuels the fire of their hatred is written by 2 jewish people (something I think they have forgotten) who are obviously of an "inferior race" (according to what nazism preaches)...(whats wrong here, couldn't the continuing people of anti-semitism and "white power" write their own track? ooh how hypocrisy is pathetic!) judging by their last names, so listening to this track is extremely disturbing on many social levels for this very reason today as it is presented in the film.
The opening track "Wilkommen"...wow what a way to open a show and get the juices flowing, informing everyone present that leaving your troubles behind and tasting some burlesque is a fabulous idea...and why not kick up your heels?
"Mein Herr" is one of the best tracks on the soundtrack, and remembering the sexy Fosse choreography makes it even more enjoyable. Performed in the film, it is intimate as if you are seeing the show first row. Yes, it works.
"Maybe This Time" Yes, this is obviously a Liza signature. But it does reflect Sally's character and her feelings of hope, that someone will believe in her and perhaps even love her, and making her feel worthy.
"Two Ladies" is obviously priceless.
The album does shortchange you in the fact that you aren't seeing it performed, but it gives you something else: the ability to remember what was going on. Remember, Fosse created this format into a "Concept" musical, and if the film is to be called "Cabaret" then gosh darnit, shouldn't the music be represented there?
This is a timeless classic.
Huge Improvement from the Original Score.......2004-07-16
Even though "Cabaret" is DEFINATELY my favorite musical, I have to say the movie version is my favorite recording. Yes Lotte Lenya and Joel Grey were excellent in the original recording, there were some pretty so-so songs that didn't stand out as the ones on this soundtrack do. First of all, the movie version of "Cabaret" was NOT the Broadway version. The only songs taken from the original are "Wilkommen", "Money, Money", "Two Ladies", a translated version of "Married and the concluding title track. Two new Bob Fosse tunes are included which spruce up the score: the sultry "Mein Herr" and the unforgettable "Maybe This Time" performed FLAWLESSLY by Minnelli. Another original tune is the delightful yet disturbing "If You Could See Her" by Joel Grey. Overall as I said earlier this is my favorite recording as it's the best vocally. The instrumentals are also incredible and are an improvement over the Broadway. Granted, classics like "Don't Tell Mama", "So What" and "Perfectly Marvelous" were omitted, but who cares? Fosse, Minnelli and Grey make this show their own. "Cabaret" will always remain my favorite musical and the movie soundtrack my favorite recording. A+
Legendary...........2004-03-30
This movie picked up 8 Academy awards, including a best actress award for Liza Minnelli and a best supporting actor for Joel Grey. We follow a night club singer called Sally Bowles (Liza Minnelli) who struggles to make a living as a performer in the 1930's Berlin under world war two. Sally seems happy and unsually bored until one day a man walks into her life...little did she know that the man would change her life forever as it seems...Life is a cabaret, old chum...come to the cabaret.
Willkommen 5/5
The opening act brilliantly performed by the master of command, Joel Grey's performance is strange, gothic and weird but it always comes off strong and vital as Joel himself.
Mein Herr 5/5
Liza Minnelli's first song, it's ferious, fearless groundbreaking and stunning, it has a great beat and Liza shines both with voice and with her dancing act, the song perfectly represents what Sally Bowles is all about.
Maybe This Time 4.5/5
What many people didn't know is that Liza has actually been singing this song since 1964, nonthelss it's melancholic and Liza Minnelli's performance is vital, strong and it remains a Liza Minnelli classic...Maybe this time....who knows?........
Money, Money 5/5
A fine duet between Joel Grey and Liza Minnelli, the song is fun, quirky and sataric, both Joel and Liza are perfect, Joel's growling vocal perfectly suits Liza's crystal clear multi-faceted singing, one of the best songs on the album.
Two Ladies 4.5/5
Another song performed solo by the ecclectric master of command, the fantastic Joel Grey. The song itself is fun, loving and very vulgar, but in a fun way. Joel Grey is outstanding and is obviously one of the biggest Broadway performers of out time...Two ladies...what a fantasy...??...
Sitting Pretty 4/5
A fine instrumental number, but what I don't understand is why Bob Fosse chose to leave out so many songs that is vital for the shows total running time...So What was a song that needed to be executed, Lotta Lenya's performance were ecclectric.
Tomorrow Belong To Me 2.5/5
This song gives me the shivers...it's strangely nationalized and it has a very scary mood and feeling about it, the one song that don't fit in with "Cabaret", it's strange and give me the shivers every time I hear it...how strange!!!...maybe not?..
Tiller Girls 4/5
Another instrumental song (the second and last) instrumental tune, again I still can't comprehend why there were so many vital songs cut out from this movie, but for anyone who hasn't seen the Lotta Lenya original Broadway production of Cabaret they won't miss a thing, I'm confounded. Still good though.
Heiraten (Married) 4.5/5
A great German song about the struggles of the married life, the song is beautifully performed, I can just imagine Marlene Dietrich, Zara Leander or Lenya performing this tune, it's simply great...same year Liza performed this song in english in her Tony award winning show called "Liza With A Z".
If You Could See Her 5/5
WoW this song really sturred something deep inside me, Joel is allegedly singing about his love for a jew and not the Orangutang his performing with, listen carefully and You'll the deeper message within the meaning of the song. Legendary.
