Breakfast at Tiffany's: Score [Soundtrack]

breakfast at tiffany's: score [soundtrack]

On this CD:

Breakfast at Tiffany's, film score Moon River
Composed by Henry Mancini
with Eudice Shapiro, Shelly Manne, Armand Kaproff, Milton Thomas, Laurindo Almeida, Irma Neumann, Earle Brown, Alexander Murray, Nathan Ross, Suellen Allen, Edgar Lustgarten
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Something for Cat
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Sally's Tomato
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Mr. Yunioshi
Composed by Henry Mancini
with Karl DeKarske, Irma Neumann, Joseph Stepansky, Eudice Shapiro, Alexander Murray, Shelly Manne, Earle Brown, Suellen Allen, Armand Kaproff, Milton Thomas
Conducted by Henry Mancini

Breakfast at Tiffany's, film score The Big Blow Out
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Hub Caps and Tail Lights
Composed by Henry Mancini
with Karl DeKarske, Irma Neumann, Joseph Stepansky, Eudice Shapiro, Alexander Murray, Shelly Manne, Earle Brown, Suellen Allen, Armand Kaproff, Milton Thomas
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Breakfast at Tiffany's
Composed by Henry Mancini
with Karl DeKarske, Irma Neumann, Joseph Stepansky, Eudice Shapiro, Alexander Murray, Shelly Manne, Earle Brown, Suellen Allen, Armand Kaproff, Milton Thomas
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Latin Golightly
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Holly
Composed by Henry Mancini
with Karl DeKarske, Irma Neumann, Joseph Stepansky, Eudice Shapiro, Alexander Murray, Shelly Manne, Earle Brown, Suellen Allen, Armand Kaproff, Milton Thomas
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Loose Caboose
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's, film score The Big Heist
Composed by Henry Mancini
with Karl DeKarske, Irma Neumann, Joseph Stepansky, Eudice Shapiro, Alexander Murray, Shelly Manne, Earle Brown, Suellen Allen, Armand Kaproff, Milton Thomas
Conducted by Henry Mancini

Breakfast at Tiffany's, film score Moon River Cha Cha
Composed by Henry Mancini
with Shelly Manne, Earle Brown, Suellen Allen
Conducted by Henry Mancini

Breakfast at Tiffany's: Score,Henry Mancini,Edgar Lustgarten,Henry Mancini,Henry Mancini,Shelly Manne,Laurindo Almeida,Karl DeKarske,Milton Thomas,Alexander Murray,Eudice Shapiro,Irma Neumann,Joseph Stepansky,Nathan Ross,Earle Brown,Suellen Allen,Jvc / Xrcd,Film,Film Music,Lounge,Original Score,Pop,Soundtrack,Soundtracks & Film Scores

Breakfast at Tiffany's: Score [Soundtrack]

Average customer rating:

Typical Mancini
It's Hard to Believe He's Gone
Nostalgic
On connaît tous sa musique, beaucoup moins son nom...
Henry Mancini's Greatest Hits

Greatest Hits
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Y9YB
Release Date: 2000-09-26

Tracks:

Peter Gunn
A Profound Gass
Snowfall
Mr. Lucky
The Great Impostor: Theme
Moon River
Breakfast at Tiffany's
Experiment In Terror
Hatari: Theme
Baby Elephant Walk
Just For Tonight (Vocal)
Days Of Wine And Roses (Vocal)
Charade (Vocal)
The Pink Panther Theme
Dear Heart (Vocal)
How Soon (Vocal)
A Shot In The Dark
The Sweetheart Tree (Vocal)
Two For The Road (Vocal)
Love Theme From 'Romeo An Juliet'
Whistling Away The Dark
What's Happening!!

Customer Reviews:

Typical Mancini.......2007-03-25

First, I really like Mancini's music generally and I am really concerned that he may be one of the greats of American music who will soon be forgotten if he hasn't been already. (US music schools tend to be a little snobby and don't give a number of truly great American composers their due.) However, the mix of this particular CD is simply too average. Many good songs are not on it and some weak ones are. I would not recommend this CD except to ManciniPhiles like me.

It's Hard to Believe He's Gone.......2006-05-23

Henry Mancini gave us so much of our consciousness of the 1960s and 1970s, and yet was "out" almost as soon as he was "in."

His work became synonymous with much-despised "elevator music" in the later 1960s. This stereotype (or monotype, for his earliest works) can mislead.

For example, "Lujon" [not in this collection] was used in a movie just last year to exemplify mystery and an exotic atmosphere.

Mancini dies way too young. While some would argue that he'd become a self-parody, his innate gifts compromised by relentless commercialization, you cannot take away his lasting gift to our culture. He was an original, and he captured an essence of our collective experience.

