The Son's Room [Soundtrack]
On this CD:
La Stanza del figlio (The Son's Room), film score La Stanza Del Figlio
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score La Corsa
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score La Lettera di Arianna
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Viaggio Nella Notte
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Soli
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Se Quel Giorno
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Andrea
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score La Traduzione
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Domenica
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Scarabocchi
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Lungo il Porto
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Stanza del figlio (The Son's Room), film score Ritorno in Città
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
Caro diario, film score Caro Diario
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
Caro diario, film score Il Campo di Pallone
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
Palombella rossa, film score Palombella Rossa
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
Palombella rossa, film score Le Mamme ci Asciugavano I Capelli
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Messa è finita, film score La Messa è Finita
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
La Messa è finita, film score Il Valzer Della Cioccolata
Composed by
Nicola Piovani
Conducted by
Nicola Piovani
Son's Room,Son's Room,Pacific Time Ent.,Pop,Soundtrack,Soundtracks & Film Scores
The Son's Room [Soundtrack]
Average customer rating:
- Wonderfull Collection to have but no Orignal Art Work.
- A fountain of youth for a Star Wars geek
- This is more of a description of the music than a review for this particular set, really . . .
- You can feel the Force around you.
- Quality could be better
|
Star Wars Trilogy
John Williams
Manufacturer: Sony
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Similar Items:
- Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack
- Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack
- Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
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ASIN: B0002YCVLU
Release Date: 2004-09-21 |
Tracks:
- 20th Century Fox Fanfare
- Main Title/Rebel Blockade Runner
- Imperial Attack
- Dune Sea of Tatooine/Jawa Sandcrawler
- Moisture Farm
- Hologram/Binary Sunset
- Landspeeder Searck/Attack of the Sand People
- Tales of a Jedi Knight/Learn About the Force
- Burning Homestead
- Mos Eisley Spaceport
- Cantina Band
- Cantina Band #2
- Binary Sunset [Alternate Take][*]
Tracks:
- Princess Leia's Theme
- Millennium Falcon/Imperial Cruiser Pursuit
- Destruction of Alderaan
- Death Star/The Stormtroopers
- Wookiee Prisoner/Detention Block Ambush
- Shootout in the Cell Bay/Dianoga
- Trash Compactor
- Tractor Beam/Chasm Crossfire
- Ben Kenobi's Death/Tie Fighter Attack
- Batte of Yavin: Launch from the Fourth Moon/X-Wings Draw Fire/Use ...
- Throne Roon/End Title
Tracks:
- 20th Century Fox Fanfare
- Main Title/The Ice Planet Hoth
- Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight
- Imperial Probe/Aboard the Executor
- Battle of Hoth: Ion Cannon/Imperial Walkers/Beneath the ...
- Asteroid Field
- Arrival on Dagobah
- Luke's Nocturnal Visitor
- Han Solo and the Princess
- Jedi Master Revealed/Mynock Cave
- Training of a Jedi Knight/The Magic Tree
Tracks:
- Yoda's Theme
- Imperial March (Darth Vader's Theme)
- Yoda's Theme
- Attacking a Star Destroyer
- Yoda and the Force
- Imperial Starfleet Deployed/City in the Clouds
- Lando's Palace
- Betrayal at Bespin
- Deal With the Dark Lord
- Carbon Freeze/Darth Vader's Trap/Departure of Boba Fett
- Clash of Lightsabers
- Rescue from Cloud City/Hyperspace
- Rebel Fleet/End Title
Tracks:
- 20th Century Fox Fanfare
- Main Title: Approaching the Death Star/Tatooine Rendezvous
- Droids Are Captured
- Bounty for a Wookiee
- Han Solo Returns
- Luke Confronts Jabba/Den of the Rancor/Sarlocc Sentence
- Pit of Carkoon/Sail Barge Assault
- Emperor Arrives/The Death of Yoda/Obi-Wan's Revelation
- Alliance Assembly
- Shuttle Tydirium Approaches Endor
- Speeder Bike Chase/Land of the Ewoks
- Levitation/Threepio's Bedtime Story
- Jabba's Baroque Recital
- Jedi Rocks
- Sail Barge Assault [Alternate Take][*]
Tracks:
- Parade of the Ewoks
- Luke and Leia
- Brother and Sister/Father and Son/Fleet Enters Hyperspace/Heroic Ewok
- Emperor's Throne Room
- Battle of Endor: Into the Trap/Forest Ambush/Scout Walker Scramble
- Lightsaber/The Ewok Battle
- Battle of Endor 2: Leia Is Wounded - The Duel Begins/Overtaking ...
