Walking Dead

walking dead

Track Listings

1. How I Wish - Queen Latifah

2. Smiling Faces Sometimes - The Undisputed Truth

3. What's Going On - Marvin Gaye

4. Ooo Baby Baby - The Miracles

5. Tracks of My Tears - The Miracles

6. Cloud Nine - The Temptations, The Temptations

7. Get Ready

8. I Heard It Through the Grapevine - Marvin Gaye

9. War - Edwin Starr

10. Among the Walking Dead - Scarface

11. Whitehead Bros. & Big Rube - Conflict

Walking Dead,Various Artists,Motown,Alternative Rap,Dirty South,Funk,Hip-Hop,Motown,Pop,Pop-Soul,Psychedelic Soul,R&B,Rap & Hip-Hop,Smooth Soul,Soul,Soundtrack,Soundtracks & Film Scores,Southern Rap,Urban

Walking Dead

Dead Man Walking (Live recording of 2000 world premiere production)

Average customer rating:

Isa Lei
Weak attempt at opera realism
Challenging in many dimensions
The Opera is Fabulous.
It Could Have Been More

Dead Man Walking (Live recording of 2000 world premiere production)
Jake Heggie , Susan Graham , Frederica von Stade , Patrick Summers , and San Francisco Opera Chorus and Orchestra
Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

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The Faces of Love ~ The Songs of Jake Heggie / Fleming, McNair, Larmore, von Stade, Forand, Cao, Clayton, Vaness, Asawa
Little Women: An Opera in Two Acts
Cold Sassy Tree
Bolcom - A View from the Bridge / Josephson, Malfitano, Turay, Lyric Opera of Chicago, D. Russell Davies
Previn - A Streetcar Named Desire / Fleming, Futral, Gilfry, Griffey, SF Opera, Previn

ASIN: B000059ZHR
Release Date: 2002-01-08

Tracks:

Prelude - Patrick Summers
Prologue - Patrick Summers
Act One, Scene 1. Hope House: 'He Will Gather Us Around'
Act One, Scene 2. The Drive To Angola State Prison: 'Be Careful,' People Have Always Told Me.
Act One, Scene 2. The Drive To Angola State Prison: Aria: This Journey. This Journey To Christ.
Act One, Scene 3. Outside Of Angola State Penitentiary: Sister Helen? I've Been Waiting For You.
Act One, Scene 4. Father Grenville's Office: Some Of Them Didn't Look So Bad.
Act One, Scene 4. Father Grenville's Office: I Don't Like That Man.
Act One, Scene 5. The Walk Through Death Row: Woman On The Tier!
Act One, Scene 6. The Death Row Visiting Room: Thank You.
Act One, Scene 6. The Death Row Visiting Room: Aria: A Warm Night.
Act One, Scene 7. The Pardon Board Meeting: The Defendant's Mother, Mrs. Patrick De Rocher. - Frederica Von Stade
Act One, Scene 8. The Parking Lot Outside The Courthouse: Its A Good Sign When They Take So Long.
Act One, Scene 8. The Parking Lot Outside The Courthouse: You Don't Know What It's Like To Bear A Child.
Act One, Scene 8. The Parking Lot Outside The Courthouse: It's The Decision Of This Pardon Board
Act One, Scene 9. The Death Row Visiting Room/Scene 10. The Waiting Room: Guess Your Nun Ain't Comin' Back, De Rocher./Excuse Me. Do You Have Any Change?
Act One, Scene 10. The Waiting Room: 'He Will Gather Us Around'

Tracks:

