Track Listings
| 1. The Juggernaut | |||
| 2. What's In The Basement | |||
| 3. Main Title | |||
| 4. Entering The House | |||
| 5. Cyrus' Will | |||
| 6. Rafkin Struck Down | |||
| 7. The Jackal Attacks | |||
| 8. The Princess | |||
| 9. Junkyard | |||
| 10. Opening Of The Chambers | |||
| 11. Rafkin Dies | |||
| 12. Ben Moss Splits | |||
| 13. The Hammer | |||
| 14. Leaving The Library | |||
| 15. Gene Returns | |||
| 16. The Ghosts Escape | |||
| 17. The Arcana | |||
| 18. The Angry Prince | |||
| 19. Bobby Gets Lost | |||
| 20. Cyrus Returns | |||
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See all 22 tracks on this disc
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Editorial Reviews
Amazon.com
If modern horror films often feel like they've spent two cents on script for every dollar allotted for CGI effects, director Steve Beck wasn't about to buck the trend on this film equivalent of a mechanized carnival spook house (a remake of William Castle's deliciously cheesy original). Not surprisingly, John Frizzell's orchestral score struggles against those dramatic constraints, operating chiefly in three modes: treacly calm-before-the-bloodbath innocence, percussively creaky tension, or kill-em-all Sturm und Drang. It's the latter ethos that's often so (intentionally?) amusing; epitomized perfectly by the opening "The Juggernaut," it sounds like nothing less than the music for some lost '50s giant bug epic, say "Attack of the Mammoth Sow Bugs." Still, Frizzell's exercises in tension building are often compelling and fairly innovative, employing some unusual percussion and electronic effects to good end--if not exactly music for a sunny afternoon. --Jerry McCulley
Thirteen Ghosts,John Frizzell,Adam Stern,Northwest Sinfonia,Varese Sarabande,Film,Film Music,Pop,Soundtrack,Soundtracks & Film Scores
Average customer rating:
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Thirteen Ghosts
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R8DN Release Date: 2001-11-06 |
Tracks:
Amazon.com
If modern horror films often feel like they've spent two cents on script for every dollar allotted for CGI effects, director Steve Beck wasn't about to buck the trend on this film equivalent of a mechanized carnival spook house (a remake of William Castle's deliciously cheesy original). Not surprisingly, John Frizzell's orchestral score struggles against those dramatic constraints, operating chiefly in three modes: treacly calm-before-the-bloodbath innocence, percussively creaky tension, or kill-em-all Sturm und Drang. It's the latter ethos that's often so (intentionally?) amusing; epitomized perfectly by the opening "The Juggernaut," it sounds like nothing less than the music for some lost '50s giant bug epic, say "Attack of the Mammoth Sow Bugs." Still, Frizzell's exercises in tension building are often compelling and fairly innovative, employing some unusual percussion and electronic effects to good end--if not exactly music for a sunny afternoon. --Jerry McCulleyCustomer Reviews:
Dead-On Score! (no pun intended).......2001-12-26
Great Score!.......2001-11-08
Music: