Diaries de Motocicleta [Import]

diaries de motocicleta [import]

Track Listings
1. Apertura
2. Lago Frías
3. Chichina
4. Chipi Chipi - Cuti Aste, , Roberto Lindl, ,
5. Montaña
6. Sendero
7. Procesión
8. Jardín
9. Partida
10. Muerte de la Poderosa
11. Lima
12. Salida de Lima
13. Zambita
14. Que Rico el Mambo - Pérez Prado
15. Círculo en el Río
16. Amazonas
17. Cabalgando
18. Leyendo en el Hospital
19. Cruce
20. Partida del Leprosario
See all 23 tracks on this disc

Editorial Reviews
Product Description
Soundtrack to 2003 film adaptation of Che Guevara's 'Motorcycle Diaries'. Details TBA. Universal. 2004.

Diaries de Motocicleta,Gustavo Santaolalla,Universal,Original Score,Soundtrack,Soundtracks

Diaries de Motocicleta [Import]
Children Of Eden (1998 New Jersey Cast)
Average customer rating: 4.5 out of 5 stars
  • Excellent recording
  • Diverse music that grows on you
  • As good as any musical recording...
  • Fantastic.
  • In the Beginning......
 Children Of Eden (1998 New Jersey Cast)
Jim Weaver , Ann Bass , Vicki Carter , Barry Cavanagh , Vincent D'Elia , and Darius de Haas
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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  1. Children of Eden: Vocal Selections
  2. Songs for a New World (1996 Original New York Cast)
  3. The Drowsy Chaperone (2006 Original Broadway Cast)
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  5. Little Women The Musical (2005 Original Broadway Cast)

ASIN: B000006OP3
Release Date: 1998-05-19

Tracks:

  1. Let There Be
  2. The Tree Of Knowledge
  3. The Naming
  4. Grateful Children
  5. Father's Day
  6. Perfect
  7. The Spark Of Creation
  8. In Pursuit Of Excellence
  9. The End Of A Perfect Day
  10. Childhood's End
  11. A World Without You
  12. The Expulsion
  13. The Wasteland
  14. The Spark Of Creation (Reprise 1)
  15. Lost In The Wilderness
  16. Close To Home
  17. A Ring Of Stones
  18. The Death Of Abel
  19. The Mark Of Cain
  20. Children Of Eden

Tracks:

  1. Generations
  2. The Gathering Storm
  3. A Piece Of Eight
  4. The Return Of The Animals
  5. Noah's Lullaby
  6. Stranger To The Rain
  7. In Whatever Time We have
  8. The Flood
  9. What Is He Waiting For?
  10. Sailor Of The Skies
  11. The Spark Of Creation (Reprise 2)
  12. The Hardest Part Of Love
  13. Words Of Doom
  14. The Hour Of Darkness
  15. Ain't It Good?
  16. Precious Children
  17. In The Beginning

Customer Reviews:

5 out of 5 stars Excellent recording .......2007-01-09

This is a wonderful representation of "Children of Eden." The music is powerful, and the actors are wonderful. Highly recommended for anyone who is a fan of the show or of Stephen Schwartz musicals.

5 out of 5 stars Diverse music that grows on you.......2006-09-09

I was in a production of Children of Eden and did not like the music at first. It definitely grows on you and is extremly moving at times, especially the finale "Children of Eden". My favorite though is "Ain't it Good" which I hated when I first heard it. Very good show but remember it is a show and don't get into theological discussions about it's suppossed misrepresentations of the Old Testament. It's fiction and doesn't propose to be anything else.

4 out of 5 stars As good as any musical recording..........2006-06-24

I'm not any sort of theatre expert, so I won't pretend to offer the critical analysis that some other reviewers have provided (rather snobbishly, I might add). Ultimately, I think that this recording is absolutely brilliant. In contrast to some critics, I think that the musical variety contained within this show is stunning, yet I felt like Schwartz was up to the challenge throughout the show, regardless of the style which he was using for a given song. Take note of "In Pursuit of Excellence" as a perfect example of a totally unique, but absolutely engaging song.

For whatever it's worth, I have some serious theological issues with this show. I wouldn't actually recommend anyone to casually watch the show because I think that there are some unfortunate misrepresentations of the character of God. However, there are also some powerful moments of personalizing the story of the human experience within God's creation that become real in ways that only theatre can provide. And it offered hours of good conversation for my wife and me afterwards.

Specifically related to this album, I love it. I'd recommend it to anyone who likes the musical theatre format but who wants some more depth than many Broadway shows.

5 out of 5 stars Fantastic........2006-03-21

I am Pagan, and yet, this is the most moving soundtrack I have ever heard. It isn't about religion, is it? It's about family. It's about parents learning to let their children go, knowing they might let them fall but also knowing it has to happen for them to learn. The way that Father - AKA God - is just a parent, an angry parent trying to shield his children but not knowing how, really brings religion home. First off, I think every Christian should hear this musical. This is what I always thought Christianity should be: God isn't some big guy, he's a dad, end of story. Secondly, every parent and child should hear this, AKA everyone. This definetly made me appreciate the struggles I had with my own parents.
"The hardest part of love is the letting go..."

5 out of 5 stars In the Beginning.............2005-01-23

I wanted this for Christmas for two reasons, 1)I LOVE STEPHEN SCHARTZ( If you don't believe me, see my reviews of Godspell, Pippin and The Magic Show)2) I heard good things about this show. I got this for Christmas, and it was different but still it was great. Its the stories of Adam&Eve, Cain/Abel and Noah's Ark. And it is the first time I ever heard of that God played a physical part, played by the amazing William Solo. The cast is filled with so familiar names, Adrian Zmed(T.J Hooker) who plays Adam and Noah, Stephine Mills(The Wiz) plays Eve and Mama Noah and Keilie Rabke(Joseph and the Amazing Techncolor Dreamcoat). This show is not typical Schwartz fare, but its one of his best.
Dreamgirls in Concert (2001 Concert Cast)
Average customer rating: 4 out of 5 stars
  • Dreamgirls 2001
  • Not the real "DREAM" experience
  • Absolutely brilliant!
  • Amazing!!!!!!
  • One Night Only
Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. Dreamgirls (1982 Original Broadway Cast)
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ASIN: B00005Y4P4
Release Date: 2002-02-26

Tracks:

  1. I'm Looking for Something, Baby
  2. Goin' Downtown
  3. Takin' the Long Way Home
  4. Move (You're Steppin on My Heart)
  5. Scene: Fifty bucks says the Dreamettes don't win
  6. Fake Your Way to the Top
  7. Scene: It ain't working, Marty
  8. Cadillac Car
  9. Cadillac Car (On the Road)
  10. Cadillac Car (Recording Studio)
  11. Scene: I don't believe they can do that
  12. Steppin' to the Bad Side
  13. Scene: I'm working on a long shot
  14. Party, Party
  15. I Want You, Baby
  16. Scene: I'm a woman now
  17. Family
  18. Scene: What are you doing to that girl?
  19. Dreamgirls
  20. Press Conference
  21. Heavy
  22. Walkin' Down the Strip/Scene: Las Vegas
  23. It's All Over
  24. And I Am Telling You I'm Not Going

Tracks:

  1. Opening Act II: Dreams Medley
  2. Scene: Effie White is the best singer you're gonna find
  3. I Am Changing
  4. Vogue Sequence
  5. When I First Saw You
  6. Ain't No Party
  7. I Meant You No Harm
  8. The Rap
  9. I Miss You, Old Friend
  10. One Night Only
  11. One Night Only (Disco Version)
  12. I'm Somebody
  13. Hard to Say Good-bye
  14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