He's here in this collection, waiting round the bend, my Huckleberry friend.

Nostalgic.......2006-02-20

A great trip down memory lane. The selections sound just like I remember them from the movies and the radio. Enjoy

On connaît tous sa musique, beaucoup moins son nom..........2005-09-20

En ces temps où le terme de BO est galvaudé (pénible Yann Tiersen, satanés Choristes !), cette compilation est l'occasion de rendre hommage à l'un des grands génies du genre, largement méconnu, et victime d'un des plus incroyables quiproquos de la Musique.
En effet, c'est lui qui a composé l'éternel thème de la Panthère Rose, et son mythique refrain de saxophone, définitivement associés au dessin animé du même nom, et qui invariablement provoquent sourires (voire moqueries) chez les non-initiés... Rappelons qu'au départ La Panthère Rose est un film réalisé par le génial Blake Edwards en 1964, avec l'inénarrable Peters Sellers dans le rôle principal, et que cette fameuse Panthère Rose désigne non pas un sympathique félin, mais un diamant d'une valeur inestimable, et dont le vol est à l'origine du scénario.
Mais sa contribution à l'histoire de la musique ne s'arrête pas là. En effet, on lui doit également le monumental Moon River, titre dont l'insurpassable limpidité mélodique est capable de me porter au bord des larmes en quelques mesures, repris entre autres par Sinatra et Morrissey et susurré par la délicieuse Audrey Hepburn dans Breakfast At Tiffany's. Et c'est toujours lui qui est à l'origine du thème explosif de Peter Gunn, avec sa ligne de basse à réveiller les morts et ses arrangements de cuivres qui traumatiseront toute une génération de compositeurs, Quincy Jones en tête...
En tout cas, cette compilation est une excellente introduction à l'univers de Henry Mancini, qui en mêlant arrangements jazzy, vocaux surannés et mélodies inoubliables, a tout simplement inventé la Lounge music, avant que ce mot ne désigne un vaste fourre-tout pour bobos peu curieux...

Henry Mancini's Greatest Hits.......2005-07-13

This CD is all one needs to understand why this dude is the master when it comes to composing. Having been introduced to this great human being at an early age, my fascination for his work is still a vital part of my being. This CD is just what I have always wanted. It has all the classics, along with some older gems I never knew existed. I love it so much, that I am going to send my mama back home one. She was, is and always will be perhaps his GREATEST FAN ever. If you just can't live without Mancini's music, then this CD is for you. Enjoy, enjoy,
enjoy!!

Breakfast At Tiffany's: Music From The Motion Picture Score

Average customer rating:

Best soundtrack I've heard, especially if you like 1950's swing and jazz
YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP)
Capote
It Still Resonates in Our Hearts
Oh it's good...

Breakfast At Tiffany's: Music From The Motion Picture Score
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Lounge | Easy Listening | Pop | Styles | Music

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Orchestral Pop | Easy Listening | Pop | Styles | Music

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ASIN: B000002W3F
Release Date: 1990-10-25

Tracks:

Moon River
Something For Cat
Sally's Tomato
Mr. Yunioshi
The Big Blow Out
Hub Cap & Tail Lights
Breakfast At Tiffany's
Latin Golightly
Holly
Loose Caboose
The Big Heist
Moon River Cha Cha

Amazon.com

When you think of Henry Mancini, you inevitably think of either "Peter Gunn" or "Moon River." (Well, maybe "The Pink Panther"--but that became a cartoon show, so it doesn't count!) Breakfast at Tiffany's gave the world the latter tune, and that beautiful melody recurs throughout this soundtrack LP, which remained No. 1 on the Billboard pop charts for 12 weeks in 1961. (Music for Peter Gunn in 1959 was Mancini's only other No. 1 album.) The soundtrack doesn't include Andy Williams's hit single of "Moon River," but then neither did the film. It does, however, take you through the many moods of the film (and the exploits of Miss Holly Golightly), with an emphasis on Latin influences in the forms of "Latin Golightly" and "Moon River Cha Cha." Nevertheless, one common complaint has been that RCA could've remastered the music and added additional tracks to flesh out the CD. Maybe in the future... --Bill Holdship

Customer Reviews:

Best soundtrack I've heard, especially if you like 1950's swing and jazz.......2007-05-04

Great soundtrack, though very hard to find. Henry Mancini does a great job with the orchestra, I can almost see Mr.Yomioshi peeking out of his door, or Holly singing with her guitar in her windowsill. Perfect for background music when entertaining, and also when you want to relax and enjoy the music of the 1950's.