- Endor 3: Superstructure Chase/Darth Vader's Death/The Main Reactor
- Leia's News/Light of the Force
- Victory Celebration/End Title
- Ewok Feast/Part of the Tribe
- Forest Battle (Concert Suite) [*]
Amazon.com
Given that it's largely credited with reinventing Hollywood--or at least fostering its overweening box office expectations--it's hard to imagine that the genesis of George Lucas' sprawling, multi-billion dollar Star Wars franchise was once considered a risky studio proposition at best. But Lucas himself has wisely singled out the robust, retro-romantic music of composer John Williams as the unlikely artistic linchpin that holds all of the saga's disparate dramatic, thematic and technical elements firmly together. Boxed together here then are three of the most successful and influential film scores of modern Hollywood, work that draws as much on Williams' masterful sense of classical music history as it does his own well-studied melodic and arranging instincts. Each of the three double-disc collections here contains all of the music written for Star Wars: A New Hope, Empire Strikes Back and Return of the Jedi (and even Alfred Newman's intyroductory "Fox Fanfare"), newly upgraded via Direct Stream Digital remastering that adds stunning new presence and clarity to Williams' rousing, epochal scores. Each chapter also features a lenticular 3-D cover and newly designed fold-out film poster, as well as encoded disc features allowing online access to elaborate new Star Wars screen savers; the ultimate musical compendium of the original Star Wars triptych. --Jerry McCulley
Customer Reviews:
Wonderfull Collection to have but no Orignal Art Work........2007-06-21
This is without any doubt the best musical presentation for STAR WARS trilogy with excellent remastering. Also, wonderfull music to listen.
It was arranged in same order as the movie and i think it has all the music from the films and more. Also it contain the original 20th Century Fox Fanfare recording for each movie which is rare to listen. In this way you can listen and enjoy the way was the music is recorded for each movie at that time without any enhancement, and that for Star Wars truly music lovers.
The only drawback i found that is lacking the orignal art work for each movie which are the finest and best ever. There are wonderful posters from different type, style A, B, C, and advanced, which i was expecting to see them again here or somewere els.
I was hoping and wishing from ( A Long Time Ago ... ) that they release again same original recording for Star Wars and Empire strikes back when they released first time in 1977 and 1980. I don't know why it has been decline ever since. At that time each movie released its sound track in two album with different and excellent arrangement. I believe this is a perfect arrangement and better in term of music listening. Im just hoping releasing them again with finest remastering.
A fountain of youth for a Star Wars geek.......2007-02-13
It has been a long time since I last dared to take out my old Star Wars LP, with its well remembered skips and pops. Now, thanks to the Boxed set of the Star Wars Trilogy, I can listen to it again as it was intended to sound, and as often as I like. It is like revisiting an old friend, but there are differences: for one, there is more music, and it has been restored to its actual running order, unlike the LP which cut and spliced a bit to create rounder, perhaps more balanced listening. But for a true fan of the films, it is deeply satisfying to hear the score in its proper order and entirety, even if at times it can ramble on or shift more suddenly than a typical symphonic work. That being said, John Williams is a master at composing for film, so that even taken out of context it is beautifully listenable.
The major drawback to the boxed set is the complete lack of liner notes or any kind of commentary--one of my favorite features of the old LP were the inserted notes. So much thought went into the score that it demands commentary. Admittedly, I haven't yet been able to access the "unlock and go" feature on the internet, so perhaps the lack of liner notes on the box is rectified there. Another surprise, given the fact that there is room on the CD's to include more music, alternate takes (and even an extended secret "inner groove" on the first disc), is that in the case of episode 6, music that was added for the new edition of the film is included but not the music it replaced. Admittedly this was the least interesting music in the soundtracks, namely the "pop" music in Jabba's palace and the Ewok's chant at the end, but for the sake of completion, it should also have been included. A minor quibble, and more than made up for by the inclusion of the 20th century fanfare and the second Cantina track.
All-in-all, this boxed set is a must for anyone for whom the original trilogy was a special part of their youth. It will instantly bring you back to that state of wonder when you first saw the films, and on repeated listens it will continue to reveal the genius of John Williams.