4 out of 5 stars Not the real "DREAM" experience.......2007-04-04


Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

5 out of 5 stars Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

5 out of 5 stars Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

5 out of 5 stars One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!
The Bubbly Black Girl Sheds Her Chameleon Skin (2007 Studio Cast)
Average customer rating: 3 out of 5 stars
  • The chameleonic LaChanze shines in this bubbly score
 The Bubbly Black Girl Sheds Her Chameleon Skin (2007 Studio Cast)

Manufacturer: Ghostlight
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NOKAQ2
Release Date: 2007-04-03

Tracks:

  1. Welcome To My L.A.
  2. Sweet Chitty Chatty
  3. Smile, Smile
  4. Dance Class
  5. The Stake
  6. Sticks & Stones
  7. Pass The Flame
  8. War Is Not Good
  9. Brave New World
  10. Give It Up
  11. Belle Of The Ball
  12. Beautiful Bright Blue Sky
  13. Legacy
  14. Who's That Bubbly Black Girl
  15. Secretarial Pool
  16. Pretty
  17. Director Bob
  18. Come With Me
  19. Granny's Advice
  20. Listen!
  21. There Was A Girl

Album Description

The Bubbly Black Girl Sheds Her Chameleon Skin, with music & lyrics by Kristen Childs; the story - what's a black girl from sunny southern California to do? White poeple are blowing up black girls in Birmingham churches. Black people are shouting "Black is beautiful" while straightening their hair and coveting light skin. Vivea Stanton's answer: Slap on a bubbly smile and be as white as you can be! In a humorous and pointed coming of age story spanning the 60's through the 90's, Viveca blithely sails through the confusing worlds of racism, sexism and Broadway showbiz until she's forced to face the devastating effect self-denial has had on her life.

Customer Reviews:

3 out of 5 stars The chameleonic LaChanze shines in this bubbly score.......2007-04-12

With "The Bubbly Black Girl Sheds her Chameleon Skin," LaChanze seems to be single handedly taking every musical role that calls for an African-American woman to face adversity and age 30+ years or so over the course of a couple hours. After "Dessa Rose" and her Tony-winning performance in "The Color Purple," she proves again that she can pull this aging trick with aplomb (well actually this show predates the others, it's just the recording that's new). I've said it before-- she's a formidable singer-actress.

What's different about this show, with its autobiographical touches by composer-lyricist Kirsten Childs, is that the adversity here does not involve slavery, poverty, or abuse, but rather the difficulties faced by middle class black women finding their way in a world where accusations of "acting white" leave lasting scars as they struggle to find an authentic self. It's refreshing to have this point of view portrayed-- and Childs's music is original and catchy. It shifts skillfully in different ways-- from a sort of pastiche as the story moves from the 60's to the 90's, to some jazzy moments and a lot of interesting rhythms.

The story basically tells of Viveca "Bubbly" Stanton, who grows up in a middle class family during the civil rights era in L.A. and then goes on to become a dancer in New York. Her sunny personality is challenged by the harsh realities of racism, something she deals with, but refuses to accept. Some of the most insightful songs include the ones that handle this in original ways: The pitter- patter of "Sweet Chitty Chatty," in which Viveca, as a child, asks her (white) talking doll why "men throw bombs at kids like me in churches in Birmingham," The dance rhythms of "The Skate," in which a junior high age Viveca successfully integrates the various ethnicities at her school, and "Brave New World," in which Viveca brings home a white boyfriend to her mother (in a nicely unpredictable touch, Viveca's mom doesn't angrily dismiss the relationship outright, but instead just shares her concerns and tells Viveca she'll be there "to break the fall.").

While the show's musical voice and point of view feel fresh, it relies a little too heavily on choruses-- disembodied voices of nobody in particular. Only Viveca emerges as a true character, but a couple songs for two male love interests--"Beautiful Bright Blue Sky" and "Come With Me"-- are notable, even if they feel a little thankless, rather than moving the plot or defining characters. There is an episodic feel to the songs at times, instead of a continually developing plot, and Viveca's final declaration of "keeping it real" feels a bit forced.

Still, this is a musical recording worth checking out-- Childs obviously infused the show with a lot of her own experiences growing up, and her soul-bearing, along with the estimable LaChanze, make for an undeniably affecting listening experience.
Ninna Nanna: Lullabies (1500-2002)
Average customer rating: 4.5 out of 5 stars
  • An exquisite gem of a desert island CD
  • Sweeping, seductive, and superlative!
  • Mesmerizing music for the heart
  • La Ninna Nanna
  • "Stunningly beautiful" is an understatement
 Ninna Nanna: Lullabies (1500-2002)
William Byrd , Jordi Savall , and Hesperion XXI
Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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  1. Lux Feminae
  2. Du temps & de l'instant
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ASIN: B000071XAC
Release Date: 2003-02-11

Tracks:

  1. Anon. (Purtugal): Cancao de embalar: Jose embala o menino
  2. Anon. (England): Lullaby: My little sweet darling
  3. Anon. (Greece): Berceuse: Dors mon bebe
  4. Anon. (Sefarade): Berceuse Ladino: Nani, nani
  5. Anon. Berbere: Berceuse Amazigh
  6. William Byrd: Lullaby: Come, pretty babe
  7. Tarquino Merula: Canzonetta spirituale sopra la nanna: Hor ch'e tempo di dormire
  8. Anon. (Alicante): Mareta, mareta no'm faces plorar
  9. Johann Friedrich Reichardt (1752-1814): Chanson d'une maleureuse mere: Dorsmon enfant
  10. Modest Mussorgsky: La Chambre des enfants (1870): Avec la poupee
  11. Anon (Israel): Berceuse hebraique: Noumi, noumi yaldati
  12. Arvo Part: Berceuse de Noel (2002)
  13. Max Reger (1873-1916): Maria Wiegenlied: Maria sitzt am Rosenhag
  14. Manual de Falla (1876-1946): Nana: Duermete, nino, duerme. Canciones populares (1914)
  15. Darius Milhaud: Berceuse hebraique: Dors, dors (1925)
  16. Federico Garcia Lorca: Nana de Sevilla: Este galapaguito (1930)
  17. Arvo Part: Berceuse Estonienne: Kuus, kuus kallike (2002)
  18. Anon. Catalogne: Cancao de Bressol: La mare d e Deu

Amazon.com

This is a formidable collection of lullabies, spanning 500 years, 18 of them (from almost as many countries) in Greek, Latin, Hebrew, Catalan, English, and more, each one lovely, each one in its own idiom. Some are anonymous; others are by composers as different as Byrd, Mussorgsky, Milhaud, and Arvo Pärt. The disc shouldn't be listened to in one setting--no matter how interesting they are, they're still lullabies and can mellow the listener into torpor--but in three-or-so chunks, the contents are fascinating. Figueras can make her sound move from folk to classical, from a mother who is passionate about her child's safety to one who merely wants to entertain into slumber. The anonymous Greek lullaby (track 3) contains the oddest little vocal quirk--a whipping up of the tone at the close of some phrases--which only an artist like Figueras could pull off. And Savall and soloists accompany on various instruments--flute, harp, viols, etc.--with pianist Paul Badura-Skoda playing on three of the lullabies. The CD is a wonderful tour of the world through the centuries with only one subject in mind: sleep. And sleep is something, after all, that takes up a third of our lives. This CD keeps getting sweeter the more you listen. Recommended. --Robert Levine

Customer Reviews:

5 out of 5 stars An exquisite gem of a desert island CD.......2005-06-09

Every time I catch sight of a Vox Alia CD with its distinctive packaging I find resistance is futile and I end up buying it. This gorgeous collection of lullabies delivered much more than I had ever dreamt possible.