YOU ARE CORDIALLY INVITED TO MY "SAKE PARTY" (Please RSVP).......2006-08-27

Back in the mid-1980s, I had an idea for a "theme party" I wanted to throw. Unfortunately, life (lower case L) obstructed my plan and I never got around to it. {*Truth is, he never managed to save up enough money to buy friends to invite.*} But I did record four 90-minute cassette tapes of background music for the party that never was. (Remember, this was before recordable CDs and all the other technocrap.) Oh, the music would have been great: Booker T And The MGs; Three Dog Night; Bobby Darin; Stevie Wonder; Muddy Waters; The Partridge Family; War; and Wild Cherry (guess which Funky song, White Boy!) But each side of every tape ended with MR. YUNIOSHI, the theme song for Mickey Rooney's angry Japanese character in the movie, Breakfast At Tiffany's. MR. YUNIOSHI was to be the cue for me - wherever I was mixing, or whoever I was mixing it up with - to prepare to turn over the tape.

I may throw this party yet...someday. The house is going to be jammed - floor to ceiling - with helium-filled balloons, so as you push your way through them, you'll never know who or what you're about to run into. {*Fun, eh? If you're smart, you'll have a prior engagement.*} Hey, never mind that voice behind the curtain - it IS going to be fun! But there is one thing that every person at this party will have in common: Regardless of who ends up kissing whom, or who ends up punching whom, or regardless of For Whom The Bell Tolls {*Sounds like it's going to be an exhausting evening for Whom! I hope he or she is up to it.*}, each and every person will have knocked back a slug of SAKE as a prerequisite for gaining admittance to this soiree.

SAKE (pronounced "Sock-ee"), in case you don't know, is the traditional fermented Japanese beverage made from rice. It's served hot in small ceramic cups. Being hot, it seems to assimilate in a person's bloodstream fairly quickly and makes one feel real good, real fast. For many, it's an "acquired taste", although I took to it immediately. {*He's an alky; he took to all booze before he took to the bus for elementary school.*} I have two nice sake sets that I purchased ages ago in Chinatown, near downtown Los Angeles, and you'll need to suck a shot of sake before you're permitted to enter my pagoda to hear MR. YUNIOSHI. {*And burst his bubble and pop his balloons!*}

But MR. YUNIOSHI is far from being the only track I like from Henry Mancini's BREAKFAST AT TIFFANY'S soundtrack. I've seen the movie a couple of times and I'm just not one of its fans. But the music, now that's another thing! BREAKFAST AT TIFFANY'S (the film) won none of the 1961 Academy Awards, but the Oscars for "Best Music Score" and "Best Song" (Moon River) went to Mr. Mancini. What does that tell you? {*Think, McFly! Think!*} This entire album is delicious; it's one of my 25 most frequently played compact discs!

It starts with the award-winning bittersweet song, MOON RIVER, written by Mancini and the equally legendary Johnny Mercer. I love the song even if my favorite version was recorded later by Louis "Satchmo" Armstrong. This is the only "song", literally speaking, as it contains lyrics sung by Mancini's Chorus. All other tracks are instrumentals unless you're counting the Chorus singing "Oohs" and "Ahhs" on a couple of the other cuts.

Some of the instrumental pieces have that unmistakable "Mancini" stamp: Distinctively pronounced beats (a la "The Pink Panther"). Others are the antithesis of that style, with a tremendously yearning emotional content conveyed through the subtle interplay of his impeccable Orchestra and the smooth harmonic layering of his Chorus of male and female voices doing little more than humming the melodies.

And yet again, on some pieces, Mancini's charts propel his dynamic, top-notch Orchestra into bright, soaring flights that seem almost on the verge of running off the pages and into improvisational exuberance. {*Don'tcha just love how he nearly sounds like he knows what he's talking about?*} I mean, listen to that Orchestra crank it up on THE BIG BLOW OUT, or SOMETHING FOR CAT, or LOOSE CABOOSE - Mancini directed highly accomplished musicians as befitting a man of his genius. And I never use the word "genius" lightly, but this man was indeed just that! How he was able to translate the action of a scene into corresponding "music pictures" in pieces like THE BIG HEIST and the playful striptease-cum-cartoon, HUB CAPS AND TAIL LIGHTS! {*Some would say, if you've got `em, flaunt `em.*}

But nothing moves me more than SALLY'S TOMATO, BREAKFAST AT TIFFANY'S, and HOLLY - three instrumentals that float like some tear-drenched, melancholic sunbeam. They were recorded at the dawn of the 1960s, just before all hell broke loose in this country and we found ourselves embroiled in a cultural revolution that pierced an ineffable something deep within us and from which we'll never recover. There's a desperate "looking back at innocence" captured in these three pieces that crushes my heart and forces my eyelids closed. It's a memory of joy that's gone and not returning. It's gently swaying grass growing around the headstone of a deceased lover. {*Aw, cap it, will ya? Yer bumming everyone out.*}