Prelude - Patrick Summers
Act Two, Scene 1. Joseph's Cell: 31...32...33... - John Packard
Act Two, Scene 2. Sister Helen's Bedroom: Oh!... Now And At The Hour Of Our Death. Amen.
Act Two, Scene 2. Sister Helen's Bedroom: Duet/Scene 3, Joseph's Cell. August 4 In The Evening: Sometimes Forgiveness Is In The Smallest Gesture./Well? Well?
Act Two, Scene 3. Joseph's Cell. August 4 In The Evening: What Time Is It?
Act Two, Scene 4. The Visiting Room: Wow! Those New Ford Mustangs Are So Cool.
Act Two, Scene 4. The Visiting Room: Aria: Dont' Say A Word.
Act Two, Scene 4. The Visiting Room: Who Will Walk With Me?
Act Two, Scene 5. Outside The Death House: Good Evening.
Act Two, Scene 5. Outside The Death House: Duet: I've Said Some Harsh Things.
Act Two, Scene 6. Joseph's Holding Cell: You're A Regular Illustrated Man, De Rocher. - David Okerlund
Act Two, Scene 7. The Confession: How Much Longer? How Much More Time?
Act Two, Scene 7. The Confession: We'd Been Drinkin' And Smokin' Weed At The Road House.
Act Two, Scene 8. The Execution: Dead Man Walking!
Act Two, Scene 8. The Execution: 'He Will Gather Us Around.'
Applause

Amazon.com

Dead Man Walking opens with a brutal rape-murder scene and ends with a passage, silent except for the clicks of the machine delivering fluids that execute a condemned man, followed by Susan Graham intoning the spiritual "He will gather us around." Those searing scenes flank that rarity, a contemporary opera that deals with an important issue--the death penalty--with balance and empathy while sustaining dramatic tension, the narrative conveyed with musical alertness. Small wonder that the opera has been so successful. It's based on the book by Sister Helen Prejean and the acclaimed Tim Robbins film made from it about a nun who befriends a condemned man and brings him to face the redemptive truth of his actions. The recording was made during the San Francisco premiere of the opera and has all the intensity of a live performance, in addition to the overwhelming power of the story and the music.

It would be hard to imagine a better performance, too. Susan Graham is perfect as Sister Helen, singing with purity of tone and fiery passion. She's delightful, too, in the humorous bits that leaven what would otherwise be a story too harrowing for the medium. Frederica von Stade, as the murderer's mother, is as good, and baritone John Packard as the condemned man is a real find--a singing actor totally convincing throughout, both as the hardened killer and later as the repentant man finally accepting responsibility for his deeds. The supporting cast is also first-rate, and Patrick Summers conducts with unerring sweep and fervor. Jake Heggie's score may lack hummable arias (other than the traditional hymn that plays so important a part throughout), but the orchestration is fresh, the vocal lines are grateful, and the range is wide, moving seamlessly from modern romanticism to bits of pop and rock. No small part of the opera's success is due to Terrence McNally's dramatically cohesive libretto. A triumph for all concerned. --Dan Davis

Customer Reviews:

Isa Lei.......2006-12-25

The merging of the Fijian song Isa Lei into a deeply moving piece of sub-continental music is brilliant. Worth the whole CD

Weak attempt at opera realism.......2004-09-02

The idea of making this story into an opera is a great idea, and I was so excited to see it, but the music is way too tonal and lyrical for a story like this. The whole opera sounds very amateurish. Heggie's sense of orchestration and musical language is very bland and unimaginitive in my opinion. And a good chunk of the opera consists of about four or five themes that keep reappearing throughout the opera almost always in the same form. There is no intellectual system of Wagnerian leitmotif here, it is simply direct repetition of material throughout the opera. This is not a story of heros and heriones with an epic romantic plot. This is a very dark and gritty look at the death penalty, and I'm amazed that reviewers complained that this opera is too atonal and 20th century for their tastes. In my opinion this opera does not nearly have enough atonality and emotional depth to it. Dark stories should use dark music. Just look at operas like Peter Grimes, Lady Macbeth of Mtsensk, Wozzeck, and Lulu. In all of these operas the purpose of the music is to elevate the drama in this dark stories to a level that could not be achieved by simple spoken word. To me Heggie undercuts the drama by reverting to lyrical numbers at very dramatic points in the opera. It doesn't help that the stage direction was pitiful in the version I saw (stage symmetry is the last thing you would want in a 20th century realism opera). It seems that I am alone here in my argument. But anybody who knows anything about 20th century opera realism (Puccini does not count) will probably agree that Heggie completely missed a good opportunity to make a scoarching opera.