What gives this CD its magic is the fact that this is music making amongst friends and family. In fact the record label is Jordi Savall's own, Monserat Figueras is his wife, and Arianna Savall his daughter - so it really is an all family affair. The whole of Hesperion XXI play like they know each other intimately and we are just privileged eavesdroppers who were lucky enough to have overheard them. If some of the major record labels are increasingly marketing their music like MacDonalds hamburgers then this is like being invited to dine at a lovely family run Spanish restaurant. There is a heartwarming homeliness here the majors could never emulate in a hundred years. So it is entirely appropriate that this should be a collection of lullabies, for this is a celebration of family intimacy of the most deeply poetic and affectionate kind.

The selection of music might strike a casual listener as being unusual - exotic is a better term - yet they are all so instantly attractive that I think this would make a lovely gift (especially given the beautiful booklet that comes with it) to a child, a mother, a partner, a friend, a music lover; even people who know nothing about the composers here would surely be enchanted. I was particularly delighted by the reviewer who wrote that her daughter listened to this at night - oh, how fortunate it would be to grow up with music like this with its imaginatively chosen collection of music from so many countries and centuries - you would carry this music in your heart for the rest of your life! Amongst the songs is a Greek song, a Catalan song, a 16th century English song, a song by William Byrd, Max Reger, Moussorgsky as well as two by Arvo Part, both of which carry dedications to Monserat Figueras, Arianna and Jordi Savall (in the photograph reproductions of the first pages of the handwritten score Arvo Part has written in German 'gewidmet an...' if you were wondering where this info comes from).

Typical of the CD is how difficult it is to hold back a tear listening to Reger of all composers - I would have never thought it possible, especially when it would have been simply all too easy to choose some all to well known Schubert Lied, but here it is, they have picked Reger and it is PERFECT. Yet that is only one gem amongst so many more here. I am speechless, for this CD is indeed a rare treasure made for people who truly love beautiful music making - a CD to cherish and to weep for joy over.

I should add that as usual from Vox Alia the recorded sound is audiophile quality, and a notch above what you get from about 95% of record labels. In my opinion they even surpass some boutique audiophile labels like Linn, which is really saying something. So if you love to luxuriate in rich sound this will fit like a glove.

If you fall in love with this recording please, please may I suggest you BUY it for someone you love, rather than burning it, just as a way of saying 'thank you' to this family of musicians. This is a family run label rather than some huge impersonal coorporation and I have seen too many private boutique record firms go bust over the years, so please help ensure that these artists continue to make lovely recordings such as this one.

I am adding this CD to my desert island collection.

5 out of 5 stars Sweeping, seductive, and superlative!.......2004-01-14

Figueras offers the listener a triumphant collection of evocative songs. Let's dispense with a possible concern. This CD is sub-titled "Lullabies". Anyone going to sleep listening to Figueras should see either a hearing or a brain specialist. While they may pacify children, adult listeners will be exhilarated by the sweeping range of her voice and exquisite presentation. Figueras' expressive style simply transcends descriptive praise. From soaring appeals to the heavens to quiet, soothing reassurances, she demonstrates the magnitude of her evocative skills. One can sense constrained passion in each song as she moves from one culture to another through the collection. That one of the pieces was commissioned for this collection is further proof of the extent she provides the listener - she's not confined to neither time nor place.

What is most clearly manifest in this musical anthology is Figueras' professionalism and her Catalan background. Unlike the operatic divas who have deigned to release popular renditions, she demonstrates how someone who truly understands the music of mountain villages or plains communities in any nation can elevate even the most "common" music. The selections range over five centuries or more, reinforcing the impression that nothing exceeds the capacity of her elegant voice to convey feeling to the enraptured listener. Each of us will likely settle on a favourite selection. Predictably, my own is a Catalan piece of an anonymous composer. Perhaps because the lullaby is in her native tongue, the richness of Figueras' rendition evokes intense emotional response. Would that i'd been born a Catalan!

Alia Vox was launched to give fresh impetus to the recordings of Figueras, her husband Jordi Savall and the groups they have created together. This CD will remain a testimony to their efforts to produce the highest quality discs. The sound is excellent, clearly imparting voice and background instruments alike. With 18 selections from a variety of eras and locations, the notes for this CD are extensive. The text of each tune is given in the original and seven other languages. Could scholarship and the universality of music be given finer endorsement? [stephen a. haines - Ottawa, Canada]

5 out of 5 stars Mesmerizing music for the heart.......2003-10-18

Rarely has there been a more beautiful collection of lullabies than those presented in Ninna Nanna. Clearly a labour of love of Montserrat Figueras and her family, it brings together songs that mothers have been singing to their infants over the centuries - whatever their culture or language. "It is like food for the young child" reflects Montserrat Figueras in her dedication, the most intense reflection of affection and tenderness.

Lullabies in this collection, come from cultural backgrounds as diverse as Russia, Morocco, Greece, England and, of course, the Iberian Peninsula. They span from the Renaissance to contemporary music. Most of the musical versions have been masterly arranged by Jordi Savall, suited to fit the extraordinary voice of his wife. We also find some arrangements by well-known composers such as Moussorgski, Reger or de Falla.

Being lullabies, the songs show similarities: above all their tunes are beautifully soft and melodious. Yet, the tunes show considerable diversity in rhythm and tonality. Some are melancholy and almost haunting, others joyful and jubilant. Montserrat Figueras' voice is, as always, in a class of her own, radiating with richness and intensity. The music touches the deeper cords in the listener's consciousness. Her voice is superbly and sensitively accompanied by Hesperion XXI, the accomplished team of musicians under the leadership of Jordi Savall.

The informative booklet accompanying the CD is well presented and includes the songs' texts in eight languages, including the original. This is a CD you will not get tired to listen to many times, whether you play it for your children, your family and friends, or just for yourself. [Friederike Knabe, Ottawa, Canada]

5 out of 5 stars La Ninna Nanna.......2003-08-17

Very few times in life we can be transported back to share such deep experiences as that of holding a child in your arms while singing a lullaby. This CD is exceptional not only because of the high quality of the production but also by the deep emotions that each song carries. A true gift for all those of us that need to stop and enjoy a moment of peace!

5 out of 5 stars "Stunningly beautiful" is an understatement.......2003-05-31

I bought this as a gift for our daughter, and it works great; but I also can't stop listening to it myself day and night, having nothing to do with her bedtime and nap times. If one wants to go to sleep, it works beautifully for that; or if one wants to stay up and pay attention to every wonderful nuance, it also works for that. Or if it's just on as background music, it changes any room to a place of comfort and home. Montserrat Figueras here sings in at least twelve different languages, in music spanning 500 years, and puts it all across with heartfelt directness. What more difficult musical task could there be than all the above, together? But she does it.

This disc is really a family affair: Figueras and Savall, plus their daughter who also sings and plays, and their son who took the photos; plus their friends and colleagues, among the most imaginative and soulful players alive. Extraordinary. And the new music composed by Arvo Part for this album: it's proof that music can objectively make a person weep.

And the booklet: a gorgeous presentation with full background information, photos of the sessions, and each song is given in translation to eight or nine languages! (The original, plus eight more translations if different.)

The only thing you can't do is play this in the car, while driving around to lull the child with the motion. Oh, that works great for the child, but it's the driver's concentration we should be worried about. There is no way to keep one's mind safely on the road while this CD is on.