Alright then. Let me just say that this soundtrack is Five Star from top to bottom, and in short {*It's too late for THAT!*}, there are two things that I really recommend you do: You should acquire a copy of Henry Mancini's musical masterpiece right here and now, and later you should come to my SAKE PARTY. {*If you pass out, and you're still there in the morning, he's gonna treat you to BREAKFAST AT TIFFANY'S!*}

Capote.......2006-05-23

If you've seen the recent academy-award-winning performance depicting Truman Caopte, you can appreciate even more the role Hepburn plays in this film.

And, perhaps as much or more, the crucial function Henry Mancini had to fulfill in creating this memorable music. The exact music in the movie itself is a little different than what you'll find in this album, but that is actually a good thing.

This album combines aspiration, ambition, sophistication and pretense into a really irresistable brew. Hepburn's performance made us love her.

But Mancini won an Oscar, too. Let's reflect on exactly how and why that happened...

It Still Resonates in Our Hearts.......2006-03-03

Henry Mancini's soundtrack is very timely for the period in which it was released. It remains vibrant, elegant and sentimentally moving and captures the essence of this film so satisfyingly. Adding to the overall effect is the melancholy and so endearingly memorable and touching MOON RIVER. This soundtrack truly captures the feel of this film and those great times that seem gone forever but still resonate in our hearts.

Oh it's good..........2005-11-23

When listening to the first track simply entitled "Moon River" you would think that you're in a black Givency evening dress with a string of pearls standing outside Tiffany's eating a dansih and drinking coffee.
"Moon River Cha Cha" describes a typical cocktail party and it's good!
This soundtrack does NOT dissapoint and in my opinion is timeless, I mean it *is* Henry Mancini...

Average customer rating:

Award Winning Movie Themes: The Sixties

Manufacturer: Michelle Records
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Release Date: 1994-11-28

Tracks:

The Magnificent Seven: The Magnificent Seven
A Man And A Woman: A Man And A Woman
Breakfast At Tiffany's: Moon River
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A Summer Place: Theme From A Summer Place
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Paramount 90th Anniversary Collection: Scores

Average customer rating:

Great Movies have Great Soundtracks!
Only Disc 1 Is Worth Anything
More of a propaganda CD
Great selection of Film Hits!
Older recordings, main themes only

Paramount 90th Anniversary Collection: Scores
Various Artists
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000068TN9
Release Date: 2002-07-02

Tracks:

Saving Private Ryan 'Hymn To The Fallen' - John Williams
Double Indemnity 'Prelude' - Miklos Rozsa
The Lost Weekend 'Finale' - Miklos Rozsa
The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
Sunset Boulevard 'Prelude' - Franz Waxman
The Ten Commandments 'Prelude' - Elmer Bernstein
Breakfast At Tiffany's 'Moon River' - Henry Mancini
Hatari! 'Baby Elephant Walk' - Henry Mancini
Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
Love Story 'Theme From Love Story' - Francis Lai
The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
The Godfather 'Love Theme From The Godfather' - Nino Rota
Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
The Godfather - Part II 'End Title' - Nino Rota
Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
Beverly Hills Cop 'Axel F' - Harold Faltermeyer

Tracks:

Witness 'Building The Barn' - Maurice Jarre
Children Of A Lesser God 'Main Title' - Michael Convertino
The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
Fatal Attraction 'Fatal Attraction' - Maurice Jarre
The Addams Family 'Main Title' - Marc Shaiman
Dead Again 'Winter 1948' - Patrick Doyle
Indecent Proposal 'Flashback & Photos' - John Barry
The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
Braveheart 'For The Love Of A Princess' - James Horner
Primal Fear 'Courtroom Montage' - James Newton Howard
Mission: Impossible 'Zoom B' - Danny Elfman
Star Trek: First Contact 'End Credits' - Jerry Goldsmith
Titanic 'Hard To Starboard' - James Horner
The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
The Talented Mr. Ripley 'Italia' - Gabriel Yared
Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
Mission: Impossible 2 'The Bait' - Hans Zimmer
Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
Vanilla Sky 'To The Roof' - Nancy Wilson
The Sum Of All Fears 'The Mission' - Jerry Goldsmith
Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri

Amazon.com

Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley

Customer Reviews:

Great Movies have Great Soundtracks!.......2007-05-10

If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.

Only Disc 1 Is Worth Anything.......2006-07-19

Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.

And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.

I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.

More of a propaganda CD.......2002-10-30

There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.

It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).