Challenging in many dimensions.......2004-06-09

I think that this opera (or it's subject more generally) gets to the heart of the entire debate about capital punishment - if we could devise a test that was perfect in its ability to distinguish the guilty from the innocent, would we still be willing to execute people for horrendous crimes. Having just seen this opera in a performance in Pittsburgh, I'm not sure. One of the amazing things about this opera is the extent to which it presents the conflicts associated with the death penalty without manipulating the observer. Is this despicable person really worth anyone's time? Is there some sense in which his death is warranted as retribution for his crimes? Would his death provide any sort of compensation to the surviving victims of his crimes? I honestly have no idea. But an extraordinary feature of this opera is the way in which it introduces these issues without biasing the viewer. During the after-show dinner, my wife and I discussed these issues a number of times. Any work that induces that type of reflection about the deeper underlying issues is worthwhile from my point of view.

In terms of the music, I suppose that there are moments of power and beauty. We're talking about a modern opera, so there aren't many hummable songs (see Broadway if you want those.) I suspect that the entire endeavor is more effective in person.

The Opera is Fabulous........2003-06-21

I recently saw the Opera in Detroit, Michigan. It was a wonderful experience (but isn't going to the opera always a wonderful experience?). I thought it was well done-- the music was a tad too 20-th Century for my tastes, but I still loved it!

It Could Have Been More.......2002-06-26

This opera has it's moments and they are glorious moments. The story is powerful and the central idea is important. Jake Heggie is a wonderfully lyrical composer. He really knows how to show off the voice and has an innate sense of drama. He also proves a brilliant orchestrator. The duet on forgiveness in the second act is very moving...as is the music for Von Stade. Occasionlly the opera goes a bit over the top, particularly at the end of the first act, where Sister Helen seems to be having a psychotic break...seems a bit much. But more often the piece is pretty understated for an opera and the ending is extremely effective.

So why only three stars? I think the problem rests with the libretto. This opera continues the deplorable late 20th century trend in opera toward sung play. As opera houses move toward commissioning playwrites such as McNally and William Hoffman as librettists the things that distiguish the particular art of the librettist are dying out. This opera libretto reads like a play. While there are a few ensembles that attempt to present multiple viewpoints simulteneously, they don't compare to the great ensemble situations of a Da Ponte or Boito. And perhaps more importantly, though McNally does include soliloquies, they are in a rather straightforward prose...one that is hard to set well in music. Too many syllables and too little verbal rhythm. As a result, no matter how hard Heggie struggles (and he does a heroic job at this) the opera never bursts into song, as it obviously wants to. Some will say that this is because the opera is throughcomposed, as is the style in modern opera. While that's true, you only have to listen to the operas of Barber or Carlisle Floyd to here examples of throughcomposed opera that still retains the sense of song. Even Nixon in China manages to create a sense of song while remaining throughcomposed.

Perhaps the difference is that in the most successful contemporary opera libretti, the librettist is either the composer, or a poet. In many ways, the best choice for a modern librettist is to follow the practice of Broadway and let the dialogue be written by a playwrite, reserving the set pieces (and most operas still have set pieces, even Britten) for a poet or lyricist. Certainly, this would have helped this opera to do what opera can do best, soar.

Tracks:

Dead Man Walkin' - Bruce Springsteen
In Your Mind - Johnny Cash
Woman On The Tier (I'll See You Through) - Suzanne Vega
Promises - Lyle Lovett
The Face Of Love - Nusrat Fateh Ali Khan
The Fall Of Troy - Tom Waits
Quality Of Mercy - Michelle Shocked
Dead Man Walking (A Dream Like This) - Mary Chapin Carpenter
Walk Away - Tom Waits
Ellis Unit One - Steve Earle
Walkin Blind - Patti Smith
The Long Road - Eddie Vedder

Customer Reviews:

Pep rally for the defense.......2006-01-08

I pulled this gem out of the vault this morning for the first time in a while. It lived in the CD changer for an extended period before it was temporarily retired. Listening as I write for the first time in a couple of years. No criminal defense lawyer should be without it.