I rarely give a "five star" rating to anything, but this is one of those times.
Milhaud: La Création du monde; Le boeuf sur le toit; Suite provençale
Average customer rating: 5 out of 5 stars
  • Duplicate If You Must--This CD Is for Every Fan of Milhaud
  • A Varied Collection of Modern French Classical Music
 Milhaud: La Création du monde; Le boeuf sur le toit; Suite provençale

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009JMEJ2
Release Date: 2005-06-21

Tracks:

  1. La Creation Du Monde, Op.81a - Orchestre National De Lille-Region Nord/Pas-De Calais
  2. Le Boeuf Sur Le Toit, Op.58 - Orchestre National De Lille-Region Nord/Pas-De Calais
  3. I. Anime - Orchestre National De Lille-Region Nord/Pas-De Calais
  4. II. Tres Modere - Orchestre National De Lille-Region Nord/Pas-De Calais
  5. III. Modere - Orchestre National De Lille-Region Nord/Pas-De Calais
  6. IV. Vif - Orchestre National De Lille-Region Nord/Pas-De Calais
  7. V. Modere - Orchestre National De Lille-Region Nord/Pas-De Calais
  8. VI. Vif - Orchestre National De Lille-Region Nord/Pas-De Calais
  9. VII. Lent - Orchestre National De Lille-Region Nord/Pas-De Calais
  10. VIII. Vif - Orchestre National De Lille-Region Nord/Pas-De Calais
  11. I. Scene I - Bernard Deletre
  12. II. Appartion De Al Lune - Bernard Deletre
  13. III. L'Homme Endormi Et Le Fantome De La Femme Morte - Bernard Deletre
  14. IV. L'Homme Qui Dort Debout, Oscillant Comme Dans Un Courant - Bernard Deletre
  15. V. Toutes Les Choses De La Foret Qui Viennent Voir L'Homme Endormi - Bernard Deletre
  16. VI. Danse De La Passion - Bernard Deletre
  17. VII. Reapparition Del La Femme Qui Entraine L'Homme Peu A Peu En Tournant Lentement Devant Lui Sur Elle-mme - Bernard Deletre
  18. La Lune I A Disparu La Premiere, La Lune II Disparait A Son Tour. Les Heures Noires Se Sont Ecoulees. On Voit Apparaitre Les Premieres Heures Blanches - Bernard Deletre

Customer Reviews:

5 out of 5 stars Duplicate If You Must--This CD Is for Every Fan of Milhaud.......2005-12-23

Here we have three of Milhaud's greatest hits and one that should be, all in performances that are as fine as any I've heard. "La Creation" gets a really all-stops-pulled-out reading, with the Lille musicians tossing around more hot licks than I've heard except perhaps on Bernstein's old EMI recording. Just about any French conductor should be able to turn in a lively rendition of "Le Boeuf," yet this one sparkles in a very special way. And I like Casadesus' "Suite provencale" even more than Charles Munch's (on RCA), which I thought was just about perfect.

One thing that the current recording has going for it is just about the best sound that's ever been accorded these popular works. Maybe it's the venue, the Auditorium du Noveau Siecle in Lille, or maybe it's Mike Clements, one of today's finest sound engineers. Maybe it's a special kind of synergy. Anyhow, this is a fabulous-sounding disc.

Finally, there is "L'homme et son desir." I don't know whether to call this a poor-man's "Les Noces" (Stravinsky) or a rich-man's "Ballet Mechanique" (Antheil), but whatever, it is one of Milhaud's most unusual and beguiling creations, replete with a weird vocalise for four soloists and huge percussion section featuring a whip and a police whistle! The piece is available in what might be a considered a definitive performance by the composer himself, except this one from Casadesus is every bit as good, if not a little livelier, and of course it is in up-to-the-minute sound. So as I say, even if you'll be getting your third (or fourth) version of "La Creation du monde," don't miss this very special CD.

5 out of 5 stars A Varied Collection of Modern French Classical Music.......2005-10-05


Composer Darius Milhaud's music is not always easy to describe. He is influenced by the legacy of classical composers from his native France which forms the basic framework of his music. He was also influenced by trends in classical music by other composers who were his contemporaries as well as by the jazz movement. Some of his music also has a Latin/Brazilian feel to it which means that you're never quite sure oaf what you'll hear when it comes to Milhaud's music but one thing is certain, it may be a bit challenging but it will be enjoyable.

This disc from Naxos contains four pieces from the Milhaud catalogue. The first piece is "La Creation du Monde" which the liner notes states is Milhaud's best known work though I would believe that at least to American audiences, the familiar Brazilian strains of "Le Boeuf sur le Toit" would have that distinction. "La Creation" is a combination of French classical and jazz and was originally a ballet. "Le Boeuf" has a Brazilian and jazz feel to it and was originally written as a background piece for a silent film. "Suite Provencale" would be the most traditional work of the set and his "L'Homme et son Desir" would for orchestra and wordless voices would be his most experimental.

The Orchestre National de Lille seems at home with Milhaud's music. They accept the challenges posed by pieces such as "La Creation" and "L'Homme,' play "Suite Provencale" in a robust manner and have fun with "La Boeuf." Conductor Jean-Claude Casadesus seems to not gusty be familiar with the scores but as respect for the composer as well as his interpretations show. Naxos also has to be credited for providing a disc of not so familiar music so that listeners can get to know the music of an important 20th century composer.
Milhaud: The Complete Symphonies (Box Set)
Average customer rating: 4.5 out of 5 stars
  • Spirited Performances
  • You'll Be Surprised
  • A much needed set!
 Milhaud: The Complete Symphonies (Box Set)

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SH7J
Release Date: 2000-04-11

Amazon.com

This remarkable set of all 12 Darius Milhaud symphonies (five CDs) raises a number of immediate questions, not the least of which is why Milhaud's symphonies aren't recognized for their overall artistic merit more than they are. Milhaud started off, as so many composers of his generation did, dabbling in various avant-garde techniques, which are to some degree present in Symphonies 1 and 2 (dated 1939 and 1944, respectively). They are youthful, brash, and militantly French (lots of marching drums, trumpet fanfares, salutes, etc.). But by Symphony No. 3 (of 1946), Milhaud's temperament has stabilized and matured. His palette, though, expands in richness, and the symphonies to follow show Milhaud at his inventive best. Outstanding in this collection are Symphonies 5 and 6 (1953 and 1955), which are by turns moody and deliciously sweet, never atonal or dissonant. The fact that Symphonies 5 and 6 are rarely performed and never recorded makes these works alone a selling point for this collection. This is a stellar collection that belongs in every library of 20th-century music. --Paul Cook

Customer Reviews:

5 out of 5 stars Spirited Performances.......2005-08-04

One forgets that Darius Milhaud was such a prolific composer (his catalog of compositions goes out to 441 opus numbers) and that he wrote 12 symphonies. Outside of Camille Saint Saens and Albert Roussel there have been few French composers who have been attracted to the symphonic form. The symphonies or Darius Milhaud are characterized by their impressionism and dedication to the traditional symphonic structure. Those written with three movements mimic the older sinfonia form of Alessandro Scarlatti. Each work has an individual voice.

The First Symphony was written at the start of the Second World War and has an immediate appeal with a strong pastoral melody that continues to develop and unfold during the movement. This is followed by an engaging scherzo and a moody slow movement that seems to float along, as if describing the sea. The final movement returns to the carefree mood of the first movement. The Fourth Symphony commemorated the Revolution of 1848 and was written in the United States where Milhaud was living. Each of the four movements describes an event: the insurrection, the dead of the Republic, the joys of Liberty and Commemoration 1948. The Fourth is a very straightforward symphony whose depictions are easy to understand and enjoy.