This is more of a description of the music than a review for this particular set, really . . ........2006-12-30
A New Hope:
What to say about Star Wars? It's all too known to say very much. But let me just point out a few things, instead. The Main Title track, after the fanfare calms, is quoting 'Mars' from Holst's 'The Planets'. "The Dune Sea of Tatooine" is a tribute to Stravinsky's 'The Rite of Spring'. The bonus track contains several different takes on the Main Title if you sit around and wait--there is a LOT of silence 'til it starts, but it's fascinating to hear the subtle differences from take to take. With "May the Force Be With You" and "Princess Leia's Theme", we have the beginning of the lovely, melodic leitmotifs we have come to associate with Star Wars music.
The Empire Strikes Back:
Both the best movie and the best soundtrack of the original trilogy, in my opinion. Whether or not you agree about the movie, the music here really is the best, from a professional standpoint and not just an "it's pretty!' one. Three huge things happen in this movie, musically: "Han Solo and the Princess", the love theme which is based on "Princess Leia's Theme"; "Yoda's Theme"; and, last but certainly not least, "The Imperial March". I believe the two biggest, most recognisable themes of the saga are the Main Title theme and "The Imperial March", which was constructed from half-developed "evil" cues from 'A New Hope', and also Chopin's "March funèbre, Lento" from 'Piano Sonata No.2 in B flat minor' (trust me, you know it).
The Return of the Jedi:
The only new themes (there are plentiful delectable motifs) to come out of this movie are "Parade of the Ewoks", which nearly succeeds in making the Ewoks themselves cute, and the extremely luscious "Luke and Leia". "The Emperor's Theme", introduced in 'Empire Strikes Back', is emphasised, and voices lace over the epic duel between father and son (not nearly as stimulating as the music or the fight scenes of the prequel trilogy). It is true, there are some slightly embarrassing tracks ("Threepio's Bedtime Story", "Jedi Rocks"), but somehow all is set right by the power of "Victory Celebration" (which evokes much the same in its feeling of somewhat tragic triumph that "Now We Are Free" does in 'Gladiator'). It closes the saga perfectly (and we won't be mentioning the Yub Nub song, thank you very much).
I might also mention that Star Wars themes do wonders for hearing intervals. And that knowing the intervals make relationships between themes throughout the saga that much more interesting.
You can feel the Force around you........2006-08-31
I have never owned these before and I bought them for a SW Themed Party but constantly play them, if you are a fan these are a must own, especially since they include both end tracks for EP.6 the Ewok OE and the new Calypso one from the SE. Finally all of these Disc's are CD Text Capabile.
Quality could be better.......2006-02-14
This is the best way to get the soundtrack collection of the three original films. With some minor exceptions, the tracks are in the same sequence of the films so you can follow the story unfold the same as watching the movies.
The sound quality does leave a bit to be desired overall. Granted there is only so much that can be done from the original recordings, but it seems as though they tried to over-remaster most of the tracks and did not do enough with others. This has left many of the scores sounding thin, bright and shallow. For the price of this boxed set, I would have expected a little bit more time put into making this collection sound better. Ideally, having the entire saga re-performed would have likely offered the best solution for audio purists, though likely not capatured exactly the same feel as the original performance.
Essentially, this boxed set is a trade off between having the original scores of Episodes 4 through 6 and sacrificing the overall sound quality that a John Williams performance deserves.
For a point of reference, my sound system is a B&W and McIntosh combination with the speakers being the same model as what was used in nearly all recording studios at the time of the later half of these films.
Average customer rating:
- The best Star Wars soundtrack
- Not 100% Complete!
- A Final and Astounding Work of Art from John Williams
- John Williams knows music
- Is it the best?