Cabaret 5/5
WOW Liza Minnelli's classic act, her performance is forceful, prowess, ravingly stunning, legendary, shadowing, and one of the most memorable tunes ever performed by anyone, no wonder why Liza won a Academy award for best actress. Liza Minnelli is a legend and she truly deserves the title of one.
Finale 5/5
The ending song summons up the whole show, it's emotional and it will promtly remind You just how great Cabaret was, Liza Minnelli, Joel Grey, Michael York all performed with such a powerful and forceful energy that it will be remembered for a very long time, Cabaret was the last succesful musical movie, up until the release of the wonderful "Mounlin Rouge" and some years later "Chicago". A lost genre, it's truly sad.
Average customer rating:
- The Funk Brothers Accompaniment Tracks
- Get this!!
- Can't stop dancing
- Classic Motown
- A Labor of Love
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Standing in the Shadows of Motown: Deluxe Edition
Various Artists
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
Motown
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
General
| Funk
| R&B
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- Standing In The Shadows of Motown
- 20th Century Masters - The Millennium Collection: The Best of the Funk Brothers
- How Sweet It Is
- Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson
- Standing in the Shadows of Motown
ASIN: B00021LPLA
Release Date: 2004-05-11 |
Tracks:
- Heat Wave
- You've Really Got A Hold On Me
- Do You Love Me
- Bernadette
- Reach Out I'll Be There
- Ain't Too Proud To Beg
- Shotgun
- What Becomes Of The Broken Hearted
- I Heard It Through The Grapevine
- You Keep Me Hanging On
- Cool Jerk
- Cloud Nine
- What's Going On
- Band Introduction / Ain't No Mountain High Enough
- The Flick
- Boom Boom
- (Your Love Keeps Lifting Me) Higher And Higher
- Scorpio
Tracks:
- Funk Brothers In The House
- Standing In The Shadows Of Love
- Dialogue: Joe Hunter
- The One Who Really Loves You
- Pride And Joy
- Dialogue: Robert White
- My Girl
- Love Is Like An Itching In My Heart
- Don't Mess With Bill
- The Hunter Gets Captured By The Game
- Dialogue: Eddie Willis, Uriel Jones & Jack Ashford
- I Second That Emotion
- I Was Made To Love Her
- Dialogue: Richard "Pistol" Allen
- Heard It Through The Grapevine
- Home Cookin'
- For Once In My Life
- Dialogue: Jack Ashford
- I Can't Get Next To You
- It's A Shame
- Ain't No Mountain High Enough
- Dialogue: Eddie WIllis
- Mercy Mercy Me (The Ecology)
- Dialogue: Lamont Dozier
- You're My Everything
Customer Reviews:
The Funk Brothers Accompaniment Tracks.......2007-07-08
I was familiar with the movie and soundtrack, "Standing in the Shadows of Motown", and thoroughly enjoyed them both. The second disc of this set with naked instrumental remixes of the original Motown hits was a welcome suprise. In particular, hearing the bass work of James Jamerson was like a master lesson in bass playing.
Get this!!.......2007-07-05
This is great. The Funk Brothers can still cook. Liner notes are a great read. Backing tracks on disc 2 are very interesting and fun to listen to. The performances on disc 1 from the Standing in the Shadows movie are all very good. You can tell however that the voice of the late David Ruffin is sorely missed in Aint to Proud to Beg.
Get it.....it will have you dancin'.
Can't stop dancing.......2007-04-13
I purchased this CD after watching the movie. I was not disappointed! My 7 year old daughter claims that she doesn't like Mom's music and there was no way she'd be dancing when I played it. Well, she couldn't sit down! I love to dance and I love upbeat music. This is highly recommended to anyone who likes something funky to move to. Get it!
Classic Motown.......2007-03-08
I bought this CD after previously buying the DVD and watching the documentary of the Funk Brothers. Joan Osborne (whom I never heard of before this album or DVD was released) is astounding. Her rendition of "What becomes of the broken hearted" is unmatched by anyone ever. The CD sounds excellent and could not be improved in any way. Instrumental's like "Bernadette" are very well crafted with different instruments coming in as the song requires. I would buy this one again or for gifts as it is one you won't put in your CD file and not play again. I keep my copy in my car and play it several times a week. It's great fun and professionally packaged..one of the best packaged CD's I have seen so far. They did a good job on this one and it shows...in every way.
A Labor of Love.......2006-12-20
This is just an incredible cd package. Buy and watch the DVD movie first to fully appreciate this. Allan Slutsky and others really put a lot of thought, work and love into this deluxe compilation. It is really just magic. The second cd with the original snakepit Motown recordings, without the vocal tracks, is absolutely priceless, revealing the true source of the Motown sound.
Also, I have to put my two cents in on the Joan Osborne performance of What Becomes of the Brokenhearted. This has to be one of the great perfomances of all time! Certainly my favorite. Watch it on the DVD.
Buy this cd and enjoy!
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- Rage in Harlem [Soundtrack]
- Rebirth of Mothra 3 [Enhanced] [Soundtrack]
- Romantic Movie Themes [Soundtrack]
- Rounders: Music From The Miramax Motion Picture [Soundtrack]
- Scarface [Soundtrack] [Import]
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Music
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