This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.

There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.

Great selection of Film Hits!.......2002-09-25

This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.

Older recordings, main themes only.......2002-08-27

This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.

I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.

Tracks:

Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
Moon River
Days of Wine and Roses
Baby Elephant Walk
Theme from Hatari
Charade - Henry Mancini, Henry Mancini
Thorn Birds Theme - National Philharmonic Orchestra
Blue Satin
Two for the Road
Mr Lucky
Theme from the Molly Maguires - National Philharmonic Orchestra
Moment to Moment
As Time Goes By - Henry Mancini, Henry Mancini
Shot in the Dark
Misty
Theme from Love Story
Pennywhistle Jig - National Philharmonic Orchestra
Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
Moonlight Sonata
Tender Is the Night - Henry Mancini, Henry Mancini
Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
Raindrops Keep Falling on My Head
Crazy World
Mona Lisa

Tracks:

Peter Gunn
Unchained Melody - Henry Mancini, Henry Mancini
Summer Knows
Experiment in Terror
Windmills of Your Mind
Till There Was You
Speedy Gonzales - Henry Mancini,
Sweetheart Tree
Love Theme from Romeo and Juliet
Dream a Little Dream of Me
Lonesome
Pie in the Face Polka - National Philharmonic Orchestra
Love Is a Many Splendored Thing
By the Time I Get to Phoenix
Dear Heart
Charade [Opening Titles]
Shadow of Your Smile
One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
Breakfast at Tiffany's
That Old Black Magic
Evergreen
Midnight Cowboy

Album Description

1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.

Album Details

Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.

Customer Reviews:

not enough Galway.......2003-10-02

There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.

Too Good to Last.......2000-03-03

I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.

Average customer rating:

Varèse Sarabande à son meilleur!
A copy in every household . . .
A sampler feat. some of the greatest film scores in history.
"the man behind Varese Sarabande ~ Robert Townson"

In Session: Film Music Celebration
Robert Townson , Joel McNeely Jerry Goldsmith , and Royal Scottish National Orchestra
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

Star Wars | Soundtracks | Styles | Music

Star Trek | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:

Varese Sarabande 25th Anniversary Celebration
Music In Film (National Public Radio Milestones Of The Millennium)
The Essential Elmer Bernstein Film Music Collection
Paramount 90th Anniversary Collection: Scores
The Incredible Film Music Box

ASIN: B00005ABOI
Release Date: 2001-03-27

Tracks:

2001
Rebecca
Citizen Kane
That Hamilton Woman
Anna and the King of Siam
Captain From Castille
A Streetcar Named Desire
Viva Zapata!
The Trouble With Harry
Peyton Place
Vertigo
The 7th Voyage of Sinbad
The Twilight Zone
Psycho
The 3 Worlds of Gulliver
Breakfast At Tiffany's
To Kill A Mockingbird
Marnie
Hamlet

Tracks:

The Agony and the Ecstasy
The Sand Pebbles
Who's Afraid of Virginia Woolf?
Born Free
Fahrenheit 451
Patton
Tora! Tora! Tora!
Jaws
Midway
Superman: The Movie
Star Trek: The Motion Picture
Somewhere In Time
Body Heat
Out of Africa
Platoon
Star Wars: Shadows of the Empire
Taras Bulba
Agony and the Ecstacy (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
Sand Pebbles (Overture) - Jerry Goldsmith, Royal Scottish National Orchestra
Who's Afraid of Virginia Woolf? (Moon and Main Title) - Jerry Goldsmith, National Philharmonic Orchestra
Playtime [Born Free Dub Mix II] - Royal Scottish National Orchestra, Frederic Talgorn
Road [From Fahrenheit 451] - Joel McNeely, Royal Scottish National Orchestra, Seattle Symphony Orchestra
Patton (Entr'acte) - Jerry Goldsmith, Royal Scottish National Orchestra
Tora! Tora! Tora! (Main Title) - Jerry Goldsmith, Royal Scottish National Orchestra
Man Against Beast - Joel McNeely, Royal Scottish National Orchestra
Midway (Main Title and End Title) - Royal Scottish National Orchestra, Rick Wentworth
Superman The Movie (Love Theme) - John Debney, Royal Scottish National Orchestra
Enterprise [Star Trek: The Motion Picture] - Jerry Goldsmith, Royal Scottish National Orchestra
Somewhere in Time (Theme) - John Debney, Royal Scottish National Orchestra
Body Heat (Main Title) - The London Symphony Orchestra, Joel McNeely
Out of Africa (Main Title) - Joel McNeely, Royal Scottish National Orchestra
Platoon (Theme) - Georges Delerue
Shadows of the Empire (Xizor's Theme) [Star Wars] - Joel McNeely, Royal Scottish National Orchestra
Ride of the Cossacks [Taras Bulba] - Cliff Eidelman, Seattle Symphony Orchestra