The Second Symphony was a commission from the Koussevitzky Foundation in 1944 and premiered in Boston in 1946. Cast in 5 movements, the symphony slowly builds from the peaceful first movement to the third movement (a kind of funeral march) with a fanfare played by the brass that shatters the peaceful mood. The fourth movement returns to the quietly reflective mood of the first two and the final movement is brilliant and exuberant. The Third Symphony was a departure for Milhaud - a symphony with chorus. The symphony bears the title Te Deum and begins with a jubilant fanfare followed by a remarkable second movement where the chorus sets the mood of the Te Deum singing a wordless accompaniment. The third movement is an exuberant short orchestral movement and the final movement brings in the chorus and orchestra in a glorious hymn of praise.

The Fifth Symphony was a commission from Italian Radio and is characteristic of Milhaud's linear symphonic structure. Although the symphony was written during a period of musical experimentation (in 1953) the music remains rooted in the French Impressionist style that makes Milhaud so recognizable. The composer stuck to the four movement pattern for his symphonies. The Sixth Symphony was written in 1955 for the 75th anniversary of the Boston Symphony. The Sixth differs from the Fifth by being more expansive; slower tempi with more shading. The melodies are more broken up than the more straightforward Fifth. Both symphonies contain marvelous melodies and complement each other with their energy and pastoral beauty.

Symphonies 7, 8 and 9 stand as a group, all of them composed during the 1950's and music where Milhaud gave more attention to the slow movements. This is apparent by looking at the timings themselves but as one listens to them. In the Seventh, the slow movement is characterized by choppy bit of melody from the orchestra over a grave melody played by the strings. The Eighth symphony is a depiction of the Rhone River as it travels through France. One immediately notices that the music is more astringent and the themes more broken. The slow movement sounds as if portraying the river at early morning when shrouded by mist and everything is viewed in the soft dawn light. The remaining movements are energetic and boisterous. The Ninth begins with a whimsical theme that quickly develops into an energetic short movement. The slow movement is ominous and melancholy but the mood breaks for the energetic final movement.

Symphonies 10 through 12 all date from the 1960's and all three had American commissions. These late symphonies have been termed neoclassical. The Tenth was commissioned for the 100th anniversary of the state of Oregon. It opens with the feel of a marching band in the use of snare drums and quick tempi to be followed by a quiet and reflective slow movement. The final movement is said to contain a theme based on the name Oregon. The Eleventh was commissioned by the Dallas Symphony Orchestra and Public Library and has a long meditative middle movement that has been interpreted as depicting the Dallas Public Library. The final movement is playful and boisterous. The Twelfth and final symphony was commissioned by the University of California at Davis. The symphony begins with a gentle pastoral theme that remains playful throughout the movement. The second movement has a march-like theme followed by a reflective slow movement. The final movement returns to the pastoral theme of the first movement and the symphony ends with a flourish.

The recordings come from the 1990's and each disc is in its own jewel case. The recording balance is superb and the Radio-Sinfonieorchester Basil, conducted by Alun Francis, play with real passion and commitment. These are highly interesting symphonies that deserve to be heard more often. Hopefully, this set will encourage their performance.

5 out of 5 stars You'll Be Surprised.......2001-10-10

Milhaud's harmonic language is complex and challenging, the Basel band is top-notch, and the recorded sound is superb, so you'll find yourself coming back time and again to this pleasant, fulfilling set. The attractive price (as of this writing) is a major lure, so don't wait.

If you've been finding yourself overly traumatized by the Mahler ethos, perhaps it's time to try the sunny transparency of these symphonies.

4 out of 5 stars A much needed set!.......2000-09-01

This set of five CDs fills a long standing need for a modern version of Milhaud's symphonies. It is easy to think of Darius Milhaud as primarily a miniaturist, and it is true that he resisted the symphonic form for a good part of his vast and surpassingly fecund compositional life (the first Symphony is marked Opus 210!), but this fine series of recordings gives that notion the boot. Meticulously prepared and recorded -the sound is superb!- the Basel Radio Symphony Orchestra under the baton of Alun Francis does Milhaud homage, and gives us a convincing look at these neglected works. The first four symphonies seem the weakest of the lot, a bit overly martial, and the horns have plenty to do, sometimes seeming much ado about nothing. As Milhaud assimilates the symphonic form, however, he naturally conquers it, producing, frankly, some of the most beautiful music around. Nos. 7, 11, & 12 are especially fine. You'll find no Germanic grappling in these works, indeed the smile of Provence is all over them. Milhaud's grasp of the symphonic form is mature and all-encompassing, yet employing such uncanny orchestration that one never loses the sense of hearing fine chamber music. Absolutely delightful. I'd not heard this orchestra before, and they're an impressive lot. If you don't know Darius Milhaud's music, perhaps some of his smaller pieces (even the marvelous songs!) are a better starting point, but these recordings won't disappoint even the unacquainted. If you already know and appreciate Milhaud's cast of mind, what are you waiting for!
Nights in the Gardens of Spain
Average customer rating: Not rated
    		Nights in the Gardens of Spain

    Manufacturer: Asv Living Era
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000030SR
    Release Date: 1993-12-16

    Tracks:

    1. Nights In The Gardens Of Spain: First Movt: En El Generalife
    2. Nights In The Gardens Of Spain: Second Movt: Danza Lejana
    3. Nights In The Gardens Of Spain: Third Movt: En Los Jardines De La Sierra De Cordoba
    4. Pno Con: First Movt: Allegro
    5. Pno Con: Second Movt: Lento
    6. Pno Con: Third Movt: Vivace
    7. La Oracion Del Torero
    8. Rapsodia Sinf
    Hair - Actors' Fund of America Benefit Recording
    Average customer rating: 4.5 out of 5 stars
    • Belt 'em if you got 'em.
    • Unreal!!!
    • This recording is very disappointing.....
    • Power vocals en masse!
    • SHRILL!!!
    		 Hair - Actors' Fund of America Benefit Recording
    Galt MacDermot , James Rado , Gerome Ragni , Lillias White , Lea Delaria , Harvey Fierstein , Liz Callaway , Jai Rodriguez , Euan Morton , Ana Gasteyer , Shoshana Bean , Laura Benanti , Adam Pascal , Gavin Creel , Raul Esparza , Jennifer Hudson , John Tartaglia , Christopher Sieber , Annie Golden , Eden Espinosa , Sherie Rene Scott , Billy Porter , Darius de Haas , and Norm Lewis
    Manufacturer: Ghostlight
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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    ASIN: B000929ADW
    Release Date: 2005-06-14

    Tracks:

    1. Aquarius - Lillias White
    2. Donna - Lea DeLaria
    3. Hashish - Paul Castree,
    4. Sodomy - Chuck Cooper
    5. Colored Spade - Euan Morton
    6. Manchester, England
    7. Dead End - Shoshana Bean
    8. Sheila Franklin/I Believe in Love
    9. I'm Black/Ain't Got No
    10. Air - Harvey Fierstein
    11. Initials - Laura Benanti
    12. I Got Life - Adam Pascal
    13. Going Down - Gavin Creel
    14. Hair
    15. My Conviction - Charles Bush
    16. Easy to Be Hard - Jennifer Hudson
    17. Don't Put It Down! - Christopher Sieber, John Tartaglia
    18. Frank Mills - Annie Golden
    19. Be-In (Hare Krishna)
    20. Where Do I Go? - Julia K. Murney
    21. Hippie Life - Eden Espinosa
    22. Electric Blues - Toxic Audio
    23. Black Boys - Kathy Brier, Ann Harada, Orfeh
    24. White Boys - Ledisi, , Shayna Steele
    25. Walking in Space
    26. Yes I's Finished on Y'All's Farmlands
    27. Four Score/Abie, Baby - Billy Porter
    28. Good Morning Starshine - Liz Callaway
    29. Three-Five-Zero-Zero
    30. What a Piece of Work Is Man - Norm Lewis
    31. Flesh Failures (Let the Sunshine In) - Jai Rodriguez

    Customer Reviews:

    4 out of 5 stars Belt 'em if you got 'em........2007-01-07

    A disclaimer - you'll probably have more fun with this recording if you think of it as "Songs from Hair". This is NOT a recording of a traditional version of the show; it's more a cabaret, with each song being sung by a different artist. While this completely removes continuity and character development, it does free up the listener to appreciate Galt MacDermot's music, sung as it should be. Let's face it - the original RCA recording of the Broadway cast of 1964 is priceless as an artifact of its time, but it's not exactly a pleasant listen - the cast is of the "more enthusiasm than talent" school.