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Star Wars: Episode VI - Return of the Jedi
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Star Wars: Episode V - The Empire Strikes Back
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- Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
ASIN: B0002YCVK6
Release Date: 2004-09-21 |
Tracks:
- 20th Century Fox Fanfare
- Main Title/Approaching The Death Star/Tatooine Rendezvous
- The Droids Are Captured
- Bounty for A Wookiee
- Han Solo Returns
- Luke Confronts Jabba/Den Of The Rancor/Sarlacc Sentence
- The Pit of Carkoon/Sail Barge Assault
- The Emperor Arrives/The Death of Yoda/Obi-Wan's Revelation
- Alliance Assembly
- Shuttle Tydirium Approaches Endor
- Speeder Bike Chase/Land Of The Ewoks
- The Levitation/Threepio's Bedtime Story
- Sourc Music: Jabba's Baroque Recital
- Jedi Rocks
- Archival Bonus Track: Sail Barge Assault (Alternate)
Tracks:
- Parade Of The Ewoks
- Luke and Leia
- Brother and Sister/Father and Son/The Fleet Enters Hyperspace
- Emperor's Throne Room
- The Battle Of Endor
- The Lightsaber/The Ewok Battle
- THE BATTLE OF ENDOR II
- THE BATTLE OF ENDOR III
- Leia's News/Light of the Force
- Victory Celebration/End Title
- Source Music: Ewok Feast/Part Of The Tribe
- Archival Bonus Track: The Forest Battle (Concert Suite)
Customer Reviews:
The best Star Wars soundtrack.......2007-03-02
While all the Star Wars films have extraordinary soundtracks, Return of the Jedi stands slightly above it's peers in terms of music. John Williams really went all out for the finale! The attack on the Death Star, Luke's final duel with Darth Vader, the battle on the Endor moon, Vader's funeral and celebration make this one incredible CD.
Not 100% Complete!.......2006-12-24
I love this soundtrack but - This release does not contain the "jam" that the Max Reebo Band plays while Chewbacca is being led to his jail cell......I wonder why?
A Final and Astounding Work of Art from John Williams.......2005-09-23
As always, John williams brings masterful composing to the Star Wars movie screen. The sweeping and spine-tingling score will leave you breathless and stick with you for years.
It starts out a little slow, but of course all the classic themes are present. The action picks up at track 7 (Dsic 1) The Pit of Carkoon/Sail Barge Assault. The moving track 8 will announce the arrival of the infamous emperor with deep male voices and dark themes, then we are swept back to Degobah for Luke's final meeting with Yoda in slow trumpets proclaiming Yoda's news and final announcement to Luke, finally we meet Obi Wan once again, whose conversation with Luke reveals stunning news with the trumpet theme of Skywalker and the warm, comforting violins. Comical additions such as Jabba's baroque recital and Jedi Rocks close the first disc with a slower pace, almost as if it were intermission.
Disc 2 opens with the playful Parade of Ewoks, a new theme created to portray the cute but deadly inhabitants of Endor, played on flutes, trumpets, and a variety of other instruments. Next we are introduced to the change in Luke and Leia's relationship with a slow flute and violin piece showing how strong their bond has become.
Track 3, Brother and Sister, Father and Son, finds the Skywalker theme as Luke tells Leia a wonderful secret, which transitions into their new theme. The Emperor's throne room conveys the serious danger of our heros in deep male voices and sweeping music. The three battle pieces are, of course, wonderful, but by far the best part is the piece matching when the rebels prepare to charge the Death Star in a great instrumental piece.
Last is the calm after the storm, the two tracks that are by far my favorite from this soundtrack. First is track 9, Leia's News/Light of the Force, in which we begin with a sweet, grand piece with Leia's theme and Luke & Leia's theme mingling in.
Next comes possibly the most moving piece of music created by John Williams as a lone trumpet breaks from the silence, playing the Skywalker theme, and it culminates in a tremendous and shattering climax, which settles back into the trumpet skywalker theme, as if in final send of, as Luke watches the man he had feared, redeemed, finally at peace.
Lastly, except for the extra tracks, we finish with the Ewoke celebration on endor, an amazing and wonderful piece of pure joy and revelation as we close upon our heros, all having found what they were looking for in the end, and see the final gathering of old friends.
Without a doubt, this is a must-have for soundtrack afficionados!
John Williams knows music.......2005-09-09
Okay, so this isn't my favorite star wars CD but it's good. I'm still hooked on Ep III soundtrack so that's why I haven't broken this one with repeated use. Still, ROTJ was an awesome movie and the soundtrack is responsible for much of the moodsetting. Happy or sad, the tune tells all.
Is it the best?.......2005-06-25
This soundtrack CD is probably one of the best John Williams has ever had and the best among all the star wars CD soundtracks of the classic ones. The songs are much more fun and lively. John Williams knows how to translate the music so well that it can blend in perfectly with the movie.