Customer Reviews:

Varèse Sarabande à son meilleur!.......2003-04-17

Robert Townson célèbre ici le 500ème cd à être édité par Varèse Sarabande en créant une compilation receuillant les nombreux réengistrements que Varèse Sarabande sut faire au travers des dernières années. Regroupant du matériel de Jerry Goldsmith, Bernard Herrmann, John Williams, Alex North et plusieurs autres, In Session propose un parcours éclectique au travers des années de compositions de chacune des bandes sonores présentées au sein de la compilation. Le voyage commence à avec la musique rejetée de 2001 d'Alex North, pour faire un parcours passant par Rebecca, Citizen Kane (Félicitons ici le FABULEUSE voix de la soprano Janice Watson et la direction impécable de Joel McNeely), Viva Zapata!, Psycho, The Sand Pebbles, Patton, Jaws, Platoon (Autre musique rejetée du regreté Georges Delerue, pastiche du célèbre Adagio pour cordes de Samuel Barber), Star Wars: Shadows of the Empire (Musique composée par Joel McNeely pour le livre se déroulant entre The Empire Stricke Back et The Return of the Jedi) pour finalement clore avec Tara's Bulba. Il s'agit ici d'une sélection très riche, des morceaux d'une durée appréciable et d'une direction et d'une sonorité incroyable. Il s'agit ici d'un merveilleux cadeau de Robert Townson et Varèse Sarabande (Label qui célèbre en 2003 son 25ème anniversaire. Surveillez aussi la compilation de Varèse Sarabande (4 cds pour le prix de un!) qui verra le jour le 22 avril 2003) et c'est une compilation que toute personne sensible à la musique doit posséder! Chapeau Varèse!

A copy in every household . . ........2003-02-09

This disc is so chock-full of classic scores from classic films that every movie-and-music lover should own a copy. Thanks to Robert Townson for producing this collection and the entire Varese film score catalog. My favorite tracks from this disc are "Who's Afraid of Virginia Woolf"; "Star Trek: The Motion Picture"; and "Midway".

A sampler feat. some of the greatest film scores in history........2001-09-06

Words cannot convey what a collection like this means to a film music collector such as myself. Varese Saraband has been releasing quality film scores and music for the last 20 plus years. My vinyl and CD collections burst with so much great stuff from Varese. One day I was looking in the bins of my local record store and noticed this little gem of a collection. I looked at it and saw a virtual cornucopia of the great film score cues for only $ (and 2 discs). So I purchased it and opened it up. Much to my surprise, the booklet is chock full of information about each scoring session and pictures to boot. I also learned more about some of these wonderful pieces as well. Well thanks to Mr. Townson and this nice collection, I plan to purchase some of the recordings these cues were released on since I don't own classics like Viva Zapata, Alex North's 2001, Superman (not the Varese version, I do have the other release), and Patton. Guess I will have to save a few pennies, but it will be worth it. I recommend this collection to anybody who wants to discover and learn about the history of film music. I also think it's a great listen from the first song to the last on both discs. My compliments to Varese on a great collection of classics (and keeping it under $).

"the man behind Varese Sarabande ~ Robert Townson".......2001-04-06

The music that this label releases is without a doubt in a class by themselves, always perfection. Here we have the 500th CD release from ~ "The Man Behind The Music" ~ Mr. Robert Townson. So much care is taken with each album, that you feel you are witnessing the birth of a newborn baby, and that may be just what it is.

For those of us who buy each album ~ people who work to create them ~ the artwork ~ musicians ~ and a list of some of the most talented composers and conductors ~ John Barry, Elmer Bernstein, John Debney, Georges Delerue, Cliff Eidelman, Jerry Goldsmith, Bernard Herrmann, Michael Lang, Henry Mancini, Joel McNeely, Alfred Newman, Alex North, Miklos Rozsa, Dimitri Shostakovich, Frederic Talgorn, Franz Waxman, Rick Wentworth and John Williams ~ and as always the sound quality and performances by the Royal Scottish National Orchestra, Seattle Symphony Orchestra, London Symphony Orchestra and National Philharmonic Orchestra is dynamically flawless and simply superb.

This economically priced 2-CD-Set ~ pure film score sampling ~ is worth it's weight in gold. One should not have a favorite from this vast collection, but if asked ~ it would be "TO KILL A MOCKINGBIRD" (1962) composer Elmer Bernstein took it to the limit and beyond, the story-line, cast and score was the perfect marriage.