Eddie Vedder is absolutely at the top of his game here. Tom Waits as well. Not a bad cut on the disc, although some are better than others. "The Boss" opens the album up with a borderline tune but does well setting the stage for what follows. Lyle Lovette struggles, but Vedder follows up with the most interesting cut in the collection thereby rescuing the mood.

Very good album, especially for a compulation (don't like them, hence 3 stars). Of couse, like all politcal music, your own stance on the issues will guide your judgement on this one.

The Power of Two.......2004-10-27

Truth is I was so transfixed by the visuals that the soundtrack to the movie didn't enter my consciousness. It was the superlative Vedder/Nasrat Fateh Ali Khan duets on radio that drew me to this fabulous compilation. Truth is also that while knowing of Pearl Jam, I'd never given Eddie more than glancing attention. Ali Khan I'd heard since the mid 1980s. Their singing on this CD is compelling. Then there was the challenge set for the song champs by Tim Robbins to write their impressions from a roughcut of the film. The dividends aren't quite so great. Springsteen, Michelle Shocked, Susan Vega, Mary Chapin Carpenter, and my favourite here, Lyle Lovett, all returned wonderful material. Lovett's pure diction & phrasing ensures the enunciating of failed promises,and failed words, cuts deep. Springsteen sets the mood with a fairly literal condensing of the film's narrative. I consider it stronger than anything on,'Tom Joad'. And as Springsteen's voice assembles Sean Penn's screen face for me, so does Carpenter's erect Susan Saradons'. The star cast emerge collectively with absorbing material, though none quite match Vedder(who later at Bob Dylan's CBS bash, stole the show with 'Masters of War)and Ali Khans'.

You got to hear this album!.......2004-06-29

This is one of my favorite albums of all time. I just want to keep listening to it all the time! In fact I like it so much that I also bought the other version of this soundtrack, i.e. "Dead Man Waliking, The Score". This album have the extended versions of my two favorites tracks "The Face of Love" and "The Long Road" by Nusrat Fateh Ali Khan and Eddie Vedder. These two tracks alone are worth the purchase of the "Score".

Buy this and the "The Score" and you will not regret it.

Reconverted..........2003-02-04

I must admit that I have had this album lying on my shelf for almost 4 months before today, when I seem to have rediscovered it as I sit listening to it and writing this review.
The reason; I watched the movie yesterday...
There are two kinds of soundtracks...the first that exist in isolation and are great independent of the movie (Amadeus, English Patient, Straight Story...), the other that are so intimately entwined with the visuals and message of the movie that without these, they lack something very basic.
Dead Man Walking, is of the latter category. Of course the movie itself is so touchingly powerful that anything that evokes memories of it would be an experience in itself. However this album goes beyond this...I think what makes this album trully good is that it carries you beyond the movie (the way only music can).
I have given it four out of five stars primarily because sometimes the album becomes too much of itself! Even though the Eddie Vedder and Fateh Ali's "Face of love" appeals instantly the vocals quickly grow too saccharine and simplistic (specially if you can understand the urdu lyrics).
"The long road" on the other hand stands out as a trully moving musical experience. The beats of the tabla along with Vedder's spiritual rendition seem to bring us close to the 'life force' that the movie tries to depict in its entirety.
Admitedly I have to listen to this album a lot more before I begint to trully grow into it...I have a feeling that its one of those rare albums that will grow on me. Revealing more as time and life goes by...