    Here, though, there's no such problem.

    There's a whole lotta belting goin' on in this album. Because each singer only has one song, and there's no need to conserve their voices for later in the show, everybody gives it their all - and in the case of such powerful singers as Gavin Creel, Lillias White, Shoshana Bean, Raul Esparza, Adam Pascal, Eden Espinosa, Orfeh, Jennifer Hudson, and Billy Porter? That's quite a lot. And the backup voices, if anything, are even more spectacular: listen to that anonymous chorus girl hit an air-raid-siren high note at the end of "Goin' Down".

    Track-by-track:
    1. "Aquarius" - The famous chorale opening, led by the inimitable Lillias White. The orchestrations and backup singing sends shivers down the spine, and White brings the gospel something fierce. 5/5

    2. "Donna" - In the first of many gender-bendings on the album, "Donna" is here sung by Lea DeLaria, who does a passable job, if she tends to overemote. 3/5

    3. "Hashish" - All-chorus listing of various hallucinogens and illegal mind enhancers. Fun as always, but a trifle. 2/5

    4. "Sodomy" - That timeless ode to deviant sexual practice, here sung in a pure, innocent choir-boy tenor by Jai Rodriguez of Zanna, Don't! and Queer Eye for the Straight Guy fame. 5/5

    5. "Colored Spade" - For everyone who's ever wanted to hear Tony-winning bass-baritone Chuck Cooper declare himself "President of the United States of Love". 4/5

    6. "Manchester, England" - A four-decade-old antecedent of Britpop, charmingly given life by Euan Morton. 4/5

    7. "Dead End" - The first really high-energy number since "Aquarius" kicks things back into high gear. Ana Gasteyer shows off the pipes that would later land her the role of Elphaba on Broadway in "Wicked". There's a big black woman hiding inside that white comedienne! 4/5

    8. "Sheila Franklin/I Believe in Love" - Shoshana Bean, if you've ever heard her, is infamous for singing every song as one giant melisma. She does it here too, of course, but particularly impressively. She rockets through all of her 72 octaves in the course of a minute and nineteen seconds. 5/5

    9. "I'm Black/Ain't Got No" - A kind of pointless song, the whole chorus yelling about what they lack in life. Fun ending, though. 2/5

    Ahh, now we're getting into the really good stuff. The meat of the disc is from the middle to the end, and it's a three-course meal from here on out.

    10. "Air" - Harvey Fierstein, he of the goose-strangled-with-barbed-wire voice, rasps out this little ditty in an inspired bit of gimmick casting, and manages to not cough up any internal organs, despite the ungodly noises toward the end of the track. 5/5

    11. "Initials" - What was originally a choral number is now handed primarily to the divine Laura Benanti. And what do you know, she's funny! Topping the whole thing off with an operatic high C doesn't hurt matters, either. 5/5

    12. "I Got Life" - Broadway's resident rock star, Adam Pascal, shows off the voice that he should have blown out looong ago in a rollicking, fast-paced number. Great fun, but I wouldn't recommend trying to emulate it. 5/5

    13. "Goin' Down" - Gavin Creel has a voice of honey and silk that can rise into an impressively soulful belt when he feels like it. And here, he feels like it. Another energetic roof-raiser. 5/5

    14. "Hair" - These three songs, these three singers, one right after the other? It's bliss. Raul Esparza snarls out the first verse, then roars full-throttle into a higher octave for the last few stanzas. A fitting title song. 5/5

    15. "My Conviction" - Another fun trifle, amusingly given voice by a veddy proper Charles Busch. 3/5

    16. "Easy To Be Hard" - Jennifer Hudson, post-American Idol and pre-Dreamgirls, is revelatory here. She tears the lid off this already-impassioned number and absolutely rips it to shreds. Just the right amount of emoting, just the right amount of full-throated vocalizing. The definitive rendition of this song, EVER. (I was unconvinced she was right for Effie, until I heard this. It gave me chills like I hadn't felt since Jennifer Holliday's performance in... well, you know.) 6/5

    17. "Don't Put it Down!" - Funny indictment of patriotism, given an unfortunately nasal rendition by the duo of Christopher Sieber and John Tartaglia. It passes quickly. 2/5

    18. "Frank Mills" - The sweetly-warbling Annie Golden is adorable in this lament for a lost love. 4/5

    19. "Be-In Hare Krishna" - Catchy as all hell. This has been in my head for approximately... ten years. 5/5

    20. "Where Do I Go?" - Another gender switch. Here, Julia Murney sings a song of uncertainty. Fans of the Wild Party will be unsurprised to learn that it does end in a big, belty final phrase. However, she has grown into her voice, and shows a bit of welcome nuance in the plaintive lyrics. 5/5

    21. "Hippie Life" - Eden Espinosa does her thing with some dated lyrics and some insanity-belting. 4/5

    22. "Electric Blues" - The most aurally interesting track on the album, and also the one that takes the most liberty with its source material - there's no instrumentation and no lead vocalist. The a cappella group Toxic Audio is menacing, and yet somehow amusing, showing that even though they lack the Broadway star status of most of the other participants, they more than deserve it. 5/5

    23. "Black Boys" - Part one of a two-part ode to jungle fever. Odd tempo and some strange, strange metaphors comparing black men repeatedly to candy. 3/5

    24. "White Boys" - Part two, and by far the more satisfying. True, the whole thing is basically a long contest to see which girl can belt the highest and riff the most, but by God it's fun as hell to listen to Shayna Steele, Brandi Chavonne Massey, and Orfeh skip up half step after half step, till you're not sure they can continue to do that without hurting somebody. 5/5

    25. "Walking in Space" - Another paean to the positive aspects of drug use, sung gorgeously by Sherie Rene Scott. 5/5

    26. "Yes, I's Finished on Y'all's Farmlands" - Short and good. 4/5

    27. "Four Score/Abie, Baby" - Gives the legendary Billy Porter the Emancipation Proclamation and lets him run with it, with fantastic results. 5/5

    28. "Good Morning Starshine" - Sweetly given voice by Liz Callaway. Shows off MacDermot's uncommon melodic gift, and the inanity of Gerome Ragni's lyrics. 5/5

    29. "Three-Five-Zero-Zero" - Absolutely terrifying choral requiem for Vietnam. 5/5

    30. "What a Piece Of Work is Man" - Darius DeHaas again shows why he deserves a lot more work than he gets, and also why he's known to possess a killer tenor voice. 4/5

    31. "The Flesh Failures/Let the Sunshine In" - Possibly the best track on the album is saved for last. The incomparable Norm Lewis starts things off with uncertainty in his deep, resonant tenor, built around a repeating bassline. As the orchestration builds and he climbs up the staff, Euan Morton makes a return appearance as Claude, screaming in anguish. The chorus joins in gradually, Billy Porter and Darius DeHaas start exhorting the audience to let the sunshine in, and joy breaks through the clouds, though that minor key constantly reminds us that there are no clean-cut happy endings.