A big, big thank you to ~ Matthew Joseph Peak (cover/session photography) ~ Jonathan Allen, Geoff Foster, Bernie Kirsh, Mike Ross, Mike Sheady and Al Swanson (recording engineers) ~ Rich Breen (mastering engineer) ~ and for the extensive 28 page liner-note booklet featuring "behind the scenes" memories of these past 500 albums, may we look forward to future classics on the next 500 CD's from producer...ROBERT TOWNSON!

Tracks:

Casablanca: 'As Time Goes By'
The Godfather: 'The Godfather Waltz'
Schindler's List: 'Theme'
Sense and Sensiblity: 'Weep You No More Sad Fountains'
Titanic: 'My Heart Will Go On'
A Man And A Woman: 'A Man And A Woman'
Breakfast At Tiffany's: 'Moon River'
Once Upon A Time In The West: 'Finale'
Black Orpheus: 'Manha de Carnaval'
Modern Times: 'Smile'
The Wizard Of Oz: 'Over The Rainbow'
Monsieur Hulot's Holiday: 'How Is The Weather In Paris?'
LA STRADA: 'La Strada'
The Blue Angel: 'Falling In Love Again'
Zorba The Greek: 'Zorba's Dance'
Titanic Medley: 'Never An Absolution' - 'Take Her To Sea, Mr. Murdoch' - 'Hymn To The Sea' 'Titanic'

Customer Reviews:

Good CD;.......2007-06-09

Excellent music & musiciansI Salonisti Play Music From Titanic, Casablanca, The Godfather, Schindler's List, Sense And Sensibility And More

Music to my ears ..........2007-03-12

This is one of the greatest instrumental talents I've heard in years. This cd has some of my all-time favorite movie tunes including 'Moon River', 'Somewhere Over the Rainbow', and a very beautiful version of 'My Heart Will Go On'. This is the actual band that played in the 1997 movie Titanic and I'm truly thankful that they made this recording for everyone to enjoy. I'll cherish it for years to come. Thank you!

Familiar music with good performance.......1999-10-03

This CD contains many familiar music from films and the performance of the musicians is very good particularly track 16. I also find the music very relax and enjoyable and can bring the memory of those films if one has ever seen them.

Average customer rating:

Breakfast at Tiffany's
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Lounge | Easy Listening | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Movie Scores | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Soundtracks | Imports | Stores | Music

Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00009QP3S
Release Date: 2003-06-17

Tracks:

Moon River
Something for Cat
Sally's Tomato
Mr. Yunioshi
Big Blow Out
Hub Caps and Tail Lights
Breakfast at Tiffany's
Latin Golightly
Holly
Loose Caboose
Big Heist
Moon River [Cha Cha]
Arabesque
We've Loved Before-Yasmin's Theme [Instrumental]
Ascot
Dream Street
Facade
Something for Sophia
We've Loved Before-Yasmin's Theme [Vocal Version]
Shower of Paradise/The Zoo Chase
Pt. 1: Arabesque Theme
Pt. 2: Aquarium Scene
Pt. 3: Arabesque Theme (Reprise)
Bagdad on Thames

Album Description

Digitally remastered digipak reissue of the soundtrack to the 1961 celluloid adaptation of Truman Capote's novel that starred Audrey Hepburn. Includes one bonus track 'Wait Until Dark'. Features Henry Mancini's Oscar-winning score which includes the absolutely gorgeous 'Moon River', with a melody even more beautiful than the film's star! Featured musicians include Laurindo Almeida, Ralph Collier, Vince DeRosa, Shelly Manne, Jimmy Rowles, Jack Sheldon and others. RCA/Victor.

Average customer rating:

Differences Explained (better late than never)
TALE-OF-TWO-DISCS PROBLEM!
A Tale of Two Discs? Rats and Super Rats! I Need help . . .

Breakfast at Tiffany's: Score

Manufacturer: Jvc / Xrcd
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Lounge | Easy Listening | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Instrumental Pop & Lounge | Pop | Indie Music | Stores | Music

General | Soundtracks | Indie Music | Stores | Music

Movie Soundtracks | Soundtracks | Indie Music | Stores | Music
ASIN: B00005LVYZ
Release Date: 2001-07-31

Tracks:

Moon River
Something For Cat
Sally's Tomato
Mr. Yunioshi
The Big Blow Out
Hub Caps And Tail Lights
Breakfast At Tiffany's
Latin Golightly
Holly
Loose Caboose
The Big Heist
Moon River Cha Cha

Customer Reviews:

Differences Explained (better late than never).......2005-01-02

Having noticed that a previous reviewer is unfamiliar with JVC's xrcd2 releases of classic RCA titles, I'll attempt to offer an explanation.
These are audiophile-quality disks, aimed at a somewhat more sonically savvy consumer who doesn't mind shelling out a lot more money for titles that are available for much less as standard CD's. JVC's releases are beautifully packaged (they're basically duplicates in miniature of the original LP's) and include all original liner notes in addition to an explanation of the remastering/manufacturing processes that makes these disks so special and are responsible for their high price tags (and which I'm not going to try to explain here). I own a number of audiophile releases in addition to this one (several studios produce them, each with its own trade secrets), and most sound fantastic--they're stellar representations of some of the best audio technology available...or were until recently.
RCA recently began remastering its Living Stereo catalog for hybrid SACD release and, having heard side-by-side comparisons with the JVC's (as well as with the commercial CD releases), I have to say that the new SACD's sonically blow the JVC's right out of the water, include more material, and are WAY less expensive. Granted, soundtrack releases such as this one aren't yet affected (not being part of the LS series), but you might want to keep this in mind for the future; audio technology improves SO quickly and RCA is definitely interested in consumer response to the new format.
This is probably the best-sounding release of BaT to date, but it shares the limitation of its less-expensive CD counterpart: the amount of material included. JVC only contracted to remaster and release the original LP's, which, of course, were limited as to the amount of data that could be contained. In addition, Mancini's practice was to stipulate the exact tracks he wanted included on soundtrack LP's, often to the detriment of the release as a whole, e.g., the exclusion of Audrey Hepburn's vocal rendition of "Moon River" from this film and Fran Jeffries' of "Meglio Stasera" from The Pink Panther. The cheaper release contains extra tracks, but they're from the movie Arabesque (advances in technology enable the inclusion of more data/disk), so the BaT material is identical in either case. My recommendation is to go with the cheaper release and hope that RCA at some point does right by BaT and gives us a remastered release containing ALL the significant portions of the soundtrack.
BTW, "score" (or "filmscore" ) is often used in cases of different recorded performances than those used in specific films (Naxos/Marco Polo have quite a few such titles in their catalog). Many of these are wonderful recordings (sometimes conducted by the composer) that often include more actual music--possibly "enhanced," i.e., arranged for fuller orchestration--than the original soundtrack recording; they often sound better than the original, too. They make enjoyable additions to a collection but mustn't be confused with "ORIGINAL (emphasis mine) soundtrack recordings"; this term always refers to the actual music used in the film itself. If what you want is what you heard onscreen, nothing else will do. However, because of the age of some of these recordings, the audio level is often not up to par with that of the more recent "score" recordings (audiophile releases excepted).
Rest assured that this disk and its aforementioned RCA counterpart are original (if incomplete) soundtrack recordings.

TALE-OF-TWO-DISCS PROBLEM!.......2004-07-10

Like A Music Fan from Texas, I'm baffled by the presentation of two BAT
CD's, and am posting this because I don't know which one to order. I
had the original album and know it's first-rate; hence the 5-star rating
here. But why does this disc (BAT - Score) have 12 songs for $31.98 while the other one (BAT - Music from the Motion Picture) has 24 songs
for $9.98? I'm a huge Hepburn/Mancini fan, and would really like to pick the best, most authentic version.

A Tale of Two Discs? Rats and Super Rats! I Need help . . ........2004-04-20

Okay. So I need some help from all you Fred-Baby's out there. Love the movie, so, naturally, I want to [finally!]own the soundtrack. [I know i rated it even though I do not yet own it, but, i couldn't post this until selected a rating]. Anyway. I'm puzzled because there seems to be two versions available--and this is where i need help from anyone out there who knows the difference.

The "score" version has twelve tracks that, based on their titles, can easily be identified as characters/scenes correlative to the film ("Latin Golightly," "Sally's Tomato," "Something for Cat"). But, the "music from the motion picture" version available on here offers Twenty-Four(!) tracks with titles like "Something for Sophia," "We've Loved Before-Yasmin's Theme [Vocal Version]" "Arabesque," and "Shower of Paradise/The Zoo Chase".

Tracks:

The Apartment: Main Theme
Tom Jones
The Sandpiper: The Shadow Of Your Smile
Gigi
Charade
Breakfast At Tiffany's: Moon River
The Longest Day
The Cardinal: Stay With Me
A Man And A Woman
Mondo Cane: More
Brave Bulls: La Virgen De La Macarena
Never On Sunday
Black Orpheus: Manha De Carnaval
The King And I: March Of The Siamese Children
Pinocchio: When You Wish Upon A Star
Mary Poppins: Chim-Chim-Cheree
My Fair Lady: Get Me To The Church On Time
Georgy Girl
West Side Story: Tonight

Music:

Music

music