The compositions are really magnificent and the dynamics are really great. These are really among the unique ones. Very special indeed.
Some of the great songs are Jedi rocks (The part in the movie where Jabba The Hut is entertained by the new cantina band. The song is very lively and can really make your mood a lot better. Another one is the Victory Celebration (The last part where the death star was destroyed and they went to Endor to Celebrate.) The song really captured the mood of celebration. I loved it.
Kirstie Mabitad
Average customer rating:
- A true, enduring masterpiece!
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The Egyptian
Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD
All Works by Herrmann
| Herrmann, Bernard
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ASIN: B0006SSPX0
Release Date: 2005-01-11 |
Tracks:
- Prelude/The Ruins
- Crocodile Inn/Thebes
- Chant for Dead Pharaoh
- Chariot Ride/Pursuit/Akhnaton/Put Them in Chains
- Throne Room
- Taia
- Party's End/The Offering/The Harp Player
- Deed/The Harp and Couch
- Perfection of Love/Violence
- House of the Dead/The Burial
- Valley of the Kings
- Homecoming
- Hymn to Aton
- Nefer's Farewell/Sights, Sounds and Smells
- You've Been in My Prayers
- Live for Our Son [From "The Egyptian"]
- Am I Mad?
- Princess/The True Pharaoh/The Tomb
- Danse Macabre
- Death of Merit
- Death Potion
- Death of Akhnaton
- I Am Pharaoh/Horemheb's Victorious Entrance
- Exile and Death
Customer Reviews:
A true, enduring masterpiece!.......2005-09-01
There have been many milestones in film music history that have resonated through the decades finding new audiences and inspiring new recordings.
Unique among them is "The Egyptian," a major collaboration between uber-composers Bernard Herrmann (to whom the film was assigned) and Alfred Newman (20th Century-Fox Music Department head and all-time great composer/conductor). While Herrmann got the initial assignment, the allotted time was inadequate for him to do justice to the film. Newman stepped in and developed thematic materials which Herrmann incorporated into his own desginated sections of the film, while Newman the rest.
In my opinion, "The Egyptian" -- as a film -- stands well above most epics of the 50s, but it has some serious detractors who, for whatever reasons, find no value in the authentic atmosphere, fantastic sets, stunning cinematography and brilliant music underscoring. Add to that some solid performances from Victor Mature, Jean Simmons, Peter Ustinov and Michael Wilding (plus a stolid, if uninvolving leading performance by Edmund Purdom) and you really get a stunning piece of entertainment that holds the attention, dazzles the eyes and ears and becomes emotionally involving. Wilding, as the pharaoh, has the film's -- and one of filmdom's -- best moments near the end of the film. Newman's underscoring for that scene -- called "Death of Akhnaton" -- is an example of what film scoring is all about. It also heightens awareness of what seems to be missing from many of today's film composers resumes -- intensive education in music theory, counterpoint, harmony and exposure to all forms of music. The scene is breathtaking, heartbreakingly performed and musically overwhelming, although the music is always "under" the scene rather than rampaging over it.
There are so many wonderful pieces of music in this film that I acknowledge my inadequacy to present a case for them. The proof is in the listening. From the awe-inspiring opening to the exquisite theme for "Merit" to the sinuous, hypnotic theme for "Nefer", Herrmann and Newman have created a musical palette of stunning splendors. There is no other soundtrack album like it.
I cannot overstate its importance, the splendiferousness of its performance on this recording by the 20th Century-Fox Studio Orchestra as conducted by Alfred Newman, and the glorious choral work of Newman's right-hand man, Ken Darby.
This is film music history. Any collection without it is hollow.
Average customer rating:
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Son's Room
Various Artists
Manufacturer: Pacific Time Ent.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000069KEJ
Release Date: 2002-07-23 |
Tracks:
- La Stanza Del Figlio
- La Corsa
- La Lettera Di Arianna
- Viaggio Nella Notte
- Soli
- Se Quel Giorno
- Andrea
- La Traduzione
- Domenica
- Scarabocchi
- Lungo Il Porto
- Ritorno In Citta
- Caro Diaro
- Il Campo Di Pallone
- Palombella Rossa
- Le Mamme Ci Asciugavano I Capelli
- La Messa E Finita
- Il Valzer Della Cioccolata
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