Spiritual Punch in the Gut.......2001-10-27

I want to address one cut on the --what is it called, CD? Album?--The Quality of Mercy is not Strained. This cut is close to the heart of every piece on the allbum. The lyrics, taken from the bible, an esoteric enough epigram from, I think, St. Paul's epistles, trying to explain the mercy of God, "The quality of mercy is not strained" raining as it does on the just and the unjust. It's one of the toughest concepts in Christianity, in my humble opinion. The lyrics of the song take that dialectic, those opposites, and addresses martyrs and murderers, see them lying on the same plain, see mercy raining down on them both. Same for hypocrites and heroes, saints and sinners.

The beat of the song is totally primitive, like a heartbeat, and whoever arranged it punctuated certain words--maybe only one word, in fact, the word love--with several bass voices singing that one word under Michelle's Shocked's passionate, hard, gritty, intense notes but two octaves down--it's like some ancient, instant buddhist monks' meditation on that one word, you see prayer wheels spinning, suddenly the concept of love is revealed as dizzy and impossible and beautiful. The bass voices are African American and they are so deep they might be the voices of the animal world, like frogs singing in the dark, singing about love, or from a spirit world almost always hidden.

The refrain, "I've been three times a sinner/and two times a saint," is sung with energy and sorrow and honesty. If you don't sing along and feel sorry, your heart is made of stone.

Tracks:

Voi Che Sapete
Non So Piu Cosa Son, Cosa Faccio
Di Te Mi Rido
Mi Lusinga Il Dolce Affetto
Mio Bel Tesoro
Verdi Prati
O Malheureuse Iphigenie!
Stopping By Woods On A Snowy Evening
Early In The Morning
The Wintry Mind
O You Whom I Often And Silently Come
Comment Le Dedain Pourrait-Il Mourir?
Dieu! Que Viens-Je Entendre?
This Journey To Christ
Who Will Walk With Me?
Dead Man Walking!
He Will Gather Us Around
C'est Ca La Vie, C'est Ca L'amour
Yes
Les Hommes Sont Bien Tous Les Memes

Customer Reviews:

Great Introduction.......2004-08-25

This is a great introduction at a very reasonable price to Susan Graham's lovely mezzo voice, with selections from several CDs. Be warned, however - this will only whet your appetite for the full albums (for example, her incredible live performance as Ruggiero in Handel's "Alcina" with Renee Fleming and Natalie Dessay and with William Christie conducting Les Arts Florissants - surely one of the most stupendous opera recordings ever made).

Average customer rating:

Dead Man Walking
Original Soundtrack
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Dead Man Walking
At San Quentin (Legacy Edition)

ASIN: B000EHQ8FA
Release Date: 2006-06-13

Tracks:

Deadman Walkin' - Bruce Springsteen
In Your Mind - Johnny Cash
Woman On The Tier (I'll See You Through) - Suzanne Vega
Promises - Lyle Lovett
The Face Of Love - Nusrat Fateh Ali Khan/Eddie Vedder
The Fall Of Troy - Tom Waits
Quality Of Mercy - Michelle Shocked
Dead Man Walking (A Dream Like This) - Mary Chapin Carpenter
Walk Away - Tom Waits
Ellis Unit One - Steve Earle
Walkin' Blind - Patti Smith
The Long Road - Eddie Vedder/Nusrat Fateh Ali Khan
Dead Man - Eddie Vedder

Amazon.com

The updated Dead Man Walking: Legacy Edition enhances the original soundtrack to Tim Robbins's Oscar-winning 1995 movie, including a bonus DVD and a newly recorded bonus track, the gripping "Dead Man," from Pearl Jam's Eddie Vedder. Dead Man Walking was a moving and somber examination of capital punishment, based on Sister Helen Prejean's book of the same name. At the filmmaker's request, well-known activist artists like Bruce Springsteen, Johnny Cash, and Michelle Shocked contributed original songs inspired by the subject matter. The included bonus DVD documents a 1998 concert--hosted by Tim Robbins and benefiting Sister Helen and Murder Victim Families for Reconciliation--which brought together many of the artists who had contributed to the original soundtrack including Eddie Vedder, Lyle Lovett, and Steve Earle. The performances are uniformly impassioned: Steve Earle recreates his stark portrait of a death row guard's story in "Ellis Unit 1" and teams with Lyle Lovett to cover Townes Van Zandt's "Lungs."