    5 out of 5 stars Unreal!!!.......2006-11-10

    A fabulous cast including the incredible talents of Lillias White, Jennifer Hudson, Ana Gasteyer, Soshana Bean and Eden Espinosa! The journey this CD takes you on is truly a treat! The new songs on the disc are FANTASTIC! (Eden and Ana) The men in the cast are just as wonderful as the ladies...a VERY diverse cast with a FANTASTIC sound!

    2 out of 5 stars This recording is very disappointing............2006-05-31

    After reading the below reviews, I decided to purchase this CD. I am a huge fan of the play, movie, and their respective recordings- BUT, this CD is terrible. The songs are very oversung- some of them even sound like they have a choir in the background! There is no continuity to the singers, and wonderful classic songs like "Where do I go" are sung by the opposite gender?!? I have never written one of these reviews before, but I hope you consider carefully before purchasing this CD.

    4 out of 5 stars Power vocals en masse!.......2006-04-21

    My one complaint about this recording is, "Too Much Shouting!" Yes, in these days of "American Idol," this is very much in vogue, but good golly! In the song "White Boys," for example, the three singers, all of whom have powerful voices, seem to be trying to outsing each other. Normally, I like Jennifer Hudson's singing, but her rendition of "Easy to Be Hard" might as well be called, "Easy To Be Way-Oversung". That written, this endeavor has much to admire. The musical direction is tight, and the diction is excellent. The quality of the voices is uniformly good, and polished. A good deal of variety also exists here, from Harvey Fierstein hacking out the song "Air," to Laura Benanti triumphantly capping off "Initials" with an operatic high C.

    3 out of 5 stars SHRILL!!!.......2005-12-22

    Most of the songs are great, but there are far too many singers who "oversouled" the songs. One of my favorite songs "Easy to be Hard" sounds like an American Idol or Apollo finalist trying way too hard.
    Myths And Hymns (1998 Off-Broadway Cast, Originally Saturn Returns)
    Average customer rating: 4.5 out of 5 stars
    • A magical and affecting song cycle
    • Beautiful Song Cycle, Almost As Good As Guettel's The Light In The Piazza
    • Best Song Cycle Ever Written!
    • A fine new voice in musical theater
    • "There's A Shout" for this album
    		 Myths And Hymns (1998 Off-Broadway Cast, Originally Saturn Returns)
    Adam Guettel , Todd Ellison , Aidra McDonald , and Darius de Haas
    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    McDonald, AudraMcDonald, Audra | Divas | Opera & Vocal | Styles | Music
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    1990s1990s | By Decade | Soundtracks | Styles | Music
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    Similar Items:
    1. Floyd Collins (1996 Original Off-Broadway Cast)
    2. Myths and Hymns
    3. The Light in the Piazza (2005 Original Broadway Cast)
    4. Grey Gardens - A New Musical (2006 Original Broadway Cast)
    5. John & Jen (1995 Original Off-Broadway Cast)

    ASIN: B00000IQ5N
    Release Date: 1999-03-30

    Tracks:

    1. Children Of The Heavenly King
    2. At The Sounding
    3. Saturn Returns
    4. Icarus
    5. Migratory V
    6. Pegasus
    7. Link
    8. Hero And Leander
    9. Sisyphus
    10. Come To Jesus
    11. How Can I Lose You?
    12. There's A Shout
    13. Awaiting You
    14. The Great Highway
    15. There's A Land
    16. Saturn Returns (reprise)

    Amazon.com

    Until this disc, Adam Guettel was best known as the mastermind behind Floyd Collins, the gut-wrenching, boundary-breaking piece of musical theater that never gained the popularity it deserved. Myths & Hymns is another beast altogether, though just as interesting. Guettel has created a song cycle based loosely on Greek mythology and lyrics he discovered in an antique hymnal. These 15 songs are a combination of art song and show tune, but all are interesting. "Icarus" is funky jazz in which the composer duets with Lawrence Clayton. "There's a Land" is transformed from a traditional hymnal into an upbeat romp à la "This Land Is Your Land." "At the Sounding" is an upbeat yet appropriate transition from the somber "Children of the Heavenly King." Joining Guettel on the vocal parts for these works are Audra McDonald, Mandy Patinkin, Theresa McCarthy, and a handful of other fine interpreters. Sublime and moving, Myths & Hymns is all about reflecting--to God, a lover, or oneself. And while Guettel's roots run deep into the Broadway tradition (he's the grandson of Richard Rodgers), he's thankfully not afraid of musical experimentation. A great, soulful disc. --Jason Verlinde

    Customer Reviews:

    5 out of 5 stars A magical and affecting song cycle.......2006-09-28

    I bought this disk on an Adam Guettel shopping spree after seeing and loving his Tony Award winning The Light in the Piazza. I was expecting the same sophistacated, elegant, and lushly romantic score a la Piazza, but was suprised to encounter an earthy mix of contemporary, hip rhythms and folkish, almost ecclesiastical melodies. However, upon my first listening, I didn't like it, didn't get it, and put it back on the self.
    Fast forward a year.
    I now think Myths and Hymns is the most original, most innovative song cycles of our generation. M and H encumpasses greek mythology and spiritual Americana by combining the stories of Icarus, Pegasus, Hero, Lysander, Sisyphus, and others with the structured yet sprited New England hymnal style music. The result is magical collection of songs that link together both musically and emotionally to create a satisfying listening experience.
    The Performers are all in top form, including greats like Mandy Patankin embodying the eturnal suffering of Sisyphus, Theresa McCarthy and her angelic soprano voice, a spirited Billy Porter, and a radient Audra McDonald showing a playful side of Pegasus. However, the best performer by far is Guettel himself. He sings many of his own songs, and gives a soulful, heartfelt, and skilled performance, proving himself with the many talented voices on this cd.
    The best songs are:
    -At the Sounding: A spirited opening number combining antique lyrics with modern harmonies. It starts the cd of with a bang.
    -Saturn Returns: Sung by Guettel, this song masterfully addresses the universal question about meaning in life.
    -Icarus: Upbeat, and again sung but Guettel, it tells the story of the ill fated Icarus and adds present day connections to the ancient myth.
    -Hero and Leander: The most romantic song on the cd, and my favorite. It is sung by Guettel, and is an understated and poigent declaration of love.
    -Sisyphus: Mandy Patankin as you've never heard him before. A very funny song.
    -Come To Jesus: A haunting melody that will stay with you long after listening.
    -Pegasus: Another upbeat, funny little song, with silly lyrics and obscure references.
    Keep an open mind while listening to this cd. It may take multiple listenings to fully appreciate its genious.
    Highly reccomended

    5 out of 5 stars Beautiful Song Cycle, Almost As Good As Guettel's The Light In The Piazza.......2006-06-25

    When listening to The Light In The Piazza, I soon fell in love with the soundtrack and wanted to hear more from Adam Guettel, so I picked up Myths & Hymns. While it is quite obviously different from The Light In The Piazza, it is just as musically brilliant.

    What really gives this album that extra glue to hold it together is the star-studded cast singing the songs. There are Broadway favorites like Mandy Patinkin (singing "Sisyphus") & Audra McDonald (singing in "Pegasus"), but one great thing about this is that Mr. Adam Guettel sings a few songs himself (and not half-bad might I add) which include "Hero And Leander" & "Saturn Returns."