Even in a concert whose subject is capital punishment, moments of levity find their way into the proceedings. Robbins shares an amusing list of protest song titles that didn't make the cut for the soundtrack and Vedder entertains the crowd with his story of delivering the filmmakers a song called "Dead Man Walking," only to learn that he had been pre-empted by Springsteen's Oscar-nominated title track. Ani Difranco's jittery energy seems a little out of place, but the closing set by Vedder and Pearl Jam bandmate Jeff Ament, joined by Doors drummer John Densmore and Rahat Fateh Ali Kahn (son to famed Pakistani vocalist Nusrat Fateh Ali Kahn), ends the evening on a fittingly restrained note. --Ben Heege

Dead Man Walking: The Score
Average customer rating:

Moving

One of the best albums I have heard, highly recommended

this cd is worth buying 3 tracks

Haunting. You will not forget this album.

Innovative, and yet areas fall flat...

Dead Man Walking: The Score
David Robbins , and Vishwa Mohan Bhatt
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Dead Man Walking: Music From And Inspired By The Motion Picture

Dead Man Walking

Dead Man Walking

Night Song

A Meeting by the River

ASIN: B000002BKM
Release Date: 1996-04-02

Tracks:

The Face Of Love - Nusrat Fateh Ali Khan/Eddie Vedder
Helen Visits Angola Prison - David Robbins/Nusrat Fateh Ali Khan/Amina Annabi
Dudouk Melody (A Cool Wind Is Blowing) - David Robbins
This Is The Day That The Lord Hath Made - Rev. Donald R. Smith/The Golden Voices Gospel Choir Of St. Francis De Sales Catholic Church
The Possum - David Robbins/Nusrat Fateh Ali Khan
Shadow - Nusrat Fateh Ali Khan
Helen Faints/Helen's Nightmare - David Robbins/Nusrat Fateh Ali Khan/Amina Annabi
Dudouk Melody (I Will Not Be Sad In This World) - David Robbins
Sacred Love - The Dusing Singers
The Execution - David Robbins/Nusrat Fateh Ali Khan
The Long Road - Eddie Vedder/Musrat Fateh Ali Khan
Isa Lei - Ry Cooder/V.M. Bhatt

Customer Reviews:

Moving.......2003-12-10

Simply buy the album for the Face of Love track.
Knowing a little about the movie will help to enjoy this one.
It is hauntingly spiritual and the melancholy can be felt for hours after a listen.
East truly meets west. I never really believed that music can break barriers of language and culture. This track really does that.

One of the best albums I have heard, highly recommended.......2003-05-31

This CD is my favorite CD so far. I listen to this CD on a regular basis. The best part of this CD are the two songs by Nusrat Fateh Ali Khan and Eddie Vedder and also the last instrumental by Ry Cooder and V.M. Bhatt. This CD is different from the standard Dead Man Walking soundtrack. This has the extended and un-edited versions of the two songs I mentioned above and the additional instrumental. When I am listening to these two songs, it seems as if Khan and Vedder are sitting right next to me. The recording is excellent and the songs are sung very beautifully.

I would highly highly recommend this CD to everyone reading this.

My only wish is that they come out with the SACD version of this album!

this cd is worth buying 3 tracks.......1999-07-23

an essential album for any nusrat fan. it's a bit more chill than his other recordings because it's not traditional qawali that he's doing...the two tracks he sings on are a bit too structured in the beginning, but they digress in the middle up until the end beautifully. eddie vedder's attempts are impressive and surprisingly convincing, what an honor to share a track with one of the world's greatest singers! honestly, aside from the 2 tracks of eddie and nusrat, and the last track on the album--the instrumental by v.m. bhatt and ry cooder and co., the rest of the cd isn't worth listening to. BUT IT IS STILL VERY WORTHWHILE TO BUY THE CD ANYWAY. the three tracks total to about a half hour and that half hour is bliss.

Haunting. You will not forget this album........1998-12-11

The music is melancholic and beautifully put together by David Robbins and is definitely one of the best soundtracks recently made. I especially like the two songs with Eddie Vedder and Nusrat Fateh Ali Khan. I was thrilled when Eddie Vedder began his Pearl Jam concert in Denver by singing one of these songs. Unfortunately, Nusrat Fateh Ali Khan died last year, otherwise these two could have collaborated again for an entire album.

Innovative, and yet areas fall flat..........1998-11-23

Having Ustad Nusrat Fateh Ali Khan perform with Eddie Vedder was a stroke of genius-- Mr. Vedder sounds as if he is singing in Urdu, and the intense spiritualism and eroticism of Ustad Khan fit well in this movie of spirituality. Bruce Springsteen also makes an excellent contribution to the album-- his voice explores the haunting qualities that he provided in the Ghost of Tom Joad. The other contributions are a mixed bag-- strong in areas, but otherwise not memorable. The album is worth purchasing simply for the first mentioned songs, however!

Walking Dead 2 / Only Holy Maybe / Emotion

Average customer rating:

Walking Dead 2 / Only Holy Maybe / Emotion
Puressence
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006JS7F
Release Date: 2002-10-29

Album Details

Their First Single after a Four Year Respite, Taken from their 2002 Album "Planet Hopeless" Produced by Alan Moulder (Nirvana).

Average customer rating:

Walking Dead, Pt. 1
Puressence
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006JS7E
Release Date: 2002-10-29

Tracks:

Walking Dead
Moss Side Lonely
Ironstone Izadora [Echoboy Mix]

Album Details

Their First Single after a Four Year Respite, Taken from their 2002 Album "Planet Hopeless" Produced by Alan Moulder (Nirvana).

Average customer rating:

Dead Men Walking
The Serpenteens
Manufacturer: Blood and Guts
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music
ASIN: B000IY04PE
Release Date: 2006-10-03

Tracks:

X-Ray Eyes!
Speak His Name
Silver Bullet
(Please Be My) Zombie Bride
Death Tripping
Hell California
All Around Me!
Day of the Dead
Satana
More Than Human
Antennae
Calling All Monster Kids

Average customer rating:

classic Yuppicide

Dead Man Walking
Yuppicide
Manufacturer: Wreckage
ProductGroup: Music
Binding: Audio CD

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Shine Box

ASIN: B000000IK1
Release Date: 1995-10-01

Tracks:

Meat Packer
Nice Guys Finish Last
Thief
Twelve Steps
Tied Down
The Cleaner
Fuse
Four Letter Word
2 cents
The One I Love

Customer Reviews:

classic Yuppicide.......2000-09-16

If you like Yuppicide, you must own this cd. Full of the grit and edge that Yuppicide does best - makes you want to yell!

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Dead Man Walking
Flatline
Manufacturer: Bloody Money Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002ABSUY
Release Date: 2004-06-08

Tracks:

Hood on Fire - Flatline
Block Bleedaz - Flatline, Mr. Optimo
If You in da Club - Fade Dogg, Flatline
Everything Is Going Wrong - Flatline
Calling My Name - Flatline, ,
If You a Hustla - Flatline, Mr. Optimo
Sometimes I Lean - Flatline, , Yungstar
Never Gonna Ride Again - Baby Beesh, , Flatline, Lil' Bing
No More Pain - Flatline,
Represent Yo Click - Flatline, , ,
Butt Naked - Flatline, Don Gotti, Pimp-T
Mission for Money - Flatline,
Texas Young Guns - Coast, Flatline, Mr. Optimo
Visions in da Dark - Flatline, Grimm, Ikeman
Playas Weekend - Flatline
Don't Care - Big Mello, Flatline, ,
Dead Man Walking - Flatline

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