    From the beautiful title song "Saturn Returns" to the quirky but funny "Pegasus" to the unique song stylings of "Sisyphus," this is certainly a must-have for any music lover. A few cautionary things about this though. This is a song cycle, a group of songs designed to be performed in sequence as a single entity, not really a musical. Also, there really isn't a beat. For instance, you're not going to wake up the following day singing "Come To Jesus" because it is beautifully addictive music that doesn't have a real consecutive rhythm. It is a still a brilliant music and is a must-listen for anyone.

    5 out of 5 stars Best Song Cycle Ever Written!.......2006-02-28

    I believe that this is the best song cycle ever written and remains as one of my favourite Guettel pieces. The songs on this CD are extraordinary, extremely well written and cleverly assembled. I have also bought the sheet music which confirms his musical genius even further and also contains many songs not on the CD such as Prometheus, Jesus the Might Conquerer, Life is But a Dream and Build a Bridge, all of which are fabulous. This is a must for all music lovers! You won't regret it!

    5 out of 5 stars A fine new voice in musical theater.......2003-07-19

    "Myths and Hymns" brings a fine new talent to musical theater. Adam Guettel has taken Greek myths and combined them with songs found in an old hymnal to create a unique cycle of songs ranging from funny ("Pegasus" and "There's A Land") to poignant ("Migratory V" and "Hero and Leander") to uplifting ("There's A Shout"). And, for this recording, we get to hear some of the original cast members from "Saturn Returns," the off-broadway show which featured the 16 tracks on this album. Theresa McCarthy, Audra McDonald, Billy Porter and Mandy Patinkin, to name a few.

    Some of my favorites are "Hero and Leandro" sung by Adam Guettel, "How Can I Lose You?" sung by Annie Golden and "Awaiting You" sung by Billy Porter. But, the entire album is filled with fantastic music and wonderful voices.

    5 out of 5 stars "There's A Shout" for this album.......2002-12-31

    I've been on a crusade ever since I was in college, it was to find unique and passionate musical. When I first started my search it mostly consisted of Stephen Sondheim's musicals, but now its getting bombarded with the likes of Ricky Ian Gordon, Jason Robert Brown, Micahal John Lachiusa and of course Adam Guettel. I first fell in love with in love with Adam Guettel's works when I bought FLOYD COLLINS, it mentioned on the back that he was the new Sondheim, so of course I bought it. Well after I listened to that album I was in a desperate search for what ever else he wrote. Then I found MYTHS & HYMNS. Which is not quite a musical, but it is. There such amazing voice on this album such as Audra McDonald, Mandy Patinkin, Theresa McCarthy, Vivian Cherry, Annie Golden, and of course Adam Guettel himself. The music is so powerful at times it can reduce you to tears and so fun at times you can't help from dancing and singing around your room. So if you haven't guessed it yet I highly recommend this album!
    The Essential Emma Johnson
    Average customer rating: 4 out of 5 stars
    • CLassical Clarinet Lovers Look Here!
    		 The Essential Emma Johnson

    Manufacturer: Asv Living Era
    ProductGroup: Music
    Binding: Audio CD

    PavanesPavanes | Ballets & Dances | Classical | Styles | Music
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    1. Encores 2

    ASIN: B00004GOWA
    Release Date: 2000-03-28

    Tracks:

    1. Cl Con in A, K.622: First Movt: Allegro - Emma Johnson
    2. Cl Con in A, K.622: Second Movt: Adagio - Emma Johnson
    3. Cl Con in A, K.622: Third Movt: Rondo. Allegro - Emma Johnson
    4. Cl Con No.2 in f, Op.5: First Movt: Allegro - Emma Johnson
    5. Cl Con No.2 in f, Op.5: Second Movt: Andante Pastorale - Emma Johnson
    6. Cl Con No.2 in f, Op.5: Third Movt: Rondo - Emma Johnson
    7. Adagio in D flat ('Wagner's Adagio') - Emma Johnson
    8. Cl Con No.2, Op.115: First Movt: Allegro Vivace - Emma Johnson
    9. Cl Con No.2, Op.115: Second Movt: Lento - Emma Johnson
    10. Cl Con No.2, Op.115: Third Movt: Allegro Non Troppo 'The Pre-Goodman Rag' - Emma Johnson

    Tracks:

    1. The Victorian Kitchen Garden - Ste: Prld - Skaila Kanga
    2. The Victorian Kitchen Garden - Ste: Spring - Skaila Kanga
    3. The Victorian Kitchen Garden - Ste: Mists - Skaila Kanga
    4. The Victorian Kitchen Garden - Ste: Exotica - Skaila Kanga
    5. The Victorian Kitchen Garden - Ste: Summer - Skaila Kanga
    6. The Tale Of Tsar Saltan: Flight Of The Bumble-Bee - Julius Drake
    7. Vocalise, Op.34 No.12 - Julius Drake
    8. Fant Pieces, Op.73: I. Zart Und Mit Ausdruck - Emma Johnson
    9. Fant Pieces, Op.73: II. Lebhaft, Leicht - Emma Johnson
    10. Fant Pieces, Op.73: Rasch Und Mit Feuer - Emma Johnson
    11. Prlds Book I: The Girl W. The Flaxen Hair - Emma Johnson
    12. Pavane For A Dead Infanta - Emma Johnson
    13. Scaramouche - Ste: First Movt: Vif - Julius Drake
    14. Scaramouche - Ste: Second Movt: Modere - Julius Drake
    15. Scaramouche - Ste: Third Movt: Brazileira - Julius Drake
    16. Gymnopedie No.1 - Julius Drake
    17. Three Prlds: I. Allegro Ben Ritmato - Julius Drake
    18. Three Prlds: II. Andante Con Moto E Poco Rubato - Julius Drake
    19. Three Prlds: Allegro Ben Ritmato E Deciso - Julius Drake
    20. To A Wild Rose - Julius Drake
    21. Five Bagatelles, Op.23: I. Prld - Malcolm Martineau
    22. Five Bagatelles, Op.23: II. Romance - Malcolm Martineau
    23. Five Bagatelles, Op.23: III. Carol - Malcolm Martineau
    24. Five Bagatelles, Op.23: IV. Forlana - Malcolm Martineau
    25. Five Bagatelles, Op.23: V. Fughetta - Malcolm Martineau
    26. The Snowman: Walking In The Air - Julius Drake
    27. Jamaican Rumba - Julius Drake

    Customer Reviews:

    4 out of 5 stars CLassical Clarinet Lovers Look Here!.......2000-06-13

    This is a very good CD that covers a broad range of music. The Mozart Concerto for clarinet is especially good, as Emma is able to really make it sing. Other highlights on this disc are the Finzi Bagatelles and the "Victorian Country Gardens". Both are exceptional pieces of music. I had never heard Emma play before, but now I am hooked, and I can't wait to get another recording. I definetly reccomend this for the classical Clarinet lover.

    Music:

    1. Dick Tracy [Soundtrack]
    2. Disney's Fantillusion [Import]
    3. DragonBall Z Best Of Volume 4 [Soundtrack]
    4. Easy Rider: Soundtrack [Soundtrack] [Import]
    5. Ed Wood: Original Soundtrack Recording [Soundtrack]
    6. Fiddler on Roof [Soundtrack]
    7. Film Noir: 16 Classic Tracks from the Dark Side of the Movies
    8. Giant Robo 2 [Soundtrack]
    9. Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack [Import] [Soundtrack]
    10. Goldsmith Conducts Goldsmith [Soundtrack]

    Music

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